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V. Deane, D. Ferrer, G. Lernout (eds.)
James Joyce The Finnegans Wake Notebooks at Buffalo - VI.B.5
Hardback, 184 p., 280 b/w ill., 225 x 295 mm. ISBN 9782503515632. Language : English.
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V. Deane, D. Ferrer, G. Lernout (eds.)
James Joyce The Finnegans Wake Notebooks at Buffalo - VI.B.32
Hardback, 152 p., 280 b/w ill., 225 x 295 mm. ISBN 9782503515649. Language : English.
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V. Deane, D. Ferrer, G. Lernout (eds.)
James Joyce The Finnegans Wake Notebooks at Buffalo - VI.B.47
Hardback, 96 p., 0 b/w ill. + 72 colour ill., 225 x 295 mm. ISBN 9782503515656. Language : English.
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H.L. VANDERLINDEN.
Effectieve golflengten van 1153 sterren in den galactischen sterrenhoop Messier 67.
Gebrocheerd, originele uitgeversomslag, 18x26cm, 78 p., 9 tab., 9 fig. Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n?° 15.
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J. McClellan III, F. Regourd
Colonial Machine. French Science and Overseas Expansion in the Old Regime
Hardback, 696 p., 34 b/w ill. + 2 colour ill., 155 x 240 mm. ISBN 9782503532608. The rise of modern science and European colonial and imperial expansion are indisputably two defining elements of modern world history. James E. McClellan III and Francois Regourd explore these two world-historical forces and their interactions in this comprehensive and in-depth history of the French case in the Old Regime presented here for the first time. The case is key because no other state matched Old-Regime France as a center for organized science and because contemporary France closely rivaled Britain as a colonial power, as well as leading all other nations in commodity production and participating in the slave trade. Based on extensive archival research and vast primary and secondary literatures and sharply reframing the historiography of the field, this landmark volume traces the development and significance for early-modern history of the Colonial Machine of Old-Regime France, an unparalleled agglomeration of institutions geared to the success of the French colonial enterprise, including the Royal Navy, the Academie Royale des Sciences, the Jardin du Roi, and a host of related specialist institutions working together at home and overseas. Mainly supported by the French state, the Colonial Machine reveals itself through its actions from the time of Colbert and Louis XIV as it grappled with fundamental problems facing contemporary European colonialism: cartography and navigation; medical care of sailors, colonists, and slaves; and applied botany and commodity production. Historians of globalization and European overseas expansion, of Old-Regime France, and of science in the seventeenth and eighteenth centuries will henceforth take this stimulating volume as a necessary starting point for further reflection and research. Languages : French, English.
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T. Van Houdt (ed.)
Antonius a Burgundia Linguae vitia et remedia (Antwerp, 1631)
Hardback, 166 p., 160 x 235 mm. ISBN 9782503507743. This first modern reprint of Antonius a Burgundia?s neat and concise emblem book is based on the copy in the Royal Library Albert I at Brussels, and focuses on the vices of the tongue: abuse, equivocation, insults, detraction, blasphemy, lying, perjury, and calumny. This first modern reprint of Antonius a Burgundia's neat and concise emblem book Lingua vitae et remedia is based on the copy in the Royal Library Albert I at Brussels. The book focusses on one extremely important issue: the vices of the tongue-abuse, equivocation, insults, detraction, blasphemy, lying, perjury and calumny. It was issued almost simultaneously in Latin and Dutch with the vices of speech, the second offers remedies for such defects. In a wide-ranging introduction Van Houdt discusses the cultural and literary context of the book and the issues it raises, setting it in the intellectual framework which shaped its pedagogical principles and ethical ideas. The catalogue of sins and remediescan be traced back to theological and humanistic sources, among which Erasmus'diatribe Lingua holds a special place.The appendix includes collated variants, an index of Latin mottoes with an English translation, a list of pictorial motifs, and an index of themes. Languages : English.
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G.R. Dimler (ed.)
J. Kreihing Emblemata ethico-politica (Antwerp, 1661)
Hardback, 228 p., 160 x 235 mm. ISBN 9782503507750. With its 160 emblems this book is a veritable catalogue of mid-seventeenth century life and morality, advertising ?social-political? concern with civic morality, and embraces the whole of society from kings to beggars. With its 160 emblems this book is a veritable catalogue of mid-seventeenth life and morality. Its title advertises the book's "social-political" concern with civic morality, and embraces the whole of society from kings to beggars. The scope of this emblem book, written by a Dutch Jesuit working in Germany, is impressive. The major themes are religious faith, God, eternity,kingly conduct, war, victory, courtly life, advice to rulers, education, virtue, moderation, conscience, self-knowledge, modesty and chastity. He also treats bourgeois life and values, transience, folly, chance, vanity and satires on women. In fact, Kreihing has something to say about almost everything: gambling, gossip, gluttony, prostitution, suicide, pick-pockets, dress codes, cosmetics, nude bathing, bribery, female treachery, illicit love and taxation. The full introduction is followed by an alphabetical list of Kreihing's mottoes with their English translations. A second index lists the key motifs in the emblem pictures. Languages : English.
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S. Modersheim (ed.)
Hieronymus Ammon Imitatio Crameriana (Nuremberg 1649)
Hardback, 130 p., 160 x 235 mm. ISBN 9782503507804. This book is an edition of Hieronymus Ammon?s Imitatio Crameriana, which is a compilation of forty heart emblems in imitation of Daniel Cramer?s Emblemata Sacra, and in the context of contemporary Nuremberg as a thriving centre of culture important as a theory of learning and translation. In 1649 Hieronymus Ammon, a town lawyer in Nuremberg, published a sophisticated bilingual emblem book in Latin and German under the title Imitatio Crameriana. The book is a compilation of forty heart emblems, imitations of Daniel Cramer's Emblemata Sacra. At this time Nuremberg was a centre of economic and political power, and boasted a thriving culture. The town's poets had a serious interest in rhetoric and poetics, and they showed an appreciation for the vernacular culture that was being promoted by the Sprachgesellschafften. In this context the notion of imitatio is important as a theory of learning and translation. Imitating classical patterns was considered a means to develop style through independent variation. Cramer's heart emblems were considered by Ammon and his friends as an ideal model. Even more so because they adhered to orthodox protestant dogma. Thus these emblems fulfilled the expectations of erudition and wit, while satisfying protestant principles of scripture. Most of the biblical mottoes were texts used for daily sermons in the Lutheran church. The substantial introduction is followed by a list of Ammon's Latin mottoes which are juxtaposed with their source mottoes in Cramer's emblems and accompanied by English translations; there is also a second list of the key motifs in the emblem pictures. Languages : English.
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P. M. Daly
Andrea Alciato, Jeremias Held Jeremias Held. 'Liber Emblematum' (Frankfurt-am-Main 1566)
Hardback, VI+238 p., 301 b/w ill., 160 x 235 mm. ISBN 9782503525396. This work by Jeremias Held (Henry Green, no. 74) is the second German translation of the emblems of Andrea Alciato, who is rightfully known as pater et princeps of the emblem. The first German translation was written by Wolfgang Hunger and published by Chrestien Wechel in a bilingual Latin-German edition in Paris in 1542. Held's version, printed in 1566 and 1580, has never before been offered in its entirety in a modern reprint. It, too, is a bilingual edition with the Latin texts followed by Held's German version. Jeremias Held produced this, the second German translation, which appeared in a 1566 and a 1580 edition. The 1566 edition was printed in Frankfurt-am-Main by Georg Raben for Simon Huter and Sigmund Feyerabend. The colophon is dated 1567. Held's version contains 132 woodcuts in text to Alciato's 212 emblems, and they are numbered i-ccxvii. The numbering of the emblems has caused some confusion. Henry Green (190) hastily called the number 217 a misprint, but it is not. The number 217 is correct and derives from the separate numbering of the alternative versions of the epigrams, which Alciato had labled ?aliud,? to four of the emblems. Held's written German is simple and colloquial. In fact it is sloppy. In matters of orthography, we cannot know if the typesetting accurately represents his intentions, but it probably does. Languages : English, Latin.
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A. Adams (ed.)
Jean Jacques Boissard's Emblematum liber / Emblemes latins (Metz,1588). Metz, A. Faber, 1588 Facsimile Edition Using Glasgow University Library SM Add 415, with a Critical Introduction and Notes
Hardback, XXIV+172 p., 160 x 235 mm. ISBN 9782503517551. Boissard's Emblematum liber (1588) is one of the most complex and fascinating we possess: it comprises 42 emblems, each occupying an opening, with a quatrain in Latin by Boissard, a sonnet in French by Pierre Joly, and sophisticated engravings, many of them including more text, much of it in Greek. It is a daunting work but one which amply repays study and attention. Two particularly interesting features are 1) the autograph manuscript at the Bibliotheque de l'Institut in Paris which, as well as giving Boissard's own pictura, almost certainly used by the engraver, contains a prose commentary in French, and 2) the Brussels copy of the 1588 edition, a presentation copy to Louis Malarmey, which has Greek citations of relevance to our understanding of the emblems added, again in Boissard's own hand. I would need to refer to these regularly. The edition includes a critical introduction, situating the work, and a substantial critical apparatus. Languages : English, Latin, French.
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In Monte Artium. Journal of the Royal Library of Belgium, 1, 2008
Paperback, 196 p., 62 b/w ill., 200 x 280 mm. ISBN 9782503529813. The new journal In Monte Artium offers papers which in one way or another relate to the ancient or modern book collections or to any other document kept in one of the heritage collections of the Royal Library of Belgium (manuscripts, prints & drawings, maps, coins & medals, etc.). The academic contributions deal with book history and book production as well as all aspects of technical innovations relating to the development of modern research libraries. La nouvelle revue In Monte Artium presente des articles qui, d'une facon ou d'une autre, se rapportent aux collections anciennes ou modernes, ou a tout autre document conserve dans les collections de la Bibliotheque Royale de Belgique (manuscrits, impressions et dessins, cartes, monnaies et medailles, etc.). Les contributions academiques concernent l'histoire du livre et de sa production ainsi que tous les aspects ou innovations techniques dans le domaine du developpement des bibliotheques de recherche modernes. Languages : English, French.
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In Monte Artium. Journal of the Royal Library of Belgium, 2, 2009
Paperback, 244 p., 62 b/w ill., 200 x 280 mm. ISBN 9782503532257. Cecile Arnould, Un tresor numismatique dans le socle de la statue de Charles de Lorraine : Quelques aspects des ceremonies de fondation et d?inauguration des monuments sous le regne de Leopold Ier a Bruxelles Marie Cornaz et Denis Helin, Yvonne Guide et l?avant-garde musicale en Belgique Gaelle Courtois, L?idee europeenne de Louis Dumont-Wilden de 1890 a 1918 Anne Dubois, De Rouen vers les Pays-Bas bourguignons: le manuscrit 9078 de la Bibliotheque royale de Belgique Xavier Duquenne, Le prince Charles de Ligne graveur (1759-1792) Sandrine Thieffry, Le Guide musical: une creation de l'editeur Pierre Schott Jean-Louis Van Belle, Les theories d?Henri Lambert (1862-1934) face a la presse francophone. Christiane Pantens, Au fil des armoriaux Raf Van Laere, Medieval coin models and pieforts of the Southern Low Countries kept in the coin cabinet of Brussels Michiel Verweij, Latijnse brieven van Theodorus van der Ameijden (1586-1656): Biblioteca Apostolica Vaticana, ms. Ottob. lat. 2318. Languages : English, French, Dutch.
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A. Diels (ed.)
In Monte Artium. Journal of the Royal Library of Belgium, 3, 2010 Du trait de plume au coup de pinceau: gravures d'invention et de reproduction en Europe au XVIIe siecle. Journee d'etude, Bruxelles, Bibliotheque royale de Belgique, 27 novembre 2009.
Paperback, 213 p., 200 x 280 mm. ISBN 9782503533285. Severine Lepape, Les editeurs de la rue Montorgueil et les gravures flamandes : la production des Mathoniere Vanessa Selbach, L'activite de l'editeur d'estampes parisien Jean Messager (vers 1570/75?-1649) : l'affirmation de la gravure fancaise du premier quart du XVIIe siecle, au carrefour des influences flamandes et italiennes Lena Widerkehr, La fortune de Hendrick Goltzius dans la dynastie des graveurs Matham, Jacob, le pere, et ses deux fils : assimilation du modele et adaptation au gout dans la premiere moitie du XVIIe siecle Frederic Jimeno Sole, La rivalite commerciale entre les editeurs d'estampes francais et flamands en Espagne : le temoignage de Jusepe Martinez (1669-1677) Karen Bowen en Dirk Imhof, Exchanges between friends and relatives, artists and their patron: the Correspondence between Cornelis Galle I and II and Balthasar Moretus I Ad Stijnman, Experiment and trial: Technical developments in 17th-century intaglio printmaking, an overview Ann Diels, The Siren Song of the Graphic Arts : The Involvement of 17th Century Antwerp History Painters with Printmaking Alain Jacobs, Johann-Baptist Berterham. Un graveur prolifique au service de l'edition bruxelloise autour de 1700. Premier essai de catalogue. Languages : English, French.
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A. Diels (ed.)
In Monte Artium. Journal of the Royal Library of Belgium, 4, 2011
Paperback, 235 p., 8 b/w ill. + 202 colour ill., 200 x 280 mm. ISBN 9782503536460. Renaud Adam, Le berceau d'une collection : les incunables de Charles Van Hulthem (1764-1832). Cecile Arnould, Pacata Europea. Les allegories de Pax dans les medailles de la Paix de Riswyck (1697). Gwendolyne Denhaene, Les debuts de la collection d'estampes japonaises de la Bibliotheque royale de Belgique. Marcus de Schepper, Ein Musikbuch fur Martin Luther. Das Brusseler Exemplar von Ludwig Senfls Magnificat octo tonorum (Nurnberg 1537). Xavier Duquenne, Le graveur Meryon en Belgique pour le duc d'Arenberg, 1857-1858. Anneliese Op de Beeck, Het boek in Belgie van 1875 tot 2005: een bibliometrisch onderzoek naar de collectie van de Belgische Bibliografie. Charlotte Sillon, Sylvia Nieto-Pelletier et Jean-Marc Doyen, Archeologie et numismatique gauloise : une contribution du Cabinet des Medailles de Bruxelles a l'histoire des Remes et des Trevires Claude Sorgeloos, Tranches peintes a sujets numismatiques : les Van Loon et Van Mieris provenant de la collection Geelhand. Joris van Grieken, View of the Strait of Messina. A rediscovered drawing after Pieter Bruegel the Elder. A new acquisition of the Print Room of the Royal Library of Belgium. Johan van Heesch, Mercator et William Parsons representes sur une medaille d'argent gravee par Simon de Passe et Simon Gribelin. Languages : English, French, German.
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A. Diels (ed.)
In Monte Artium. Journal of the Royal Library of Belgium, 5, 2012
Paperback, approx. 200 p., 200 x 280 mm. ISBN 9782503543802. Languages : English, French.
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Journal of Celtic Studies 1-2 (1949/1950 & 1953/1958) [rpt]
Paperback, XII+508 p., 160 x 240 mm . ISBN 9782503515724. The Journal of Celtic Studies was founded by Professor Howard Maxwell Meroney: its first issue appeared in 1949 and rapidly gave the new publication a distinctive character. Meroney's last volume appeared in 1982/3, co-edited with David Dumville. From 2003 The Journal of Celtic Studies has been revived as an annual publication, each issue containing approximately 250 pages. The first volume in the parallel book-series, 'Publications of the Journal of Celtic Studies', was also published in 2003. Languages : English.
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Journal of Celtic Studies 3 (1981-1982) [rpt]
Paperback, IV+180 p., 160 x 240 mm. ISBN 9782503515731. The Journal of Celtic Studies was founded by Professor Howard Maxwell Meroney: its first issue appeared in 1949 and rapidly gave the new publication a distinctive character. Meroney's last volume appeared in 1982/3, co-edited with David Dumville. From 2003 The Journal of Celtic Studies has been revived as an annual publication, each issue containing approximately 250 pages. The first volume in the parallel book-series, 'Publications of the Journal of Celtic Studies', was also published in 2003. Languages : English.
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Journal of Celtic Studies 4 (2004)
Paperback, XII+269 p., 160 x 240 mm. ISBN 9782503513782. The Journal of Celtic Studies was founded by Professor Howard Maxwell Meroney: its first issue appeared in 1949 and rapidly gave the new publication a distinctive character. Meroney's last volume appeared in 1982/3, co-edited with David Dumville. From 2003 The Journal of Celtic Studies has been revived as an annual publication, each issue containing approximately 250 pages. The first volume in the parallel book-series, 'Publications of the Journal of Celtic Studies', was also published in 2003. Languages : English.
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L. Russell-Smith, J. Lerner (eds.)
Journal of Inner Asian Art and Archaeology 2/2007
Paperback, 200 p., 20 colour ill., 215 x 280 mm. ISBN 9782503525532. The Journal of Inner Asian Art and Archaeology is a new journal launched by the Circle of Inner Asian Art, replacing its Newsletter (Issues 1-20, 1995-2005), which has become a major forum for discussion and publication of current international research projects and fieldwork concerning the art and archaeology of Central and Inner Asia. Uniquely the journal covers the vast regions flanking the ancient Silk Roads from the Iranian world to western China and from the Russian steppes to north-western India. The journal mainly focuses on the pre-Islamic period of art and archaeology of Inner Asia. Related scholarly articles on language and history are also published. Le Journal of Inner Asian Art and Archaeology est une nouvelle revue lancee par le Circle of Inner Asian Art, remplacant la Newsletter (parutions 1 a 20, 1995-2005), qui etait devenue un forum de discussion et de publication important pour les projets de recherche et de travail de terrain sur l'art et l'archeologie de la Haute-Asie. Fait unique, la revue couvre les vastes regions cotoyant les anciennes routes de la soie, du monde iranien a la Chine occidentale et des steppes russes a l'Inde du nord-ouest. Le centre d'interet principal de la revue sera la periode pre-islamique dans l'art et l'archeologie de la Haute-Asie. Des articles scientifiques connexes sur les langues et l'histoire seront egalement publies. Languages : English.
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Journal of Medieval Latin 19/2009
Paperback, XIV+355 p., 160 x 250 mm. ISBN 9782503527321. Richard Sharpe, Anselm as Author - Sven Meeder, The Liber ex lege Moysi: Notes and Text - A.G. Rigg, Adam of Barking: Work in Progress - Frank Coulson, Addenda and Corrigenda to Incipitarium Ovidianum (II) - James McCune, The Sermons on the Virtues and Vices for Lay Potentates in the Carolingian Sermonary of Salzburg - Constant J. Mews, Discussing Love: The Epistolae duorum amantium and Abelard's Sic et Non - Rory Naismith Real and Metaphorical Libraries in Virgil the Grammarian's Epitomae and Epistolae - Westley Follett, Archangelum mirum magnum: an Hiberno-Latin Poem Attributed to Mael Ruain of Tallaght. Languages : English, Latin.
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Journal of Medieval Latin 20/2010
Paperback, XXXIV+350 p., 3 b/w ill., 160 x 250 mm. ISBN 9782503533346. Andrew Cain, Patrick's Confessio and Jerome's Epistula 52 to Nepotian - Jennifer Karyn Reid, Patrician and Augustinian Ideas of the 'Inner Man' - Rita Copeland, Naming, Knowing, and the Object of Language in Alexander Neckam's Grammar Curriculum - Richard Matthew Pollard, Denuo on Lucan, the Orpheus and 'Aethicus Ister' : Nihil Sub Sole Novum - Michael Winterbottom, William of Malmesbury and the Normans - Nicholas Perkins, Biblical Allusion and Prophetic Authority in Gildas's De excidio Britanniae - David C. Cox, The Literary Remains of Adam, Abbot of Evesham (1161-1189) - Richard M. A. Marshall, Studies on the 'Ars Grammatici Sergi{li}i' with an Edition - Tina Chronopoulos, Brief Lives of Sidonius, Symmachus, and Fulgentius Written in Early Twelfth Century England. Languages : English, Latin.
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Journal of Medieval Latin 21/2011
Paperback, XII+307 p., 178 x 254 mm. ISBN 9782503536248. Martin Camargo, From Liber versuum to Poetria nova: The Evolution of Geofrey of Vinsauf's Masterpiece - Josep Pujol, The Hispanic Vernacular Reception of William of Orleans's Bursarii ovidianorum: The Translations of Ovid's Heroides - Michael Winterbottom, Bede's Homily on Benedict Biscop (Hom. i. 13) - Gregory Hays, John of Garland's Clauis Compendii: Notes and Explications - Marina Smyth, The Seventh-Century Hiberno-Latin Treatise Liber de ordine creaturarum. A Translation - Winthrop Wetherbee, Alan of Lille, De planctu Naturae: The Fall of Nature and the Survival of Poetry - J. R. Webb, Review Essay: Claves and Clavigeri: Medieval Source Repertories in the Twenty-First Century. Languages : English, Latin.
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M.-L. Demonet (ed.)
Journal de la Renaissance 1/2000
Paperback, 358 p., + ills., 210 x 270 mm. ISBN 9782252033463. The Journal de la Renaissance aims to be a forum for research on the Renaissance, and is based at the Centre d'Etudes Superieures de la Renaissance (Universite de Tours). The Journal is home to volumes on the whole range of disciplines covering the Renaissance, defined as being the period from Petrarch through to Descartes. Contributions are welcome in any European language. The periodical is no longer published. Last available issue: 2008. Le Journal de la Renaissance est une revue plurilingue et interdisciplinaire sur la Renaissance, consideree dans une chronologie qui va de Petrarque a Descartes. Le Journal de la Renaissance se veut une tribune permettant non seulement de rendre compte des travaux qui se menent a Tours dans le cadre de colloques et de journees d'etudes mais egalement de donner la parole aux specialistes d'Europe et d'ailleurs dont les contributions beneficieront d'une mise en perspective pluridisciplinaire. La revue a cesse de paraitre. Dernier numero disponible: 2008. Languages : English, French, Italian.
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M.-L. Demonet, P. Brioist (eds.)
Journal de la Renaissance 2/2004
Paperback, 312 p., 3 colour ill. + + ills., 210 x 270 mm. ISBN 9782503514987. The Journal de la Renaissance aims to be a forum for research on the Renaissance, and is based at the Centre d'Etudes Superieures de la Renaissance (Universite de Tours). The Journal is home to volumes on the whole range of disciplines covering the Renaissance, defined as being the period from Petrarch through to Descartes. Contributions are welcome in any European language. The periodical is no longer published. Last available issue: 2008. Le Journal de la Renaissance est une revue plurilingue et interdisciplinaire sur la Renaissance, consideree dans une chronologie qui va de Petrarque a Descartes. Le Journal de la Renaissance se veut une tribune permettant non seulement de rendre compte des travaux qui se menent a Tours dans le cadre de colloques et de journees d'etudes mais egalement de donner la parole aux specialistes d'Europe et d'ailleurs dont les contributions beneficieront d'une mise en perspective pluridisciplinaire. La revue a cesse de paraitre. Dernier numero disponible: 2008. Languages : English, French, Italian.
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M.-L. Demonet, P. Brioist (eds.)
Journal de la Renaissance 3/2005
Paperback, 316 p., 35 b/w ill., 210 x 270 mm. ISBN 9782503516851. The Journal de la Renaissance aims to be a forum for research on the Renaissance, and is based at the Centre d'Etudes Superieures de la Renaissance (Universite de Tours). The Journal is home to volumes on the whole range of disciplines covering the Renaissance, defined as being the period from Petrarch through to Descartes. Contributions are welcome in any European language. The periodical is no longer published. Last available issue: 2008. Le Journal de la Renaissance est une revue plurilingue et interdisciplinaire sur la Renaissance, consideree dans une chronologie qui va de Petrarque a Descartes. Le Journal de la Renaissance se veut une tribune permettant non seulement de rendre compte des travaux qui se menent a Tours dans le cadre de colloques et de journees d'etudes mais egalement de donner la parole aux specialistes d'Europe et d'ailleurs dont les contributions beneficieront d'une mise en perspective pluridisciplinaire. La revue a cesse de paraitre. Dernier numero disponible: 2008. Languages : English, French, Italian.
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M.-L. Demonet (ed.)
Journal de la Renaissance 4/2006
Paperback, 360 p., 210 x 270 mm. ISBN 9782503523026. The Journal of Inner Asian Art and Archaeology is a new journal launched by the Circle of Inner Asian Art, replacing its Newsletter (Issues 1-20, 1995-2005), which has become a major forum for discussion and publication of current international research projects and fieldwork concerning the art and archaeology of Central and Inner Asia. Uniquely the journal covers the vast regions flanking the ancient Silk Roads from the Iranian world to western China and from the Russian steppes to north-western India. The journal mainly focuses on the pre-Islamic period of art and archaeology of Inner Asia. Related scholarly articles on language and history are also published. Le Journal of Inner Asian Art and Archaeology est une nouvelle revue lancee par le Circle of Inner Asian Art, remplacant la Newsletter (parutions 1 a 20, 1995-2005), qui etait devenue un forum de discussion et de publication important pour les projets de recherche et de travail de terrain sur l'art et l'archeologie de la Haute-Asie. Fait unique, la revue couvre les vastes regions cotoyant les anciennes routes de la soie, du monde iranien a la Chine occidentale et des steppes russes a l'Inde du nord-ouest. Le centre d'interet principal de la revue sera la periode pre-islamique dans l'art et l'archeologie de la Haute-Asie. Des articles scientifiques connexes sur les langues et l'histoire seront egalement publies. Languages : English.
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M.-L. Demonet (ed.)
Journal de la Renaissance 5/2007
Paperback, 426 p., 210 x 270 mm. ISBN 9782503525501. The Journal of Inner Asian Art and Archaeology is a new journal launched by the Circle of Inner Asian Art, replacing its Newsletter (Issues 1-20, 1995-2005), which has become a major forum for discussion and publication of current international research projects and fieldwork concerning the art and archaeology of Central and Inner Asia. Uniquely the journal covers the vast regions flanking the ancient Silk Roads from the Iranian world to western China and from the Russian steppes to north-western India. The journal mainly focuses on the pre-Islamic period of art and archaeology of Inner Asia. Related scholarly articles on language and history are also published. Le Journal of Inner Asian Art and Archaeology est une nouvelle revue lancee par le Circle of Inner Asian Art, remplacant la Newsletter (parutions 1 a 20, 1995-2005), qui etait devenue un forum de discussion et de publication important pour les projets de recherche et de travail de terrain sur l'art et l'archeologie de la Haute-Asie. Fait unique, la revue couvre les vastes regions cotoyant les anciennes routes de la soie, du monde iranien a la Chine occidentale et des steppes russes a l'Inde du nord-ouest. Le centre d'interet principal de la revue sera la periode pre-islamique dans l'art et l'archeologie de la Haute-Asie. Des articles scientifiques connexes sur les langues et l'histoire seront egalement publies. Languages : English, French, Italian.
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M.-L. Demonet (ed.)
Journal de la Renaissance 6/2008
Paperback, 323 p., 65 b/w ill., 210 x 270 mm. ISBN 9782503528038. The Journal of Inner Asian Art and Archaeology is a new journal launched by the Circle of Inner Asian Art, replacing its Newsletter (Issues 1-20, 1995-2005), which has become a major forum for discussion and publication of current international research projects and fieldwork concerning the art and archaeology of Central and Inner Asia. Uniquely the journal covers the vast regions flanking the ancient Silk Roads from the Iranian world to western China and from the Russian steppes to north-western India. The journal mainly focuses on the pre-Islamic period of art and archaeology of Inner Asia. Related scholarly articles on language and history are also published. Le Journal of Inner Asian Art and Archaeology est une nouvelle revue lancee par le Circle of Inner Asian Art, remplacant la Newsletter (parutions 1 a 20, 1995-2005), qui etait devenue un forum de discussion et de publication important pour les projets de recherche et de travail de terrain sur l'art et l'archeologie de la Haute-Asie. Fait unique, la revue couvre les vastes regions cotoyant les anciennes routes de la soie, du monde iranien a la Chine occidentale et des steppes russes a l'Inde du nord-ouest. Le centre d'interet principal de la revue sera la periode pre-islamique dans l'art et l'archeologie de la Haute-Asie. Des articles scientifiques connexes sur les langues et l'histoire seront egalement publies. Languages : English, French, German.
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lettres romanes - 63.1-2 (2009)
Paperback, 168 p., 156 x 234 mm. ISBN 9782503534114. Languages : French.
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lettres romanes - 64.3-4 (2010) La pseudonymie dans les litteratures francophones)
Paperback, 358 p., 156 x 234 mm. ISBN 9782503534107. Languages : French.
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lettres romanes - 62.1-2 (2008)
Paperback, 168 p., 156 x 234 mm. ISBN 9782503534138. Languages : French.
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lettres romanes - 62.3-4 (2008)
Paperback, approx. 250 p., 156 x 234 mm. ISBN 9782503534145. Languages : French.
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lettres romanes - 61.1-2 (2007)
Paperback, approx. 168 p., 156 x 234 mm. ISBN 9782503534152. Languages : French.
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lettres romanes - 65.3-4 (2011) L'un et le multiple. L'Europe de Borges, Borges pour l'Europe
Paperback, approx. VII+298 p., 156 x 234 mm. ISBN 9782503536378. Languages : French.
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lettres romanes - 61.3-4 (2007)
Paperback, approx. 270 p., 156 x 234 mm. ISBN 9782503534169. Languages : French.
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lettres romanes - 64.1-2 (2010) Le contretemporain poetique
Paperback, VI+226 p., 156 x 234 mm. ISBN 9782503533957. Languages : French.
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lettres romanes - 65.1-2 (2011)
Paperback, 314 p., 156 x 234 mm. ISBN 9782503536361. Languages : French.
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lettres romanes - 66.1-2 (2012) l'Ile dans la litterature
Paperback, VIII+345 p., 7 b/w ill., 156 x 234 mm. ISBN 9782503541075. Languages : French.
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R. Utz, T. Shippey (eds.)
Medievalism in the Modern World Essays in Honour of Leslie Workman
Hardback, XIV+452 p., 165 x 245 mm. ISBN 9782503501666. This interdisciplinary collection of essays from leading scholars in Europe, North America, and Australia examine the phenomenon of medievalism from the perspective of history, politics, scholarship, art, and literature. The twenty-six essays in this volume examine the process of creating the Middle Ages. In doing so, they honour Leslie Workman, who has led the revival of the study of medievalism in the past two generations, and leads this sub-discipline towards the comprehensiveness that Lord Acton as early as 1859 had promised: ?Two great principles divide the world, and contend for the mastery: antiquity and the Middle Ages. These are the two civilizations that have preceded us, the two elements of which ours is composed. All political as well as religious questions reduce themselves practically to this. This is the great dualism that runs through our society.` While using differnt approaches and discussing topics in a variety of specialised fields, the contributions clearly centre on negotiating the reception of medieval culture in the Early Modern, Modern and Contemporary periods, thus presenting a broad and representative picture of current research in medievalism. Languages : English.
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D. Matthews
Invention of Middle English An Anthology of Sources, 1700-1864
Hardback, XII+244 p., 165 x 245 mm. ISBN 9782503507699. The documents presented here highlight the uncertain and haphazard way in which Middle English language and literature was shaped by antiquarians in the eighteenth and ninteenth centuries. Languages : English.
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R. Utz
Chaucer and the Discourse of German Philology A History of Reception and an Annotated Bibliography of Studies, 1798-1948
Hardback, XXII+446 p., 160 x 240 mm. ISBN 9782503510866. This publication focuses on the genesis of modern Chaucer criticism, which was heavily formed by German philologists, and emphasizes the 'Chaucerphilology` of 1870-1914. In the nineteenth and early twentieth century, German-speaking scholars played a decisive role in founding and shaping the study of medieval and early modern English language and culture. During this process, aesthetic and literary enthusiasms were gradually replaced, first by broadly comparative and then by increasingly narrow scientistic practices, all confusingly subsumed under the term 'philology'. Towards 1871, German and Austrian Anglicists were successful at imposing-- for about 30 years -- many of their philological discoursive practices on their English-speaking counterparts by focusing on strict textual criticism, chronology, historical linguistics, prosody, and literary history. After World War I, these philological practices were rejected in the U.K. and the United States because they were 'Made in Germany', but have remained essential features of German medieval scholarship until the present day. This book offers a case study of these foundational developments by investigating the reception of Geoffrey Chaucer by eminent scholars such as V.A. Huber, W. Hertzberg, B. ten Brink, J. Zupitza, E. Fluegel, and J. Koch. The narrative of their nationalist, scientist, and self-fashioning efforts is complemented by a comprehensive annotated bibliography of German Chaucer criticism between 1793 and 1948. Languages : English.
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M. Clunies Ross (ed.)
Old Norse Poetic Translations of Thomas Percy A New Edition and Commentary
Hardback, XIV+290 p., 160 x 240 mm. ISBN 9782503510774. This study comprises a facsimile of the Old Norse poetic translations of Thomas Percy, with facing-page notes to allow the modern reader to situate Percy's work in its intellectual context. Thomas Percy was the first serious translator of Old Norse-Icelandic poetry into English. He published his Five Pieces of Runic Poetry in London in 1763 and in 1770 published his translation of Mallet's very influential work on early Scandinavian literature and culture as Northern Antiquities (with extensive annotations and additions by Percy himself). In publishing Five Pieces, Percy was influenced by the success of Macpherson's first volume of Ossian poetry (1760) and his own wide-ranging interest in ancient, especially 'gothic' poetry. Five Pieces had a mixed reception and was never republished as a separate work, but reappeared as an appendix to the second edn. of Northern Antiquities. Nevertheless, it was a seminal work in the history of reception and understanding of Old Norse poetry in Britain and it also has more general significance in our understanding of the development of the discipline of Old Norse-Icelandic studies. This work makes available to the modern scholarly community the work of one of the pioneers of the discipline and produces in easily accessible format a text that is currently only available as a rare book. The study comprises a facsimile of the 1763 edition, with facing-page notes to allow the modern reader to situate Percy's work in its intellectual context, together with an introduction on Percy himself, his work on Old Norse-Icelandic studies, and the contemporary context of the reception of Old Norse poetry in Britain (and to some extent in the rest of Europe). In addition, this study publishes eight other poetic translations (one from Old English and the others from Old Icelandic) that Percy completed about the same time as the translations now in Five Pieces of Runic Poetry, but did not then publish, due to the restrictions of contemporary tolerance for demanding or difficult 'ancient' poetry. This publication reveals his full range as a translator for the first time. Languages : English.
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J. Kennedy
Translating the Sagas Two Hundred Years of Challenge and Response
Hardback, X+221 p., 160 x 240 mm. ISBN 9782503507729. Few speakers of English have ever been able to read the Icelandic sagas in the original language, and published saga translations have played a major role in shaping attitudes towards Viking Age Scandinavia and the great literary achievements of medieval Iceland in the English-speaking world. This book is the first publication to provide an extended examination of the history and development of Icelandic saga translations into English from their beginnings in the eighteenth century to today. It explores reasons for undertaking saga translation, and the challenges confronting translators. Chapters are devoted to the pioneering saga translations, the later Victorian and Edwardian eras, the often-neglected period of the two World Wars and their aftermath, and the upsurge of saga translation in the second half of the twentieth century. The contributions of individual translators and teams are reviewed, from James Johnstone in the 1780s through major Victorians such as Samuel Laing, George Webbe Dasent, and William Morris, distinguished twentieth century figures such as Lee M. Hollander, Gwyn Jones, Magnus Magnusson and Hermann Palsson, and George Johnston, and the great co-operative project which produced The Complete Sagas of Icelanders at the century?s end. The book concludes with saga translation facing interesting new possibilities and challenges, not least those generated by information technology. Languages : English.
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J. Johnston
George Eliot and the Discourses of Medievalism
Hardback, X+210 p., 160 x 240 mm. ISBN 9782503507736. In George Eliot's last two novels, Middlemarch (1871-72) and Daniel Deronda (1876), she abandons the realism she had explored and articulated so carefully, most famously in Adam Bede, 'a faithful account of men and things', for an unprecedented return to 'cloud-borne angels, [...] prophets, sibyls, and heroic warriors'. This study addresses Eliot's exploitation of Victorian medievalism by considering the way in which she utilizes the discourses of medievalism, both for their potential for subversiveness and their potential for mediation, to affirm that change is possible socially, culturally, and politically, in her modern contemporary world. The various medieval discourses are revealed as interstices within what initially appears to be a continuation of the realism of her earlier novels. They permit political and cultural readings of a different, and often unexpected, kind to the realist bourgeois values of novels like Adam Bede, and to a lesser extent, Felix Holt. These political and cultural readings reveal a more determined, more obvious feminist and socialist polemic in her two last and possibly greatest novels. Languages : English.
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L. D'Arcens, J. Ruys (eds.)
Maistresse of My Wit Medieval Women, Modern Scholarship
Hardback, X+384 p., 160 x 240 mm. ISBN 9782503511658. This volume explores the reciprocal relationships that can develop between medieval women writers and the modern scholars who study them. Taking up the call to 'research the researcher', the authors indicate not only what they bring to their study from their own personal experience, but how their methodologies and ways of thinking about and dealing with the past have been influenced by the medieval women they study. Medieval women writers discussed include those writing in the vernacular such as Christine de Pizan and Margaret Paston, those writing in Latin such as Hildegard of Bingen, Heloise, and Birgitta of Sweden, and the works transcribed from women mystics such as Margery Kempe, Hadewijch, and Julian of Norwich. Attention is also given to medieval women as the readers, consumers and patrons of written works. Issues considered in this volume include the place of ethics, interestedness and social justice in contemporary medieval studies, questions of alterity, empathy, essentialism and appropriation in dealing with figures of the medieval past, the permeable boundaries between academic medieval studies and popular medievalism, questions of situatedness and academic voice, and the relationship between feminism and medieval studies. Linked to these issues is the interrelation between medieval women and medieval men in the production and consumption of written works both for and about women and the implications of this for both female and male readers of those works today. Overarching all these questions is that of the intellectual and methodological heritage - sometimes ambiguous, perhaps even problematic - that medieval women continue to offer us. Languages : English.
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S. Trigg (ed.)
Medievalism and the Gothic in Australian Culture
Hardback, XXIV+302 p., 7 b/w ill., 160 x 240 mm. ISBN 9782503517025. This collection opens up a new field of academic and general interest: Australian medievalism. That is, the heritage and continuing influence of medieval and gothic themes, ideas and cultural practices. Geographically removed from Europe, and distinguished by its eighteenth-century colonial settlement, Australia is a fascinating testing-ground on which to explore the cultural residues of medieval and gothic tradition. These traditions take a distinctive form, once they have been 'transported' to a different topographical setting, and a cultural context whose relationship with Europe has always been dynamic and troubled. Early colonists attempted to make the unfamiliar landscape of Australia familiar by inscribing it with European traditions: since then, a diverse range of responses and attitudes to the medieval and gothic past have been played out in Australian culture, from traditional forms of historical reconstruction through to playful postmodernist pastiche. These essays examine the early narratives of Australian 'discovery' and the settlement of what was perceived as a hostile, gothic environment; exercises of medieval revivalism and association consonant with the British nineteenth-century rediscovery of chivalric ideals and aesthetic, spiritual and architectural practices and models; the conscious invocation and interrogation of medieval and gothic tropes in Australian fiction and poetry, including children's literature; the transformation of those tropes in fantasy, role-playing games and subcultural groups; and finally, the implication of the medieval past for discussions of Australian nationalism. Languages : English.
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A. Wawn (ed.)
Constructing Nations, Reconstructing Myth Essays in Honour of T. A. Shippey
Hardback, XVIII+383 p., 2 b/w ill. + 2 colour ill., 4 b/w line art, 160 x 240 mm. ISBN 9782503523934. This collection of essays examines the 'Grimmian Revolution', the paradigm shift in the humanities that came with the publication of Jacob Grimm?s Deutsche Grammatik. In doing so, they honour T.A. Shippey, who has been a leading figure in reconsidering the contributions of the Old Philology and its impact on the humanities, particularly the rediscovery of the ancient languages and literatures of Northern Europe; the role this has played in the creation of national and regional identities; the attempts to extend the methods of comparative philology to comparative mythology; and the collection of folktales, folk-ballads, and the development of folkloristics. The sixteen essays in this collection focus on the impact made by nineteenth- and early-twentieth-century philology in the fields of medieval studies and language studies, and in the construction of Northern European national identities, mythologies, and folklore. Languages : English.
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L. D'Arcens
Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910
Hardback, XIV+216 p., 15 b/w ill., 156 x 234 mm. ISBN 9782503535661. This volume is the first close examination of the rich and diverse body of medievalist texts produced in late colonial and early Federal (ie post-1901) Australia. It examines the many ways in which early Australian novelists, poets, and dramatists drew on the motifs, events, and personages of the medieval past, and places particular emphasis on how they used the European past to illuminate their sense of the Australian present. Broadly stated, the book argues that a study of early Australian medievalist literature and theatre uncovers a rich and revealing drama in which the forces of cultural nostalgia and cultural amnesia sometimes contended against one another, and sometimes harmonised, to produce a unique and distinctive corpus. The book significantly extends current knowledge about nineteenth-century literary and theatrical medievalism by offering an exploration of how medievalist discourses and idioms came to be taken up within a major, but as yet under-examined, branch of Anglophone literature. It aims also to broaden the cultural ambit of nineteenth-century medievalism by offering analyses of popular and ephemeral instances alongside more ?serious? medievalist texts. The study balances an interest in how this medievalism responded to local conditions with an interest in its international complexion, examining how Australian medievalist novels, poems, and plays, participated in imperial and transpacific intellectual and entertainment circuits. While the emphasis of the volume is on close, historically-contextualising interpretations of texts, it has woven through its arguments a series of meditations on such theoretical matters as how we determine the boundaries of medievalism, how we might develop an account of colonial medievalism as non-derivative, whether medievalist discourses are equally amenable across gender, class, and ideological lines, and how the premodern past is evoked as a means for formulating the present and the future. Languages : English.
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J. Chapuis (ed.)
Mediaeval Journal 2:1 (2012)
Paperback, VIII+99 p., 2 b/w ill., 156 x 234 mm. ISBN 9782503543079. Languages : English.
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J. Chapuis (ed.)
Mediaeval Journal 1:2 (2011)
Paperback, VII+115 p., 2 b/w ill., 156 x 234 mm. ISBN 9782503536637. Caliph, King, or Grandfather: Strategies of Legitimization on the Spanish March in the Reign of Lothar III - JONATHAN JARRETT 'Lynes of my Lore': Judas and the Mark of Mars in the York Play of The Conspiracy - CARRIE GRIFFIN A Medieval Officer and a Modern Mentality? Podesta and the Quality of Accountability - JOHN SABAPATHY The Early Piasts Imagined: New Work in the Political History of Early Medieval Poland - PIOTR GORECKI. Languages : English.
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