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Grossman, Les (signed)
The Mystery of Les Grossman: A Real Hollywood Fable. Or Is It Told by Les Grossman; NOT Tom Cruise or Ben Stiller signed
Privately Published 2012. INSCRIBED / SIGNED by Les Grossman directly on the front inside cover. SIGNED copies are SCARCE. FINE condition. Flat uncreased spine. Bright and shiny. But for 1 corner dog ear pages are crisp clean and unmarked. Photo illustrated. Bound in the original yellow pictorial wraps. Praise tongue in cheek on the first page from Ben Stiller: "Les Grossman is a Force of Nature; A Terror." From the publisher: "The back cover picture of the historic poster of the Led Zeppelin - Who concert is agreed among many as being 'the best concert ever' originals currently selling for big bucks is just one example of why copies of this proof edition will no doubt be a valued collectible as well. Imagine yourself watching a movie and the next thing you know not only do you see yourself on the big screen in a cameo role of a very popular movie but you are being played by one of the biggest stars in the history of Hollywood! Then a couple of years later after you forgot all about this cameo role and thought everybody else did too you see this star dressed up as your clone again with your name and complete persona dancing with Jennifer Lopez to music by Ludacris! Hold on as great as you look you can't help but ask yourself why isn't that you for real dancing with J Lo Then you go online to find out that not only does your name bring millions of results but an entire industry is being built around you! For openers Paramount Films had 'committed' to producer Ben Stiller $100000000 to make the Les Grossman movie. In addition via Tom Cruise of course who according to your Internet sources has 'made you his alter ego' you are now involved with the production of a long list of projects totaling into the billions! Fantastic huh But one hitch: so far no one has offered you a dollar! What do you do After a couple more years of the 'Hollywood' people claiming you are made up you decide to establish your brand and tell the World your side of the story! This book does exactly that including the credit of producing in real time 'the best concert ever' at the amazing age of 21 to documenting both direct and indirect ties to all the people responsible for Mr. Cruise's character and 'alter ego' Les Grossman! You will read the life story of the real Les Grossman including characters he just about develops in 3D form all be it print. Les am not sure what this sentence is trying to relay! This includes his Mom who he went into the concert business with and the exact conversation when she had the unpleasant task of telling him his beloved Father had passed on. Also included are many of the extremely talented musicians singers songwriters producers etc. he worked with and many others he traveled with. You will be motivated in knowing there are no 'life struggles' that can keep you from celebrating life as long as you don't let them. The bottom line like they say in boardrooms across the globe is the next person to read this book who is not unquestionably certain that the Tom Cruise character 'Les Grossman' is NOT based on the real Les Grossman -- will be the first! Do you hear that Paramount Essentially join the real Les Grossman while he is the first American person in the music business to hear Led Zeppelin as he produced a FM radio station when FM effective meant find me when he opens the first Georgetown organic grocery store where the smoothie was invented help create the first band to combine rock and country music associate produced the first David Lynch movies along with an early martin Scorsese moviefights with rock stars including Country Joe Buddy Miles Neil Young Cheap Tick's manager David Crosby and others his poker playing days his wild live saving 18 month Jamaican sabbatical when you had to be in Jamaica to hear Reggae his witnessing of World changing events and most important of course his setting the record straight. The facts are the facts!!". INSCRIBED / SIGNED by Les Grossman. 1st ed No additional printings listed. Softcover. Fine condition. Illus. by NOT a library discard. Great Packaging Fast Shipping. Privately Published Paperback
Referenz des Buchhändlers : 029586 ISBN : 0615655807 9780615655802
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Grossmüller, Frieda, Schauspielerin (1880-nach 1902).
Eigenh. Widmung mit U. O. O. u. D.
1 S. 8vo. Auf Trägerkarton. Es führt ein Schicksal an verborg'nen Band | Den Menschen auf geheimnisvollen Pfaden; | Doch über ihm macht eine Götterhand | Und wunderbar entwirrt sich der Faden!
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Grosvenor, Gilbert H.
National Geographic Magazine The Volume 32
Washington D.C.: National Geographic Society 1917 550 pages very ornately decorated blindstamped covermany illustrations much coverage on WW1 included with this book is the very collectable miniature promotional National Geographic National Geographic Society hardcover
Referenz des Buchhändlers : 940
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Grote-Hasenbalg, W
Meisterstücke orientalischer Knüpfkunst. Neu bearb. nach R.v. Oettingen u. erw. 2 Mappen.
Berlin, Scarabäus, (1921). Zus. 1 Bl., 117 (statt 120) farbige Taf. In 2 OLwd-Mappen (Mappen etwas fleckig, 1 Mappe am Fuß m. min. Einriß). Fehlen: Taf. 47-49 d. 2. Mappe.
Referenz des Buchhändlers : 113184
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GROTE-HASENBALG, Werner,
Der Orientteppich. Seine Geschichte und seine Kultur. Band I-II-III
Band I: Technisches zur herstellung der teppiche - Von der asthetik des Orientteppichs - Die verwendung der Orientteppiche im innenraum - Uber die behandlung und das reparieren der teppiche - Ratschlage fur das studium und den einkauf von teppichen - Hinweise auf das sammeln von teppichen und alterskennzsichen - Zur entstehung der Islamitischen kunst - Zur geschichte des Islam bis zum ende der Mongolenherrschaft - Zur neuzeitlichrn geschicjhte Persiens - Zur neuzeitlichrn geschicjhte Turkei -Zur vorgeschichte des knupfteppichs - Die teppichzentren / Edizione composta di tre volumi sulla storia e la cultura del tappeto orientale. Il primo volume contiene il testo e alcune illustrazioni in bianco e nero, XXI tavole f.t. a colori protette da velina e una mappa ripiegata. Il secondo e terzo volume contengono 120 tavole con illustrazioni a colori applicate dei diversi tipi di tappeti con le relative specifiche e informazioni (tappeti dell'Asia minore, Caucaso, Persia del Nord, Persia Centrale, Persia del Sud e Sud-ovest, Persia orientale, Repubblica Transcapiana, Turkestan orientale, Cina) . 8vo (cm 26x26). pp. XVI-228 + tavole. . Molto buono (Very Good). Copertine leggermente sporche (Lightly soiled cover). . .
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Grotenhuis van Onstein, Vinciane van.
DIAMOND DIVAS, / ENGLISH
Hardback, 240 x 300mm., 200pp., 150 illustrations color and b/w.TEXT IN ENGLISH ISBN 9789085864370. For the first time ever, in-depth research has been made into the history of the women who have led fashions in diamond jewellery. Strangely enough, these women are often synonymous with charisma, intelligence and audacity. They are not just mad about diamonds, they are above all examples for their generation. They set new trends with their life-style, their dress sense and their jewels. This is a beautiful story, where at each stage of human civilisation, women have gradually found freedom. Although they may have been seen as scandalous at the time, they all contribute to the development of the image of the free woman. Every era has its Diva and each Diva must be seen from the point of view of her era. First came the women of power such as Elizabeth I of England, or Catherine II (the Great) of Russia who were both very conscious of the importance of their image. Their image of power, so often expressed by sumptuous jewellery, took other monarchs by surprise. Louis XIV and Napoleon also understood how to put diamond jewellery to great use. For a long time, the court of France was an example of splendour and monarchical power. Others later followed this example by ordering majestic collections of jewellery. Later, in the 19th Century, rich women and wives of industrial leaders gave in to the temptation of possessing many diamonds as symbols of their wealth. Others, such as Empress Elizabeth of Austria or Eugenie of France led fashions due to their notoriety and their beauty. They become symbols of elegance. Legends such as Sarah Bernhardt, Gloria Swanson, Marlene Dietrich, Elizabeth Taylor or the Duchess of Windsor are often associated with their jewellery, as if the jewels were part of the Diva herself. These women still remain an inspiration for many designers and jewellery houses. In the USA, women such as Doris Duke, Daisy Fellowes or Barbara Hutton are known for their legendary jewellery collection and their exquisite taste. Princess Grace of Monaco, Jackie Kennedy and even Marilyn Monroe remind us of mythical moments such as a wedding, a public appearance, a scene of a film which we will always associate with a certain crown or necklace. Even today, exceptional women wear the world's most beautiful jewellery. If only at events in Cannes or in Holly- or Bolly- wood, our Divas will always be inspiring.. The book, marvellously illustrated plunges the reader into this fascinating story of Diamond Divas. Aristotle Onassis said: "If women didn't exist, all the money in the world would have no meaning"...and he is right! New book.
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Grotenhuis van Onstein, Vinciane van.
DIAMOND DIVAS, NL.
Hardback, 240 x 300mm., 200pp., 150 illustrations color and b/w. tekst in NEDERLANDS ISBN 9789085864400. For the first time ever, in-depth research has been made into the history of the women who have led fashions in diamond jewellery. Strangely enough, these women are often synonymous with charisma, intelligence and audacity. They are not just mad about diamonds, they are above all examples for their generation. They set new trends with their life-style, their dress sense and their jewels. This is a beautiful story, where at each stage of human civilisation, women have gradually found freedom. Although they may have been seen as scandalous at the time, they all contribute to the development of the image of the free woman. Every era has its Diva and each Diva must be seen from the point of view of her era. First came the women of power such as Elizabeth I of England, or Catherine II (the Great) of Russia who were both very conscious of the importance of their image. Their image of power, so often expressed by sumptuous jewellery, took other monarchs by surprise. Louis XIV and Napoleon also understood how to put diamond jewellery to great use. For a long time, the court of France was an example of splendour and monarchical power. Others later followed this example by ordering majestic collections of jewellery. Later, in the 19th Century, rich women and wives of industrial leaders gave in to the temptation of possessing many diamonds as symbols of their wealth. Others, such as Empress Elizabeth of Austria or Eugenie of France led fashions due to their notoriety and their beauty. They become symbols of elegance. Legends such as Sarah Bernhardt, Gloria Swanson, Marlene Dietrich, Elizabeth Taylor or the Duchess of Windsor are often associated with their jewellery, as if the jewels were part of the Diva herself. These women still remain an inspiration for many designers and jewellery houses. In the USA, women such as Doris Duke, Daisy Fellowes or Barbara Hutton are known for their legendary jewellery collection and their exquisite taste. Princess Grace of Monaco, Jackie Kennedy and even Marilyn Monroe remind us of mythical moments such as a wedding, a public appearance, a scene of a film which we will always associate with a certain crown or necklace. Even today, exceptional women wear the world's most beautiful jewellery. If only at events in Cannes or in Holly- or Bolly- wood, our Divas will always be inspiring.. The book, marvellously illustrated plunges the reader into this fascinating story of Diamond Divas. Aristotle Onassis said: "If women didn't exist, all the money in the world would have no meaning"...and he is right! New book.
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Grotenhuis van Onstein, Vinciane van.
DIAMOND DIVAS. FR.
Bound, black cloth with dustjacket, 240 x 300mm., 206pp., 150 illustrations couleur et b/w, as new. tekst in French ISBN 9789085864387. For the first time, extensive research is done on women's history, which made modes of diamond jewelry. Curiously, these women are often synonymous with charisma, intelligence and audacity. Not only gold digger, they are primarily a model for their generation. Thanks to their lifestyle, how they dress and jewels they are creating new trends. It is indeed a beautiful story, which in every age of human civilization, women are released gradually. Sometimes outrageous in the context of the time, they help to develop the image of the free woman. Each time his Diva Diva and each can only be seen only through his day. First women of power, like Elizabeth I of England, Catherine II or Russia, they are well aware of the importance of their image. Through this image of power, so often expressed by sumptuous jewelry, they surprise the other monarchs. Louis XIV and Napoleon, too, will understand the usefulness of the ornament box, which is the gem diamond. Long, the royal courts of France are an example of the splendor and pomp of monarchy. Others will follow the example by ordering the majestic collections. Later in the nineteenth century, rich women and wives of leading industrialists are tempted by many diamond ornaments, symbols of wealth. Others, like the Empress Elisabeth of Austria or Eugenie of France launch modes due to their fame and beauty. They become the symbol of elegance. Legends such as Sarah Bernhardt, Gloria Swanson, Marlene Dietrich, Elizabeth Taylor and the Duchess of Windsor are often associated with their jewelry, like these gems do more than one with the Diva. Currently they still inspire many designers and jewelry houses. United States, women like Doris Duke, Daisy Fellowes or Barbara Hutton will mainly known for their legendary collection of jewelry and exquisite taste. Grace of Monaco, Jackie Kennedy and Marilyn Monroe even remind us of the legendary moments such as weddings, public appearance, a film clip, by associating them forever to crowns, necklaces and more. Even today, exceptional women, are the finest jewels in the world. Except that during a red carpet of Cannes, and Holly-Bollywood, all these Divas make us dream forever .. New book.
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Groth, Klaus.
Gesammelte Werke. 4 in 2 Bdn. 6. Tsd.
Kiel Lipsius & Tischer 1913. . Quickborn I II. Drei plattdeutsche Erzählungen. Trina. Um de Heid. Plattdeutsche Erzählungen. Hochdeutsche Gedichte. - Frisches Exemplar. Kiel, Lipsius & Tischer, 1913. unknown
Referenz des Buchhändlers : 37533
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Grotthuss, J. E. Frhrn. von (Hrsg.)
Türmer-Jahrbuch 1904.
Stuttgart, Greiner & Pfeiffer, ohne Jahr (1903). VII, 464 Seiten, 4 Blatt. Dekorativer illustrierter Orig.-Leinenband. Gering berieben. Vorderes Innengelenk gebrochen.
Referenz des Buchhändlers : 700554
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Groucho Marx
Groucho and Me
New York: Bernard Geis Associates in Association with Random House 1959. hardcover in dust jacket. a few small edge-chips to dj general signs of use. prior owner's name/date to front free endpaper. no text markings. no bumps. sturdy binding. flap price intact.; ix-344pp. b/w photos. groucho marx' memoir. First Edition /First Printing. Hardcover. Very Good/Good. 8vo - over 7¾" - 9¾" tall. Bernard Geis Associates in Association with Random House Hardcover
Referenz des Buchhändlers : 25150
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groupe Des Beaux - Arts
Les Arts Anciens Du Hainaut - Exposition De Charleroi 1911 - Conférences
G. Van Oest & Cie broché Couverture Illustrée Bruxelles 1911 table des illustrations : le marteleur, l' église de Lobbes par constantin Meunier - la descente de croix par roger de la Pasture - portrait de peintre par françois Navez - les minières par henri de Bouvignes - ... - 407 pages en format 13 - 19 cm
Referenz des Buchhändlers : 054086
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groupe Des Beaux - Arts
Les Arts Anciens Du Hainaut - Exposition De Charleroi 1911 - Conférences
G. Van Oest & Cie reliure Rigide Décorative Bruxelles 1911 table des illustrations : le marteleur, l' église de Lobbes par constantin Meunier - la descente de croix par roger de la Pasture - portrait de peintre par françois Navez - les minières par henri de Bouvignes - ... - 407 pages en format 13 - 19 cm - reliure rigide en semi cuir avec quatre nervures
Referenz des Buchhändlers : 054099
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Groupe des Editeurs des Livres d'Art
Catalogue des livres d'art français.
Paris, Syndicat National des Editeurs, 1970. 13 x 21, 369 pp., nombreuses illustrations en N/B, broché, bon état.
Referenz des Buchhändlers : 27575
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Groupe Ecart
Timbres et tampons d?artistes. Cabinet des estampes Genève. Exposition 6 mai - 6 juin 1976
Cabinet des estampes, Musées d'art et d'histoire, Genève, 1976. 79 S. ; 21 cm , kart. ;
Referenz des Buchhändlers : 120108
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GROUPEMENT ARTISTIQUE LOUS BIARNES GAUYOUS
PROGRAMME DE MARIETE L'AUSEROTE, PASTORALE DRAMATIQUE EN 4 ACTES ET EN VERS
IMP. NOUVELLE E. MOULIA ORTHEZ. Non daté. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Déchirures. 4 pages.. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités)
Referenz des Buchhändlers : RO30115425
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Groupement distinction (BLANC & DEMILLY)
Terre de hasard
Editions Pierre Saubiez, Lyon, 1957. In-8 (23 x 18 cm) broché, couverture illustrée d'une vignette, photographies en noir de Blanc & Demilly, 18 feuillets non paginés. Catalogue publicitaire.
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GROUSSET (René)
La CHINE et son ART.
P, Plon, 1951. in-8 broché. IX+252p. Nombreuses planches hors-texte, carte, croquis. Définition de la Chine ; archaïsmes ; les fils de HAN ; révolutions, invasions, religions nouvelles ; l'époque TANG ; l'époque SONG ; des MONGOLS aux MANDCHOUS.
Referenz des Buchhändlers : 8016
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GROUSSET RENE
DE LA GRECE A LA CHINE - EXEMPLAIRE N°982.
LES DOCUMENTS D'ART. 1948. In-4. Relié. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 104 pages. Nombreuses photos et cartes dépliantes en couleurs et noir et blanc,dans et hors texte. Traces d'adhésifs en contreplats. EXEMPLAIRE N°982.. . . . Classification Dewey : 700-LES ARTS
Referenz des Buchhändlers : R200075625
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Grousset René
"La Chine et son art (Collection ""Ars et Historia"")"
Editions d'Histoire et d'art/ Plon. 1951. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 252 pages illustrées de nombreuses photos et illustrations en noir et blanc, dans et hors texte. Frontispice illustré en noir et blanc. Jaquette abîmée.. Avec Jaquette. . . Classification Dewey : 709-Histoire des arts
Referenz des Buchhändlers : RO30321510
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Grousset René
De la Grèce à la Chine
Les documents d'art. 1948. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 104 pages augmentées de nombreuses photos en noir et blanc et en couleurs dans et hors texte. Jaquette un peu défraichie.. Avec Jaquette. . . Classification Dewey : 709-Histoire des arts
Referenz des Buchhändlers : R260255562
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GROUSSET René.
L'Art de l'Extrême-Orient. Paysages, fleurs, animaux. (Iris.) 16 planches en couleurs d'après les tableaux des vieux maîtres chinois et japonais.
Paris, Plon, 1936.In-4, cartonnage souple illustré en couleurs, 10 pages de texte; flexible boards illustrated colors, 10 pages of text.
Referenz des Buchhändlers : 12456
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Grout, Donald Jay
A history of western music
849pp. 24 cm. Hardcover Very good condition
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Grove, Martin A. (editor) (re: John Lennon; Paul McCartney; George Harrison; Ringo Starr)
THE BEATLES ARE BACK - The Story of the Beatles 1940 - 1978 - A Manor Movie Superstars Collectors' Issue Spring 1978
New York: Manor Books 1978. Book. Very Good-. Soft cover. First Edition. 4to. 90 pp. Edge and corner wear with some rubbing on the covers; no interior markings. The Contents are; The Beatles Are Back; The Beatles: The Early Years; Enter Brian Epstein; The Birth of Beatlemania; The Beatles Singles in America; The Golden Years; Two Dozen Beatle Albums in the U.S.; Beatles Color Photo Gallery; The Break-up and the Aftermath; The Beatles LPs as Solo Artists; The Fifth Beatle: Murray the K; and Beatles Movies: A to not quite Z. Manor Books Paperback
Referenz des Buchhändlers : 222926
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Grove, Mrs. Lilly
Dancing; with Musical Examples Badminton Library of Sports and Pastimes
London: Longman's Green 1895 Book. Illus. by Macquoid Percy. Good. Three-Quarter Leather. 12mo - over 6¾" - 7¾" tall. Much better than Good. Original blue 3/4 leather with orange cloth on boards. Royal seal in gilt. Top edges gilt. Foot and foredges untrimmed. Minor scuffing to spine yet gilt lettering present and legible. Minor corner tip wear. P.O.N. 454 pp. with index. A luxurious rare volume offered with no apologies. Longman's, Green hardcover
Referenz des Buchhändlers : 000456
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Grover M. Hermann Fine Arts Center Marietta College
MAINSTREAM '69: the SECOND ANNUAL MARIETTA COLLEGE INTERNATIONAL COMPETITIVE EXHIBITION for PAINTING and SCULPTURE. Grover M. Hermann Fine Arts Center Marietta College Marietta OH - 1969
Marietta OH: Grover M. Hermann Fine Arts Center Marietta College. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 22 pp. With 13 col. Ills. 16 x 21 cm. -- with a bonus offer-- . Grover M. Hermann Fine Arts Center, Marietta College paperback
Referenz des Buchhändlers : 59363
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GROVER, R. u. L
Art glass nouveau. (3rd printing).
Rutland, Tuttle, (1968). 4to. 231 S. m. 423 farb. Abb. OLwd (St. a. Titelrücks.).
Referenz des Buchhändlers : 1125829
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GROVER, Ray & Lee,
Art Glass Nouveau
Con testi di Ray e Lee Grover. 424 illustrazioni a colori . 4to (cm 30x21,5). pp. 232. . Ottimo (Fine). . . . The aim of this book is to present in color, identifiable and collectible art glass produced during the latter part of the 19th and first part of 20th century / Lo scopo di questo libro è quello di presentare a colori manufatti in vetro da collezione prodotti durante la seconda parte del XIX e la prima parte del XX secolo.
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GROËR (Léon de)
Les arts décoratifs de 1790 à 1850
Office du Livre 1985, grand in-4 (31 x 24,5 cm) cartonnage éditeur sous jaquette illustrée, 358 p. (bel état ; non réédité) Avec 640 illustrations dont 60 en couleurs, bibliographie et index. Les meubles dans toute leur diversité, avec la période néo-classique et l'école allemande, mais aussi les luminaires, les bronzes, papiers peints et tentures, tout cela présenté par un ancien conservateur en chef du Département des objets d'art au Louvre.
Referenz des Buchhändlers : 48299
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GROËR Léon de
Les arts décoratifs de 1790 à 1850
Texte en anglais. Superbe publication, richement illustrée. Cartonnage d'éditeur sous jaquette illustrée. Très bon Fribourg Office du Livre 1985 1 fort volume in-4°
Referenz des Buchhändlers : 12252
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Grubb Davis
Fools' Parade
Canada: Signet 1971. Solid with light wear on the covers. 1st Printing. Paperback. Very Good. Signet Paperback
Referenz des Buchhändlers : 46384
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Grubb, Kevin Boyd
RAZZLE DAZZLE : The Life and Work of Bob Fosse
St. Martin's Press 1989. 292pp. Softback VG First Printing index bibliography b&w and color photos The life and work of Bob Fosse . First Printing. Soft Cover. Very Good. St. Martin's Press Paperback
Referenz des Buchhändlers : w161222506 ISBN : 0312034148 9780312034146
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Grube E.J.
La pittura dell'Islam - miniature persiane dal XII al XVI sec.
In 8° quadrato bella br. fig. col. sov. in acetato pp. 141, con numerose ill.ni a col. anche a piena pag. ben tenuto
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GRUBE, Ernst J.; CORADESCHI, Sergio; LANCELLOTTI-PADOVANI, Linda et al.
Ceramica decorativa dalle origini al Novecento
Introduzione di Gabriele Mandel. Testi di Ernst J. Grube, Sergio Coradeschi, Linda Lancellotti-Padovani, Piera de Sensi e Denise Pardo. Numerose illustrazioni a colori, di cui molte su tavole applicate. Edizione in italiano e inglese / With an English translation Stampato su carta a mano vergata delle Cartiere Miliani di Fabriano. Edizione di 3000 copie riservate alla Ceramica Piemme di Maranello. 4to (cm 31,5x30,5). pp. 288. . Ottimo (Fine). . Edizione originale di 3000 esemplari numerati. .
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Grube, G. M. A.
A GREEK CRITIC: DEMETRIUS ON STYLE
University of Toronto Press. Very Good in Good dust jacket. 1961. Hardcover. Some pencilling to a few pages. 1 corner bumped. Scholar's name to inner cover Carolyn Dewald. DJ spine sunned. DJ has chipping and some tears. ; A translation and commentary of Demetrius of Phalerum's treatise on style and linguistics; The Phoenix Supplementary Vol. IV; 171 pages . University of Toronto Press hardcover
Referenz des Buchhändlers : 38450
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Grube, G. M. A.
A GREEK CRITIC: DEMETRIUS ON STYLE
University of Toronto Press. Very Good in Very Good dust jacket. 1961. Hardcover. Light Foxing to textblock. Scholar's bookplate to inner cover G. P. Goold. Minor shelfwear. DJ spine sunned. ; A translation and commentary of Demetrius of Phalerum's treatise on style and linguistics; The Phoenix Supplementary Vol. IV; 171 pages . University of Toronto Press hardcover
Referenz des Buchhändlers : 32123
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Grube, G. M. A.
A GREEK CRITIC: DEMETRIUS ON STYLE
University of Toronto Press. Fine in Good dust jacket. 1961. Hardcover. Book is fine. DJ has a few tears and chipping. DJ spine sunned. ; A translation and commentary of Demetrius of Phalerum's treatise on style and linguistics; The Phoenix Supplementary Vol. IV; 171 pages . University of Toronto Press hardcover
Referenz des Buchhändlers : 11721
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Grube, Max, Schauspieler (1854-1934).
Eigenhändige Sentenz mit U. Meiningen, o. D.
½ S. Folio (223:282 mm). Albumblatt mit gedruckter Bordüre und gedr. Fußzeile "Beitrag zum Selbstschriftenalbum 'Deutschlands Zukunft'", aufgezogen auf einen Bogen Pergamentpapier (ca. 330:344 mm). "Nach außen und innen / Auf's Nächste nur sinnen! / Ein ander Beginnen / Bringt jetzt kein Gewinnen [...]". Geschrieben als Beitrag für die von Friedrich Koslowsky im Berliner Eigenbrödler-Verlag herausgegebene Faksimile-Anthologie "Deutschlands Köpfe der Gegenwart über Deutschlands Zukunft" (1928). - Max Grube leitete zuletzt das Schauspielhaus in Hamburg: "Den Lebensabend verbrachte er in Meiningen, zuweilen zum Beispiel als Shylock, Riccaut und zuletzt als Kardinal ('Don Carlos') gastierend" (NDB VII, 174f.). Koslowsky 145.
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Grube, Max, Schauspieler und Theaterleiter (1854-1934).
3 eigenh. Briefe mit U. Berlin, 1890 und 1891.
Zusammen (2+1½+2 =) 5½ SS. auf 3 Bll. 4to. An einen nicht namentlich genannten Redakteur bezüglich eines oder mehrerer Artikel über das Hoftheater Meiningen: "Die Erlaubnis habe ich von sr. Hoheit erhalten und lege ich Ihnen das Bild bei, das ich mir aber zurückerbitte. Meiner Ansicht nach wird es sich am besten als Lichtdruck zu Beginn des Heftes ausnehmen. Als Holzschnitt dürfte es gegen die wahrhaft prächtigen Adlerschen [?] Zeichnungen abfallen und das darf durchaus nicht sein. Auf die meisten Zeichnungen kann ich im Text nicht Bezug nehmen, denselben aber um 2 Seiten zurückzudämmen wird schwer sein, da ich mitten im Zuge bin. Die 'Erinnerungen eines alten Meiningers' bringen Ihnen aber namentlich aus der Zeit ehe die Meininger gastirten so viele persönliche Details und kleine humoristische u. a. Schlagzeilen, dass ich glaube, Sie werden selber nichts streichen wollen [...]" (7. X. 1890). - Der Sohn des Zoologen Eduard Grube erhielt 1872 sein erstes Engagement am Hoftheater in Meiningen und spielte die folgenden Jahre an verschiedenen Bühnen (Lübeck, Bremen, Leipzig, Dresden). 1888 wurde er Erster Charakterdarsteller am Kgl. Schauspielhaus in Berlin, 1891 Oberregisseur. Seit 1909 leitete Grube das Meininger Hoftheater, 1913-18 das Deutsche Schauspielhaus in Hamburg. Große Erfolge feierte er als Charakterdarsteller in den Rollen des Jago, Mephisto, Franz Moor und Shylock. Grube veröffentlichte u.a. eine "Geschichte der Meininger" (1926). - Zwei Briefe mit Seiteneinrissen, alle gefaltet.
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Grube, Max, Schauspieler und Theaterleiter (1854-1934).
Eigenh. Albumblatt mit U. Hamburg, 13. IX. 1915.
½ S. Qu.-8vo. Auf der Versoseite einer Porträtpostkarte mit Darstellung Kaiser Wilhelms II. und einem gedr. Gedicht "Das Kaiserbild" von Max Grube. - Der Sohn des Zoologen Eduard Grube erhielt 1872 sein erstes Engagement am Hoftheater in Meiningen und spielte die folgenden Jahre an verschiedenen Bühnen (Lübeck, Bremen, Leipzig, Dresden). 1888 wurde er Erster Charakterdarsteller am Kgl. Schauspielhaus in Berlin, 1891 Oberregisseur. Seit 1909 leitete Grube das Meininger Hoftheater, 1913-18 das Deutsche Schauspielhaus in Hamburg. Große Erfolge feierte er als Charakterdarsteller in den Rollen des Jago, Mephisto, Franz Moor und Shylock. Grube veröffentlichte u. a. eine "Geschichte der Meininger" (1926). - Mit Rundstempel der Handschriftensammlung J. K. Riess; beiliegend eine unsignierte Porträtpostkarte von Max Grube.
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Grube, Max, Schauspieler und Theaterleiter (1854-1934).
Eigenh. Brief mit U. Düsseldorf, 8. VII. 1901.
1 S. 4to. An einen nicht namentlich genannten Professor: "S. Exc. mein Herr Chef befinden sich zur Zeit auf dem Schlosse Rohnstock, Schlesien, und wird Sie nach vorheriger Anmeldung dort gewiss gern empfangen. R. ist Bahn u. Telegr. Station auf Ihrer Heimreise leicht zu erreichen. Als eifrigster Förderer d. Hebbelwerkes wird es Sie gewiss freuen zu hören, dass bei den von mir geleiteten hiesigen Klassikerfestspielen des Goethevereins die Nibelungen Trilogie H's einen gewaltigen Eindruck erzielten [!] [...]". - Der Sohn des Zoologen Eduard Grube erhielt 1872 sein erstes Engagement am Hoftheater in Meiningen und spielte die folgenden Jahre an verschiedenen Bühnen (Lübeck, Bremen, Leipzig, Dresden). 1888 wurde er Erster Charakterdarsteller am Kgl. Schauspielhaus in Berlin, 1891 Oberregisseur. Seit 1909 leitete Grube das Meininger Hoftheater, 1913-18 das Deutsche Schauspielhaus in Hamburg. Große Erfolge feierte er als Charakterdarsteller in den Rollen des Jago, Mephisto, Franz Moor und Shylock. Grube veröffentlichte u.a. eine "Geschichte der Meininger" (1926). - Auf Briefpapier mit lith. Briefkopf des Hotel Heck in Düsseldorf. Mit Rundstempel der Handschriftensammlung J. K. Riess.
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Grube, Max, Schauspieler, Theaterleiter und Schriftsteller (1854-1934).
Eigenh. Albumblatt mit U. O. O. u. D.
1 S. Qu.-8vo. "Ich wollte sehr, ich hätt 'n Reim, | Ja wäre ich der Stettenheim | Wie würden dann die Witze fliegen | So muß der schlechte Reim genügen". - Der Sohn Eduard Grubes erhielt 1872 sein erstes Engagement am Hoftheater in Meiningen und spielte die folgenden Jahre an verschiedenen Bühnen in Lübeck, Bremen, Leipzig und Dresden; 1888 wurde er Erster Charakterdarsteller am Kgl. Schauspielhaus in Berlin, 1891 Oberregisseur; seit 1909 leitete Grube das Meininger Hoftheater und von 1913 bis 18 das Deutsche Schauspielhaus in Hamburg. "Große Erfolge feierte er als Charakterdarsteller in den Rollen des Jago, Mephisto, Franz Moor und Shylock. Grube veröffentlichte u. a. eine ‚Geschichte der Meininger' (1926)" (DBE). - Ein zum "Ballfest des Vereins ‚Berliner Presse | 25. Januar 1902" aufgelegte Karte mit einem photographischen Portrait Grubes.
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Grube, Max, Schauspieler, Theaterleiter und Schriftsteller (1854-1934).
Eigenh. Postkarte m. U. Meiningen, 4. I. 1919.
1 S. Qu.-8vo. Mit eh. Adresse auf der Verso-Seite. An Arthur Holländer in Wien: "Die Form der Bitte war nicht dumm | Und gern erfüll' ich ihn darum". - Der Sohn Eduard Grubes erhielt 1872 sein erstes Engagement am Hoftheater in Meiningen und spielte die folgenden Jahre an verschiedenen Bühnen in Lübeck, Bremen, Leipzig und Dresden; 1888 wurde er Erster Charakterdarsteller am Kgl. Schauspielhaus in Berlin, 1891 Oberregisseur; seit 1909 leitete Grube das Meininger Hoftheater und von 1913 bis 18 das Deutsche Schauspielhaus in Hamburg. "Große Erfolge feierte er als Charakterdarsteller in den Rollen des Jago, Mephisto, Franz Moor und Shylock. Grube veröffentlichte u. a. eine ‚Geschichte der Meininger' (1926)" (DBE).
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Grube, Max, Schauspieler, Theaterleiter und Schriftsteller (1854-1934).
Ms. Brief mit eigenh. Zusatz und U. Meiningen, 8. I. 1912.
1 S. 4to. An den Schauspieler u. Regisseur Paul Kalbeck: "[…] Aus Ihrem Telegramm muss ich wohl annehmen, dass Sie bereits an einer anderen Bühne gebunden sind […]. Könnten Sie nicht möglichst sofort hierher kommen, gegen Erstattung der Reisekosten natürlich. Sie könnten dann vor Seiner Hoheit dem Herzoge auf der Bühne einige Szenen aus Ihren Lieblingsrollen vorspielen […]. - Der Sohn Eduard Grubes erhielt 1872 sein erstes Engagement am Hoftheater in Meiningen und spielte die folgenden Jahre an verschiedenen Bühnen (Lübeck, Bremen, Leipzig, Dresden). 1888 wurde er Erster Charakterdarsteller am Kgl. Schauspielhaus in Berlin, 1891 Oberregisseur. Seit 1909 leitete Grube das Meininger Hoftheater, 1913-18 das Deutsche Schauspielhaus in Hamburg. Große Erfolge feierte er als Charakterdarsteller in den Rollen des Jago, Mephisto, Franz Moor und Shylock. Grube veröffentlichte u.a. eine "Geschichte der Meininger" (1926).
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Gruber, A
Wie lerne ich modellieren. 2. Aufl.
Ravensburg, Maier, (ca. 1900). M. mehr. Abb. u. 1 Detailbogen, 87 S. Umschl. lose u. eingerissen.
Referenz des Buchhändlers : 806886
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Gruber, Frank
Bitter Sage
New York: Rinehart 1954. Book. G/VG. Hardcover. First Edition. First printing. A G/VG copy in a G/VG dust jacket wiht the price of $2.50 intact on the front flap. Basis for the film 1956 film "Tension at Table Rock" directed by Charles Marquis Warren and starring Richard Egan Dorothy Malone and Cameron Mitchell. Rinehart Hardcover
Referenz des Buchhändlers : 008544
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GRUBER, Frank
Silver City film press kit
N.p.: Paramount 1980. Paperback. Oblong 8vo. Stiff blue wrappers bound with 3 metal prong-type clasps. 3 text pages rectos only 3 glossy black-and-white photographs 8" X 10". Very good. Small archivally closed edge tear on front wrapper and archivally closed tear/abrasion affecting several words at center of first page. Interesting "Paramount Portfolio 1" press kit sent by the studio to network affiliates for the re-release of this 1951 Western starring Edmond O'Brien Yvonne De Carlo Barry Fitzgerald and Richard Arlen and directed by Byron Haskin. First text page consists of a cast list the second page is a film synopsis and the third page the texts for on-the-air announcements for the affiliates' use. Paramount paperback
Referenz des Buchhändlers : 8071
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Gruber, William E.
Missing Persons: Character and Characterization in Modern Drama
Athens Georgia U.S.A.: Univ of Georgia Pr 1994. First Edition . Hardcover. Fine/Fine. Cloth. No ownership or other marks. Dust jacket is protected in mylar. Appears as new. Thea <br/> <br/> Univ of Georgia Pr hardcover
Referenz des Buchhändlers : JH0622609 ISBN : 082031630X 9780820316307
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Gruen, John
The World's Great Ballets; La Fille Mal Gardee to Davidsbundlertanze
N.Y.: Harry N. Abrams Inc. 1981 Book. Illus. by Photos and Drawings. Near Fine. Hardcover. First No Additional printings. 4to - over 9¾" - 12" tall. original black cloth on boards. DJ folded under doubled head and foot. Spectacular views of high spots of several famous ballets. Heavy book will need extra postage. ISBN 0-8109-0725-9. Harry N. Abrams, Inc. hardcover
Referenz des Buchhändlers : 007180 ISBN : 0810907259 9780810907256
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GRUNCHEC (Philippe)
Le Grand Prix de peinture. Les concours des Prix de Rome de 1797 à 1863
Paris, Ecole Nationale des Beaux-Arts, 1983. In-4°, 446 pp., toile de l'éditeur, jaquette illustrée. Bon exemplaire.
Referenz des Buchhändlers : 14177
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