‎Architecture‎

‎Embury Aymar‎

‎A COMPARATIVE STUDY OF A GROUP OF AMERICAN DOORWAYS: PART TWO: PORCHES - WHITE PINE SERIES: VOLUME VII - NUMBER 5‎

‎New York: Russell F. Whitehead 1921. PB. very good wraps softcover. B&W illustrations. 16pp. Russell F. Whitehead unknown‎

Bookseller reference : BOOKS053938I

‎Embury Aymar II preface‎

‎American Country Houses of Today: Chiefly for Moderate Incomes 1917‎

‎New York: Architectural Book Publishing Co 1917. 1st . Hardcover. Very Good. slight darkening to spine light shelf wear soiling to top edge of text block. <p>Illustrated with 118 leaves of plates.</p> <br/> <br/> Architectural Book Publishing Co hardcover‎

Bookseller reference : 26398

‎Embury II Aymar‎

‎Comparative Study of a Group of Early American Doorways - The White Pine Series of Monographs‎

‎Saint Paul: White Pine Bureau 1921. Printed Wraps. Very Good/No Jacket as Issued. 4to - over 9�" - 12" tall. Volume VII Number 2 of this important publication. Bound in stiff printed wraps b&w illustrations 16 pp. minor soiling. Contains architectural information relating to Farmington Norwichtown Norwich Westbrook Guilford Stoningington Connecticut; Englewood New Jersey; Annapolis Maryland; Wells Saco Maine; East Marion Long Island; Deerfield Milton Worthington Marblehead Massachusetts; Apponaug Bristol Rhode Island; Portsmouth New Hampshire; Aurora New York; Fredericksburg Virginia; <br/> <br/> White Pine Bureau paperback‎

Bookseller reference : 000986

‎EMERY, Marc et JOUANNAIS, Eve;‎

‎HANGAR. A380. 234 ARCHITECTES,‎

‎Bruxelles, Archives d'Architecture Moderne, 2009 Couverture souple, 200 x 270mm., 270pp., 150 illustrations. ISBN 9722871432104.‎

‎Air France a confie au cabinet d'architecture ateliers 234 - Jean Mas la conception destinee a accueillir l'Airbus A380. Ce batiment represente une prouesse architecturale : 110 metres de portee, 40 metres de haut, 3.000 tonnes de charpente capables de supporter 400 tonnes de charge. Seul hangar de Roissy adapte a l'airbus A380, il verra naitre trois batiments jumeaux au cours des prochaines annees. Edition francais/anglais/italien. Nouveau livre.‎

Bookseller reference : 23629

‎Emery, H(enri):‎

‎La photographie artistique.‎

‎Paris, Charles Mendel, o. J. (ca. 1910). 4°. (4), 142 S., (1) Bl., (24) S. (Anzeigen). Mit 16 Heliogravüren der Ed. Laussedat u. Imp. I. Heuse nach Photographien von Henri Emery. Chromolithogr. Orig.-Broschur mit mont. Heliogravüre (leicht fleckig, vord. Gelenke angerissen, Rücken an Kopf u. Fuss mit Fehlstellen).‎

‎1 Bogen stark gelockert. Durchgehend leicht gebräunt.‎

Bookseller reference : 4888BB

‎Emeric-David, Toussaint-Bernard:‎

‎Recherches Sur L'Art Statuaire. Considéré Chez Les Anciens Et Chez Les Modernes, Ou Mémoire Sur Cette Question Proposée Par L'Institut National De France: Quelles ont été les causes de la perfection de la Sculpture antique, et quels seroient les moyens d'y atteindre? Ouvrage Couronné Par L'Institut National, Le 15 Vendémiaire an IX.‎

‎Paris und Nyon, Ainé, Libraire, 1805. 8°. XIV, (2), 544 S. Lederband der Zeit mit reicher Rückenvergoldung.‎

‎Cicognara 276. – Barbier IV, 28. – Erste Ausgabe. Toussaint-Bernard (1755–1839), französischer Kunsthistoriker, studierte in seiner Heimatstadt Aiy-en-Provence, in Paris und vollendete sein Kunststudium in Italien. – Die Vorsätze blass leimschattig und angestaubt. Der Einband etwas berieben.‎

Bookseller reference : 31172AB

‎EMEL ESIN.‎

‎Sa'dullah Pasa yalisi.‎

‎Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 12, [10] p. B/w plates and maps. [=The Yali (Sea side mansion) of Sadullah Pasha (An Eighteenth century house on the Bosphorus)]. Sa'dullah Pasa yalisi.‎

‎EMEL ISLEYEN.‎

‎Geleneksel Türk mimarisi terimleri.‎

‎New Turkish Paperback. Demy 8vo. (22 x 15 cm). In Turkish. 118 p., 209 numerous color and b/w plates. Geleneksel Türk mimarisi terimleri. An illustrated alphabetical dictionary on traditional Turkish architectural terminology. 500 copies were printed.‎

‎EMERIC-DAVID M. T. B.‎

‎M?moire sur la d?nomination et sur les r?gles de l'architecture dite gothique.‎

‎Broch?. 22 pages. Rousseurs.‎

‎Emerson John Editor‎

‎British Railway Modelling Annual 2009‎

‎Bourne: Warners Group Publications 2008. 178 pages 585g. Soft card covers As New. Illustrated with many colour and b/w photographs and drawings for the keen modeller. . 1st Thus. Soft Card Cover. As New. 4to - over 9�" - 12" tall. Book. Warners Group Publications‎

Bookseller reference : 23027 ISBN : 0955619491 9780955619496

‎Emerson John Editor‎

‎British Railway Modelling Annual 2008‎

‎Bourne: Warners Group Publications 2007. 178 pages 585g. Soft card covers As New. Illustrated with many colour and b/w photographs and drawings for the keen modeller. . 1st Thus. Soft Card Cover. As New. 4to - over 9�" - 12" tall. Book. Warners Group Publications‎

Bookseller reference : 23026 ISBN : 0955619432 9780955619434

‎Emert Giulio Benedetto‎

‎Monumenti di Trento‎

‎<p>21 cm, brossura; pp. 319, 305 ill nel testo</p>‎

‎Emery Anthony‎

‎GREATER MEDIEVAL HOUSES OF ENGLAND AND WALES 1300-1500: VOLUME II - EAST ANGLIA CENTRAL ENGLAND AND WALES‎

‎Cambridge UK: Cambridge University Press 2000. HC. very good w/very good dustjacket hardcover. B&W illustrations. ISBN 0521581311 Slight cant to book block when laid flat. 724pp. Cambridge University Press unknown‎

Bookseller reference : BOOKS067337I ISBN : 0521581311 9780521581318

‎Emery, H(enri)‎

‎La photographie artistique.‎

‎Paris, Charles Mendel, o. J. (ca. 1910). 4°. (4), 142 S., (1) Bl., (24) S. (Anzeigen). Mit 16 Heliogravüren der Ed. Laussedat u. Imp. I. Heuse nach Photographien von Henri Emery. Chromolithogr. Orig.-Broschur mit mont. Heliogravüre + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (leicht fleckig, vord. Gelenke angerissen, Rücken an Kopf u. Fuss mit Fehlstellen).‎

‎1 Bogen stark gelockert. Durchgehend leicht gebräunt.‎

Bookseller reference : 4888BB

‎Emile-Bayard‎

‎"L'art de reconnaître l'architecture française - Monuments, églises, hôtels, maisons - ""Guides pratiques de l'amateur et du collectionneur d'art"""‎

‎Gründ. 1929. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 289 pages - nombreuses illustrations en noir et blanc dans et hors texte. 2e plat plié. Scotch en coiffe de pied.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Bookseller reference : R300321045

‎Emile Kesteman‎

‎bladen voor de grafiek nr.2 jrg 1- TOM PAYOT‎

‎, Lier, 1968., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎TOM PAYOT De bladen voor de grafiek nr.2 jrg.1‎

Bookseller reference : 58917

‎Emile Wennekes, Emilio Audissino (eds)‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

Bookseller reference : 66042

‎Emile Langui‎

‎Expressionism in Belgium‎

‎, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.‎

‎Kunst > Expressionisme - Fauvisme‎

Bookseller reference : 62814

‎Emison, Patricia‎

‎Italian Renaissance and Cultural Memory‎

‎Cambridge, Cambridge University Press, 2012 Hardcover with dustjacket, 238 pages, 26 x 18.5 cm, Français. *As new. ISBN 9781107005266.‎

‎Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer draws on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational nineteenth-century studies of Jacob Burckhardt and Heinrich Woelfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes the self-consciously modern aspect of Renaissance style. She sets the art against the literary and political interests of time and analyzes works of both very familiar artists Leonardo, Michelangelo, and Raphael and lesser-known figures, such as Cima da Conegliano and Federico Barocci, as well as various printmakers. Succinct yet expansive, this treatment of the period also explores its layered significance for subsequent generations, from the Old Masters to the Post-Modernists. Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational nineteenth-century studies of Burckhardt and Woelfflin. ISBN 10: 1107005264‎

Bookseller reference : 66970

‎Emilio Audissino (ed.)‎

‎John Williams Music for Films, Television, and the Concert Stage‎

‎, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.‎

‎This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.‎

Bookseller reference : 57186

‎EMILE BAYARD.‎

‎L'ART DE RECONNAITRE L'ARCHITECTURE FRANCAISE.‎

‎Gründ.. 1929.. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 289 pages. 1ère et 4 ème de couverture illustrées en noir et blanc. Nombreuses illustrations en noir et blanc, hors texte. 2 plats de couverture détachés. Manques sur dos fendu.. . . . Classification Dewey : 720-Architecture‎

‎Monuments, églises, maisons. Classification Dewey : 720-Architecture‎

Bookseller reference : RO20075245

‎EMILE COMBE (TEXTE DE)-HENRI MONTASSIER (PEINTURES DE)-RAOUL SERRES (EAUX FORTES DE)‎

‎L'ACHEVEMENT DU BOULEVARD HAUSSMANN‎

‎42 PAGES-6 PLANCHES HORS TEXTE PAR HENRI MONTASSIER (2-COULEURS) ET RAOUL SERRES (4-NOIR ET BLANC)-COUVERTURE AVEC VIGNETTE CONTRECOLLEE (2 PETITES DECHIRURES EN MORS)-CHEMISE CARTONNEE AVEC PIECE DE TITRE-EXEMPLAIRE N°1677-NON COUPE-FERMETURE A LACET (BRIN ARRIERE INCOMPLET)-(400E)‎

‎DEVAMBEZ COUVERTURE RIGIDE ETAT TRES BON‎

Bookseller reference : ABE-1712620540252

‎EMILE-BAYARD‎

‎L'Art de reconnaître les styles: architecture, ameublement.‎

‎Paris, Garnier Frères, 1910 12 x 19, 459 pp., 280 illustrations, reliure dos cuir, bon état (épidermures)‎

Bookseller reference : 11538

‎EMILE-BAYARD‎

‎L'Art de reconnaitre l'Architecture française.- Monuments, eglises, maisons.‎

‎P., Grund (« Guides pratiques de l'amateur et du collectionneur d'art »), 1929. petit in-12, 289 pages, abondamment illustré noir & blanc, cartonnage illustré.‎

‎Très bel exemplaire, très frais. [DB-1]‎

Bookseller reference : 38346

‎EMILE-BAYARD‎

‎L'Art de reconnaitre les Styles.‎

‎P., Garnier Freres, 1920. Hardcover in-12, 458 pages, gravures noir & blanc, reliure demi-cuir, dos lisse, plats art deco, couverture conservée.‎

‎Coiffes frottées sinon bel exemplaire. [HA109-1]‎

Bookseller reference : 77700