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E. C. Block
Corpus of Medieval Misericords, France
Hardback, 452 pages ., 921 b/w ill., + ills., 215 x 280 mm. English ISBN 9782503512396. The Corpus of Medieval Misericords (XIII-XXVI) consists of five volumes; the first four focus on the misericords and related choir stall carvings in specific regions of Europe. The fifth includes an extensive iconographic index of themes common to various countries as well as themes that are unique to a single country. Volume I of this series, Medieval Misericords in France, covers approximately 300 churches that still contain gothic misericords with carved figures and narratives inspired by oral traditions suh as proverbs and folk tales, as well as by manuscript marginalia, romanesque capitals, illustrated bibles, engravings, playing cards... A vast portrayal of medieval life - rural activities, urban occupations, conjugal relationships, monastic life -- is displayed in these carvings under the seats of choir stalls along with costumes of the times, town and collegiate architecture, mechanical devices. Puns and rebuses are often intertwined with these themes to produce comic and, to twenty-first century eyes, mysterious puzzles. The global view of misericord carvings, generally ignored in studies of medieval art, is here presented as a multidisciplinary basis for further research by sociologists, historians, archeologists and other medieval scholars. Languages: English.
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E. C. Block
Corpus of Medieval Misericords, Iberia
Hardback, 284 p., + ills., 215 x 280 mm. ISBN 9782503514994. The Corpus of Medieval Misericords (XIII-XXVI) consists of five volumes; the first four focus on the misericords and related choir stall carvings in specific regions of Europe. The fifth includes an extensive iconographic index of themes common to various countries as well as themes that are unique to a single country. Volume I of this series, Medieval Misericords in France, covers approximately 300 churches that still contain gothic misericords with carved figures and narratives inspired by oral traditions suh as proverbs and folk tales, as well as by manuscript marginalia, romanesque capitals, illustrated bibles, engravings, playing cards... A vast portrayal of medieval life - rural activities, urban occupations, conjugal relationships, monastic life -- is displayed in these carvings under the seats of choir stalls along with costumes of the times, town and collegiate architecture, mechanical devices. Puns and rebuses are often intertwined with these themes to produce comic and, to twenty-first century eyes, mysterious puzzles. The global view of misericord carvings, generally ignored in studies of medieval art, is here presented as a multidisciplinary basis for further research by sociologists, historians, archeologists and other medieval scholars. Following volumes include misericords in Iberia, Flemish and borthen Europe, Great Britain. This volume examines the medieval choir stalls, especially their misericords, in the Iberian Peninsula: Portugal and Spain, most of which are extraordinarily beautiful. Fourteen churches in Spain and two in Portugal still have sets of Gothic choir stalls. These sixteen cathedrals, churches and monasteries compare with over two hundred churches with medieval choir stalls in France. The Iberian choir stalls are mainly the original sets for that church. Those at Belmonte, however, were moved from Cuenca but they were the original set at Cuenca where they were replaced by Baroque stalls. The set that was destroyed at Tomar has also not been replaced with Gothic stalls. It should also be noted that while fewer churches are surveyed in this second volume, the percentage of narrative carvings is higher in Spain than in France where many of the early carvings are foliate. 750 misericords with narrative motifs have been identified on the Iberian stalls as compared with over one thousand in France. Such comparisons indicate the richness of the Iberian stalls, which have over twice as many narrative carvings per ensemble as the French stalls. This profusion of carvings necessitates a rather lengthy iconographic index in this volume. Most of the motifs on stalls in north and central Europe are repeated on the Iberian stalls. There are, however, fewer examples of some themes and more of others. It is rare in Iberia to find a carving of a New Testament scene. No set is concerned totally with the Old Testament as at Amiens and the former set at St Victor of Paris. However, Aristotle still carries Phyllis on his back, the fox preaches to the barnyard animals, the mermaid carries her mirror and comb and the peasant carries his sack to ease the burden on the donkey. The proverbs in Spain and Portugal are mainly Flemish with some additional local sayings. We see more of Hercules in Iberia and more illness. In addition to carved misericords in Iberia, sculptures adorn the arms, dorsal panels, canopies, and partitions between the seats, arm-rests and other structural components. Some of these elements, such as canopies on the base stalls and canopy dividers (roundels or teardrop-shaped projections at the junction of the canopy with the dorsal panel on both base and high stalls) do not even exist on the choir stalls of other countries. Arm-rests in Iberia are usually elaborate and complement the motifs on the misericords. The profane carvings on these parts of the stalls are listed briefly in this volume since they are usually directly related to the misericord motifs. The battling couple may be seen not only on misericords but also on arm-rests, jouee panels, dorsal friezes and interdorsal roundels. The fable of The Fox and the Stork is repeated no less than four times on different parts of the Oviedo choir stalls. The men who carry the riches from the Promised Land on a Toledo misericord, show their fatigue by dropping their burden on a capping rail frieze. A mermaid swims on a misericord but attacking monsters surround her on a dorsal frieze. The repetition of profane carvings is unusual on choir stalls in other countries. At Hoogstraten in Belgium, however, a man gapes before the oven on a misericord and also on an arm-rest. Languages: English.
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E. Lequesne (Sculpture).
Charles François Lhomond. B&W engraving.
Paris: Godard 1800s. Original B&W gravure. 15 x 10.75 inches. Very Good. Some surface wear vertical crease in left half and very light signs of foxing at lower edge. Scarce.Charles François Lhomond French 1727 – December 31 1794 was a French priest grammarian and educator who was a native of Chaulnes Somme. Paris: Godard, [1800s]. unknown
Referenz des Buchhändlers : 70-1606
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E. Mercier, R. De Boodt, P.-Y. Kairis (eds.)
Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015
Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en français ou en anglais. ISBN 9782930054407. The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.
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E. Valdez del Alamo
Palace of the Mind. The Cloister of Silos and Spanish Sculpture of the Twelfth Century.
Hardback, 300 p., 300 b/w ill., 210 x 280 mm. fine condition !! ISBN 9782503517117. The extraordinary cloister of Santo Domingo de Silos is central to our understanding of medieval sculpture, and of Spain's place in its development. Elizabeth Valdez del Alamo offers an innovative reading of the monastery's medieval sculpture and the first complete study in English. Her carefully documented work revises many traditional theories about the site built during the late eleventh and twelfth centuries. Rather than expressing resistance to religious reform, as commonly held for the renowned Emmaus and Thomas reliefs of the first campaign, they embrace the newly imposed Roman rite. The sirens, dragons, lions, and birds of the capitals are shown to have significance beyond mere decoration. The inventive images of the second campaign, an Annunciation-Coronation and a Trinity set into the Tree of Jesse, derive specifically from monastic devotion, colored by local concerns such as the Reconquest. Languages: English.
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E.-R. Labande;
Devenir fou pour etre sage Construction d'une raison chretienne a l'aube de la reforme gregorienne,
Turnhout, Brepols, 2004 Paperback, 356 p., 160 x 240 mm. ISBN 9782503515823.
Referenz des Buchhändlers : 37351
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E.Bridier M.Forest V.Zuber
Mosaïque - Collection Créa-déco.
Fleurus. 2001. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages - nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Referenz des Buchhändlers : RO80268907
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E.K. de Bock - kunsthistoricus.
Inca's Capac Hucha;
Brussel, Mercatorfonds / Fonds Mercator/ Wereldmuseum, Rotterdam , 2010 Hardback with dusjacket, 270x235mm, 192p, Dutch (NL) edition . ISBN 9789061539513.
Referenz des Buchhändlers : 25001
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Eames, C. Matthew
Dickon Eames : Un Sculpteur Américain en France
Biro - éditeur In-4,24,5 cm x 34,0cm x 2,0cm. Relié éditeur sous jaquette. 157pp. Illustrations en couleurs.
Referenz des Buchhändlers : 21753
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Eckart, Lissy
Goethe. 1832-1932. [Medaille, Bronzegussplakette / medal, cast bronze plaque].
o.J. [4 Warenabbildungen] (Lissy Eckart, geboren am 14. Mai 1891 in München, gestorben am 20. Februar 1974ebenda. Studium an der Kunstgewerbeschul
Referenz des Buchhändlers : 62282BB
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Ecker, Bogomir
Eine Skulptur für die Landeszentralbank Oldenburg.
Oldenburg., Landeszentralbank in der Freien Hansestadt Bremen, Niedersachsen und Sachsen-Anhalt. Hauptstelle Oldenburg., 1999. 24 x 17 cm. 39 S. OPappband mit illustriertem OUmschlag., 69369A Erste Auflage. Rücken und Kopf aufgehellt, sonst gutes Exemplar.
Referenz des Buchhändlers : 69369AB
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ECKERT, LAURA.
Schichtwechsel.
Reichlich in Farbe illustriert.
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ECOLE NATIONALE DES BEAUX(-ARTS DE BOURGES
Bernhard Rüdiger
IMP. TECHNIQUE D'OSMOY./. 8 déc. 1994. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette d'environ 20 pages. Quelques photos en couleurs, dans le texte. Texte en français et en anglais.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Referenz des Buchhändlers : RO80143465 ISBN : 291016408
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Economides Anton
Grèce : Le carrefour des dieux et des hommes
Arthaud. 1955. In-4, broché. Couverture illustrée. 106 pages. Nombreuses photos en noir et blanc, dans et hors texte. Exemplaire numeroté Nº12956. Signée par l'auteur.
Referenz des Buchhändlers : ART7346M
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Ecole des Beaux-arts de Bordeaux ; Facultad de Bellas Artes de Bilbao ; Arteleku
Medir el cuerpo - Medir la ciudad - gorputza neurtu, hiria neurtu ( Expo FRAC Aquitaine / Arteleku )
1 vol. in-4 br., nombr. photos, Ecole des Beaux-Arts de Bordeaux, 1994, 50 pp. Bon état Textes en Français, Espagnol et Basque. Peu courant. Français
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ED. PAULE GAUTHIER
SAINT-CRICQ. EXTRAIT DE CIMIASE N°142. BILINGUE FRANCAIS/ANGLAIS. (74 grams)
IN 4. BR [BE]. 12 PP. 9 ILL DONT 2 EN COULEURS. [BE]
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Edebau, Frank / van Jole, Marcel
JACKY DE MAEYER
oorspronkelijk uitgevers omslag, 70 pp., zeer mooie reprodukties in kleur, . Drietalige uitgave Nl/Fr/Eng/ lijst tentoonstellingen en bibliografie. In zeer goede staat.
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Edelmann, Hanno
Giselle. [1985]. [Bronzeplastik / bronze].
o.J. (Hanno Edelmann, geboren am 18. November 1923 in Hamburg, gestorben am 13. Juli 2013. Deutscher Maler, Grafiker und Bildhauer. Kunststudium ab 1948 an der Hamburger Hochschule für Bildende Künste in der Grafikklasse von Professor Krubeck, später Malklasse von Willem Grimm). [7 Warenabbildungen]
Referenz des Buchhändlers : 61013BB
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Edgren, Jacob [1899 - 1980]
Framed Paper Relief Print Of 17 Celebrating Hunters And One 1 Deceased Moose Original Art Work By Jac Edgren
Sweden Circa 1930 1930. Original Artwork . No Binding. Very Good. 16 1/4" x 7. Jacob Edgren. Original comic art relief print foreground raised above background original integral wood frame as issued. Very good condiiton for this fragile paper relief print. Signed in the print. <br/> <br/> unknown
Referenz des Buchhändlers : 015893
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Edinger, Gerd
Gerd Edinger : Zeichnungen - Malerei Objekt - Installation 1990 - 1995
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, minor traces of storage and no bumping to corners. 116pp. The works of German sculptor Gerd Edinger from 1990 to 1995. Text in German and English. Scarce in the UK.
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Edit by: Veysel Ugurlu.
Özer Kabas. [Exhibition catalogue].
Very Good English "Ozer Kabas. [Exhibition catalogue], edit by: Veysel Ugurlu, translator: Fred Stark, Yapi kredi yayinlari, Ist., 1998. Paperback. Pbo. Good. 4to. (33 x 22 cm). 71 p. Color ills.
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Edited by Elaine Koss
Andrea Riccio Renaissance Master of Bronze
New York: The Frick Collection 2008. First Edition. Hardcover. Very Good/No D/J. 11x10x1. HARDBACK. No D/J. The Frick Collection hardcover
Referenz des Buchhändlers : 720089 ISBN : 0912114428 9780912114422
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Edited by Sandy Nairne and Nicholas Serota
British Sculpture in the Twentieth Century
London: Whitechapel Art Gallery 1981-09-01. paperback. Good. 4to - over 9 - 12" tall. Covers a little marked and rubbed with creasing to corners. Whitechapel Art Gallery paperback
Referenz des Buchhändlers : 725101 ISBN : 0854880542 9780854880546
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Edited by Contemporary Sculpture Association; Osamu Murai
Exclusion Book World Squares and Sculptures
Chuokoronsha 1983. Soft Cover. Fine. Number of pages: 275p Size: 29cm Chuokoronsha paperback
Referenz des Buchhändlers : 2083002116300136
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Edited by Vishakha N. Desai and Darielle Mason
Gods Guardians and Lovers: Temple Sculptures from North India A.D. 700 - 1200
The Asia Society Galleries New York in association with Mapin Publishing Pvt. Ltd. Ahmedabad 1993. Book. Fine Condition. Wrappers. 288 pp. 71 illustrations in both black and white and color. Softcover catalogue published on the occasion of the exhibition from The Asia Society Galleries New York NY March 31-August 15 1993 and The Nelson-Atkins Museum of Art Kansas City MI October 10-November 28 1993. The Asia Society Galleries, New York in association with Mapin Publishing Pvt. Ltd., Ahmedabad Paperback
Referenz des Buchhändlers : 004333 ISBN : 0878480757 9780878480753
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Edited by David Sylvester
Henry Moore Volume One: Sculpture and Drawings 1921-1948
London: Percy Lund Humphries and Company 1969. Reprint . Hardcover. Good/No D/J. 12x10x1. Large presentation gift inscription to ffep Boards grubby with some marks. No D/J. Percy Lund, Humphries and Company hardcover
Referenz des Buchhändlers : 721003
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Edited by Ian Jenkins and Geoffrey B. Waywell
Sculptors and Sculptures of Caria and the Dodecanese
London: British Museum Press 1997. First Edition. hardcover. Very Good/Very Good. 13x10x1. British Museum Press hardcover
Referenz des Buchhändlers : 720677 ISBN : 0714122122 9780714122120
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Edited by Takio Miyake Sculpture Publishing Committee
Sculpture by Takio Miyake <Japanese Version>
Takio Miyake Sculpture Publishing Committee 1986. Soft Cover. Fine. Number of books: 1 Takio Miyake Sculpture Publishing Committee paperback
Referenz des Buchhändlers : 2092902139000893
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Edited by Patrick Hayman
The Painter and Sculptor: A Journal of the Visual Arts Volume 4 Number 4
London: Painter and Sculptor Press 1962. Paperback. Good. 10x8x0. Light rubbing to edges. two small tears to top edge of front cover. Painter and Sculptor Press paperback
Referenz des Buchhändlers : 719767
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Edited by Patrick Hayman
The Painter and Sculptor: A Journal of the Visual Arts Volume 3 Number 4 Winter 1960-61
London: Painter and Sculptor Press 1960. Paperback. Good. 10x8x0. Light rubbing to edges. Painter and Sculptor Press paperback
Referenz des Buchhändlers : 719761
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Edited by Patrick Hayman
The Painter and Sculptor: A Journal of the Visual Arts Volume 3 Number 4 Winter 1960-61
London: Painter and Sculptor Press 1960. Paperback. Good. 10x8x0. Light rubbing to edges. Painter and Sculptor Press paperback
Referenz des Buchhändlers : 719762
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Edited by Patrick Hayman
The Painter and Sculptor: A Journal of the Visual Arts Volume 3 Number 4 Winter 1960-61
London: Painter and Sculptor Press 1960. Paperback. Good. 10x8x0. Light rubbing to edges of covers. Painter and Sculptor Press paperback
Referenz des Buchhändlers : 719763
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Edited by ALI AKAY.
Toplumbilim. Plastik sanatlar özel sayisi. No: 4. Haziran 1996.
Fine English Paperback. Pbo. Small 4to. (27 x 19 cm). Articles in Turkish and French. 176 p. B/w ills. Melih Basaran, Lettre a Ody Saban ou partage visuel de l'erection au feminin.; Jean-François Lyotard, Genealogie de la touche. etc. Toplumbilim. Plastik sanatlar özel sayisi. No: 4. Haziran 1996.
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Edited by Ian Jenkins
Defining Beauty. The Body in Ancient Greek Art
Hardback, 280x240mm, 272p, 250 colour illustrations, English edition . ISBN 9780714122878. Expo: 26/03/2015 - 05/07/2015, British Museum, London Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museums outstanding collection of Greek sculpture including extraordinary pieces from the Parthenon and the celebrated representation of a discus thrower and through a number of themed sections, this richly illustrated book explores the Greek portrayal of human character in sculpture, along with sexual and social identity. In athletics, the male body was displayed as if it was a living sculpture, and victors were commemorated by actual statues. In art, not only were mortal men and women represented in human form but also the gods and other beings of myth and the supernatural world. In a series of lively introductory chapters, written by a selection of academics, historians and artists, it is revealed how the Greeks themselves viewed the sculpture (which was vividly enhanced with colour), and how it was regarded and treated in later pagan antiquity. The revival of the Greek body in the modern era is also discussed, including the shock of the new effect of the arrival of the Parthenon sculptures in London at the beginning of the nineteenth century.
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Edited by JEAN LUC-MAESO.
1001 nuits.= 1001 nights.= 1001 gece. [Exhibition catalogue].
New English Paperback. Small 4to. (25 x 21 cm). In English, French, and Turkish. 164 p., color ills. 1001 nuits.= 1001 nights.= 1001 gece. [Exhibition catalogue]. What you will find in the exhibit The Thousand and One Nights: Accessories, sketches for costumes for operas and ballets, created by Christian Lacroix and Franca Squarciapino, works that marked a milestone and which had considerable impact in both France and the entire world; Manuscripts of the 16th, 17th, and 18th centuries, relating the tales, along with the journals of Antoine Galland, who was an envoy to the East during the reign of Louis XIV; Paintings, statues, tapestries and decorative objects that reflect the magnificence of the palace, another important "character" that figures in The Thousand and One Nights; Installations by contemporary artists Feleksan Onar and Sühandan Özay Demirkan; Musical instruments from the East.
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Edited by KAAN ÖZKAN.
Water paintings: Water colours in Turkish art from Süleyman Seyyid up untill the present day.= Su resimleri: Süleyman Seyyid'den günümüze Türk resminde suluboya. [Exhibition catalogue].
New English Paperback. 4to. (29 x 23 cm). In English and Turkish. 179 p., color ills. Water paintings: Water colours in Turkish art from Süleyman Seyyid up untill the present day.= Su resimleri: Süleyman Seyyid'den günümüze Türk resminde suluboya. [Exhibition catalogue]. This catalogue has been prepared by Yapi Kredi Cultural Activities, Arts and Publishing, for Yapi ve Kredi Bankasi A.S., on the occasion of the exhibition 'Water Paintings, Water Colours in Turkish Art from Süleyman Seyyid up until the Present Day' held between 9th November - 29th December 2001 at Yapi Kredi Kazim Taskent Art Gallery.
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Edited by NAZAN ÖLÇER - FILIZ ÇAGMAN et alli.
17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi.
New Turkish Paperback. 4to. (29 x 24 cm). Turkish Edition. 311 p., color and b/w ills. 17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi. 17. Yüzyil Avrupa'sinda Türk Imaji baslikli sergide, Sabanci Üniversitesi Sakip Sabanci Müzesi'nin daha önce gerçeklestirdigi Mediciler'den Savoylar'a Floransa Saraylarinda Osmanli Görkemi sergisinde oldugu gibi, Osmanli-Avrupa iliskileri, siyasi olaylarin sanata yansiyan izdüsümü irdelendi. Türk korkusunun büyük bir meraka dönüstügü, Türklere karsi savasan kesimlerin savas ertesi kendi yurtlarinda düsmanlarinin kiyafetine bürünerek yaptirdiklari portrelerin yayginligi, Osmanli topraklarina ait savas ganimeti, hediye veya ticaret yolu ile edinilmis malzemenin Avrupa sosyal yasaminda oynadigi önemli rol, tarihçi ve sosyal alandaki arastirmacilara öteden beri genis bir çalisma alani sunarken, müzecilere de belge degeri tasiyan büyük bir sanat eseri zenginligi getirmekteydi. Slovenya basta olmak üzere Orta Avrupa'daki çesitli Müze koleksiyonlari ile Ingiltere ve Türkiye'deki özel koleksiyonlardan derlenen 92 yagliboya portre, panorama ve gravürün yer aldigi sergi Credit Suisse'in katkilariyla düzenlendi.
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Edited by OGUZ CEYLAN.
Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu.
New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
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Edited by OGUZ CEYLAN.
Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu.
New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
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Edmond BONNAFE
Dictionnaire des amateurs français au XVIIème siècle
A. Quantin | Paris 1884 | 15.50 x 24 cm | relié
Referenz des Buchhändlers : 52524
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Edmond ABOUT
Le salon de 1869. Extrait de la Revue des Deux Mondes
Extrait de La Revue des deux mondes | s. l. [Paris] 1869 | 15.50 x 25 cm | agrafé
Referenz des Buchhändlers : 18934
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EDOUARD-JOSEPH RENE.
DICTIONNAIRE BIOGRAPHIQUE DES ARTISTES CONTEMPORAINS. 1910-1930. AVEC NOMBREUX PORTRAITS, SIGNATURES ET REPRODUCTIONS.
PARIS. ART ET TRADITION. 1930-1937. 4 VOLUMES IN-8, DONT UN VOLUME DE SUPPLEMENT BROCHE (18 X 25 X 16 CENTIMETRES ENVIRON) DE 478 + (1), 478 + (1), 478 + (1) ET 162 + (2) PAGES, RELIURE DE L'EDITEUR A LA BRADEL PLEINE PERCALINE BEIGE, TITRE DORE. EDITION ORIGINALE. TIRAGE LIMITE A 3100 EXEMPLAIRES NUMEROTES, CELUI-CI PORTANT LE NUMERO 2007. QUELQUES DEFAUTS EXTERIEURS DONT PETITE FENTE SUR UNE CHARNIERE, SINON BON EXEMPLAIRE.
Referenz des Buchhändlers : 1835
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EDOUARD LIMBOS
JOUEZ AVEC DU METAL
Fleurus. non daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur bon état. 23 pages accompagnées de deux grandes planches dépliantes avec photographies et dessins noir et blanc; couverture bords et coins frottés.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Referenz des Buchhändlers : RO30003877
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Edouard Pluyette
L'excrétion lactée dans l'art
1912 Société française d'imprimerie et de librairie broché, 64p. bon état.
Referenz des Buchhändlers : 14600
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EDOUARD-JOSEPH
SUPPLÉMENT AU DICTIONAIRE BIOGRAPHIQUE DES ARTISTES CONTEMPORAINS - Paris 1937 - Muy ilustrado - Text en français.
Paris, Edit. Dic. Artistes Contem., 1937. Numerosas ilustraciones en b/n. 163p.4º. Rústica editorial. Bordes algo rozados. Buen ejemplar. Livre en français.
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Eduard Trier.
Moderne Plastik von Auguste Rodin bis Marino Marini..
Frankfurt am Main, Buchergilde Gutenberg, 1955 Bound, cloth with orig. dustjacket, 103pp. + 96 b/w. plates hors texte, 19x25.5cm., good cond.
Referenz des Buchhändlers : 36663
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Eduard Trier.
Moderne Plastik von Auguste Rodin bis Marino Marini..
Bound, cloth with orig. dustjacket, 103pp. + 96 b/w. plates hors texte, 19x25.5cm., good cond.
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Edward Lipski
Edward Lipski
Hardcover, 84 pages, ENG, 255 x 205 mm, NEW, with coloured illustrations. ISBN 9789464004137. Edward Lipski (British, b. 1966) is an artist and sculptor known for successfully expressing uncomfortable places in the human psyche through super-real mannequins as well as cartoonlike figures. His work often has a certain unsettling playfulness to it, distinguishing his particular approach to the grotesque. Lipski has said of his art: ?My sculptures are mistakes in the same way language itself is kind of a mistake? language is an approximation, an attempt to describe the world, but an attempt that is doomed to fail." By combining his conceptual thought process with this pre-linguistic means of conveying imagery, Lipski's work stands apart from the current generation of young British artists.
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Edward Lucie-Smith
Lynn Chadwick: Out of the Shadows - Unseen Sculptures of the 1960s
London: Pangolin London Ltd 2009-09-15. hardcover. Very Good/Very Good. 10x1x12. Pangolin London Ltd hardcover
Referenz des Buchhändlers : 723870 ISBN : 0956049133 9780956049131
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Edward Lucie-Smith
Lynn Chadwick: Out of the Shadows - Unseen Sculptures of the 1960s
London: Pangolin London Ltd 2009-09-14. First Edition. hardcover. Very Good/Very Good. 10x1x12. Light crease to top edge of D/J with two very small tear to top edge of rear D/J. Pangolin London Ltd hardcover
Referenz des Buchhändlers : 721005 ISBN : 0956049133 9780956049131
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