‎Sculpture‎

‎B0ZKURT SENER.‎

‎Dr. Bozkurt Sener Koleksiyonu. 19 Subat - 14 Mart 1999. [Exhibition catalogue].‎

‎New English Paperback. Pbo. 4to. (28 x 21 cm). In Turkish. 84, [2] p., color ills. Contemporary Turkish painting collection of Dr. Bozkurt Sener. An exhibition catalogue. Dr. Bozkurt Sener Koleksiyonu. 19 Subat - 14 Mart 1999. [Exhibition catalogue].‎

‎Text by: Begüm Acar.‎

‎Ferhat Deniz. Ikarus. 07 Aralik 2012 - 05 Ocak 2013.= Ikarus. 07 December 2012 - 05 January 2013, Galeri Zilberman. [Exhibition catalogue].‎

‎New English Paperback. Pbo. Oblong large 8vo. In English and Turkish. Color ills. 16, [1] p. 1000 copies were printed. Mint. Ferhat Deniz: He was born in Kardzhali, Bulgaria. He graduated from Kabatas High School in 2002. He graduated from Yeditepe University Plastics Art Departments in 2009. Solo shows: "Ikarus", Galeri Zilberman, 2012.; "Memories, Dreams, Nightmares", Galeri Zilberman, 2010. Group shows: Contemporary Istanbul, 2012.; Marrakech Art Fair, 2011.; Art BEat Istanbul, 2011.; Art Bosphorus, 2011.; "Young, Fresh, Different", Cda-Projects Gallery.; "Young artists", Casa Dell'Arte Bodrum.; Tuyap Contemporary Art Fair, Istanbul.‎

‎Texts by Kaya Özsezgin.‎

‎Nedim Günsür. [Artist catalogue].‎

‎Very Good English Paperback. Pbo. [26] p. In Turkish. Color and b/w ills. Nedim Günsür. [Artist catalogue].‎

‎Text by: Birsen Canbaz.‎

‎Ayten Yetis Dogu. Bogaz'i yeniden tanimlamak. Sergi 18 Eylül 2012 / 8 Ekim 2012. Galeri Isik [Exhibition catalogue].‎

‎Fine English Paperback. Pbo. Oblong large 8vo. Fully color ills. 33, [1] p. In Turkish. Exhibition on modern painting of Bosphorus. Ayten Yetis Dogu. Bogaz'i yeniden tanimlamak. Sergi 18 Eylül 2012 / 8 Ekim 2012. Galeri Isik [Exhibition catalogue].‎

‎Serkan Çaliskan, Olga Alexopoulou, Sedat Akdogan.‎

‎Desire object of nature.= Doganin arzu nesnesi. 5 December 2012 - 5 January 2013 Art Suites Gallery [Exhibition catalogue].‎

‎Fine English Paperback. Pbo. Oblong large 8vo. Color and b/w ills. 1000 copies were printed. [36] p. In Turkish and English. Desire object of nature.= Doganin arzu nesnesi. 5 December 2012 - 5 January 2013 Art Suites Gallery [Exhibition catalogue].‎

‎MEHTAP PAZARLIOGLU BINGÖL.‎

‎Mehtap Pazarlioglu Bingöl. Unproblematic cosmoses.= Sorunsuz evrenler. 16 Aralik 2013 - 3 Ocak 2014, Tünel Sanat Galerisi, Istanbul. [Exhibition catalogue].‎

‎As New English Paperback. Pbo. Mint. Large 8vo. (24 x 25 cm). In Turkish. 32 p. Color ills. Mehtap Pazarlioglu Bingöl. Unproblematic cosmoses.= Sorunsuz evrenler. 16 Aralik 2013 - 3 Ocak 2014, Tünel Sanat Galerisi, Istanbul. [Exhibition catalogue].‎

‎ÖZKAN EROGLU.‎

‎Halil Akdeniz: Symbols and Akdeniz's conceptual world.= Halil Akdeniz: Simgeler ve Akdeniz'in kavramsal dünyasi.‎

‎Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. 147 p., color and b/w ills. 1500 copies were printed. Halil Akdeniz: Symbols and Akdeniz's conceptual world.= Halil Akdeniz: Simgeler ve Akdeniz'in kavramsal dünyasi.‎

‎DEVRIM ERBIL.‎

‎Istanbul: Siirsel bir yorum. [Exhibition catalogue]. Text by Abdülkadir Günyaz.‎

‎New Turkish Original bdg. HC. 4to. (30 x 25 cm). In Turkish. 24 p., color ills. Istanbul: Siirsel bir yorum. Text by Abdülkadir Günyaz.‎

‎GÖNÜL GÜLTEKIN.‎

‎Western trends in the Turkish art of painting.‎

‎Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.‎

‎STEPHEN CHAMBERS.‎

‎Stephen Chambers. The big country and other stories.= Stephen Chambers. Büyük ülke ve diger hikâyeler. [Exhibition catalogue]. Prep. by Alanur Ataç, Begüm Akkoyunlu Ersöz, Tania Bahar.‎

‎New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 105 p. Color ills. "This exhibition, curated by Edith Devaney, Curator of Contemporary Projects at the Royal Academy of Arts, London, presents a survey of Stephen Chambers' painting and graphic works, shown alongside his vast multi-part print, The Big Country. This selection seeks to explore the origins of The Big Country (2012), demonstrating that its development is firmly rooted in the artist's past practice and deeply indebted to the European tradition of art. The sense of a story being told is a feature of many of Chambers' works, and writings are often a stimulus for this, as seen in Chambers' Flemish Proverbs series, which are also exhibited. Inspired by the landscape and scale of the American Western film The Big Country (1958), Chambers' immense work explores a myriad of fictional encounters between real and imagined historical figures. The notion of the journey and discovery of new lands has here expanded into a depiction of the five continents and the points of departure from one continent to another, raising a fascinating take on the perils and challenges of migration. Stephen Chambers is primarily a painter, however printmaking has always formed a significant part of his work. He has noted in the past that prints produced by artists whose main discipline is not printmaking, can often be the most compelling. For such artists, print-making offers another element of expression and provides an opportunity to experiment, a notion which is borne out in Chambers' finished monumental work.".‎

‎DEVRIM ERBIL.‎

‎Devrim Erbil. Siirsel uyum.= Poetic harmony. [Exhibition catalogue]. May 25th - June 30th 2017.‎

‎New English Paperback. 4to. (29 x 21 cm). In English and Turkish. [65] p., color ills. Devrim Erbil. Siirsel uyum.= Poetic harmony. [Exhibition catalogue]. May 25th - June 30th 2017.‎

‎TIMUR KERIM INCEDAYI.‎

‎Timur Kerim Incedayi. [Catalogue of the artist]. Curated by Zeynep Çarmikli. Translated by Fatih Özgüven. Introduction by Osman S. Çarmikli.‎

‎New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 175 p, color and b/w ills. 2000 copies were printed.‎

‎MEHMET ERGÜVEN.‎

‎Magic of vibrations: A Devrim Erbil book.‎

‎New English Paperback. 4to. In English. 204 p., color ills. Magic of Vibrations: A Devrim Erbil Bookis a publication that traces the vibration that is the reflection of intuition of the artist s almost seventy years in arts. It s a "different" retrospective book on Erbil. Featuring a refined selection of Erbil s paintings and drawings from the past fifty years, collated by Mehmet Ergüven,Magic of Vibrationsis a special project not only by the dint of its design, but also that aims to delve deep into Erbil s expansive panoramas rather than gazing at them from a distance.‎

‎BAS JAN ADER, PHYLLIDA BARLOW, CYPRIEN GAILLARD, RYAN GANDER, MIKHAIL KARIKIS & URIEL ORLOW, VOID, ANNE WENZEL.‎

‎Not all that falls has wings.= Her düsenin kanadi yoktur. [Exhibition catalogue]. Edited by Süreyyya Evren.‎

‎New New English Paperback. 4to. (32 x 23 cm). I English and Turkish. 151, [1] p., b/w and color ills. The exhibition book published on the occasion of Not All That Falls Has Wings", a group exhibition comprised of works by Bas Jan Ader, Ryan Gander, Mikhail Karikis & Uriel Orlow, Phyllida Barlow, VOID, Anne Wenzel and Cyprien Gaillard, brings together a shared engagement with themes surrounding the notions of "falling" and "failing". Selen Ansen's comprehensive curatorial overview, and two newly commissioned essays by Istanbul-based writer Emre Ayvaz and Vienna-based art historian Bariþ Acar, accompany a documentation of the exhibited works.".‎

‎Edited by JEAN LUC-MAESO.‎

‎1001 nuits.= 1001 nights.= 1001 gece. [Exhibition catalogue].‎

‎New English Paperback. Small 4to. (25 x 21 cm). In English, French, and Turkish. 164 p., color ills. 1001 nuits.= 1001 nights.= 1001 gece. [Exhibition catalogue]. What you will find in the exhibit The Thousand and One Nights: Accessories, sketches for costumes for operas and ballets, created by Christian Lacroix and Franca Squarciapino, works that marked a milestone and which had considerable impact in both France and the entire world; Manuscripts of the 16th, 17th, and 18th centuries, relating the tales, along with the journals of Antoine Galland, who was an envoy to the East during the reign of Louis XIV; Paintings, statues, tapestries and decorative objects that reflect the magnificence of the palace, another important "character" that figures in The Thousand and One Nights; Installations by contemporary artists Feleksan Onar and Sühandan Özay Demirkan; Musical instruments from the East.‎

‎Curated by NAZAN ÖLÇER, MARIA TSANTSANOGLOU.‎

‎The Russian avant-garde dreaming the future through art and design. [Exhibition catalogue].‎

‎New English Paperback. 4to. Edition in English. 191 p., color ills. The Russian avant-garde dreaming the future through art and design. [Exhibition catalogue]. The exhibition is co-curated by Dr. Nazan Ölcer Head of Sakip sabanci Museum and Dr. Maria Tsantsanoglou, Head of the George Costakis Collection at State Museum of Contemporary Art, Thessaloniki, and besides the Costakis Collection it contains a selection of 513 works from Moscow's All-Russian Museum of Decorative Arts and Multimedia Art Museum and works from leading private collections in Europe shown together for the first time thus shedding a light upon the important place Russian Avant-Garde occupied in the history of art. The 'Dreaming the Future. Russian Avant-garde Art and Design' exhibition does not only focus on the dramatic changes and radical developments that happened during first quarter of the 20th century and prepared the groundwork for intellectual and artistic progress, not just within the Russian artistic culture, but it is designed to hod a mirror to the effect on world art. The exhibition shows the Russian avant-garde artists that in the early 1900s tried to introduce art as a lifechanging power, the ground-breaking work of the artists in this period where the reformist atmosphere had been brought about by the October Revolution in 1917, and the social design they tried to put into practice supported by the new regime and also the wide boundaries of the future they dreamed of. The exciting technological developments and industrialisation that occurred in the early 20th century turned the avant-garde artists towards science and overcoming the boundaries of the earth, dreams of space reflected the beliefs the artists had in the future and tihs is very vividly reflected in the works displayed in this exhibition.‎

‎NAKAE YOSHIO, (1940-).‎

‎Kikoetekuruyo (Ehon Kanibaru 4). [With photograph an original drawing of illustrator].‎

‎New New Japanese Original bdg. Dust wrapper. Large 8vo. (24 x 24 cm). In Japanese. 32, [1] p., color ills. Kikoetekuruyo (Ehon Kanibaru 4). [With photograph an original drawing of illustrator].‎

‎USHIO TAKESHI.‎

‎Ushio Takeshi. Japanese Painting Exhibition.‎

‎Very Good Japanese Original bdg. HC. Oblong large 8vo. (24,5 x 25,5 cm). In Japanese, bilingual descriptive texts in English and Japanese. [62] p., color and b/w ills. Ushio Takeshi. Japanese Painting Exhibition.‎

‎TOSHIYA MOTAI.‎

‎Toshiya Motai. Real view and painting.= Ta-ma unou hi. Text by Kunio Motoe. [Exhibition catalogue]. March 23 - April 22, 2001. Forum Art Shop.‎

‎New English Paperback. 4to. (30 x 21 cm). In English and Japanese. 12 p., color ills. Toshiya Motai.= Real view and painting.= Ta-ma unou hi. Text by Kunio Motoe. [Exhibition catalogue]. March 23 - April 22, 2001. Forum Art Shop.‎

‎SELÇUK DEMIREL.‎

‎Dans la boule d'Istanbul.‎

‎New French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".‎

‎ÖZER KABAS, (1938-1998).‎

‎Özer Kabas. Retrospektif. [Exhibition catalogue]. 22 Ocak - 2 Mart 2008, Kazim Taskent Sanat Galerisi. Edited by Mine Haydaroglu.‎

‎New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 160 p., color ills. Özer Kabas. Retrospektif. [Exhibition catalogue]. 22 Ocak - 2 Mart 2008, Kazim Taskent Sanat Galerisi. Edited by Mine Haydaroglu.‎

‎BALKAN NACI ISLIMYELI, (1947-).‎

‎Balkan Naci Islimyeli. Deja vu. [SIGNED COPY].‎

‎New English Paperback. 4to. (27 x 21 cm). 67 p., color ills. Signed and inscribed by Balkan Naci Islimyeli. PHOTOGRAPHY Turkish art of photography Exhibition. Balkan Naci Islimyeli. Deja Vu. Poems by: Balkan Naci Islimyeli.‎

‎METIN ELOGLU, (1927-1985).‎

‎[ORIGINAL ARTWORK OF TURKISH LUMPENPROLETARIAT] In the forest of abstract stains.‎

‎Fine Turkish Original artwork in oil painting on thick paper. Varnished on painting. 14x14 cm. Signed on the lower right. No date. Metin Eloglu was a mediator poet-painter between two major literary movements known as Garip and Ikinci Yeni in Turkish literature, with his poetry featuring both realistic and imagistic elements. Eloglu published his first piece, which was a short story, in 1942, while his initial poems came out in the following years. As a painter, he liked to work on urban compositions. Some of his paintings had titles like "Çikmaz Sokak" [i.e. The Dead End] and "Gecekondu Sofrasi" [i.e. The Slum Dinner]. He won some moderate prizes for his paintings; however, especially after becoming a famous poet of the modernist era, he would always be remembered as a poet rather than a painter.‎

‎SADAN BEZEYIS, (1926-2017).‎

‎Original print: Golden untitled. (Ed. 48/125).‎

‎Very Good Turkish Edition of 48/125. Original print. 87x70 cm. Signed and dated on the lower right, edition number is on the lower left. An attractive original print, privately published in 1998, of a female portrait in golden with black contours on a red background with black veins. Untitled. Bezeyis graduated from the Painting Department of Mimar Sinan Fine Arts University in 1951. In 1954 he graduated from the Architectural Arts Higher Decoration Department of the Rome Academy of Fine Arts and was awarded a doctoral degree. Later he obtained a doctorate degree in Italy. He returned back to the homeland in 1955 with merits he received in almost all branches of Fine Arts. In parallel with Painting and Sculpture works he made Independent professional applications also in the architectural decoration area then in 1956 he was nominated as assistant to ITU, Faculty of Architecture. In 1958 he represented Turkey at International Venice Biennial and Lugano International Competition. He participated in numerous national exhibitions and represented Turkey in International exhibitions, held several personal exhibitions, and was decorated with a lot of awards. He was the President of the ITU Presidency Fine Arts Department.‎

‎ÖZDEMIIR ALTAN, (1931-).‎

‎Original print (Ed. 79/100) 1965/2000.‎

‎Very Good Turkish Edition of 79/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impress­es almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that alle­gation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally differ­ent participants and it was the first of all in the art history of spas commentary.‎