‎Engravings‎

‎Ryan Anne;Tony Geddes & Roger Butler (text): Salvatore Zofrea (prints)‎

‎Days Of Summer‎

‎Mosman Art Gallery Sydney 2009 . 27.0 x 24.0cms 92pp colour illusts. very good hardback & dustwrapper artist's signature These works were inspired by the flowers of the Hawkesbury River Kurrajong Hills and the Blue Mountains. The essays are: an appreciation; days of summer 2007-2008; notes to 'Days of Summer'; bellbirds at Kurrajong. Mosman Art Gallery Sydney 2009 hardcover‎

Bookseller reference : 30037953 ISBN : 0977543226 9780977543229

‎Ryff, Andreas‎

‎Der Rappenkrieg. Anfang, Mittel und End.‎

‎Basel, R. Müller, 1833. 8°. IV, 151 S. Mit 1 gest. Frontispiz. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (Rücken restauriert).‎

‎Durchgehend stockfleckig.‎

Bookseller reference : 2779BB

‎Ryuzaburo Umehara et al.‎

‎The Art of the Japanese Print. Volume 1: Early Religious Prints‎

‎This is a very good hardcover copy in a very good heavy clear mylar wrapper and a very good hardshell slipcase. Completely clean inside and out. This is Volume 1: Early Religious Prints, only of the 8 volume series, 'The Art of the Japanese Print'. Text in Japanese with 2 pages of notes in English at the end. This volume reproduces nearly all existing examples of prints from the Nara to Momoyama Periods (8th through 17th centuries). 304 illustrations including 32 tipped-in color plates. 14" high X 11" wide, 207 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.‎

‎Rössing, Karl [Woodcuts] / [Bürger, Gottfried August]‎

‎Münchhausen [Münch-hausen / Des Freiherrn von Münchhausen wunderbare Reisen und Abenteuer. Gottfried August Bürger]. Mit 27 Holzschnitten von Karl Rössing.‎

‎Contains 27 b&w woodcuts by an eminent Austrian graphic artist and illustrator Karl Rössing (1897-1987). 170x150mm. 185 pages. Hardcover. Cover corners and spine bumped and peeling. Adhesive tape on spine edges. In good reading condition.‎

‎Rübel, E(duard):‎

‎Untersuchungen über das photochemische Klima des Berninahospizes.‎

‎Zürich, Fäsi & Beer, 1908. Gr.-8°. S. 207-280. Mit Textfig. Orig.-Brosch. (ungeöffnet). Enthalten in: "Vierteljahresschrift Naturf. Gesellschaft Zürich", Bd. 53/1-3.‎

‎Weiter enthalten u.a.: Heim, Albert. Geologische Nachlese, Nr. 19: Nochmals über Tunnelbau und Gebirgsdruck und über die Gesteinsumformung bei der Gebirgsbildung. S. 34-73‎

Bookseller reference : 196DB

‎Rübel, Eduard und Ruoff, Wilhelm Heinrich‎

‎Nachfahrentafeln Rübel. Band (1): Berg-Jülich. Hrsg. von der Helene und Cécile Rübel Familienstiftung.‎

‎Zürich, in Kommission bei Schulthess & Co., 1943. 4°. XXIII, 691 S. Mit 2 gef. Tafeln. Orig.-Leinenband mit goldgepr. Rückentitel + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (minim berieben).‎

Bookseller reference : 749DB

‎Rübel.- Rübel, Eduard und Ruoff, Wilhelm Heinrich:‎

‎Nachfahrentafeln Rübel. Band (1): Berg-Jülich. Hrsg. von der Helene und Cécile Rübel Familienstiftung.‎

‎Zürich, in Kommission bei Schulthess & Co., 1943. 4°. XXIII, 691 S. Mit 2 gef. Tafeln. Orig.-Leinenband mit goldgepr. Rückentitel (minim berieben).‎

Bookseller reference : 749DB

‎Rütsche, Paul (Redaktor):‎

‎Wochen-Chronik der Zürcher Zeitung vom 27. Wintermonat 1797 bis 16. April 1798. Zur Erinnerung an den Untergang der alten Eidgenossenschaft. Gedruckt als Beilage zur Neuen Zürcher Zeitung.‎

‎Nr. 1-21 u. 1 Verzeichnis = 22 Bogen (alles). Zürich, Neue Zürcher Zeitung, 1898. 4°. 2 Bl., 92 (2) S. Lose gef. Orig.-Bogen (mit vereinzelten Randläsuren).‎

‎Titel-Bogen mit Verzeichnis mit mehreren hinterlegten Einrissen, die Nummern 1-21 mit vereinzelten Einrissen im Falz. Gebräunt.‎

Bookseller reference : 6208BB

‎S. Reinach‎

‎Apollo An Illustrated Manual of The History of Art Through The Ages‎

‎London England: William Heinemann 1907. Translated from the French by Florence Simmonds with six hundred illustrations. New Edition revised by the author. In green cloth with gold lettering illus. frontispiece of The Madonna Di San Sisto. In near fine condition with some fading to cloth and corner/spine wear. Interior pages intact and clean. Hardcover. Very Good /No Jacket. William Heinemann Hardcover‎

Bookseller reference : 002156

‎Sabarsky, Serge‎

‎Lyonel Feininger: Zeichnungen, Aquarelle und Grafiken‎

‎27x23 cm. 117 pages. Softcover. In good condition.‎

‎Sachs Paul J.‎

‎Modern prints & drawings; a guide to a better understanding of modern draughtsmanship.‎

‎New York: Alfred A. Knopf 1954. Fine. <p>8vo quartercloth 261 p ill lower corners rubbed</p> Alfred A. Knopf hardcover‎

Bookseller reference : biblio229

‎Sackville-West, Vita; Christmas, Anthony (Engravings)‎

‎Orchards A Fragment from 'The Land' By Vita Sackville-West‎

‎London: The Hermit Press. 1987. Octavo Size approx 15.5 x 22.8cm. Very Good condition. Illustrated with lovely wood-engravings by Anthony Christmas. Limited edition of 250 of which this is no. 238. A charming book printed by hand at the Hermit Press on Zerkall mould-made paper using an 1834 Imperial Press. The book is bound by Woolnough Fine Binding the boards are covered in a genuine Curwen pattern paper. Unpaginated. A short excerpt from the narrative length poem originally published in 1926. . Limited Edition. Hardback. The Hermit Press hardcover‎

Bookseller reference : BIB317555 ISBN : 1870629000 9781870629003

‎SADELER Johannes‎

‎Le Christ attaché. D’une suite de 8 pièces, gravées d’après C. Schwartz.‎

‎Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,420 x 0,280‎

Bookseller reference : 5489

‎SADELER Johannes I‎

‎Adam et Eve chassés du Paradis‎

‎D'après Martin de Vos. Belle épreuve mais coupée au trait carré. vers 1583 20,5 x 25,5 cm.‎

Bookseller reference : 5254

‎SADUN, Piero (Siena, 1919 - Siena, 1974),‎

‎Senza Titolo‎

‎Litografia originale, numerata e firmata a matita dall'Artista Opera allegata al n. 13 (maggio 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal  maggio 1947 al  dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 24x17. . . . . Edizione originale di 50 es. numerati e firmati . .‎

‎SAETTI, Bruno (Bologna, 1902 - Bologna, 1984)‎

‎Senza titolo‎

‎Litografia originale a colori Firma e numerazione a matita. Esemplare 116/120. Cm 52x67. . . Ottimo (Fine). . Tiratura 120 (Edition of 120 copies). .‎

‎SAETTI, Bruno (Bologna, 1902 - Bologna, 1984),‎

‎Senza titolo‎

‎Acquaforte Carta Pescia. Firma a matita. Esemplare 4/90. cm 24,5x22,6 (Foglio cm 50x35). . . Ottimo (Fine). . Tiratura 90 + X. .‎

‎Sahl, Hans / Masereel, Frans [Woodcuts]‎

‎Jemand - ein Chorwerk. Mit den Holzschnitten "Die Passion eines Menschen" von Frans Masereel.‎

‎270x220mm. 90 pages. Hardcover. Cover slightly yellowing, stained and scratched. Cover corners slightly worn. Spine yellowing and worn. Pages slightly yellowing and age-stained. Else in good condition.‎

‎Saint-Lambert, Jean-Francois, Marquis de.‎

‎LES SAISONS, POEME. Cinquieme Edition, revue & corrigee.‎

‎Two volumes in one. pp. xxxvi, 224; 203, [2](Errata). Five wonderful engraved plates by a remarkable group of graphic artists; with title vignette; head-pieces, etc. Plates: Frontis by Jean-Baptiste Le Prince (1734-1781), engraved by Augustin de Saint-Aubin (1736-1807); "Spring" by Le Prince, without name of engraver; "Autumn" by Benoit Louis Prevost (1747-1804), engraved by Jean Francois Rousseau; "Winter" by Gravelot [Hubert Francois Bourguignon danville](1699-1773), engraved by Nicolas de Launay (1739-1792). Vignettes and headpieces by Pierre Philippe Choffard (1731-1809). The plates are dated mainly 1767-1769. 8vo. 210 mm. Plates slightly foxed. Text very clean. Marbled edges and endpapers. Original French full leather binding with marbled decoration. Spine tooled in gold gilt. Binding somewhat worn at extremities, but still attractive. Large printed French bookplate with the text: De la Douce Lumiere / De L'Ombre / De La Flamme / Et des Livres Amis [Soft light / the shadow / flame / and friends books] . Saint-Lambert (1716-1803) began writing poetry in his adolescence and belonged to the circle around Francoise de Graffigny in Luneville. In 1733 he had already begun work on The Seasons, his major poetical work, but it did not appear completed in print until 1769. Cohen 926; Reynaud 481. **PRICE JUST REDUCED! SAFE ADD 1‎

‎SAINT-NON Abbé de‎

‎Louis Carrache cloître St Michel in busco à Bologne‎

‎D’après un dessin de Fragonard.Quelques rousseurs. 1772 14,5 x 20,5‎

Bookseller reference : 6588

‎Sainte Genevieve patronne de Paris‎

‎Sainte Geneviève patrone de Paris bergère, assise et lisant Gravure au burin d’après Carle Vanloo (1705-1765).‎

‎1750 Sainte Geneviève patrone de Paris bergère, assise et lisant.Gravure au burin d’après Carle Vanloo (1705-1765).Eau forte encadrée et maroufflée sur toile,bonnes marges,52x34,6 cm;bon tirage,rare‎

‎Sainte Geneviève bergère : l’évolution du type pastoral,reproduit Bibliotheque Sainte Genevieve www.bsg.univ-paris3.fr/sainte-genevieve-bergere-levolution-du-type-pastoralLe tableau de Carle Vanloo, gravé notamment par Baléchou, s’éloigne un peu plus encore du motif religieux pour s’apparenter aux sujets galants en vogue au XVIIIe siècle: le cadre est bucolique, Geneviève lit sous un arbre, au bord d’un ruisseau, dans une pose et une mise gracieuses, sous le regard de trois angelots potelés, semblables à des amours. Remise de 20% pour toutes commandes supérieures à 200 €‎

Bookseller reference : 23430

‎SAKA, Minako,‎

‎Mr. Cerca Cerca‎

‎Monotipo Firma e titolo a matita PREZZO ORIGINALE 300 EURO. cm 63x54 (Foglio 78x70). . . Ottimo (Fine). . . .‎

‎SAKA, Minako,‎

‎Senza titolo‎

‎Acquatinta acquaforte originale con applicazioni di carta argentata Firma, data e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare 3/10. Cm 36x24 (Foglio 50x35). . . . . Tiratura 10. .‎

‎Salander-O'Reilly Galleries‎

‎Alfred H. Maurer The Cubist Works‎

‎New York NY: Salander-O'Reilly Galleries 1989. Exhibition catalog - Alfred H. Maurer The Cubist Works held at the Salander-O'Reilly Galleries NYC January 2 February 27 1989. Softcover w/32 color plates includes an essay by Hilton Kramer ' Getting to know Maurer'. Catalog in VG condition minor wear to usual spots/cover no writing tears creases etc. Softcover. Very Good/No Jacket. Salander-O'Reilly Galleries paperback‎

Bookseller reference : 004263

‎SALCEDO Maggie‎

‎La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)‎

‎- Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour‎