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ARNOUT J
LUXEMBOURG PALACE AND GARDENS. PL. 12
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 440
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ARNOUT J
PALACE OF JUSTICE AND STE. CHAPELLE. PL. 13
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 441
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ARNOUT J
PALACE OF JUSTICE AND STE. CHAPELLE. PL. 13
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 441
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ARNOUT J
PERE LACHAISE CEMETARY. PL. 21
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 443
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ARNOUT J
ROYAL PALACE PRIZED VIEW OF THE GARDEN. PL. 27
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 447
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ARNOUT J
TRIUMPHAL ARCH AND THE PALACE OF THE TUILERIES. PL. 28
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 448
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ARNOUT J
TUILERIES GARDENS. PL. 25
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 445
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ARNOUT J
TUILERIES GARDENS. PL. 25
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 445
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ARNOUT J
VERSAILLES VIEW FROM THE NEPTUNE FOUNTAIN. PL. 6
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown books
书商的参考编号 : 439
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ARNOUT, J
CITY CHURCH OF NOTRE DAME AND THE HOTEL DIEU. PL. 30
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 449
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ARNOUT, J
CONCORDE BRIDGE CHAMBER OF DEPUTIES AND MINISTRY OF FOREIGN AFFAIRS. PL. 26
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 446
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ARNOUT, J
HORTICULTURAL GARDENS AND THE MUSEUM OF NATURAL HISTORY. PL. 22
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 444
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ARNOUT, J
LES INVALIDES TOMB OF NAPOLEON. PL. 20
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 442
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ARNOUT, J
LUXEMBOURG PALACE AND GARDENS. PL. 12
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 440
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ARNOUT, J
PERE LACHAISE CEMETARY. PL. 21
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 443
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ARNOUT, J
ROYAL PALACE PRIZED VIEW OF THE GARDEN. PL. 27
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 447
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ARNOUT, J
TRIUMPHAL ARCH AND THE PALACE OF THE TUILERIES. PL. 28
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 448
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ARNOUT, J
VERSAILLES VIEW FROM THE NEPTUNE FOUNTAIN. PL. 6
Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
书商的参考编号 : 439
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ARNOUX (Guy)
Le Paradis des Braves.
Librairie Lutetia. 38X48 cm.
书商的参考编号 : 16277
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ARNOUX (Guy).
Debout les morts !!
Devambez. 44x55 cm.
书商的参考编号 : 16291
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ARNOUX (Guy).
Gloire aux Soldats Français.1916.
Se trouve à la Librairie Lutetia. 48X32 cm.
书商的参考编号 : 13249
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ARNOUX (Guy).
Grenadiers de France 1792 vers la victoire 1915.
P., Devambez. 63X 44 cm.
书商的参考编号 : 16315
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ARNOUX (Guy).
L'horloge de la guerre. Il n'y a pas d'heure pour les braves.
52X33 cm.
书商的参考编号 : 16283
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ARNOUX (Guy).
Le Soldat Laboureur.
P., Devambez. 63X47 cm.
书商的参考编号 : 13640
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ARNOUX (Guy).
Maurice Barrès l'écrivain patriote.
Devambez. 48X32 cm.
书商的参考编号 : 16280
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ARNOUX (Guy).
Paul Déroulède patriote français.
Devambez. 48X32 cm.
书商的参考编号 : 16281
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ARNOUX Guy
Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)
- Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour
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Aron, Jacques; Schadlich, Christian; Horning, Jutta; Dauer, Horst; Siebenbrodt, Michael
Bauhaus 1919-1933
30X24 cm. 142 pages. Softcover in dust jacket. Inner cover pages slightly stained. Else in good condition.
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ARP Jean
Aquarelle interprétée III
Très belle sérigraphie à l'occasion d'une carte de vœux pour l'année 1987. En feuille Très bon 1987 27 cm x 9 cm
书商的参考编号 : 11304
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ARP Jean & ARP Hans
Lithographie originale
- Louis Broder, Paris s.d. (ca 1961), 20x24,1cm, une feuille. - Estampe originale de Jean Arp imprimée sur japon et réalisée pour l'ouvrage Feuilles éparses en hommage à René Crevel. Très bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
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Arras - BODENEHR, Gabriel
Arras wie es von denen Frantzosen bevestiget und mit Einer Citadelle versehen worden. (Festungs- und Stadtplan aus der Vogelschau mit ausführlicher Legende an beiden Seiten).. Befestigungsgrundriß. Kupferstich veröffentlicht in; "Force d'Europe". Herausgegeben von Gabriel Bodenehr (1673 - 1765).
(Augsburg). (Um 1720). Kupferstichblatt in guter Erhaltung. Format ca. 16,5 x 27 cm
书商的参考编号 : 138889
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Arrowsmith, Aaron.
Asia. To Major James Rennell, Esqr. F.R.S. &c. &c. This Map is Inscribed, by His much Obliged Humble Servant. January 1st 1801. A. Arrowsmith. London, G. Allen for A. Arrowsmith, 1801.
Engraved map in 36 segments on canvas, folded. Fine original hand-colour. Ca. 1450 x 1230 mm. Earliest edition of this wall map, the most accurate map of Asia published at the beginning of the 19th century. It shows significant advancement compared with other maps of the period, incorporating the work of surveyors like James Rennell, to whom the map was dedicated. Rennell was surveyor-general of the East India Company's dominions in Bengal, and the information published in his "Bengal Atlas" in 1779 appears here. Arrowsmith also included remarkable topographical detail such as mountain ranges in regions as remote as Tibet. Remarkably, the region on the shore of the Arabian Gulf is already labelled as "Bani Yas" territory. Arrowsmith has marked the track of Lapérouse's voyage in the Indian Ocean and Far East. - Aaron Arrowsmith (1750-1823) was the finest cartographer of his generation. Although he received little formal education, it is believed that he was provided with some mathematical instruction by William Emerson, an author of several books on the application of mathematics to the area of cartography. Around 1770, Arrowsmith moved to London to seek employment. It is believed that he worked for William Faden before joining John Cary Sr. in the early 1780s. There he provided the measurements for John Cary's early publication detailing the roads from London to Falmouth, his first signed work. Arrowsmith set up on his own in 1790 and over the next thirty years produced some of the most beautiful and elegant maps of the era. "This highly detailed wall map of Asia is probably one of the most accurate maps of the continent before the completion of the Ordnance Survey maps of 1820" (Sweet). - Slightly soiled and browned, but well preserved. Not in Al Ankary or Al-Qasimi. Cf. Sweet 238 (1811 edition only).
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Arsène HOUSSAYE
Van OSTADE Sa vie et son œuvre
Vingt eaux-fortes par VAN OSTADE, Charles Jacque et Subercase Librairie à estampes Jules Maury & cie (sans date, vers 1870) format : 25 x 30 cm, couverture cartonnée, premier plat orné d'une gravure contrecollée, 15 pages de texte d'Arsène Houssaye suivies de 20 eaux-fortes. tiré à seulement 100 exemplaires couverture salie, manque au bas du dos, mors fendu sur 5 cm, une dédicace en page de titre sinon bon état, très bel état des eaux-fortes.
书商的参考编号 : 800
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Art Gallery of Hamilton
Zigi Ben-Haim
Hamilton Canada: Art Gallery of Hamilton 1982. Exhibition catalog from the Art Gallery of Hamilton exhibit held October 21 - November 21 1982. Aside from a publishing flaw a wrinkle in the first couple of pages a clean unmarked catalog. . Softcover. Very Good/No Jacket. Art Gallery of Hamilton paperback
书商的参考编号 : 003652
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Art, Meraki Prints
Greenhouse & Garden Planner Notebook/Journal for sketching out your ideas tracking seeds and planning your garden
NEW. unknown
书商的参考编号 : BIB-NOV-14-2025-206042
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Art, Meraki Prints
The Bees Are Happy: Valheim inspired Viking videogame fan art notebook or journal
NEW. unknown
书商的参考编号 : BIB-NOV-14-2025-8791 ???????? : 9798453617311 9798453617
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art, prints, lithographs eyeburst
Eyeburst
<p>Art; Prints; Lithograph; Eyeburst Original painting. 6 1/2 X 8 1/2 inches. Matted Fine. - </p> unknown
书商的参考编号 : AA/SC/14029
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art, prints, lithographs paint blast
Painter's Blast
<p>Art; Prints; Lithograph; Painter's Blast. Original on board measures 8 X 11 inches Matted Fine. - </p> unknown
书商的参考编号 : AA/SC/14039
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art, prints, lithographs highlands
West Point and the Highlands
<p>Art; Prints; Lithograph; A full color print of scene at West Point and the Highlands measures 7 1/4 X 5 inches Matted Near Fine. - </p> unknown
书商的参考编号 : AA/SC/14040
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Art; Prints; Lithograph; Horses;
Lester Piggot's 8 Derby Winners
<p>Art; Prints; Lithograph; Horses; A full color ED. depicting the eight Epsom Derby winners of the all time great jockey Lester Piggot. His Derby winners included are Never Say Die - 1954 Crepello - 1957 St. Paddy - 1960 Sir Ivor - 1968 Nijinsky - 1970 Roberto - 1972 Empery - 1976 The Minstrel - 1977 JUBILEE YEAR. Signed by the artist Peter Biegel 1977. Measures 35 X 24 1/2 inches Condition is VVG. - </p> unknown
书商的参考编号 : AA/SC/14045
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Art; Prints; Lithograph; Religious;
Our Lady of Guadeloupe on Canvas
<p>Art; Prints; Lithograph; Religious; A full color image of Our Lady of Guadeloupe on canvas with certification of authenticity at footer dated October 12 1978. Measures 18 3/4 X 11 1/2 inches Condition is VVG.</p> unknown
书商的参考编号 : AA/SC/14042
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Artcurial
Au Temps du Japonisme
This is an about very good softcover copy with light wear. Completely clean. Soft creases to back cover and pages. Text in French and English. Essay by Serge Lemoine. This is a sale catalog for an auction held at Artcurial in Paris on May 23, 2018. The sale consisted of Japanese prints that were assembled by a private collector in the late 19th and early twentieth centuries. This man lived in Paris and was introduced to Siegfried Bing and Hayashi Tadamasa two well known art dealers specialising in Japanese prints. 49 prints in the sale. All illustrated in color. No prices realized sheet, just price estmates for each lot. 11" high X 8" wide, 60 pages. This book will be securely packed and shipped with tracking.
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Arter, Paul J
Panorama von Brütten.
Winterthur, C. Studer, (1838). Gef. Lithographie mit mehreren Randillustr. von Caspar Studer nach Paul J. Arter. Bildformat: 232 x 12 cm. Blattformat: 236 x 18 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
书商的参考编号 : 224BG
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Arter, Paul J.:
Panorama von Brütten.
Winterthur, C. Studer, (1838). Gef. Lithographie mit mehreren Randillustr. von Caspar Studer nach Paul J. Arter. Bildformat: 232 x 12 cm. Blattformat: 236 x 18 cm.
书商的参考编号 : 224BG
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Arthur Cotterell
The First Emperor of China The Greatest Archaeological Find of Our Time
New York NY: Holt Reinhart & Winston 1981. First Printing stated first american edition. Cloth hardcover in VG condition no writing marks better than normal wear. Jacket is VG no major issues clean all intact not price clipped very minor shelf wear. 208 pages. 67 b/w & color plates w/descriptions figures maps tables and index. 7.5" x 9.75" . First American Edition. Hardcover. Very Good /Very Good. Holt Reinhart & Winston Hardcover
书商的参考编号 : 004179 ???????? : 0030598893 9780030598890
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ARTIGUE Albert Émile
Albine
Belle épreuve parue dans l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. L’Estampe Moderne a paru de mai 1897 à avril 1899. en feuille Très bon Paris L’Estampe Moderne. 31 x 27 cm.
书商的参考编号 : 6133
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Artistes multiples : MIRO, CALDER, TAPIES, UBAC, BURY, RIOPELLE, CHILLIDA, GIACOMETTI, etc.
DERRIÈRE LE MIROIR N° 195. MAEGHT ÉDITEUR. Décembre 1971.
Paris, Maeght éditeur, 1971. In-folio (380 x 280 mm) en feuilles, 28 pages. DLM publié en décembre 1971, présentant de Grandes Editions Originales Illustrées et Albums. 1 LITHOGRAPHIE ORIGINALE EN COULEUR de Ubac. LITHOGRAPHIES EN COULEURS de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. Tirage original.
书商的参考编号 : 1458
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ARTISTI VARI
Dieci viaggi di Paolo VI
Dieci incisioni originali, numerate e firmate a matita, di Roberto Stelluti, Luigi Toccacieli, Alfredo Bartolomeoli, Angelo Rosetti, Edgardo Travaglini, Adriano Calavalle, Claudio Polzonetti, Silvano Silvani, Nani Tedeschi e Mario Bellagamba (cm. 20x20, foglio 50x35) Ciascuna incisione, stampata al torchio su carta a mano della cartiera Magnani di Pescia è custodita in un quartino con la riproduzione di un brano del discorso ufficiale di Paolo VI, pronunciato in occasione del viaggio. Fogli sciolti custoditi in cartella in cartoncino "Murillo" della cartiera Milani di Fabriano. Esemplare n. 40. Cm 50x35. . . Ottimo (Fine). . Edizione originale di 99 esemplari numerati. .
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Arts & Prints, Shalom
My Sermon Notes Christian Weekly Devotional Journal: A 52 Weeks Church Sermon Notes Notebook for Teens and Adults to record reflect and remember weekly sermon messages
NEW. unknown
书商的参考编号 : BIB-NOV-14-2025-538232
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ASADA Hiroshi
Histoire de l'eau
Paris Michèle Broutta 1980 In-4 carré En feuilles, sous emboitage toilé de l'éditeur
书商的参考编号 : 010059
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