‎Estampes‎

‎Bracquemond (Félix)‎

‎Margot la Critique (ou la Pie) - Eau-forte originale de Félix Bracquemond (1833-1914)‎

‎l’Artiste 1858 - Béraldi 113 – 3e état sur 4 :Très belle épreuve sur chine collée- Feuille : 320 x 245- Coup de planche : 240 x 210 mm- Chine : 235 x 205 mm“Raucaque garrulitas studiumque immane loquendi. – C’est une Pie tenant une plume sous la patte, et qui jacasse à tort et à travers, la tête haute, les ailes étendues, posée sur un globe où se lisent les mots Paris, Opéra, Français, Musée, Palais, Académie, Ecole.”‎

‎Béraldi 113 iii/III; Bouillon AC 4 iii/IV Remise de 20% pour toutes commandes supérieures à 200 €‎

Referentie van de boekhandelaar : 25984

‎BRACQUEMOND Félix‎

‎Bouquet d’arbres près d’un cours d’eau.‎

‎Tirage sur vergé. Elle a été imprimée par Salmon. D’après Théodore Rousseau. Belle épreuve, réalisée pour illustrer le catalogue de la vente Michel de Trétaigne en 1872. Béraldi 329. IFF 325. en feuille 12,5 x 15,5 cm.‎

Referentie van de boekhandelaar : 7293

‎BRACQUEMOND Félix‎

‎Le cabaret.‎

‎Tirage sur vergé. Elle a été imprimée par Salmon. D’après Van Ostade. Belle épreuve, réalisée pour illustrer le catalogue de la vente de la Galerie Péreire en 1872. Béraldi 334. IFF 330. en feuille 12 x 9,5 cm.‎

Referentie van de boekhandelaar : 7292

‎BRACQUEMOND Félix‎

‎Portrait de femme.‎

‎Tirage de la Gazette des Beaux-Arts de mai 1876. Elle a été imprimée par Salmon. D’après Ingres. Belle épreuve sur vergé. IFF nc. Béraldi nc. Rousseurs dans les marges. en feuille Bon 1876 24,8 x 16 cm, feuille 27,8 x 20 cm.‎

‎édition originale‎

Referentie van de boekhandelaar : 7286

‎Bracquemond, Félix (préf.)‎

‎Collection des GoncourtEstampes, Aquarelles & Dessins modernesParis 1897‎

‎Hôtel Drouot, Paris, avril-mai 1897. In-4, broché, 63 pp. Préface : Les estampes modernes de la collection des Goncourt, par Bracquemond - Estampes modernes, Eaux-fortes originales : Besnard, Bracquemond, Buhot, Desboutin, Duez, Fortuny, Goeneutte, Seymour-Haden, Helleu, Meissonier, Millet, Rodin, Rops, Rousseau, Whistler, Zorn etc. - Eaux-fortes de Jules de ...‎

‎Bien complet de son frontispice sous serpente.Quelques adjudications reportées dans les marges. --- Plus d'informations sur le site archivesdunord.com‎

Referentie van de boekhandelaar : 9062

‎BRADLEY Will H. Bradley Will H.‎

‎WHEN HEARTS ARE TRUPS BY TOM HALL (Quand les coeur sont l'atout). Les Maitres de l'Affiche Pl. 52‎

‎0 Planche N°52, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, 2 toutes petites traces de punaisage sur l'extrémité de la marge supérieure (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon Pas de couverture‎

Referentie van de boekhandelaar : 24181

‎Braham, Jeanne with engravings by Barry Moser‎

‎The Light Within The Light : Portraits of Donald Hall Richard Wilbur Maxine Kumin and Stanley Kunitz‎

‎Godine 2007. First edition. Fine and bright in like dustjacket with crisp bright text throughout. Godine, 2007 unknown‎

Referentie van de boekhandelaar : 55904

‎Brandis, Marianne; Gerard Brender a Brandis (wood engravings)‎

‎Making Light‎

‎Stratford ON: Gerard Brender à Brandis 2000. Paperback. Fine. Paperback. Number 166 of 310 copies Signed by the illustrator. The text is about the importance of books reading and writing to the author and includes personal experiences and memories. The accompanying engravings all feature books teapots or printing presses. Sewn blue paper wrappers with black title to front wrapper. With 8 wood engravings by the Brandis. Clean and bright. Handset in Libra type and printed with an Albion Press onto Lana Verge Antique paper by Mary Carrington and Gerard Brender à Brandis. 8 pages. Size: 9 x 5.5 inches. PRI/032323. Gerard Brender à Brandis paperback‎

Referentie van de boekhandelaar : 36491

‎BRANDOLINI D'ADDA, Yasmin (Cape Town 1929 - Cison di Valmarino 2012)‎

‎Moon sequence‎

‎Opera appartente alla serie di 6 incisione a puntasecca originale, numerata, firmata e datata a matita dall'Artista (cm 22x16,5, foglio 50x35) Incisione stampata su carta delle Cartiere Sant'Ilario di Pescia sui torchi di Giorgio Upiglio a Milano. Esemplare 8/25. . . . Ottimo (Fine). . Edizione originale di 25 esemplari numerati. . Yasmin Brandolini D'Adda, di famiglia sudafricana di lingua inglese, ha vissuto a Londra e Firenze, dove ha studiato all'Accademi di Belle Arti.. Nel 1951 sposò il poeta e scrittore veneziano Brandolino Brandolini D'Adda. Ha esposto regolarmente sia in Italia che all'estero sin dal 1971.‎

‎BRANDOLINI D'ADDA, Yasmin (Cape Town 1929 - Cison di Valmarino 2012)‎

‎Moon sequence‎

‎Opera appartente alla serie di 6 incisione a puntasecca originale, numerata, firmata e datata a matita dall'Artista (cm 22x16,5, foglio 50x35) Incisione stampata su carta delle Cartiere Sant'Ilario di Pescia sui torchi di Giorgio Upiglio a Milano. Esemplare 8/25. . . . Ottimo (Fine). . Edizione originale di 25 esemplari numerati. . Yasmin Brandolini D'Adda, di famiglia sudafricana di lingua inglese, ha vissuto a Londra e Firenze, dove ha studiato all'Accademi di Belle Arti.. Nel 1951 sposò il poeta e scrittore veneziano Brandolino Brandolini D'Adda. Ha esposto regolarmente sia in Italia che all'estero sin dal 1971.‎

‎Braunio, Johanne (Johannes Braun) (Text); Bastiaan Stoopendaal-Schulz (Engravings)‎

‎From the Library of Philippe Wilhelm Grimm: Bigdê kohanîm Id Est Vestitus Sacerdotum Hebraeorum. Sive Commentarius Amplissimus In Exodi Cap. XXVIII. ac XXIX. & Levit. Cap. XVI. Aliaque loca S. Scripturae quam plurima. Liber Primus Vol. I; Liber Secundus Vol. II. 2-vol. Bound in one volume Complete Sacramental Garments of the Hebrew Priests‎

‎Amstelodami Amsterdam: Apud Abrahamum a Someren 1698. Altero Editio priori auctior & emendatior. Hardcover. good to vg. Large octavo 8 x 6 3/4". 72 344 1 40pp. Indices Errata of Vol. I 6 plates one folding; 4 345-752 60pp Indices Errata of Vol. II 14 plates one folding. Bound in full vellum. Red edges. Volume one with engraved half-title. Both title pages with publisher's device. Engraved Ex-Libris of Philipp Wilhelm Grimm father to the Brothers Grimm on verso of title page volume one. Decorative initials and headpiece. Originally published in 1680 Johannes Braun's "Vestitus sacerdotum Hebraeorum" was the standard work on Hebrew priestly vestiments; how they were produced and their ritual use. The text is accompanied with 20 striking full page one in-text engraving and numerous in-text tablets plus frontispiece by Bastiaan Stoopendaal-Schulz a celebrated Dutch engraver and mapmaker. Penciled note on "The Dress of the Hebrew Priests" on verso of engraved half-title in English. Text in Latin. Binding with light wear along edges rubbed with light line indentations. Red edges faded. First folding plate with two inch closed tear at fold near gutter light creasing at lower edge. Inked note in margin of page 384 of volume two. Some parts age-toned mostly indices. Front endpaper missing back endpaper with small chips. Binding and interior in overall good to very good condition plates very good. Apud Abrahamum a Someren hardcover‎

Referentie van de boekhandelaar : 47512

‎BREBIETTE Pierre‎

‎(La décapitation de Sainte Catherine ?)‎

‎IFF 27-45. Le Blond avec privilège du Roy XVIIè 11,5 x 16‎

Referentie van de boekhandelaar : 6623

‎BREDDO, Gastone (Padova 1915 - Calenzano 1991),‎

‎Senza titolo‎

‎Acquaforte facente parte delle pubblicazioni edite in occasione del 50° anniversario della fondazione del PCI. Ha partecipato alla biennale di Venezia nel 1958 con una sala personale, ottenendo uno dei premi ufficiali nazionali. Ha esposto a tutte le precedenti edizioni della Biennale di Venezia dal 1940 al 1958. Ha esposto varie volte alla Quadriennale Romana, anche con una sala personale all'ottava edizione. Ha quindi esposto nelle gallerie e nei musei di Roma, Firenze, Venezia, Bologna, Trieste, Torino, Milano, Padova, Taranto, Bari, Cortina D'Ampezzo, La Spezia, ecc. Ha collaborato alle riviste Gioventù Italica, Il Bo, L'architrave, La strada, Michelangelo, Gazzetta Veneta, Lettere e Arti Firma a matita in basso a destra. Esemplare 2/100. Cm 32x25 (Foglio 70x50). . . Ottimo (Fine). Piccola macchia di inchiostro e fioriture nella parte bianca del foglio, non interessanti la parte incisa. Tiratura 100. .‎

‎Brenda Z. Guiberson‎

‎Teddy Roosevelt's Elk‎

‎New York NY: Henry Holt & Company 1997. In New Gift condition! Stated first edition. As Teddy Roosevelt breaks camp on the western plain an elk calf is born on the Olympic Mountains. Nearby a great bull sharpens his antlers bobwhites call from the sagebrush and a waterfall glitters in the sunlight. For Teddy Roosevelt the coming year will be a time of enlightenment as he takes steps to conserve the wild places and animals of America. Full color. Stated First Edition. Hardcover. Fine/Fine. Illus. by Patrick O'Brien. Henry Holt & Company Hardcover‎

Referentie van de boekhandelaar : 001496 ISBN : 0805042962 9780805042962

‎BRETON (André) - MAN RAY - COLLECTIF‎

‎André Breton. 42, rue Fontaine. Manuscrits.‎

‎Drouot Auction Paris 2003. Calmels, Cohen, Paris, vente aux enchères publiques des collections d'André Breton, du 7 au 17 avril 2003.- Le volume concernant les "Manuscrits". In-4 broché au format (27 x 21 cm), couverture recouverte d'un plexiglass imprimé avec le portrait de André Breton, 353 pages, nombreuses illustrations. importante documentation et iconographie sur le SURREALISME.- 1435g.- Edition originale en bel état.‎

Referentie van de boekhandelaar : 31720

‎BRETON (André) - MAN RAY - COLLECTIF‎

‎André Breton. 42, rue Fontaine. Tome VII : Photographies.‎

‎Drouot Auction Paris 2003. Calmels, Cohen, Paris, vente aux enchères publiques des collections d'André Breton, du 7 au 17 avril 2003.- Le troisième des 8 volumes constitués. Tome VI I: Photographies. In-4 broché au format (27 x 21 cm), couverture recouverte d'un plexiglass imprimé avec le portrait de André Breton, 416 pages et 650 illustrations. importante documentation et iconographie sur le SURREALISME.- 1435g.- Edition originale en bel état.‎

Referentie van de boekhandelaar : 30767

‎Brett Simon introduction. Lawrence Stanley. Simon Brett Joan Hassell Edwina Ellis et al wood engravings of‎

‎A CROSS SECTION - THE SOCIETY OF WOOD ENGRAVERS IN 1988‎

‎Wakefield: Fleece Press 1988. 1st Edition Limited. Hardcover. Fine. 225 copies with 160 for sale quarter cloth. Fine apparently unused copy in light blue cloth slipcase that has a modestly faded edge. Dedicated to wood engraver Stanley Lawrence 1900-1987. Fleece Press hardcover books‎

Referentie van de boekhandelaar : 012539

‎BREWINGTON (M. V. & Dorothy)‎

‎Kendall Whaling Museum Prints.‎

‎First edition, 4to, 209pp., coloured frontis., numerous illustrs., throughout, orig. cloth.‎

‎BRIDGE Joé & WILLETTE Adolphe POULBOT Francisque‎

‎République de Montmartre - souscription pour l'arbre de Noël des petits poulbots au cirque Médrano‎

‎- L'Emancipatrice, 5, rue de Pondichéry, Paris 1929, 10,5x13,7cm, une feuille. - Rarissime bulletin dépliant de souscription pour l'arbre de Noël des enfants de la République de Montmartre, surnommés les "petits poulbots", datant de l'année 1929. Sur le premier plat, figure une belle estampe originale signée Francisque Poulbot représentant deux petits enfants devant la cheminée, et légendée "-Pleure pas, y a notre arbre de Noël au mois de Janvier". Sur le second plat, une seconde estampe donne le lieu du rendez-vous : un enfant chuchote à un autre "ça sera à Médrano". Dans l'esprit de la Commune de Paris, la République de Montmartre fut créée en 1921 par les artistes parisiens Joé Bridge, Adolphe Willette, Jean-Louis Forain, Francisque Poulbot, Maurice Neumont, Louis Morin, Maurice Millière, Raoul Guérin et Jules Depaquit. Ses fêtes et banquets, souvent organisés dans les lieux mythiques de Montmartre (Moulin de la Galette, cirque Médrano, Moulin Rouge) eurent pour but de souder la communauté montmartroise par l'entraide et la sociabilité. Rare et esthétique témoignage du traditionnel "Arbre de Noël" des enfants défavorisés de la République de Montmartre, qui se déroulait non pas en décembre mais en janvier. [ENGLISH DESCRIPTION ON DEMAND]‎

‎Brillat-Savarin (Anthelme) :‎

‎Aphorismes. Menus et Variétés. Gravures originales à la manière noire de Mario Avati.‎

‎Paris, Les Francs Bibliophiles, 1961 ; in-8 en feuilles ; couverture crème imprimée en bleu marine rempliée, étui de suédine noire (emboitage de l'éditeur) ; (3) ff. blancs, 108, (8) pp., (3) ff. blancs, 25 gravures dont 1 en frontispice, protégées par des serpentes de papier de soie.‎

‎Première édition, tirage unique à 175 exemplaires sur vélin de Rives à la cuve (celui-ci N°44, au nom de Philippe Borde). Bien entendu, l'auteur parle de bonne chère, du Bugey et du Lyonnais ainsi que des produits de ces régions : poulardes de Bresse, écrevisses, carpes, jambon de Belley, etc. Né en 1921 à Monaco, Mario Avati s'est rapidement imposé comme un graveur de grand talent ; spécialiste de la manière noire, il est souvent comparé à Kiyoshi Hasegawa et ses oeuvres figurent au catalogue des musées du monde entier (Paris, Bruxelles, La Haye, New-York, Chicago, Londres, Los Angeles, Tokyo, Philadelphie, Ottawa, Oslo, Washington, etc.).Le dos de la chemise est très légèrement passé, sinon très bel exemplaire de cet ouvrage à l'illustration très réussie.‎

Referentie van de boekhandelaar : 6087

‎Brinas Party Prints‎

‎50 Ans: Le livre d'or de mon Anniversaire I 50 Ans Decoration Noir Or I Pour 90 Entrées I Softcover I Pour les félicitations écrites que pour les plus belles photos I Idée cadeau pour les 50 ans‎

‎Independently published 2019. Paperback. New. 180 pages. French language. 8.50x8.50x0.41 inches. Independently published paperback‎

Referentie van de boekhandelaar : 2-1091238081 ISBN : 1091238081 9781091238084

‎BRINDISI, Remo (Roma, 1918 - Lido di Spina, 1996)‎

‎Sei incisioni a colori per la Storia della colonna infame di Alessandro Manzoni‎

‎Sei acqueforti acquetinte a colori originali, numerate e firmate a matita, di Remo Brindisi per la Storia della colonna infame. Introduzione critica di Roberto Sanesi Tiratura delle incisioni realizzata con torchi a mano su cartoncino Magnani per incisioni. Testo composto e impresso dalla Tipografia Annesio Nobili di Pesaro. Opera ideata e curata da Piergiorgio Spallacci. Es. VII/XXV. Cm 55x37,5. pp. 32. . Ottimo (Fine). . Edizione originale di 125 + XXV es. numerati. .‎

‎BRINDISI, Remo (Roma, 1918 - Lido di Spina, 1996),‎

‎Senza titolo‎

‎Acquaforte Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. Cm 24,5X30 (Foglio 50x70). pp.. Dedica e firma autografa dell'Artista ad un noto scrittore italiano (Inscribed and signed by the Author to an important Italian literary man). Ottimo (Fine). . Tiratura 100 + XI f.c.. .‎

‎BRISSAUD Pierre‎

‎As-tu été sage ? Robe du soir et robe d'enfant de Jeanne Lanvin. (La Gazette du Bon ton, n°1. Février 1920 - Planche 6: )‎

‎- Lucien Vogel éditeur, Paris 1920, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illustration de‎

‎BRISSAUD Pierre‎

‎En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)‎

‎- Lucien Vogel éditeur, Paris Février 1914, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l‎