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Carzou. Texte de Robert Rey.
Carzou. L'apocalypse.
Paris, Imprimerie Nationale. André Sauret, éditeur., 1959, in-4, broché sous couverture rempliée, 163 pages. Bon état. 6 lithographies originales (dont la couverture) tirées sur les presse de Mourlot Frères. Exemplaire provenant de la bibliothèque d'un graphiste, qui a soigneusement contre-collé des documents et reproductions de l'artiste, augmentant la valeur documentaire de l'ouvrage.
Referenz des Buchhändlers : 70571
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CARAN D'ACHE Caran d'Ache
EXPOSITION RUSSE, Champ-de-Mars. Les Maitres de l'Affiche Pl. 70
0 Planche N°70, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, une toute petite trace de punaisage angulaire sur l'extrémité de la marge supérieure droite (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Referenz des Buchhändlers : 24190
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CARS Laurent
Hercule et Omphale
Très belle épreuve d'après Le Moyne en feuille Bon Paris Cars XVIIIè 54 x 39,5 cm
Referenz des Buchhändlers : 14609
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CARCO Francis; BARRAUD Maurice:
La bohème et mon coeur.
Genève, Editions du Milieu du Monde, 1943. In-folio en feuilles de 187-[9]p., sous couverture brique rempliée, chemise, étui, pièce de titre en maroquin rouge.
Referenz des Buchhändlers : 7459
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CARRACCI Annibale (1560-1609)
Le triomphe de Galathée
Eau-forte et burin .Faussement attribué à Annibal Carrache, alors qu'il s'agit d'une estampe anonyme d'après Augustin Carrache. In L'art érotique sous la Renaissance, tome 3, page 860. en feuille Très bon 24,5 x 44,5 cm
Referenz des Buchhändlers : 8623
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CARREY.
Les Alliés en campagne. N°2. Armée anglaise. Artillerie de Campagne. En position d'attente. .
A. Lasnier éditeur, 50X33 cm.
Referenz des Buchhändlers : 16355
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CARREY (H.).
les Alliés en campagne. N°4. Armée russe. Cosaques. Les virtuoses de la Lance.
A. Lasnier éditeur, 50X33 cm.
Referenz des Buchhändlers : 16356
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CARREY.
Les Alliés en camapgne. N°3. Armée belge-Généralissime. Le Roi Albert 1er.
A. Lasnier éditeur, 50X33 cm.
Referenz des Buchhändlers : 16357
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Carlos SAENZ DE TEJADA (1897-1957)
LOS TOROS, PLAZZA DE TOROS, Espagne
3 Photogravures (huecograbados) Fournier, VITORIA Dimensions 310 x 230 mm, bon état . Envoi en recommandé R2 : 9 Venez visitez mon site antharedeschuyter.fr et voir mes collection d'estampes, tableaux, livres etc
Referenz des Buchhändlers : 4313
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CARRACHE Annibal
Suzanne au bain
Rare estampe, coupée à la marque du cuivre et contrecollée. En feuille Moyen 1 volume in-8°
Referenz des Buchhändlers : 14373
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Cardinaux, Emil (1877–1936):
Trümmelbach Lauterbrunnen.
Lauterbrunnen, F. v. Almen, um 1920. 6 farb. Illustr. von Emil Cardinaux. 6-teiliger Faltprospekt.
Referenz des Buchhändlers : 900CG
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Carigiet. - Chönz, Selina:
Uorsin. Da Selina Chönz e Alois Carigiet – Adattaziun sursilvana.
Zürich, Spiegel-Verlag, 1945. Quer-4°. (22) Bl. Mit 20 farb. ganzs. Illustrationen von Alois Carigiet. Farbig illustrierter Halbleinenband.
Referenz des Buchhändlers : 7327BB
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Caracciolo, Beatrice [Artist] / de Luca, Erri; Tazi, Nadia; Heidsieck, Nathalie, de Rothschild [Texts]
Beatrice Caracciolo - Attraversare il Fuoco : 06.09.13, galerie Almine Rech, Paris
RARE album printed on the occasion of an exhibition of works by Beatrice Caracciolo, an Italian artist whose work has been shown in numerous exhibitions in the United States and Europe, including a retrospective devoted to her work at the Villa Medici in 2010 in Rome. She lives and works in Paris. This book contains 22 reproductions of Caracciolo's works from her second solo exhibition held in 06.09-05.10.13 (photographic prints in intaglio on waxed paper) and numerous other plates reproducing her work. The photoengravings (Fuoco), woodcuts (Lines of Fire) and collages (Blades of Fire) are preceded by quotes from Gaston Bachelard, René Char, Guy Debord, James George Frazer, Mahatma Gandhi, Heraclitus, Petrarch, Henri Michaux and William Butler Yeats.245x175mm. 187 pages. White cloth Hardcover. Black lettering on front cover. Cover dirty. Cover corner and edges slightly bumped. [SUMMARY]: This extremely rare catalog of works by a fascinating modern artist with accompanying texts by renowned writers is in very good condition.
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CARACENI, Bruno
Bruno Caraceni
Quattro serigrafie originali a colori, numerate e firmate, di Bruno Caraceni (cm34,7x25). Presentazione di Sandra Orienti Cartella a cura di Giuseppe Appella. Serigrafie stampate su carta Usomano di gr. 220 dal Feltro di Roma. Es. 52/97. 4to. pp. 4. . Ottimo (Fine). . Edizione originale di 97 es. numerati. . Bruno Caraceni, particolarmente attivo negli Anni 60 e 70, partecipa a tre edizioni della Biennale di Venezia, 1956, 1958, 1968, a tre edizioni della Quadriennale di Roma e a un'edizione della Biennale di Tokyo. Ha tenuto molte mostre personali, sia in Italia che all'estero.
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Carandente, Giovanni and L. F. Toninelli (Marino Marini)
Marino Marini Lithographs 1942-1965 (catalogue raisonne)
Catalogue raisonne of the lithographs. About 100 items illustrated and thoroughly described. Six tipped-in color plates. Large 4to. Publisher's cloth. Fine in a very good dustjacket.
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Carbonati, Antonio
Roma - Disegni di Antonio Carbonati
RARE collection of 24 high-quality b&w prints by Antonio Carbonati, depicting the scenery of Rome at the post-war period. 415x300mm. 24 plates. No binding (folder format). Softcover. Cover worn and stained. Cover edges tattered and partly torn, spine partly torn. Some pages yellowing, with very few age-stains at edges (not touching the prints themselves). [SUMMARY]: This collection of rare and collectible prints is otherwise in good condition.
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Cardell, William Samuel (1780-1828).
STORY OF JACK HALYARD THE SAILOR BOY; or, The Virtuous Family. Designed for American Children in Families and Schools. Thirtieth Edition with appropriate Questions. By M.T. Leavenwroth, Esq.
pp. xviii, [1], 20-234 + Woodcut frontis plate. Foxed. Small 12 mo. 150 mm. Original binding of illustrated printed paper over boards with leather spine; boards detached. Small woodcut of a ship sailing away from home on the front cover; publisher's advertisements on the rear. Ink manuscript ownership: Miss Ann Herr's Book 1837. Also a later ownership. **PRICE JUST REDUCED! PA IMPRINTS 6
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CARDENAS, Augustin (Matanzas, Cuba 1927 - Havana, Cuba 2001),
Senza titolo
Litografia originale a colori dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. cm 55x45. . . Ottimo (Fine). . Tiratura 125 + XXV. .
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Cardinaux, Emil (1877?1936)
Trümmelbach Lauterbrunnen.
Lauterbrunnen, F. v. Almen, um 1920. 6 farb. Illustr. von Emil Cardinaux. 6-teiliger Faltprospekt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
Referenz des Buchhändlers : 900CG
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Carey, Frances; Griffiths, Antony; British Museum. Department of Prints and Drawings
American prints 1879-1979 : catalogue of an exhibition at the Department of Prints and Drawings in the British Museum 1980 / by Frances Carey and Antony Griffiths
London : Published for the Trustees of the British Museum by British Museum Publications 1980. First Edition. Softcover. Very good paperback copy; edges slightly dust-toned and edge-nicked. Bright and clean internally. Remains particularly well-preserved overall. Physical description: 55 pages 48 unnumbered pages of plates : illustrations ; 25 cm. Subjects: British Museum ; Exhibitions; British Museum. Department of Prints and drawings Catalogs; Prints United States 19th century ; Exhibitions; Prints United States 20th century ; Exhibitions; Prints American ; Exhibitions; Prints American ; Exhibitions; Prints 20th century United States ; Exhibitions; United States; American prints 1879-1979 Catalogues. London : Published for the Trustees of the British Museum by British Museum Publications paperback
Referenz des Buchhändlers : 405648 ISBN : 0714107778 9780714107776
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Carigiet, Alois
Birnbaum Birke Berberitze. Eine Geschichte aus den Bündner Bergen.
Zürich., Schweizer Spiegel Verlag, 1969. Quer-4°. 15 Bl. Mit 15 ganzs. farb. Illustr. von Alois Carigiet. Farb. illustr. Orig.-Halbleinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7373AB|7373AB_2|7373AB_3 [3 Warenabbildungen]
Referenz des Buchhändlers : 7373AB
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Carl Sandburg, Illustrator Gregory Masurovsky (Artist's Portfolio)
Seven Poems-Signed by Artist
Associated American Artists NY 1970. Text printed in France by Pierre Jean Mathan. Etchings printed by Atelier George's Leblanc. Sandburgs poems have been illustrated with seven original copper plate etchings by Gregory Masurovsky. The book is number 127 of a Signed and numbered edition of 150. In addition each of the etchings has been numbered and signed by the artist in pencil. The book/portfolio is fine and housed as issued in a fine slipcase. Associated American Artists hardcover
Referenz des Buchhändlers : 0512086
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Carl Zigrosser, Christa M. Gaehde
A Guide to the Collecting and Care of Original Prints
New York NY: Crown Publishers 1973. sponsored by The Print Council of America. Book has prior owners mark on ffep else fine. Jacket has tanning no tears/chips. Illustrated. Hardcover. Very Good/Very Good. Crown Publishers Hardcover
Referenz des Buchhändlers : 001404
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CARLEGLE Charles-Emile
La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)
- Lucien Vogel éditeur, Paris Février 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé et signée en bas à droite. Gravure originale réalisée pour l'illustratio
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CARLEGLE Charles-Emile
Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)
- Lucien Vogel éditeur, Paris Janvier 1914, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à gauche de la planche. Gravure originale réalisée pour l
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CARLETTI, Mario (Torino 1912 - Cossato 1977),
Senza titolo
Acquaforte appartenete alla cartella ''Venezia 73'' contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara, pubblicata dall'Unesco Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. cm 39 x 50 (Foglio 50 x 70). . . Ottimo (Fine). . 100 + XI f.c.. .
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carlo lasinio
Logge di Raffaello
13 tavole sciolte che raffigurano le Logge di Raffaello, incise da Carlo Lasinio, dimensioni del foglio cm 46x62, dell’impronta della lastra 37x50,5. Rossetti 6053.
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Carlo Pirovano
Modern Italy The Difficult Democracy 1960 - 1980
Milan Italy: Banca Nazionale Del Lavoro 1985. Volume 4 of 5 books in the series. Chapters include: The miracle and the crisis The wave of Sixty-eight and the rise of the Left The dysfunctions of the politico-social system Society in transformation City and territory Production Culture and Mass Communications. Also includes an index photographic sources and bibliographical references. Book in new condition dj in fine condition and slipcase in vg condition. Beautiful issue. Hardcover. As New/Fine. 4to - over 9¾" - 12" tall. Banca Nazionale Del Lavoro Hardcover
Referenz des Buchhändlers : 000479
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Carlo Pirovano
Modern Italy Visions of the Country
Milan Italy: Banca Nazionale Del Lavoro 1986. Volume 5 of the 5 set series. Chapters include: Historical utopias Political Strategies and outlooks Economic Strategies Production forecasts Civil and social utopias Environmental utopias Cultural hopes The long-term future of the mass media. Also includes index and photographic sources. Book has both DJ and slipcase. Book is in new condition dj in fine condition and slipcase in VG condition. Beautiful issue. Hardcover. As New/Fine. 4to - over 9¾" - 12" tall. Banca Nazionale Del Lavoro Hardcover
Referenz des Buchhändlers : 000478
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Carlson, Victor and John Ittmann
Regency to Empire: French Printmaking 1715-1814
This is a very good softcover copy with just light cover wear. Completely clean inside and out. The spine is not creased, binding firm. This catalog was prepared to accompany the traveling exhibition that opened at the Baltimore Museum of Art from November 10, 1984 to January 6, 1985. Exhibition and catalog curated by Victor Carlson and John Ittmann. Illustrated mostly in black & white, some color plates. 165 illustrations. Includes biographies of the artists. Bibliography. Glossary of French engraving terms. Essays by George Levitine, Richard Campbell, David Becker and Mary Myers. 11" high X 9" wide, 371 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Carlyle Prints
My Recent Ex-Boyfriend: A Comedy Coloring Book Amongst Friends
Paperback / softback. New. paperback
Referenz des Buchhändlers : B9798422141296 ISBN : 9798422141297 9798422141
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CARMASSI, Arturo (Lucca, 1925 - Empoli, 2015),
Senza titolo
Acquaforte facente parte delle pubblicazioni edite nel 50° anniversario della fondazione del PCI Firma e data su lastra e su foglio a matita. Esemplare 82/100. Cm 64x44 (Foglio 70x50). . . Ottimo (Fine). . Tiratura100 + alcune p.a.. .
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CARMI, Eugenio (Genova, 1920 - Lugano, 2016),
Eva in terra 4
Litografia originale a colori. Una delle 4 litografie della cartella di Eugenio Carmi, su testo di Grytzko Mascioni. Firma, data e numerazione a matita. Litografia stampata a braccia su torchio litografico. Carta della cartiera Magnani di Pescia. Timbro a secco della stampatoria Il Torchio di Porta Romana. Tiratura: 99 + XXV + copie ad personam num. A/Z. Esemplare C/Z. Lastre biffate dopo la stampa.. Cm 53,5x35 (Foglio 70x50). . . Molto buono (Very Good). Alcune piccole fioriture ai margini bianchi del foglio. . . Eugenio Carmi ha fatto la sua prima mostra alla Galleria Numero di Firenze nel 1958. Nel 1963 fonda il Gruppo Cooperativo di Boccadasse, di cui è emanazione la Galleria del Deposito, una galleria sperimentale della quale fanno parte artisti europei, fra cui Max Bill e Victor Vasarely, critici, fotografi e architetti, fra cui Konrad Wachsmann. Nel 1966 partecipa alla Biennale di Venezia, nel 1970 riceve il premio alla Biennale internazionale di Cracovia e nel 1974 alla Triennale internazionale di Wroclaw. Molte le sue mostre e seminari in Europa e negli USA. "L'arte, è libertà di farcene quello che ce ne pare: io ho preso i coriandoli (pur nel loro estro lieto e fantastico, rigorosissimi) di Eugenio Carmi - coriandoli ritagliati con minuziosa maestria dalla mappa universale di un raffinatissimo sentimento estetico - per farne un carnevale di volatili riflessioni erotiche, di corte ma intensamente sentite divagazioni intorno a quell'ombelico amoroso del tutto, che l'opera e l'occasione mi è sembrato imponessero come chiave di volta (più che di lettura) di una ricostruzione e rivisitazione di ciò che siamo, ponte vitale (di viscere e umori e pensieri) che transita sugli abissi del mistero o del vuoto. Carmi sara d'accordo?" (Grytzko Mascioni, Origlio, 15 giugno 1984: testo che accompagna lam cartella)
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CARMI, Eugenio (Genova, 1920 - Lugano, 2016),
Senza titolo
Acquatinta a colori, frottage e lamina d'argento sterling, appartenente al portfolio con testo introduttivo di Luciano Caramel e sei acquetinte a colori di Carmi (di cui quattro con collages, frottages e applicazioni di lamine d'argento sterling) tirato in un'edizione di 225 esemplari. Il portfolio accompagnava i volumi di Umberto Eco ''I tre cosmonauti'' e ''La bomba e il generale'' Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Velin Arches. Tiratura di 200 + XXV esemplari. Esemplare 172/200. cm 44,1x34,5 (Foglio 63x45). . . Ottimo (Fine). . . . Eugenio Carmi ha fatto la sua prima mostra alla Galleria Numero di Firenze nel 1958. Nel 1963 fonda il Gruppo Cooperativo di Boccadasse, di cui è emanazione la Galleria del Deposito, una galleria sperimentale della quale fanno parte artisti europei, fra cui Max Bill e Victor Vasarely, critici, fotografi e architetti, fra cui Konrad Wachsmann. Nel 1966 partecipa alla Biennale di Venezia, nel 1970 riceve il premio alla Biennale internazionale di Cracovia e nel 1974 alla Triennale internazionale di Wroclaw. Molte le sue mostre e seminari in Europa e negli USA
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CARMI, Eugenio (Genova, 1920 - Lugano, 2016),
Senza titolo
Acquatinta appartenente al portfolio con testo introduttivo di Luciano Caramel e sei acquetinte a colori di Carmi (di cui quattro con collages, frottages e applicazioni di lamine d'argento sterling) tirato in un'edizione di 225 esemplari. Il portfolio accompagnava i volumi di Umberto Eco ''I tre cosmonauti'' e ''La bomba e il generale'' Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Velin Arches. Tiratura di 200 + XXV esemplari. Esemplare p.d.a.. cm 44x34 (Foglio 63x45). pp.. . Ottimo (Fine). . . . Eugenio Carmi ha fatto la sua prima mostra alla Galleria Numero di Firenze nel 1958. Nel 1963 fonda il Gruppo Cooperativo di Boccadasse, di cui è emanazione la Galleria del Deposito, una galleria sperimentale della quale fanno parte artisti europei, fra cui Max Bill e Victor Vasarely, critici, fotografi e architetti, fra cui Konrad Wachsmann. Nel 1966 partecipa alla Biennale di Venezia, nel 1970 riceve il premio alla Biennale internazionale di Cracovia e nel 1974 alla Triennale internazionale di Wroclaw. Molte le sue mostre e seminari in Europa e negli USA
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Carole Rifkind
A Field Guide to American Architecture
New York NY: New American Library 1980. Stated first printing 1980. Over 450 illustrations. The periods the styles the form and function of historical buildings from colonial times to today. The many illustrations help to identify styles of architecture. In very nice condition with no major issues no writing marks. Minor wear to usual areas. First Printing. Softcover. Very Good /No Jacket. New American Library Paperback
Referenz des Buchhändlers : 002292 ISBN : 0452252245 9780452252240
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CARPZOV, Benedikt
Jurisprudentia ecclesiastica, seu consistorialis rerum et quaestionum in ... Principis Electoris Saxoniae Senatu ecclesiastico et consistorio supremo probe ventilatarum ... definitiones succinctas ... exhibens libr. III. Quorum. I: Materiae de juribus episcopalibus. - II: Causis matrimonialibus. - III: Judicio et Foro ecclesiastico ...visuntur. Editio novissima, revisa et mendis purgata. 2 Teile in 1 Band.
Leipzig, Starck, 1708. Folio. 20 (statt 21) Bl., 253, 884 S., 64 Bl.; 100 S., 4 Bl. Mit 2 blattgr. Textkupfern (ohne den Kupfertitel). Pergament d. Zeit (etwas verstaubt u. fleckig). [2 Warenabbildungen]
Referenz des Buchhändlers : 627567
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CARPZOV, Benedikt
Responsa juris electoralia in Serenissimi ac Potentissimi Archiprincipis Electoris Saxon. Supremo, quod vocant, appellationum judicio illustrissimo, et scabinatu Lipsiensi, ad quaestiones in schola doctorum dubias, foro controversas, et judicio contradictorio.multum agitas etc in publicum edita. Libri sex.
Leipzig, Gleditsch, 1709. Folio. 14 Bl., 302, 314, 400 S., 60 Bl. Pergament d. Zeit mit neuem Rückentitel.
Referenz des Buchhändlers : 628311
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CARRA', Carlo (Quargnento, 1881 - Milano, 1966),
Piccolo molo I, 1924
Acquaforte su rame. Tirata in 25 es. nel 1924, in 125 es. da Prandi nel 1957 e in tiratura postuma nel 1971 per la cartella ''Opera grafica di Carrà'' Firma sul retro del figlio dell'Artista, Massimo Carrà. Esemplare V/X. Cm 6x6 (Foglio 50x35). . . . . Tiratura 60 + X f.c.. .
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CARRERA, Gino (Casalpusterlengo 1923-2001),
Senza titolo
Acquaforte appartenete alla cartella ''Venezia 73'' contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara, pubblicata dall'Unesco Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. cm 50 x 70. . . Ottimo (Fine). . 100 + XI f.c.. .
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Carroll Lewis et al Engravings by S. P. Avery
The Harp of a Thousand Strings
New York: Dick & Fitzgerald 1858. First edition. Cloth. Very Good. Cloth 8vo. Dark brown pebbled cloth covers with raised floral decorations gilt lettering and design element with man hoisting up a harp on his back. viii 9-368 numbered pages followed by 16 pp of advertisements. Engraved frontis with most of tissue guard still present. A collection of humorous writings that includes the first appearance in book ofmr of any of Lewis Carroll's writings "Novelty and Romancement A Broken Spell". Unusual personalized bookmark on the first endpaper else a very good example with light but even wear to cloth covers. Interior paper has occasional smudges. A sound copy overall. Dick & Fitzgerald unknown books
Referenz des Buchhändlers : 29181
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Carroll Alison (text) & Barbara Hanrahan (prints)
Barbara Hanrahan: Printmaker
Wakefield Press Adelaide 1986 . A4 198pp b/w & colour illusts very good paperback & cover The chapters are: early years in Adelaide; first major printmaking phase 1963-1967; second major printmaking phase since 1975 Wakefield Press Adelaide 1986 paperback
Referenz des Buchhändlers : 20943813 ISBN : 0949268429 9780949268426
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Carroll Alison (text) & Barbara Hanrahan (prints)
Barbara Hanrahan: Printmaker
Wakefield Press Adelaide 1986 . A4 198pp b/w & colour illusts very good paperback & cover ex-library but no external library markings The chapters are: early years in Adelaide; first major printmaking phase 1963-1967; second major printmaking phase since 1975 Wakefield Press Adelaide 1986 paperback
Referenz des Buchhändlers : 20960988 ISBN : 0949268429 9780949268426
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Carroll, Alison (Curator of Prints and Drawings)
Master Prints and Drawings from the Collection of the Art Gallery of South Australia
Adelaide: Art Gallery of South Australia. 1978. Small Quarto Size approx 17.5cm x 24cm. Very Good condition. Staple bound card covers. Black and White reproductions. 39 pages. 62 prints and drawings a mix of Australian and European artist and representative of the 20000 items in the collection chosen on the basis of either their individual artistic or historical merit or as examples of some of the strengths of the Art Gallery of South Australia's collection. Robust professional packaging and tracking provided for all parcels. . Very Good. 1st Edition. Softcover. Art Gallery of South Australia paperback
Referenz des Buchhändlers : BIB273921 ISBN : 0724327622 9780724327621
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Carroll, Eugene A
The Print Images of Rosso Fiorentino
This is a very good softcover copy with just light cover wear. Completely clean inside and out. Essay by scholar Eugene Carroll on the great 16th century Italian artist Rosso Fiorentino and his print production. Illustrated in black & white with 49 plates. 9" high X 6" wide, 61 pages. This book will be securely packed and shipped with tracking.
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Carroll, Lewis
THE HUNTING OF THE SNARK
Silver Spring MD: The Lewis Carroll Society of America / Univ. of California Press 1983. First Limited edition. Paperback. Fine/fine. Woodcut illustrations by Barry Moser. Folio white stiff wrappers light blue dust jacket <br/><br/>Copy no. 318 of only 350 copies numbered and signed by the illustrator. This is Carroll Studies Number 7 with an Introduction by Jame R. Kincaid. Woodcut illustrations by Barry Moser. The Lewis Carroll Society of America / Univ. of California Press paperback
Referenz des Buchhändlers : 0005380 ISBN : 0520051386 9780520051386
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CARROLL, Robert (Painesville, Ohio 1934),
Vescovato
Litografia originale su pietra Bavarese impressa a 5 colori Carta magnani di Pescia. Timbro a secco dell'Artista e dell'Editore. Certificato di autenticità rilasciato dall'Editore con la sua firma e quella dell'Artista. Esemplare 60/75. Cm 45x63 (Foglio 50,5 x 70). pp.. . . . Tiratura 75 + XXV + 20 p.d.a. + 10 H.C.. .
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CARTER, Sebastian (prints). JONES, Sir William.
Poems.
Sebastian Carter Cambridge. 1961. First edition. Small octavo. pp 20. Sewn card wrappers. Three poems an epigram and a prologue selected by Jonathan Benthall who writes the foreword. 220 copies printed made and published by Sebastian Carter.Near fine in very good dustwrapper a bit darkened at the edges. Sebastian Carter, Cambridge. unknown
Referenz des Buchhändlers : CARTERSE000704
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CARUSO, Bruno (Palermo, 1927 - Roma, 2018)
Padrone e cane
Acquaforte appartenente al volume ''Viaggio a Gerusalemme'' di Bruno Caruso, Ancona, Bucciarelli, 1974 Firma e numerazione a matita (firma e titolo su lastra). Esemplare p.d.a.. Cm 23,5x17,8 (Foglio 35x25,5). . . Ottimo (Fine). . . .
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CARUSO, Bruno (Palermo, 1927 - Roma, 2018)
Ricordo della casa di tolleranza
Acquaforte dalla cartella ''Tolleranza'' composta da 4 acqueforti originali e un testo di Tommaso Chiaretti (pubblicata su ''Bruno Caruso. Acqueforti 1948-1993'', catalogo della mostra al Centro Pasolini di Agrigento, ed. Collezionisti d'Arte, Palermo 1993) Firma e numerazione a matita. Titolo e firma su lastra. Stampata dalla Stamperia F di Roma. Esemplare p.d.a.. cm 29,5x24 (Foglio 50x35). . . Ottimo (Fine). . Tiratura 80 + 4 p.d.a.. .
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