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Jené, Edgar, Maler (geb. 1904).
Naturgaben. Ein Gedicht aus dem Anakreon. 3 Holzschnitte von Edgar Jené. (Wien, um 1925-30).
4 Bll. (als Blockbuch gebunden) mit mont. handschriftl. Titel, 3 handschriftl. Gedichten [von Rudolf Pointner?] u. den 3 Orig.-Holzschnitten (ca. 25:18 cm) von Edgar Jené. Karton der Zeit mit marmor. Umschlag und hs. Deckelschild ("Naturgaben"). 4to. Wohl sehr frühe Arbeit des österreichischen Künstlers Edgar Jené, vermutlich nur in kleinster Auflage (vielleicht aber auch nur dieses eine Exemplar) handschriftlich hergestellt. Während die ersten beiden Holzschnitte noch unausgereift und unausgewogen wirken, hat das dritte Blatt bereits den für Jené so typischen surrealistischen Anklang.
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Jephson, O. H. J.:
The St. Gothard Railway.
Zürich, Orell Füssli & Co., 00 (4) Bl. (Titel und Illustrationen), 28 S., (2) Bl. (Zürich). Mit vielen zum Teil ganzseitigen Abbildungen. Blind- und goldgeprägter Orig.-Leinenband.
Riferimento per il libraio : 30804AB
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Jephson, O. H. J
The St. Gothard Railway.
Zürich, Orell Füssli & Co. 00 (4) Bl. (Titel und Illustrationen), 28 S., (2) Bl. (Zürich). Mit vielen zum Teil ganzseitigen Abbildungen. Blind- und goldgeprägter Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C [3 Warenabbildungen]
Riferimento per il libraio : 30804AB
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Jerome DOUCET,(Préface et Notices)
QUELQUES ESTAMPES , GRACIEUSES ET PRECIEUSES DU XVIII SIECLE Illustrated by 6 Tippied - in - Plates
Paris: Longuet, 1913- Loose as Issued in Publisher's. First Edition. In 4to.en feuilles sous portefeuille ed. Tardieu ( after Watteau ) Simonet ( after A.Baudin ) , Le Coeur ( after Desrais ) , Deboucourt , Lamerssin ( after Watteau ).Fragonard,very fine .Cloth marbled portolio .-
Riferimento per il libraio : 13499
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Jessen, Heinrich
Nachtwächter. Kreidelithographie auf dem Stein signiert.
Hamburg Berendsohn ca. 1850. . Die Berufsdarstellung zeigt den Nachwächter bewehrt mit Degen Pieke und Ratsche. - Zu dem Maler u. Lithographen Heinrich Jessen um die Mitte des 19. Jahrhunderts tätig der vor allem Darstellungen des Großen Brandes sowie Trachten- u. Militärbilder lieferte siehe Der Neue Rump S. 212. - Zu den Rändern angestaubt; gutes Exemplar [Hamburg], Berendsohn, [ca. 1850]. unknown
Riferimento per il libraio : 63953
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Joanne, Adolphe:
Itinéraire descriptif et historique de la Suisse, du Jura français, du Mont-Blanc et du Mont-Rose.
3. Auflage. Paris, L. Hachette, (1859). 8°. (4) XIV, (1) 866 S., 12 S. (Anzeigen). Mit 10 (dv. mehrere doppelblattgr., 1 kol. u. 3 teilkol.) Karten, 5 Stadtpläne, 10 Tafeln (Ansichten) u. 7 gef. Panoramen. Blind- u. goldgepr. Orig.-Leinenband.
Riferimento per il libraio : 6126BB
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Joan of Arc Prints Archive
Joan of Arc Original Prints Archive Illustrating Her Military Leadership Cross-Dressing Trial and Imprisonment 18th-19th Century Engravings
1700. Cross-DressingWomen Military Joan of Arc engraving archive depicting the French military leader and martyr Jeanne d'Arc in iconic images of battle persecution and faith ca. 1770-1850s. The prints focus on Joan's leadership during the Hundred Years' War and on the gender-bending aspects of her identity and dress that contributed to her 1431 trial for heresy. Particular attention is given to her appearance in armor while directing troops or appearing before political authorities. These visual depictions emphasize Joan's adoption of male military clothing an attribute which has lead modern scholars of LGBTQ history to celebrate the saint as a queer and proto-transgender figure.<br /> <br /> Archive of eight engravings and proof impressions executed primarily in copperplate and steel engraving processes during the eighteenth and nineteenth centuries. The images depict several key episodes associated with Joan of Arc's historical narrative including portraits showing her wearing armor and holding a sword scenes of military command in which she appears mounted or directing troops and representations of her recognition by Charles VII and entry into the city of Orléans. A prison scene portrays Joan during captivity prior to her execution in 1431 emphasizing the moment when her continued cross-dressing became a major point of contention during her heresy trial. Several engravings were produced for historical publications and illustrated histories circulating in the eighteenth and nineteenth centuries including editions associated with François Guizot's History of France reflecting the renewed interest in Joan of Arc as a figure of national history. Archives includes:<br /> <br /> 1 Engraved for J. Sydney's History of England. The Maid of Orleans Receiving the Sword of St. Catherine. England c.1770-1820. A fine copper engraving framed within an elaborate Rococo border showing Joan receiving the sacred sword of St. Catherine an episode derived from medieval hagiography rather than strict historical documentation. Joan is mounted on horseback surrounded by armed men and clergy with a fortified tower rising behind her. The ornamental border and English publication context reveal the 18th-century Protestant fascination with Joan as a paradoxical figure: a warrior-prophetess both admired and viewed with suspicion.<br /> <br /> 2 Anonymous Artist. Va va fille de Dieu; délivre la France! Vision Scene. France c.1820-1850. A preparatory hand panciled engraving proof depicting Joan of Arc's divine revelation framed within penciled border guidelines. An angel descends from the clouds carrying a banner while pointing downward toward Joan who kneels in astonishment as cherubs hover above. The inscription "VA VA / FILLE DE DIEU / DELIVRE LA FRANCE!" anchors the scene as an allegory of Joan's heavenly mandate.<br /> <br /> 3 Henry Richter after. Joan of Arc Recognizes the King. London: The London Printing and Publishing Co. mid-19th century. A steel engraving portraying Joan's revelation of Charles VII at Chinon the pivotal moment when she identifies him despite his attempt at disguise. The richly detailed crowd scene and Gothic architectural setting emphasize both spectacle and legitimacy visualizing Joan as divinely guided rather than politically manipulated. <br /> <br /> 4 G. Greatbach engraver; after a painting by J. Opie R.A. Joan of Arc Declaring Her Mission. London: The London Printing and Publishing Co. Ltd. mid-19th century. Joan is shown making a dramatic gesture as she proclaims her mission before astounded soldiers and clergy. The engraving captures the tension between gender expectations and prophetic authority: Joan's outstretched arm determined expression and illuminated figure contrast with the skeptical figures behind her. <br /> <br /> 5 E. Scriven engraver. Joan D'Arc. London: H. Moore Sons & Co. mid-19th century.An engraving presenting a romanticized half-length portrait of Joan of Arc in armor holding a sword upright while gazing serenely into the distance. Behind her appear faint bystanders rendering her both an individual and an emblem of national deliverance. <br /> <br /> 6 Entry of Joan of Arc into Orléans. From Guizot's History of France. Paris/London c.1840s. A sweeping steel engraving of Joan riding triumphantly into Orléans accompanied by monks soldiers and citizens. The composition foregrounds her as a mounted military leader sword raised while crowds kneel and look upward in awe. Johannot's design visualizes Joan as a unifying national leader.<br /> <br /> 7 G. Stodart engraver; after H. E. Selous. Joan of Arc and Charles. London: Virtue & Co. mid-19th century.A dramatic steel engraving showing Joan standing beside Charles VII directing his attention toward the field of battle. The caption references their military collaboration. The interplay of armor banners and a stormy sky underscores Joan'smilitary might. <br /> <br /> 8 T. Brown engraver; after E. Corbould. Joan of Arc in Prison. London: The London Printing and Publishing Co. mid-19th century. A somber interior scene depicting Joan in captivity clasping her hands as guards and clergy surround her. Corbould emphasizes her steadfastness and the emotional gravity of her final days. Produced for an illustrated royal history King Henry the Sixth the image cast Joan as a martyr of conscience.<br /> <br /> In recent decades scholars in LGBTQ history and gender studies have increasingly examined Joan of Arc as a proto-queer icon who challenged traditional ideas of gender identity and expression. Medieval trial records document that Joan consistently wore male military clothing during her campaigns and continued to wear such clothing during imprisonment a choice that became a central accusation in the charges brought against her in 1431. Some historians and queer theorists have interpreted Joan's refusal to abandon male dress even under threat of execution as evidence of a personal gender identity that did not conform to contemporary expectations for women. Joan of Arc has been cited as an example in Medieval history of an individual navigating queer identity long before the modern understanding of terms like trans non-binary or genderfluid. <br /> <br /> Light toning and mild foxing to some edgewear and staining present to some margins. Prints are clear and paper crisp. Overall very good condition. A compelling and diverse archive of eight Joan of Arc engravings and artistic proofs representing two centuries of European historical illustration and devotional imagery. The collection captures Joan's transformation from medieval visionary to modern nationalist and feminist icon. unknown
Riferimento per il libraio : 22913
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Joanne, Adolphe
Itinéraire descriptif et historique de la Suisse, du Jura français, du Mont-Blanc et du Mont-Rose.
Paris, L. Hachette, (1859). 8°. (4) XIV, (1) 866 S., 12 S. (Anzeigen). Mit 10 (dv. mehrere doppelblattgr., 1 kol. u. 3 teilkol.) Karten, 5 Stadtpläne, 10 Tafeln (Ansichten) u. 7 gef. Panoramen. Blind- u. goldgepr. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 6126B 3. Auflage.
Riferimento per il libraio : 6126BB
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Joannis, P
Gebett=Schul des Geistreichen und Gottseligen P. Joannis à Jesu Maria Barfüsser Carmeliter=Ordens General Aus der Welschen Sprach erstens in Latein anjetzo wegen dero Nutzbarkeit in das Deutsche übersetzet/ Von einem Priester desselben Barfüsser=Ordens Oesterreichischer Provinz.
Linz, Johann Adam Auinger, 1762. 7 Blätter, 263 Seiten, 3 Blätter, 26 Seiten, 1 Blatt errata. Reich blindgeprägter Ledereinband der Zeit über Holzdeckeln auf 4 Bünden, mit 2 Eisenschließen. Auf starkem Papier gedruckt. Schönes sauberes Exemplar.
Riferimento per il libraio : 704260
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JODE Peter de, le jeune.
Diodorus TULDENUS
Légende : Clarissimus Diodorus Tuldenus I. C. et professor regius in Academia Lovaniensi.Très expressif portrait de ce professeur de jurisprudence, d’après un tableau de Van Dyck. Le Blanc II - 433. En feuille Très bon 275 x 173
Riferimento per il libraio : 5151
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JODE Peter de
Le Jugement Dernier
Les anges aidant les Morts à sortir de leurs tombes. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 1726 53,5 x 43 cm
Riferimento per il libraio : 14620
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JODE Peter de
Le Jugement Dernier
Médaillon de Louis XIII (page de titre). Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition par Drevet vers 1726. en feuille Très bon Paris Pierre Drevet 41 x 56 cm
Riferimento per il libraio : 14622
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JODE Peter de
Le Jugement Dernier
Pourtraict du Jugement Universel confirmé des tesmoignaiges de l'escripture Saincte. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition par Drevet vers 1726. en feuille Très bon Paris Pierre Drevet 43 x 58,5 cm
Riferimento per il libraio : 14623
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JODE Peter de
Le Jugement Dernier
Judicy Universalis paradigma Sacrae Scipturae Testimoniis confirmatum. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 56 x 41,5 cm
Riferimento per il libraio : 14624
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JODE Peter de
Le Jugement Dernier
Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition par Drevet vers 1726. en feuille Très bon Paris Pierre Drevet 58 x 43 cm
Riferimento per il libraio : 14625
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JODE Peter de
Le Jugement Dernier
Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 52,5 x 43 cm
Riferimento per il libraio : 14626
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JODE Peter de
Le Jugement Dernier
L'Enfer. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè en feuille Très bon Paris Pierre Drevet 58 x 42,5 cm
Riferimento per il libraio : 14629
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JODE Peter de
Le Jugement Dernier
Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè en feuille Très bon Paris Pierre Drevet 58 x 42,5 cm
Riferimento per il libraio : 14630
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JODE Peter de
Le Jugement Dernier
Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè en feuille Très bon Paris Pierre Drevet 56 x 42,5 cm
Riferimento per il libraio : 14631
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JODE Peter de
Le Jugement Dernier
Dieu. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 32 x 22,5 cm
Riferimento per il libraio : 14633
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JODE Peter de
Le Jugement Dernier
Médaillon de Louis XIII (page de titre). Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 43 x 57,5 cm
Riferimento per il libraio : 14648
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JODE Peter de
Le Jugement Dernier
Pourtraict du Jugement Universel confirmé des tesmoignaiges de l'escripture Saincte. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 58 x 43 cm
Riferimento per il libraio : 14649
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JODE Peter de
Le Jugement Dernier
L'Enfer. Planche de la suite du Jugement dernier gravé par Peter de Jode d'après Jean Cousin. Édition XIXè. en feuille Très bon Paris Pierre Drevet 58 x 43 cm
Riferimento per il libraio : 14651
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Jode II, Peter de
Paulus V romanus p.o.m. creatus die XVI mai MDCV consecratus anno aetatis LIV
Antwerpt ca1640. <p>Portrait de Camillo Borghese Pape Paul V de 1605 à 1621 feuille de 222x160mm cuvette 170x115mm petites taches de rousseurs en marge trés bel état Non répertoriée</p> unknown
Riferimento per il libraio : biblio319
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Joe BRIDGE - Adolphe Léon WILLETTE - Francisque POULBOT
République de Montmartre - souscription pour l'arbre de Noël des petits poulbots au cirque Médrano
L'Emancipatrice | [Würzburg] 1929 | 10.50 x 13.70 cm | une feuille
Riferimento per il libraio : 66579
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John Steinbeck
GEO nº 228 / février 1998
Sans date.
Riferimento per il libraio : 500299373
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John Steinbeck
GEO nº 228 / février 1998
Sans date.
Riferimento per il libraio : 500299374
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JOHANNOT (Tony)
Illustrations de Werther : collection de 10 eaux-fortes
Paris, Goupil et Vibert, 1844. 10 pl. in-4, en feuilles, couverture originale illustrée (manques, déchirures et taches à la couverture, rousseurs et taches aux planches).
Riferimento per il libraio : 21799
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Johanson George; Prudence F. Roberts
George Johanson: Linocuts
Exhibition catalog for a show held at the publisher's gallery. Slight bend to lower spine at back cover as the only flaw, otherwise as new. 24 full page, full color linocuts by the artist with essay by Ms. Roberts at front with photo and multi-page description linocut process and of a work in progress, bio at back. 32 pages, medium format.
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John Keats; Edited By John Bernard; Introduction By Andrew Motion, Engravings By Simnon Brett
John Keats: The Complete Poems
The Folio Society 2001. First Edition Thus . Hardcover. Fine/Slipcase. Xix 472 Pp. Hardcover In Slipcase. First Printing Thus 2001. Text Following The Third Penguin Edition 1988 With Removal Of Otho The Great King Stephen And Poems Of Doubtful Attribution. Quarter Leather Gilt Illustrated Boards Green Endpapers. Fine In Fine Slipcase. <br/> <br/> The Folio Society hardcover
Riferimento per il libraio : 058641
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John L Stephens; Frederick Catherwood (Engravings); Carlos CA¡mara (cover designs)
Incidents of Travel in Yucatan Vols. I and II
Mexico: Editorial Dante 1986. Trade Paperback . Very Good. Two volume set; 127 engravings including three fold out illustrations by Catherwood. Mild wear. 321 volume one & 352 volume two. Editorial Dante paperback
Riferimento per il libraio : 246251
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JOHN TAYLOR ARMS. ELVEHJEM ART CENTER
JOHN TAYLOR ARMS AMERICAN ETCHER
University of Wisconsin - Madison. 1975. Essay by Ben L. Bassham. Exhibition catalog with list of lenders. Descriptive catalog of the complete etchings of John Taylor Arms. 8mo. 74 pp. Paperbound. unknown books
Riferimento per il libraio : 51
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John Wolf Prints (Kensington, CA).
Archaeological Prints.
Kensington CA.: John Wolf Prints 1991. 8vo. 12 pp. Soft Cover. Stapled Wraps. Black and white plates throughout. Tipped in is a 12-page typed listing of works offered and the prices. Very Good. Kensington, CA.: John Wolf Prints, 1991. paperback
Riferimento per il libraio : 71-2085
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Johnson Samuel; Raimbach A. engravings
RASSELAS
London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins; shelved case 7. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Shelved Dupont Bookstore. William Miller; The Letter Press by James Ballantyne hardcover books
Riferimento per il libraio : 1317131
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JOHNSON M.M.
These Also. An Anthology. Selected and arranged by M.M. Johnson. With an Introduction by Walter de la Mare. [Second Edition, with Index]. NEAR FINE COPY IN UNCLIPPED DUSTWRAPPER WITH INDEX
8vo., Second Edition, with engraved and printed titles, endpapers very lightly spotted; tan cloth, backstrip lettered in black, a near fine copy in unclipped dustwrapper. The striking image on dustwrapper and illustrated title is by Agnes Miller Parker. Wide-ranging anthology of verse and prose relating to animals. First published in 1945 without the benefit of an index.
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Johnson, Samuel; Lyttleton, George, Lord [w Thomas Stothard engravings]
Harrison's British Classicks: Vol. 1 with: The Rambler Johnson 4 v in 1 and Letters From a Persian in England to His Friend at Ispahan
London: Harrison & Co. 1785. Old Calf. Good Plus. 8.5" x 5.25. Stothard Thomas. London: Harrison & Co. 1785. Illustrated with 14 copper-engraved plates after Stothard. Vol 1. only which includes: Johnson Samuel. The Rambler 4 vols. in 1. bound with: Lyttleton George Lord. Letters from a Persian in England to his Friend at Ispahan. 1 vii 463 81 pp. Old calf 8v0 8.5" x 5.25". Joints weak with later three gilt incuse compartments added over spine edgewear; internally quite clean with lovely fine Thomas Stothard plates. L-40n <br/> <br/> Harrison & Co. unknown
Riferimento per il libraio : 000633
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Johnson, Samuel; Raimbach, A [engravings]
RASSELAS
London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins. Shelved Room A Oversize. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Special Collections. William Miller; The Letter Press by James Ballantyne hardcover
Riferimento per il libraio : 1317131
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Johnston, Roy (Roderic O'Conor)
Roderic O'Conor 1870-1940. Catalogue de l'oeuvre grave. The prints of Roderic O'Conor (catalogue raisonne)
The standard catalogue raisonne. 43 items illustrated (each with a full-page plate) and exhaustively described. Text in French and English. 4to. Original wraps. FINE AND BRIGHT. Scarce.
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Jokisch, Eduard
Einsiedler. Original-Radierung, in der Platte links unten u. mit Bleistift rechts unten im weißen Rand signiert "E. Jokisch".
ohne Jahr. Bildgröße 13,5 x 19,5 cm. Unter Passepartout.
Riferimento per il libraio : 77410
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JOLLAIN Gérard
Ancien et nouveau Testament
Très bon état. Recueil de 148 et 120 planches gravées par Jollain et Campion f. Sans page de titre. La première planche a été malheureusement coloriée anciennement. Semble ne pas se trouver à la B.N. Bien complet en 2 volumes. 1/2 parchemin XIXè. bon 2 vol. in-4°
Riferimento per il libraio : 800
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JOLY Françoise / DERBIGNY Brigitte (frontispice)
Galamant.
Jean-Pierre Huguet Carnets des Sept Collines Jean-Pierre Huguet, Carnets des Sept Collines (N°32), 2008, 54 p., broché, environ 23x12cm, exemplaire numéroté 39/100, avec une estampe en frontispice rehaussée et signée de Brigitte Derbigny, dédicacé par Françoise Joly et Brigitte Derbigny, bon état.
Riferimento per il libraio : 101745
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JONES John
Black monday or the departure for school
D'après Bigg. Cadre et passe-partout anciens Londres 1790
Riferimento per il libraio : 5698
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Jonathan Swift, Lalauze (engravings)
Voyages De Gulliver Gulliver's Travels Limited Edition 4 Volume Set
<p>One of 170 numbered copies on Hollande paper. Bound in 3/4 leather with marbled boards gold gilt top edges silk bookmarks. In very good condition sturdy and sound decorative bookplates on front pastedown of each volume some wear at spine and edges small chip at edge of half title page of volume 2</p> Édition Jouaust hardcover
Riferimento per il libraio : 4432
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Jones Illustrated by Illustrated with engravings from original drawings by Thomas
Modern Athens! Displayed In A Series Of Views With Engravings Of Edinburgh In The Nineteenth Century; Exhibiting The Whole Of The New Buildings Modern Improvements Antiquities And Picturesque Scenery Of The Scottish Metropolis And Its Environs. Engrav
London: Jones 1829. Hardcover. Fine. Rebound in maroon cloth with black paper spine labels stamped in gilt. Fine condition. Minor foxing otherwise fine condition. 70 pages of text and 38 pages of steel engravings two illustrations per page in the first title. 52 pages of descriptive text and 40 pages of steel engravings two illustrations per page in the second title. Altogether 156 steel engravings on 78 pages. <br/><br/> Jones hardcover
Riferimento per il libraio : 8060
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JONES, Allen ] Marco Livingstone (essay) Richard Lloyd Lloyd (complete catalogue of prints) Norman Rosenthal (foreword)
Allen Jones - Prints Barbican Art Gallery London 1995
Prestel & Museum of Modern Art New York 1995. 1st Edition. SOFTCOVER. Large 4to. in colour printed stiff glossy card covers 144pp on thick art paper colour plates etc. The first complete catalogue of Allen Jones' prints all are illustrated __CONDITION : An extremely well preserved AS NEW unread and unmarked copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Prestel & Museum of Modern Art, New York paperback
Riferimento per il libraio : TK254119 ISBN : 3791314815 9783791314815
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Jones. Illustrated by Illustrated with engravings from original drawings by Thomas
Modern Athens! Displayed In A Series Of Views With Engravings Of Edinburgh In The Nineteenth Century; Exhibiting The Whole Of The New Buildings Modern Improvements Antiquities And Picturesque Scenery Of The Scottish Metropolis And Its Environs. Engrav
London: Jones 1829. Hardcover. Fine. Rebound in maroon cloth with black paper spine labels stamped in gilt. Fine condition. Minor foxing otherwise fine condition. 70 pages of text and 38 pages of steel engravings two illustrations per page in the first title. 52 pages of descriptive text and 40 pages of steel engravings two illustrations per page in the second title. Altogether 156 steel engravings on 78 pages. <br/><br/> Jones hardcover books
Riferimento per il libraio : 8060
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Jordan, John W.; Green, Edgar Moore; Ettinger, George T. (Editors).
HISTORIC HOMES AND INSTITUTIONS AND GENEALOGICAL AND PERSONAL MEMOIRS OF THE LEHIGH VALLEY PENNSYLVANIA. Two Volumes.
Two volumes. pp. vii, 516; v, 528. Both volumes are illustrated with numerous full page portrait engravings. Double column. All edges gold. Marble end papers. Quarto. Original three quarters leather bindings. Spines gold lettered with raised bands, slight loss. Joints fragile. Hardbound. Nice set. Very interesting local history. FIRST EDITION. PA 39
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JORN, Asger (Vejrum, 1914 - Aarhus, 1973)
Suitesurunjaponpourunlivrequin'existepas
Dieci incisioni originali di Asger Jorn a puntasecca, acquaforte e acquatinta, numerate, firmate e datate su carta Giappone: cm 8x6,5 - 11,8x11,3 - 7,2x6,4 - 6x10,5 - 7x6,3 - 5,5x5 - 7x6,4 - 6,7x11 - 18x12 - 8,1x5,7 (Foglio cm 23x15,8) Esemplare 9/15. Cartelletta cm 24x16. . . Ottimo (Fine). . Prima edizione di 15 esemplari numerati (First edition of 15 numbered copies). . La collaborazione tra l'artista danese Asger Jorn (Vejrum 1914 - Aarhus 1973) e l'editore francese Georges Visat (Foce, Corsica 1910 - Arzacq 2001) fu favorita dalla mediazione di Roberto Matta. Infatti Jorn, trovandosi a Parigi alla ricerca di un editore, si rivolse all'amico artista che gli fece il nome di Visat, con l'assicurazione che lo stampatore non avrebbe di sicuro deluso le sue aspettative. Matta aggiunse che per incontrare Visat bastava attenderlo alle 10 di ogni mattina presso il caffè accanto al suo atelier, al numero 13 di rue du Dragon. Una mattina Jorn si recò al caffè, ma non osando avvicinare l'editore, continuò a fissarlo fino a che Visat, sentendosi osservato, si avvicinò per primo all'Artista. Jorn gli affidò una serie di incisioni, parlandogli del suo desiderio di farne un'edizione. Di quella serie di 10 incisioni ne furono stampate solo 15 copie, che Visat raccolse in una cartelletta e propose di chiamare ''Suitesurunjaponpourunlivrequin'existepas''. Il testo infatti sarebbe stato pensato ed organizzato in un incontro successivo presso l'Atelier Visat, appuntamento che si realizzò soltanto un anno dopo. Ne nacque però un libro del tutto nuovo, ''Entrée de secours'', con 9 diverse opere grafiche, stampato in 100 esemplari nel 1971. (informazioni in parte fornite da Yannick Minous Visat).
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José GARCIA-CALDERON
La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)
Lucien Vogel éditeur | Paris Avril 1914 | 19 x 24.50 cm | une feuille
Riferimento per il libraio : 84718
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José GARCIA-CALDERON
La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)
Paris Avril 1914 | 19 x 24.50 cm | une feuille
Riferimento per il libraio : 89447
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