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Hamilton Sir William; [Antiquities; Art Prints]
An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES
London 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a barefoot female figure dressed in a flowing robe and cap holding a branch in her left hand and with her right arm outstretched. The background is composed of several delicately and elaborately decorated hexagons and circles within a square border. Image roughly 4 x 4 inches Printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> hardcover
Bookseller reference : 29150
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES
London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a male standing figure who is carrying a scepter and wearing a hat facing a female figure who is dressed in a flowing robe who is gesturing toward him. The image is bordered in a decorated upright rectangular frame and is labeled P1.9 Image roughly 3 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
Bookseller reference : 29156
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES
London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows two male figures in a boat in water approaching the shore where a female figure is sitting. There is also a bird flying overhead. The image is bordered in a decorated rectangular frame and is labeled P1.18 Image roughly 5.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
Bookseller reference : 29157
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray. The image shows a woman bending to pick up a child who squats before her. Objects hover above one is a shield another is a rope or cord. The image is numbered T6 in the top left corner and P6 in the top right it is numbered in Roman VIII at the bottom. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 9" X 7.25". Now very handsomely presented in cream mounting approximately 24 x 18 inches with ornate gilt framework design glazed under archival glass within a very attractive frame of gilded red wood and black enamel. In all a very impressive display. A very beautiful presentation and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown
Bookseller reference : 29242
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray/white. The image shows three figures one a warrior draped in animal skins carries a club stands before another figure with a thin staff who stands next to a flaming brazier. A third figure with a shorter staff walks way from the scene. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 12" X 7.75" now very handsomely presented in cream mounting approximately 24 by 18 inches with ornate gilt framework design around the leaf glazed and now under archival glass in a very attractive frame of gilded red wood and black enamel. In all a very impressive display. Very fine and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown
Bookseller reference : 29450
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint in terracotta on a black background with highlighting in light rose showing a man leading three children they are all wearing laurels and bearing leaves for sacrifice.  As they approach the altar two objects hover above one of which is likely a basin or kylix the other resembles a stylized head of a horned animal. Printed on a single folio sheet measuring approximately 20" x 14" the image approximately 5.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
Bookseller reference : 26551
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a bacchanal scene-- a youth in peplos reclines on an ornate couch he holds a large bowl in his left hand his right gestures toward a kylix above--all within a Greek-key tondo. Above him there are three dancing satyrs. This is a nicely detailed image on a black background coloured in shades of brown tan terracotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 8.25" X 10". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
Bookseller reference : 26550
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows three maidens one of which is brandishing a sword.  The middle female holds a paten in her left hand. The image may be part of a bacchanal scene.  The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 9.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
Bookseller reference : 26547
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a seated muscular long-haired man he holds the head of a dwarf or murdered reveler in his left hand his right hand holds a spear. In front of this man there stands a satyr holding a spear and wine bucket. The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.25" X 11.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
Bookseller reference : 26548
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Hamilton Sir William; [Antiquities; Art Prints]
An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.
Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a confrontation between two men one brandishing a sword with cloak draped over his left arm the other attempting to ward him off a stylized tree flanks the illustration. The background is black the image coloured with shades of tan terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.5" X 9.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
Bookseller reference : 26519
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Hamilton, RA, William (1751 - 1801), artist; engravings by Gabrieli and Bonato.
Le Hiver. L'Autumne; Le Printemps; L'Eté. Later printings of the 4 colour aquatints.
18th Century. 4 colour aquatints on rag paper. Sheet size 41.5 x 34.5 cm. Hamilton pinx. Gabrieli & Bonato sculp. William Hamilton RA 1751 - 1801:RA Collection: People and Organisations.Born in Chelsea West London in 1751 Hamilton spent time studying in Italy before entering the Royal Academy Schools in 1769. Although he had previously studied architectural draughtsmanship he chose to pursue painting at this time. He exhibited four paintings at the Royal Academy in 1774 and by 1789 was elected as a Royal Academician. In the early part of his career Hamilton focused on portraitur but he later began to paint subjects from poetry history and the Bible.Hamilton was also employed by print galleries to illustrate popular themes and literature. His representations of Shakespearean scenes were not well-received but his rural scenes were fashionable. Perhaps the most popular of these were his illustrations to James Thomson’s The Seasons 1730. This poem describes rural Britain and reflects on the role nature plays as an intermediary between Heaven and Earth. Hamilton’s illustrations such as The Monarch Swain were published in 1797 engraved by Francesco Bartolozzi RA and P.W. Tomkins. There is a copy of the book in the Royal Academy Library. 18th Century unknown
Bookseller reference : 16-6066
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Hamilton, Count Anthony, Illustrated by Wood Engravings By Wilfred Jones
Memoirs Of The Count De Grammont
London: John Lane. Translated from the French by Horace Walpole. Limited to 1000 copies. Bookplate inside front cover. Inked name on endpaper. . Acceptable. Hardcover. First Thus. 1928. John Lane hardcover
Bookseller reference : 15077H80782
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Hammer Creek Press Fass John S. engravings by John DePol Valenti Angelo and Burton Carnes
The Work of the Hammer Creek Press 1950-1956
New York: Hammer Creek Press 1956. Original Wrappers. Near Fine binding. 12mo. 24 4 blank1 pp. illus. Limited edition to approximately 100 copies. As issued in marbled paper wrappers of stiff covers with printed paper title label on the front cover. Quite a nice copy with little in the way of shelf-rubbing to the cover; Reynolds Stone-designed bookplate of noted collector Norman Sondheim inside the front cover. <br /> <br /> Short introduction by Fass about the history and aim of the press. Includes 43 described books announcements and ephemera from the press. As this present work is the 43rd item in Fass's list and only 35th in Cohen's checklist there are apparently inclusions here not noted in Cohen. Several examples of pressmarks by DePol Angelo and Carnes. Two by Valenti Angelo are done in multiple colors with gilding. <br /> <br /> The Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small Hughes & Kimber cast iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed including this present book. Opening this work is an engraving by John DePol of the storied press with a page of "Data" by Fass. One of the mores substantial works issued by the Press as well as one of the more uncommon titles despite the larger-than-usual limitation. As more than 30 institutions are reporting ownership according to OCLC it means this is increasingly rare in commerce. A lovely example of Fass's work. Cohen 35. Hammer Creek Press unknown
Bookseller reference : 9700
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Hammer-Purgstall, Joseph von.
Portrait. O. O., [um 1857].
340 x 240 mm. Brustbild nach halblinks. Unterrand mit Schrift: "Jos. Freiherr v. Hammer-Purgstall". Stich von Tommaso Benedetti nach einem Entwurf von Thomas Lawrence.
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Hampl, Patricia; Sorman, Steven (engravings)
Spillville: A Collaboration
Milkweed Editions - PGW. PAPERBACK. 1987. 0915943174 :Foxed/sunned edges. Some pages faintly yellowed/foxed else good. From the personal collection of poet/publisher/photographer Jonathan Williams 1929-2008 at Skywinding Farm Scaly Mountain North Carolina. Engravings by Steven Sorman. 107pp. . Good. First. Milkweed Editions - PGW paperback
Bookseller reference : 0915943174-01 ISBN : 0915943174 9780915943173
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Hampl, Patricia; Engravings by Steven Sorman.
SPILLVILLE.
Minneapolis:: Milkweed Editions 1987. SIGNED hardcover -. Fine in near fine dust jacket. 3rd printing. A "vivid and lyrical exploration" of Spillville Iowa both now and a century ago a collaboration between Hampl and Sorman as they journeyed to the small Iowa town settled by Czech immigrants where the composer Antonin Dvorak spent the summer of 1893. Illustrated with 41 engravings by Steven Sorman. INSCRIBED by Hampl on the half title page. 107 pp. Milkweed Editions, hardcover
Bookseller reference : 70901 ISBN : 0915943182 9780915943180
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Hans HARTUNG
"H-14" - Xylographie originale signée de Hans Hartung
Erker Press | 1973 | 55.50 x 76 cm | une feuille
Bookseller reference : 73501
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HANSI.
2ème emprunt de la Défense Nationale. Souscrivez, aidez-nous à vaincre, vous hâterez le jour de la Victoire et du retour au foyer.
Affichette 38X28 cm.
Bookseller reference : 16227
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Hanhart, Johannes:
Conrad Gessner. ein Beytrag zur Geschichte des wissenschaftlichen Strebens und der Glaubensverbesserung im 16ten Jahrhundert.
Winterthur, in der Steinerischen Buchhandlung, 1824. 8°. XX, 355 S., (1) Bl. (Faks.-Handschr.). Halblederband der Zeit mit Rückenschild und Rückenvergoldung.
Bookseller reference : 7606CB
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HANRIOT (A.).
Episodes de guerre 1914. N°2. Le Roi Soldat.
Les Estampes populaires, G.W. 37X43 cm.
Bookseller reference : 16364
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HANRIOT (A.).
Episodes de la guerre 1914. N°4. La prise d'un Drapeau.
Les Estampes populaires, G.W. 37X43 cm.
Bookseller reference : 16365
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Hanhart, Rudolf:
Erzählungen aus der Schweizergeschichte nach den Chroniken von Rudolf Hanhart.
4 Bände. Basel, Schweighauser, 1829-1838. 8°. XVI, 375 S.; VIII, 522 S.; X, 460 S.; XV(1), 704 S. Mit 4 Frontisp. und 4 lithogr. Titel. Pappbände der Zeit mit handschr. Rückensch.
Bookseller reference : 2719DB
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Hantke, René:
Geologische Karte des Kantons Zürich und seiner Nachbargebiete.
Zürich, Leemann, 1967. 8°. S. 93-122. Mit 2 gef. Tafeln und 2 gef. geologische Karten (in Tasche) Orig.-Brosch.
Bookseller reference : 20052AB
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HANRIOT Jules Armand
Portrait de femme. Salon de 1877.
Belle épreuve sur chine appliqué,bien contrastée. Contrairement à Sanchez-Seydoux (1877-21), notre épreuve a été imprimée par A. Salmon, et non Cadart. D'après Chaplin. IFF n.d. Paris Gazette des Beaux-Arts 1877 22,9 x 13,2 cm. Papier 44 x 31 cm.
Bookseller reference : 8029
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Hancarville, Pierre d` (Mitwirkender) und Petra (Herausgeber) Lamers-Schütze
The collection of antiquities from the cabinet of Sir William Hamilton = Collection des antiquités du cabinet de Sir William Hamilton = Die Antikensammlung aus dem Kabinett von Sir William Hamilton. Pierre-François Hugues d`Hancarville. [Engl. transl. Michael Scuffil ; Chris Miller. French transl. Wolf Fruhtrunk. German transl. Bettina Blumenberg. Ed. and coordination Petra Lamers-Schütze]
Köln ; London ; Los Angeles ; Madrid ; Paris ; Tokyo : Taschen [2007]. [Sonderausg.] 550 S. : zahlr. Ill., graph. Darst. ; 45 cm Pappe [3 Warenabbildungen] 0
Bookseller reference : 66718
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Hancock, James , Elliot, Hugh
The Herons of the World
New York: Harper & Row 1978. Robert Gillmor and Peter Hayman. folio 304p green cloth ill dj 61 full pages color plates by Robert Gillmor and Peter Hayman maps Harper & Row hardcover
Bookseller reference : Biblio981 ISBN : 0060117591 9780060117597
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Hanhart, Johannes
Conrad Gessner. ein Beytrag zur Geschichte des wissenschaftlichen Strebens und der Glaubensverbesserung im 16ten Jahrhundert.
Winterthur, in der Steinerischen Buchhandlung, 1824. 8°. XX, 355 S., (1) Bl. (Faks.-Handschr.). Halblederband der Zeit mit Rückenschild und Rückenvergoldung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7606CB
Bookseller reference : 7606CB
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Hanhart, Rudolf
Erzählungen aus der Schweizergeschichte nach den Chroniken von Rudolf Hanhart.
Basel, Schweighauser, 1829-1838. 8°. XVI, 375 S.; VIII, 522 S.; X, 460 S.; XV(1), 704 S. Mit 4 Frontisp. und 4 lithogr. Titel. Pappbände der Zeit mit handschr. Rückensch. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2719D 4 Bände.
Bookseller reference : 2719DB
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Hanko, Hans, Maler und Graphiker (1923-1992).
Eigenh. Skizzenbuch. O. O., 1960er Jahre.
98 Zeichnungen und Entwürfe auf 86 (und einem einmontierten) Bll. Flexibler Perkalinband. 8vo. Mit zahlreichen Beilagen (s. u.). Originelles Skizzen- und Notizbuch des Wiener Malers, der sowohl Entwürfe und Gedanken wie auch Bilder seines Alltags festhält, gelegentlich auch kleine Beobachtungen und Notizen ("Weißes Packpap. 80 m² Kleister"). Einige der Zeichnungen sind der Wiener Schule des phantastischen Realismus zuzuordnen, andere sind Portraits (wie das von "Christl 28. 7. 64 Am Ziegelteich"), manche auch Karikaturen. Dazwischen eingestreut sind an einigen Stellen auch kleine Gedichte, etwa der "Chor der alten Jungfern!": "Nur nichts riskieren / Nur nichts verlieren / Und sich für nichts und / Niemand interessieren / Dann kann uns nichts passieren! / Nur nichts vergeben / Um Gottes Willen nur nicht "leben" / Und so werden wir langsam alt / Und haben noch niemals draufgezahlt! / Wir haben uns keinen angelacht / Kein Mann hat uns ein Kind gemacht / Wir blieben unberührt / Und unverführt! / Juchhei!". - Hans Hanko war kaufmännischer Angestellter, wurde später Polizist und bildete sich autodidaktisch zum Maler. "Er malte anfänglich vorwiegend expressionistisch. Nach 1960 Hinwendung zur phantastischen Kunst. Erstmals im Jahre 1962 nahm er in der Galerie zur Silbernen Rose an einer Ausstellung von Künstlern der Wiener Schule des phantastischen Realismus teil" (Fuchs 2, K 42). - Die Beilagen umfassen zwei eh. Briefe mit U. aus dem Jahre 1980 (zusammen 7 SS. auf 4 Bll., 4to), in denen er von einem Arbeitsaufenthalt in der Schweiz berichtet, einen Brief einer Buchhandlung, die Hankos Frau Margarete ihre Kündigung mitteilt, einen Notizzettel aus dem Jahre 1981, drei private Photographien und 96 Photographien, die seine Arbeiten und einmal ihn bei der Arbeit zeigen.
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Hans Christian Von Baeyer
Taming The Atom The Emergence of The Visible Microworld
New York NY: Random House 1992. Book and jacket in VG condition. Components of the Atom; Quantum Mechanics; Images and Landscapes; Counting the Atoms. Stated First Edition. Hardcover. Very Good /Very Good . Random House Hardcover
Bookseller reference : 001243 ISBN : 0679400397 9780679400394
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Hans Tietze
Treasures of the Great National Galleries
London England: Phaidon Publishers Inc. 1954. An introduction to the paintings in the famous museums of the western world. . Hardcover. Very Good/Good . Phaidon Publishers Inc. Hardcover
Bookseller reference : 001161
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HANSEN, H.W
Deutsche Holzschnitt-Meister des 20. Jahrhunderts.
München, Türmer Verlag, (1971). Gr.-8vo. 189, (3) S. m. zahlr., teils ganzseitigen Textabb., 100 Abb. auf Tafeln. OLwd m. OUmschlag.
Bookseller reference : 1320711
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Hansen, Svend Wiig
Wiig Hansen. Dage efter den 9. Februar. Slutspil. Det uudholdelige portraet. / Days after the 9th February. Endgame. The unbearable portrait.
Tønder, Sønderjyllands Kunstmuseum, 1989. Quer-Klein-8°. 15 x 21 cm. Unpaginiert. Original-Klappenbroschur.
Bookseller reference : 8622EB
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Hantke, René
Eiszeitalter. Kalt-/Warmzeit-Zyklen und Eistransport im alpinen und voralpinen Raum.
Bern, Ott der Sachbuchverlag, 2011. 570 S., (3) Bl. (Verlagsanzeigen). Mit zahlr. Abb. und Illustrationen im Text. Illustrierter Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Bookseller reference : 4339DB
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Hantke, René
Geologische Karte des Kantons Zürich und seiner Nachbargebiete.
Zürich, Leemann, 1967. 8°. S. 93-122. Mit 2 gef. Tafeln und 2 gef. geologische Karten (in Tasche) Orig.-Brosch. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Bookseller reference : 20052AB
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HAP Grieshaber / Fuerst, Margot
HAP Grieshaber der Holzschneider
Small 28 page softcover booklet with an introductory text by Margot Fuerst, catalog and bibliography on Grieshaber attached to the album, 285x380mm. Unpaginated album + 28 pages. Hardcover with dust-jacket. Jacket edges slightly worn. Spine edges partly cracked. Pages slightly yellowing. Else in good condition.
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HARTUNG (Hans), PROAL (Jean)
Farandole
Barcelone, ediciones Poligrafa, s.d. In-folio, 67 pp., en feuilles, couverture originale illustrée, chemise et emboîtage de l'éditeur de toile écrue illustrée (petites taches à l'emboîtage).
Bookseller reference : 18095
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Hartmann, Georg Leonhard:
Geschichte der Stadt St. Gallen.
St. Gallen, beym Verfasser, 1818. 8°. (10), 486 S., XXIV S. Pappband der Zeit.
Bookseller reference : 6321BB
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HARDY, Dudley Hardy Dudley
THE CHIEFTAIN, Savoy Theatre. Les Maitres de l'Affiche Pl. 48
0 Planche N°48, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toute petite trace de punaisage dans l'extrémité de la marge supérieure gauche (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bookseller reference : 24164
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Harding, Alison
Ornamental Alphabets and Initials
A clean, unmarked book with a tight binding. Previous owner's name stamp inside. 7"w x 10"h. 96 pages. 142 illustrations; 14 in color.
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Harding, William.
WAR IN SOUTH AFRICA AND THE DARK CONTINENT. From Savagery To Civilization. Including the War With the Boers. And a Detailed History of the Causes and Events of the British-Boer War. Superbly Illustrated With Half-Tone Engravings Made From Photographs
554p. + Plus frontis and color folding map. Full page text half-tone engravings from photographs. Title page printed in red and black. Paper beginning to brown but not brittle. 4to. Original full cloth binding with pictorial design of British soldier, Boer soldier and an African tribesman. Binding slightly soiled. Nice copy. AFRICA/2
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HARDY Thomas
Tess of the D'Urbervilles. A Pure Woman. Faithfully presented by Thomas Hardy. With Wood Engravings by Vivien Gribble. 1500 COPIES WERE PRINTED: THIS COPY IN FULL MOROCCO
8vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map; elegantly bound in full dark green crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt edges, gilt doublures, hand-made endpapers, ribbon marker, in custom-made marbled slip-case, an elegant copy ideal as a gift or for presentation. navy buckram, gilt back, bevelled boards, gilt top, covers very lightly age-soiled. backstrip sunned (but all gilt wholly legible) else a very good, bright, clean copy. EDITION LIMITED TO 1500 COPIES. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
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HARDY Thomas
Tess of the D'Urbervilles. A Pure Woman. Faithfully presented by Thomas Hardy. With Wood Engravings by Vivien Gribble. 1500 COPIES WERE PRINTED
8vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map, neat contemporary signatures on front paste-down; original navy buckram, bevelled boards, gilt back, gilt top, uncut, boards very lightly age-marked, backstrip mildly faded (but all gilt wholly legible), a bright, clean, crisp copy. EDITION LIMITED TO 1500 COPIES. With the trade ticket of Gilbert of Southampton on front paste-down. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
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Hardy, Thomas, Intro Robert Cantwell, Engravings by Agnes Miller Parker
FAR FROM THE MADDING CROWD Easton Press
Easton Press 1981. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Foxing to fore-edge. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton Press hardcover
Bookseller reference : 1591270543
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Hardy, Thomas, Intro Robert Cantwell, Engravings by Agnes Miller Parker
FAR FROM THE MADDING CROWD Easton Press
Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
Bookseller reference : mon0000104556
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Hardy, Thomas. Introduction by John Bayley. Wood engravings by Agnes Miller Parker
JUDE THE OBSCURE.
New York: Limited Editions Club 1969. Limited edition. Hardcover. Fine in fine slipcase. xxi 427 pp. wood engraved vignette illustrations throughout octavo; 1/4 dark green morocco with gilt title marbled boards slipcase <br/><br/>Edition of 1500 numbered copies signed by the illustrator this #1005 Limited Editions Club hardcover
Bookseller reference : 23975
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HARDY, Thomas. Introduced by John Bayley. Wood engravings by Agnes Miller Parker.
JUDE THE OBSCURE. A Volume in the 100 Greatest Books Ever Written Series.
Easton 1977. Unknown. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. EX-LIBRIS ESTON BOOKK PLATE WITH OWNER'S NAME. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton unknown
Bookseller reference : 1763211719
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HARDY, Thomas. Introduced by John Bayley. Wood engravings by Agnes Miller Parker.
JUDE THE OBSCURE. A Volume in the 100 Greatest Books Ever Written Series.
Easton 1977. Unknown. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton unknown
Bookseller reference : 1579943587
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Hardy, Thomas; Parker, Agnes Miller (Wood Engravings)
The Return Of The Native
Easton Press. Very Good. 1978. Collector's Edition. Full Leather. Very light edgewear; green genuine leather w/gilt page ends moire endpapers silk ribbon bookmark; 416 pages . Easton Press hardcover
Bookseller reference : L2216
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Hardy, Thomas with Wood Engravings By Agnes Miller Parker
The Return of the Native
Heritage Press 1942-01-01. Hardcover. Acceptable. 1.4000 in x 8.3000 in x 5.6000 in. Heritage Press hardcover
Bookseller reference : mon0000048972
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