‎Engravings‎

‎Tranquil Prints‎

‎My LIttle Manuscript: Blank Manuscript Paper - Notebook for Composers Songwriters and Musicians‎

‎Independently published 2019. Paperback. New. 110 pages. 9.00x6.00x0.28 inches. Independently published paperback‎

Bookseller reference : 2-1091096937 ISBN : 1091096937 9781091096936

‎Tranquil Prints‎

‎Blank Sheet Music Notebook: Lined/Ruled Paper and Staff Manuscript Paper For Notes Lyrics and Music.‎

‎Independently published 2019. Paperback. New. 110 pages. 9.00x6.00x0.28 inches. Independently published paperback‎

Bookseller reference : 2-1091049696 ISBN : 1091049696 9781091049697

‎Tranquil Prints‎

‎Songwriting Journal: Lyrics Notebook - College Rule Lined Writing and Notes Journal Songwriters Journal‎

‎Independently published 2019. Paperback. New. 110 pages. 9.00x6.00x0.28 inches. Independently published paperback‎

Bookseller reference : 2-1091252874 ISBN : 1091252874 9781091252875

‎Prints B, RPC‎

‎Big Book of Fabulous Ideas Created By Wine: The best ideas always seem to appear after a lovely glass of wine. Write them down or you will forget them‎

‎Independently published 2019. Paperback. New. 111 pages. 11.00x8.50x0.28 inches. Independently published paperback‎

Bookseller reference : 2-1088443214 ISBN : 1088443214 9781088443217

‎Prints, Schoolis Life‎

‎Composition Notebook: Back to School Cute Cloudy Stars Style Lined Book Journal Mini Notepad 6"x9"‎

‎Independently published 2019. Paperback. New. 120 pages. 9.00x6.00x0.28 inches. Independently published paperback‎

Bookseller reference : 2-1086247884 ISBN : 1086247884 9781086247886

‎Hardy, Thomas with Wood Engravings By Agnes Miller Parker‎

‎The Return of the Native‎

‎Heritage Press 1942-01-01. Hardcover. Acceptable. 1.4000 in x 8.3000 in x 5.6000 in. Heritage Press hardcover‎

Bookseller reference : mon0000048972

‎Micheal Justin Davis | Simon Brett {Engravings]‎

‎SPECIAL PRESS TO THE CROSS: A SEQUENCE OF DRAMATIC POEMS FOR HOLY WEEK WITH PORTFOLIO‎

‎Marlborough Wilts: Paulinus Press 1984. Limited Edition. Near Fine binding. Small quarto; in morocco-backed vellum with spine lettered in gilt; housed in slipcase with portfolio in the slipcase containing a set of nineteen wood engravings by Simon Brett printed on japon and signed by the artist; the morocco spine is a bit sunned; this edition with the portfolio is limited to 25 copies; of the engravings in the portfolio this is number 18 of xxv; signed on the colophon by Michael Justin Davis and Simon Brett. Near Fine binding. Paulinus Press unknown‎

Bookseller reference : 297104

‎Jean Cassou Jaime Sabartes‎

‎Matisse Picasso Two Great Masters Of Contemporary Painting‎

‎<p>Paris France: Braun & Cie 1940. 48 Plates in Color and 22 Drawings Les Editions Braun & Cie Published under the direction of Georges Besson as stated on title page. Title page reads 'Two French Masters of Contemporary Art Matisse Book One edited by Jean Cassou and Picasso Book Two edited by Jaime Sabartes'. Book in very good condition all plates intact paper separation at gutter but no loose pages. Jacket has obvious chips on spine. Light shelfwear on corners mended tears. VG. Approx. date published</p> Braun & Cie hardcover‎

Bookseller reference : 001421

‎Geneve. Musee dArt et dHistoire. Cabinet des Estampes.‎

‎JACQUES CALLOT 1592-1635: LÂ’oeuvre gravé. Dec. 1968-Feb. 1969. Preface by Elisabeth Rossier.‎

‎Genève 1968. 90pp. 6 plates. Sm. 4to. Wraps. From the library of Elizabeth Mongan. Genève, 1968. paperback‎

Bookseller reference : B285332-1

‎British Museum Dept of Prints and D‎

‎Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum; 1‎

‎Hardback. New. hardcover‎

Bookseller reference : B9781015378421 ISBN : 1015378420 9781015378421

‎Willis, HP. \(Bartlett, WH. engravings\) H. P. W. H.‎

‎Canadian Scenery illustrated from drawings by W.H. Barlett 2 volumes‎

‎London: George Virtue 1842. full leather gilt embossed covers spine shows light wear . Bartlett. London: full leather gilt embossed covers spine shows light wear 1842 some light foxing an exceptional leather binding George Virtue hardcover‎

Bookseller reference : TEMP007508I

‎British Museum Dept of Prints and D‎

‎Catalogue of Early German and Flemish Woodcuts Preserved in the Department of Prints and Drawings in the British Museum; Volume 2‎

‎Paperback / softback. New. paperback‎

Bookseller reference : B9781017436983 ISBN : 1017436983 9781017436983

‎London. St. Georges Gallery Prints.‎

‎PICASSO: Etchings 1930-1936. June-July 1955.‎

‎London 1955. 8pp. 1 plate. 2 illus. Wraps. London, 1955. paperback‎

Bookseller reference : B224675-2

‎[Prints; Australia]‎

‎Australia Portrayed. Perceptions of Australia in 19th c. Foreign Periodicals‎

‎A valuable reference collection of images and articles that shaped perceptions of Australia to the wider world in the 19th century. This is a collection of over 800 woodcut illustrations and articles from the 19th century from the Illustrated London News The Graphic and The Illustrated Times & other less successful periodicals. The images of the ILN and Graphic are a comprehensive and systematic collection of Australian related images and articles from 1842 ILN and 1870 Graphic through the end of 1899. This collection was started in London in the late 1970s. It was our intention to create a comprehensive reference of every woodcut image of Australian interest in the two major British periodicals from their start date to 1900. We were living in North London not too far from Omniphil Limited a company based in Chesham Bucks. They were the preeminent dealers in woodcut images from British periodicals in the 1970s and 80s. We visited their premises repeatedly and sat and turned the pages of every single volume of their reference set noting the images related to Australia and purchasing a copy of those images. Another component of the collection is an assemblage of Australian images from lesser-known periodicals such as the Illustrated Times the Pictorial Times The Illustrated News of the World Gleason's Pictorial Drawing Room Companion Harper's Weekly Canadian Illustrated News and a few singletons from the Illustrated Family Paper l'Opinion Publique and the Australasian Sketcher. <br /> <br /> An important component of this collection is the associated Excel listing of the prints & text. These are indexed by year month & day image title print size associated text and folder number. <br /> <br /> The total collection is housed in nine A3 folders with fixed sleeves. Early years have 2 sheets per sleeve; later years are sometimes grouped together to fit into the available room in the album. The folders are approx. 12 ½" x 17" x 1". They were manufactured in England by Rexel Nyrex with the following label in the back inside cover "Rexel / Nyrex / PFV / A3 / 24 Made in Gt. Britain." The company still manufactures plastic products. We have not been able to ascertain if these are archival but the prints have been in the folders for at least 43 years and there has been no degradation. <br /> <br /> The only exception to the completeness of the collection is ship prints which were quite expensive at the time we assembled the collection. <br /> <br /> The collection is organized in three parts: <br /> Part I - The Illustrated London News 1842-1899; Part II - The Graphic 1870-1899; Part III - The Illustrated Times the Pictorial Times and other British & North American periodicals 1845-1883.<br /> <br /> Combined these original woodblock prints and articles are a valuable reference collection that shaped perceptions of Australia to the wider world in the 19th century a collection which would now be all but impossible to assemble. <br /> <br /> Part I<br /> Australian images from The Illustrated London News British periodical from its start in 1842 thru 1899. A comprehensive collection of Australian related images & articles from this groundbreaking periodical - the world's first illustrated weekly news magazine; the first periodical to employ special war correspondents and illustrators; the first to publish color supplements. The Australian material begins in the first publication on May 14 1842 and runs through the last article in the century in June 1899 and has approximately 467 images and 29 substantial articles. <br /> <br /> Australia is mentioned in the text of the first issue with an article "Sheep Farming in Australia" on p.15 about 4 column inches from the Inverness Courier. On the verso is an amusing illustration of a publicity stunt of the publishers. The founder Herbert Ingram paid hundreds of men to carry large sign boards in the streets reading "The Illustrated London News 30 Engravings Price 6D." The highly exaggerated drawing shows the sign bearers stretching as far as the eye can see on London footpaths. The caption reads "The 'Illustrated London News' Published Every Saturday. Thirty Engravings. Price Sixpence. The above engraving represents the public announcement of this paper on Friday last. Two hundred men paraded the streets of London to proclaim the advent of this important publication." Below the rule is printed "London: Printed by R. Palmer at the Office of Palmer & Clayton 10 Crane-court; and published by J. Clayton at 320 Strand. - Saturday May 14 1842." The first image of an Australian subject is in the December 23 1843 issue "New Government House Sydney" with text. The revenue stamp appears at the bottom left of the page. The discovery of gold in Australia is announced in a long article on the cover on Sept. 6 1851 entitled "Another El Dorado" in an article 15 column inches long. The last image is from June 1899 the Australian cricketeers in London- "The Australian Cricket Team / The Team up-river: leaving Boulter's Lock / The Test match at Lords Between England and Australia: Trumper and Hill at the Wickets". <br /> <br /> The ILN collection is housed in six A3 folders with fixed sleeves. Early years have 2 sheets per sleeve; later years are sometimes grouped together to fit into the available room in the album.<br /> <br /> Folder 1 - 1842-1852; 68 images & 12 articles<br /> Folder 2 - 1852-1854; 70 images & 13 articles<br /> Folder 3 - 1855-1861; 50 images & 1 article<br /> Folder 4 - 1862-1864; 55 images & 1 article<br /> Folder 5 - 1865-1884; 90 images & 2 articles<br /> Folder 6 - 1886-1899; 135 images<br /> <br /> Although Gale subscription service has a digitized resource titled the "Illustrated London News Historical Archive 1842-2003" this collection is invaluable as it is composed of the actual period woodblock prints and articles accessible in six A 3 folders. <br /> <br /> Part II<br /> Australian images from The Graphic British periodical from its start in 1869 thru 1899. Australian related images from The Graphic the British weekly illustrated newspaper first published on 4 Dec 1869 which was set up as a rival to the Illustrated London News. <br /> <br /> The Australian images begin in March 1870 and runs through 1899 approximately 242 images. There are 13 double page images 2 full weekly issues for the Sydney & Melbourne Exhibitions with the continuing supplements; 1 color Christmas issue; 74 full page and 39 half page illustrations. Highlights include images of bush and settlers' lives Tichborne case cricket Victorian gold the Kelly gang black trackers wool shipping ostriches a shearing dispute. <br /> <br /> The first Australian related image in The Graphic was published on the cover of the March 12th 1870 edition "Picnic in Australia To the Officers of the Flying Squadron." The last image for the 19th century is dated July 1899. The Graphic is housed in two folders are A3 approx. 12 ½" x 17" x 1". <br /> <br /> Part III<br /> Australian images from The Illustrated Times the Pictorial Times and other British periodicals as well as North American periodicals including Gleason's Pictorial Drawing Room Companion Harper's Weekly and others. London; New York; Boston; Canada: Various publishers 1845-1883. A collection of some of the scarcer woodcut images of Australian related images from various shorter-lived illustrated periodicals published in England and North America. These include The Pictorial Times The Illustrated Times The Illustrated News of the World Gleason's Pictorial Drawing Room Companion Harper's Weekly Canadian Illustrated News and a few singletons from the Illustrated Family Paper l'Opinion Publique and the Australasian Sketcher. These are scarcer publications than the market-dominating Illustrated London News & The Graphic. The collection starts in March 1870 and runs through 1899 approximately 107 images. <br /> <br /> Of particular interest is a series in the Illustrated Times entitled "England Versus Australia" illustrated by Florence Claxton. Claxton was an English artist who spent part of her adolescence in Sydney NSW in the 1850s. Throughout 1863 and early 1864 Miss Claxton drew imagined comparisons between the two environments not uniformly biased towards either country. In the first "Daughters Here" has a group of gentlewomen sitting in a lovely drawing room making lace playing piano or gazing in the mirror. "Sons There" shows the men doing the laundry mending and cooking. "Governesses Here" shows a gaggle of governesses seemingly subject to the whims of a butler; "Want of Governesses There" shows a home with the mother distraught the children causing absolute pandemonium & the father sitting and reading the paper. In another "Needlewomen Here" the seamstresses work themselves to exhaustion in a dark room with one light; "A Modiste There" shows a prosperous woman with many customers. <br /> <br /> We did not have access to a reference set for these smaller publications so these images are an assemblage not a comprehensive and consistent collection. <br /> <br /> The Pictorial Times. 1843-1848 Opened by Henry Vizetelly his brother and Andrew Spottiswoode. Eventually it was purchased by Ingram owner of the ILN and merged with The Lady's Newspaper. Unfortunately this newspaper did not date their issues but sometimes dates are to be found in text.<br /> <br /> The Illustrated Times. 1855-1862. A rival to the ILN edited by Henry Vizetelly who had left the ILN to open it. Vizetelly campaigned in the 1850s for the repeal of the Stamp Act. Its eventual repeal was a great boon allowing the new paper to be published at the low price of two pence.<br /> <br /> The Illustrated News of the World 1858-1864. This was published by John Tallis famed for his atlases with maps adorned with views. According to OCLC: 7091980 It started in Feb. 1858 and ceased in Aug. 1864<br /> .<br /> Gleason's Pictorial Drawing-Room Companion was a 19th-century illustrated periodical published in Boston Massachusetts. The magazine was founded by Frederick Gleason in 1851. According to OCLC: 10261386 it ran from 1851 - 1854. The publication name was changed to Ballou's Pictorial Drawing-Room Companion in 1855 after managing editor Maturin Murray Ballou bought out the interest of Gleason. Unfortunately this newspaper did not date their issues but sometimes dates are to be found in text.<br /> <br /> Harper's Weekly A Journal of Civilization was an American political magazine based in New York City. Published by Harper & Brothers from 1857 until 1916 it featured foreign and domestic news fiction essays on many subjects and humor alongside illustrations. It carried extensive coverage of the American Civil War including many illustrations of events from the war. During its most influential period it was the forum of the political cartoonist Thomas Nast. <br /> <br /> This collection is housed in one A3 folder approx. 12 ½ x 17" x 1" with fixed sleeves. The prints & text are indexed by newspaper and thence by year month & day image title print size & associated text including some artists and folder number. <br /> <br /> A collection of primary source documents revealing the perceptions and attitudes towards Australia in the 19th century. hardcover‎

Bookseller reference : 28182

‎Benet, Stephen Vincent; Moser, Barry (Illustrator W/wood Engravings) ; MacLeish, Archibald (Introduction)‎

‎John Brown's Body In Slipcase‎

‎The American Past / Book of the Month Club. Very Good in Very Good dust jacket. 1980. First Edition Thus. Hardcover. Book has light indentation to upper spine; DJ has very slightest of toning to spine couple tiny wrinkles to spine corners; in VG burgundy cloth slipcase that has tiny bit of fraying to corners; red cloth hardback w/brown ribbon bookmark pastedowns on book and slipcase ; 360 pages . The American Past / Book of the Month Club hardcover‎

Bookseller reference : L1823

‎Donne, John; Wood Engravings By Reiner, Imre‎

‎Poems Of John Donne - Collector's Edition: The 100 Greatest Books Ever Written Bound In Genuine Leather‎

‎Norwalk CT.: Easton Press. VG In Navy Leather With Gilt Decoration & Page Edges. Silk Moire Endpapers. Prev. Owner Bookplate On Half-Title. Faint Edgewear. Pages Clean Binding Tight. Pages: 198. 1979. Hardcover. Easton Press hardcover‎

Bookseller reference : MASTER355525I

‎Thomas Hardy; Robert Cantwell Intro; Agnes Miller Parker Engravings‎

‎Far From the Madding Crowd‎

‎Heritage 1958. Hardcover. Very Good. in x in x in. Lightly read if read at all. Sandglass laid in. No In original slipcase. Binding is tight. No markings in book. Heritage hardcover‎

Bookseller reference : mon0000025686

‎Guerard Eugene von 1811 1901. New South Wales; Prints‎

‎Lake Illawarra NSW‎

‎Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> A panoramic view taken from a hill looking down towards the lake farmland surrounding it. The lake is a large coastal lagoon just south of Woollongong 100 km south of Sydney. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. <br /> <br /> nOT ON TROVE . Hamel & Ferguson unknown‎

Bookseller reference : 27481

‎Guerard, Eugene von [1811-1901]. [Victoria; Prints]‎

‎Goulbourn River near Shepparton‎

‎Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> Two horsemen are approaching a punt to cross the Goulbourn. A boat in the foreground holds two fishermen. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Two small marginal cracks repaired. Not recorded on Trove. Hamel & Ferguson unknown‎

Bookseller reference : 27435

‎Guerard, Eugene von [1811-1901]. [Victoria; Prints]‎

‎Fern Tree Gully Dandenong Ranges Victoria‎

‎Melbourne: Hamel & Ferguson 1867. Print. Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully' the original name for Ferntree Gully.<br /> <br /> "His remarkable image of a fern-tree gully in the Dandenong Ranges some 40 kilometres east of Melbourne conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow one withits characteristic tail feathers raised.: Tiom Bonyhady Australian Colonial Paintings in the Australian National Gallery Canberra; Australian National Gallery 1986 p. 171. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Hamel & Ferguson unknown‎

Bookseller reference : 26902

‎[Prints]‎

‎Egypt‎

‎1886. Otherwise very good condition. Seven chromolithographic views in Egypt entitled Bazaar in Alexandria Fountain of Moses The Wife of Khedive Travelling Fellahs At a well in Cairo Return of Caravan from Mecca Port Said Sphinx Mehemet Ali's Mosque Ascending the Pyramids.<br /> <br /> 7 plates 8 x 10.5" some marks in margins. unknown‎

Bookseller reference : 27835

‎Guerard, Eugene von [1811-1901]. [Victoria; Prints]‎

‎Valley of the Ovens River‎

‎Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown‎

Bookseller reference : 26901

‎VAN LONDERSEEL, JAN after Coninxloo (Anvers 1572 -1625 Rotterdam)‎

‎LANDSCAPE WITH THE GOOD SAMARITAN‎

‎<p>c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark.</p>‎

Bookseller reference : 304

‎British Museum. Dept. of Prints and Drawings. ; Colvin, S. and others‎

‎Reproductions of Prints in the British Museum : New Series. 15 fascicules complete set‎

‎Trustees of the British Museum London first edition 1886 - 1906. 15 fascicules each in its own portfolio 52 cm parts I-IV and 66 cm parts V-XV. introductions of a few pages each and a total of 233 plates on stiff card. . Uncommon. A complete set of this series which comprises 15 portfolios each with a short introduction list of plates and between 11 and 22 finely-printed plates as follows: Part I. Early Italian. 20 plates; Part II. Early German and Flemish 22 plates; Part III. German Dutch and Italian. 18 plates; Part IV. Italian 16th century. 18 plates; Part V. Specimens of early mezzotint engraving. 16 plates; Part VI. Specimens of line-engraving by Masters of Germany and the Low Countries 1530-1620. 15 plates; Part VII. Specimens of line-engraving by Masters of the Netherlands Schools under the influence of Rubens and Vandyck about 1620-1660. 12 plates; Part VIII. Specimens of line-engraving by Masters of the French School about 1580-1680. 14 plates; Part IX. Specimens of line-engraving by the earliest Masters practising in England about 1545-1695. 18 plates; New Series Part X. Additional specimens of line-engraving by the earliest Masters working in England about 1580-1670. 21 plates; Part XI. Specimens of line-engraving by French Masters of the Eighteenth Century. 14 plates; Part XII. Specimens of line-engraving by French Masters of the Eighteenth Century continued. 12 plates; Part XIII. Specimens of line-engraving by English Masters of the Eighteenth Century. 11 plates; Part XIV. Specimens of line-engraving by Italian Masters of the Eighteenth Century. 11 plates. Part XV. Specimens of line-engraving by German Masters of the Eighteenth Century. 11 plates. The plates are generally Very Good clean copies: the versos of the final plate in each potrtfolio and the title-page rectos are in most cases tanned from contact with the portfolios. Some plates have small 'British Museum facsimile' stamps on the versos and there is sometimes a small library blindstamp in the lower margin well away from the image. The portfolio boards are generally rather duststained and a little rubbed the portfolio for Part VI has bumping and tearing to its top edges and that for Part XV is torn at the head of spine with trifling edgewear to a few plates a few other portfolio corners have minor edgewear. The porfolio flaps are generally in very good condition and seem to have been renewed in most cases; a few others are broken. A few portfoilios have library bookplates on their front inner boards. Overall a well-preserved set of a series rarely found complete. Trustees of the British Museum, London, first edition, 1886 - 1906 hardcover‎

Bookseller reference : BIBLIO-31166

‎Dodgson, C. ; British Museum. Dept. of Prints and Drawings‎

‎Woodcuts and Metal Cuts of the Fifteenth Century Chiefly of the German School‎

‎Trustees of the British Museum London first edition 1914. Cloth 4to 26 cm. xii 36 pp 48 collotype plates on stiff paper. 215 entries. From the preface: "The present volume does not pretend to be a complete publication of the Northern woodcuts of the Fifteenth Century in the Department of Prints and Drawings. Its aim is to form a permanent record of an exhibition comprising all the more important specimens which was held in the new exhibition gallery of the Department on the occasion of its opening in May 1914. The Guide to that exhibition is here reprinted and illustrated by forty-eight reproductions in collotype the work of Mr. D. Macbeth from important and characteristic examples of German and Flemish cuts of the period with one specimen produced in England. French and Italian Woodcuts of the fifteenth century in which the Department is much less rich are excluded. A M Hind's copy with his pencil signature on the front free endpaper. Slightly rubbed otherwise Very Good. Arthur Mayger Hind 1880-1957 Keeper of Prints and Drawings at the British Museum Professor of Fine Art at Oxford and a world-renowned historian of etching and engraving. Trustees of the British Museum, London, first edition, 1914 hardcover‎

Bookseller reference : BIBLIO-50560