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Brian De Palma (director, screenwriter); Louis Goldman and Chuck Nolen (still photographers); John Travolta, Nancy Allen, John L
Blow Out Original photograph of John Travolta from the 1981 film
N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph of John Travolta from the 1981 film. <br /> <br /> A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction."<br /> <br /> 8 x 10 inches. About Near Fine. Filmways Pictures unknown
书商的参考编号 : 132103
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Brian De Palma (director, screenwriter); John Travolta, Nancy Allen, John Lithgow (starring)
Blow Out Two original photographs from the 1981 film
Culver City CA: Columbia Pictures / Filmways 1981. Two vintage studio still photographs from the 1981 film both showing actor John Travolta. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 8 x 10 inches. Fine.<br /> <br /> Criterion Collection 562. Grant US. Spicer Neo-Noir. Columbia Pictures / Filmways unknown
书商的参考编号 : 168110
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Brian De Palma (director, screenwriter); Ralph Nelson (photographer); Robert J. Avrech (screenwriter); Craig Wasson, Gregg Henry
Body Double Original photograph of Brian De Palma from the set of the 1984 film
N.p.: N.p. 1984. Vintage reference photograph of Brian DePalma on the set of the 1984 film. <br /> <br /> The fourth of a quartet of films made by Brian De Palma in the 1980s that paid homage to Alfred Hitchcock while adding elements of pop culture and the grotesque. "Body Double" was by far the funniest of these though no less compelling. <br /> <br /> Shot on location in Los Angeles Long Beach and Hollywood California. <br /> <br /> 8 x 9.75 inches. Near Fine. <br /> <br /> Clover Men Women and Chainsaws. Destroy All Movies The Complete Guide to Punks on Film. Spicer Neo-Noir US. N.p. unknown
书商的参考编号 : 150934
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Brian De Palma (director); Tom Wolfe (novel; Michael Cristofer (screenwriter); Tom Hanks, Bruce Willis, Melanie Griffith, Kim Ca
Bonfire of the Vanities Original screenplay for the 1990 film two drafts
Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. <br /> <br /> Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br /> <br /> Set in New York shot on location there and in California. <br /> <br /> De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br /> <br /> First Draft script:<br /> <br /> White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Second Revised Draft script;<br /> <br /> Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown
书商的参考编号 : 135643
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Brian De Palma (director, screenwriter); Michael Caine, Angie Dickinson, Nancy Allen (starring)
Dressed to Kill Two original photographs from the set of the 1980 film
N.p. Two vintage color reference photographs of director Brian De Palma and actress Angie Dickinson along with a camera crew on the set of the 1980 film.<br /> <br /> A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984.<br /> <br /> Set in New York shot on location in New York and Pennsylvania. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. unknown
书商的参考编号 : 153222
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Brian De Palma (director, screenwriter); Louisa Rose (screenwriter); Margot Kidder, Jennifer Salt, Charles Durning (starring)
Sisters Two original photographs from the 1973 film
Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. <br /> <br /> De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. <br /> <br /> Set and shot on location in New York City. <br /> <br /> 8 x 10 inches. Near Fine with some light toning. <br /> <br /> Arrow 919. Criterion Collection 89. Grant US. Spicer US. American International Pictures [AIP] unknown
书商的参考编号 : 133031
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Brian De Palma (director); John Farris (novel, screenwriter); Kirk Douglas, John Cassavetes, Carrie Snodgrass, Charles Durning,
The Fury Original screenplay for the 1978 film
Los Angeles: Twentieth Century-Fox 1977. Draft script for the 1978 film. Script belonging to an unknown crew member with their name in manuscript ink on the front wrapper. <br /> <br /> A man tries to save his son who has telekinetic powers from government agents who are torturing him. One of Brian DePalma's most entertaining genre films predating David Cronenberg's slightly more intellectual "Scanners" by 3 years. <br /> <br /> Set in Israel and Chicago shot on location in Israel and Chicago. <br /> <br /> Light blue titled wrappers dated March 7 1977. Title page present dated March 7 1977 with credits for author and screenwriter John Farris. 158 leaves with last page of text numbered 156. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
书商的参考编号 : 120236
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Brian De Palma director screenwriter; Angie Dickinson Michael Caine Nancy Allen starring
Dressed to Kill Original photograph of Brian De Palma and Angie Dickinson shot on location during filming for the 1980 film
Los Angeles: Filmways 1980. Vintage reference photograph from the 1980 film showing director Brian De Palma and actress Angie Dickinson standing at the base of the stairs of the Philadelphia Museum of Art.<br/><br/>A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984.<br/><br/>Set in New York shot on location in New York and Pennsylvania. <br/><br/>8 x 10 inches. Near Fine.<br/><br/>Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. Filmways unknown books
书商的参考编号 : 149364
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Brian De Palma director screenwriter; John Travolta Nancy Allen John Lithgow Dennis Franz starring
Blow Out Collection of eight original photographs from the 1981 film
US: Cinema 77 / Geria Productions / Filmways 1981. Collection of eight vintage borderless color photographs from the 1981 film. <br/><br/>Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br/><br/>Shot on location in Philadelphia. <br/><br/>7 x 9.5 inches. Fine. <br/><br/>Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
书商的参考编号 : 142167
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Brian De Palma director screenwriter; John Travolta Nancy Allen John Lithgow Dennis Franz starring
Blow Out Original photograph of Brian De Palma and Nancy Allen on the set of the 1981 film
US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. <br/><br/>Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br/><br/>Shot on location in Philadelphia. <br/><br/>7 x 9.5 inches. Fine. <br/><br/>Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
书商的参考编号 : 142109
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Brian De Palma director screenwriter; John Travolta Nancy Allen John Lithgow Dennis Franz starring
Blow Out Personal Effects Original screenplay for the 1981 film
N.p.: Self published 1980. Early Draft script agency copy for the 1981 film "Blow Out" here under the working title "Personal Effects." <br/><br/>A noirish De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." Considered by many to be the finest of the director's films of the 1980s a paranoid thriller that is visually arresting from start to finish as well as what Criterion calls .".a devilish reflection on moviemaking." A favorite of the fickle Pauline Kael and the answer to your child's question "Daddy did John Travolta ever make a good film"<br/><br/>Untitled blue wrappers. Title page present dated 1980 with a credit for De Palma. 107 leaves with last page of text numbered 102. Xerographic duplication with photocopied punch holes. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Criterion Collection 502. Grant p. 80. Spicer p. 425. Self published unknown books
书商的参考编号 : 138685
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Brian De Palma director screenwriter; Louis Goldman and Chuck Nolen still photographers; John Travolta Nancy Allen John Lithg
Blow Out Original photograph from the 1981 film
N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph from the 1981 film. <br/><br/>A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction."<br/><br/>8 x 10 inches. About Near Fine. Filmways Pictures unknown books
书商的参考编号 : 132103
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Brian De Palma director screenwriter; Louisa Rose screenwriter; Margot Kidder Jennifer Salt William Finley starring
Sisters Original screenplay for the 1973 film
New York: Pressman Williams 1970. Draft script for the 1973 film. Copy belonging to cinematographer Gregory Sandor with his name in holograph pencil on the verso of the title page and holograph pencil annotations throughout.<br/><br/>Danielle is a beautiful model separated from her conjoined twin Dominique. When her neighbor an aspiring journalist suspects Danielle of a brutal murder the horror of Danielle's disturbing past begins to surface. Director Brian De Palma based his original story on a Life magazine article about conjoined twins in the Soviet Republic who had been successfully separated but were experiencing psychological problems as a result of the operation. <br/><br/>With its use of visually dense point-of-view and split-screen camera techniques "Sisters" is one of De Palma's earliest forays into erotic voyeurism as a conduit for psychological horror paving the way for a string of idiosyncratic psychosexual projects in the ensuing years such as "Obsession" 1976 "Dressed to Kill" 1980 "Blow Out" 1981 and "Body Double" 1984 among others. Given its focus on the anxiety of the gaze "Sisters" can also be read as an homage to Alfred Hitchcock-openly referencing "Rope" 1948 "Rear Window" 1954 and "Psycho" 1960-and indeed the film was even scored by Bernard Hermann a frequent musical collaborator for Hitchcock's films.<br/><br/>Set and shot on location in New York. <br/><br/>Maroon titled wrappers. Title page present dated 1970 with credits for screenwriters Brian De Palma and Louisa Rose. 138 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>Arrow 1578. Criterion Collection 89. Grant US. Spicer US Neo-Noir. Pressman Williams unknown books
书商的参考编号 : 146086
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Brian De Palma director screenwriter; Louisa Rose screenwriter; Margot Kidder Jennifer Salt Charles Durning starring
Sisters Two original photographs from the 1973 film
Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. <br/><br/>De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. <br/><br/>A story set and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine with some light toning. <br/><br/>Complete collation details available on request. American International Pictures [AIP] unknown books
书商的参考编号 : 133031
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Brian De Palma director; Tom Wolfe novel; Michael Cristofer screenwriter; Tom Hanks Bruce Willis Melanie Griffith Kim Cattral
Bonfire of the Vanities Original screenplay for the 1990 film two drafts
Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in holograph ink on the title page of the second script. <br/><br/>Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br/><br/>Set in New York shot on location there and in California. <br/><br/>De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br/><br/>First Draft script:<br/><br/>White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Second Revised Draft script;<br/><br/>Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in holograph ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
书商的参考编号 : 135643
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Brian G. Hutton director; Lawrence Sanders novel; Randy Munkacsi still photographer; Man Rubin screenwriter; Frank Sinatra Faye
The First Deadly Sin Original photograph from the 1980 film
London: Cinema International Corporation 1981. Vintage black-and-white still photograph from the 1981 UK release of the 1980 US film. Mimeograph snipe affixed to the verso. Features Faye Dunaway. <br/><br/>Based on Lawrence Sanders' 1973 novel about a serial killer in New York and the aging inspector Sinatra who is trying to solve the case. <br/><br/>8 x 10 inches. Faint rust from a paperclip at the top edge else Near Fine. Cinema International Corporation unknown books
书商的参考编号 : 132621
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Brian G. Hutton screenwriter; William Jacobs novel
The Violent Land Original screenplay for an unproduced film
N.p.: N.p. 1960. Draft script for an unproduced film.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Actor and director Brian G. Hutton noted for "Where Eagles Dare" 1968 and "Kelly's Heroes" 1970 adapts William Jacobs' 1959 western novel "This Violent Land" for the screen.<br/><br/>Violence sires violence in this tale of two brothers Travis and Bowie Malibar. After Bowie kills their father Travis sets out to seek revenge and to prove his manhood to the widow Zoanna who loves Bowie. Travis succeeds in killing his brother Bowie only to be shot by Zoanna's teen son upon his return.<br/><br/>Set in Arizona.<br/><br/>Blue untitled wrappers with die-cut title window in the British style. Title page present with credits for screenwriter Brian G. Hutton and novelist William Jacobs. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound internally with two flat metal brads. N.p. unknown books
书商的参考编号 : 147433
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Brian Garfield (novel); James Wan (director); Ian Mackenzie Jeffers (screenwriter); Kevin Bacon, Garrett Hedlund, Kelly Preston
Death Sentence Original screenplay for the 2007 film
Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film.<br /> <br /> Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. <br /> <br /> Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. <br /> <br /> Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads.<br /> <br /> Grant US Neo-Noir. HPE Rights unknown
书商的参考编号 : 156849
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Brian Gibson (director, screenwriter); Hazel O'Connor, Phil Daniels, Jon Finch, Jonathan Pryce (starring)
Breaking Glass Archive of photographs and ephemera from the 1980 film
N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. <br /> <br /> A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. <br /> <br /> Set and shot on location in London. <br /> <br /> Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
书商的参考编号 : 152392
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Brian Gibson director screenwriter; Hazel O'Connor Phil Daniels Jon Finch Jonathan Pryce starring
Breaking Glass Archive of photographs and ephemera from the 1980 film
N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. <br/><br/>A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. <br/><br/>Set and shot on location in London. <br/><br/>Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. <br/><br/>Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
书商的参考编号 : 152392
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Brian Keith, Marjoe Gortner, John P. Ryan (starring); Ross Macdonald (novels); David P. Harmon (screenwriter); Gary Nelson (dire
Archer: The Turkish Connection Original screenplay for the 1975 television episode
Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. <br /> <br /> The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. The episode originally aired on January 30 1975 on NBC. <br /> <br /> Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown
书商的参考编号 : 160034
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Brian Mori (screenwriter)
Tumbleweed Original screenplay for an unproduced film
N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. <br /> <br /> Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. <br /> <br /> Set in California and Nevada. <br /> <br /> White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown
书商的参考编号 : 140830
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Brian Mori screenwriter
Tumbleweed Original screenplay for an unproduced film
N.p.: N.p. Draft script for an unproduced film. With a single notation in holograph ink. <br/><br/>Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caeser's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. <br/><br/>Set in California and Nevada. <br/><br/>White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
书商的参考编号 : 140830
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Brice Mack (director); Kay Cousins Johnson (screenwriter); Lisa Pelikan, Bert Convy, Nina Foch, Amy Johnston (starring)
Jennifer Original screenplay for the 1978 film
Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. <br /> <br /> Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. <br /> <br /> A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. <br /> <br /> Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br /> <br /> Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown
书商的参考编号 : 137086
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Brice Mack director; Kay Cousins Johnson screenwriter; Lisa Pelikan Bert Convy Nina Foch Amy Johnston starring
Jennifer Original screenplay for the 1978 film
Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. <br/><br/>Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. <br/><br/>A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. <br/><br/>Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown books
书商的参考编号 : 137086
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Brigitte Bardot (starring); Roger Vadium (director, screenwriter); Raoul Levy (screenwriter); Curd Jurgens, Jean-Louis Trintigna
.And God Created Woman Et Dieu. créa la femme Original photograph from the 1956 film
Paris: Cocinor 1956. Vintage studio still photograph from the 1956 film. <br /> <br /> The culmination of director Roger Vadim's fascination with Brigitte Bardot. The pair had been dating since 1950 when she was 15 years old and he was 22 and were married in 1952. The film remains one of the most single-minded tributes to an actress by a film auteur and in twentieth century film-obsessed France there was perhaps never a more celebrated cinematic couple. The two would part ways the following year amidst rumors of affairs but remained close friends.<br /> <br /> Shot on location in Saint-Tropez France. <br /> <br /> 10 x 8 inches. Very Good plus with a small tear at the center of the bottom edge. <br /> <br /> Criterion Collection 77. Cocinor unknown
书商的参考编号 : 159036
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Brigitte Bardot (starring); Jean Boyer (director, screenwriter); Arlette de Pitray (screenwriter); Bourvil, Pierre Larquey, Jane
Crazy for Love Le Trou normand Three original photographs from the 1952 film
Neuilly-sur-Seine France: Cite Films 1952. Three vintage reference photographs from the 1952 film. <br /> <br /> A man's uncle dies leaving him to inherit his uncle's inn but only if he can pass a final primary school exam. Brigitte Bardot's first film role. <br /> <br /> Shot on location in Conches-en-Ouche Eure France. <br /> <br /> 10 x 8 inches. Near Fine. Cite Films unknown
书商的参考编号 : 160138
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Brigitte Bardot, Jane Birkin (starring); Roger Vadim (director, screenwriter); Jean Cau, Jena-Pierre Petrolacci (screenwriters);
Don Juan or if Don Juan Were a Woman Don Juan ou si Don Juan etait une femme. Original oversize color photograph from the 1973 film
N.p.: N.p. 1973. Vintage oversize borderless color reference photograph from the 1973 French film showing Brigitte Bardot and Jane Birkin in bed together. <br /> <br /> Director Roger Vadim's attempt to explore women's sexual liberation by changing the classical figure of Don Juan into a woman here played by Bardot in her fifth film with Vadim. <br /> <br /> Shot in Paris. <br /> <br /> 11.75 x 9.5 inches. Very Good with some light wear at the corners but still quite bright and clean. N.p. unknown
书商的参考编号 : 167109
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Brigitte Bardot, Laurent Terzieff, Jean Rochefort (starring); Serge Bourguignon (director, screenwriter); Sean Graham, Pascal Ja
Two Weeks in September Five original photographs from the 1967 film
Los Angeles: Paramount Pictures 1967. Five vintage reference photographs from the 1967 film all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. <br /> <br /> From the collection of noted British film producer John Palmer.<br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 8 x 10 inches. Very Good moderately toned and lightly creased. Paramount Pictures unknown
书商的参考编号 : 151850
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Brigitte Lahaie (subject, starring); Claude Bernard-Aubert (director, screenwriter)
Les grandes jouisseuses Passionate Pleasures Two original oversize photographs from the 1978 French adult film
N.p.: N.p. 1978. Two vintage oversize borderless double weight color reference photographs from the 1978 adult film. Labels affixed to versos noting the film's French title. <br /> <br /> A man's increasingly obsessive thoughts about his next-door neighbor lead his wife to force him into sex therapy. <br /> <br /> 11.75 x 9.5 inches. About Near Fine.<br /> <br /> Bier 793. N.p. unknown
书商的参考编号 : 160654
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Brigitte Lahaie, Cathus Stewart, Jane Baker, Alban Ceray (starring); Claude Mulot (director, screenwriter)
Les petites écolières Private Lessons Three original oversize color photographs from the 1980 French adult film
N.p.: N.p. 1980. Three vintage oversize color reference photographs from the 1980 French adult film all three showing actress Brigitte Lahaie. <br /> <br /> After the closure of her establishment by the police a madam decides to open a new brothel in the disguise of a private all-girls school. <br /> <br /> 12 x 9.5 inches. Very Good plus.<br /> <br /> Bier 1327. N.p. unknown
书商的参考编号 : 160698
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Brigitte; Bardot, Laurent Terzieff, Jean Rochefort (starring); Serge Bourguignon (director, screenwriter); Sean Graham, Pascal J
Two Weeks in September Original photograph of Brigitte Bardot on the set of the 1967 film
N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With layout annotations in pencil on the verso along with a provenance stamp. <br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 8 x 10 with wide side margins. Near Fine. N.p. unknown
书商的参考编号 : 152312
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Brigitte; Bardot Laurent Terzieff Jean Rochefort starring; Serge Bourguignon director screenwriter; Sean Graham Pascal Jardin
Two Weeks in September Original photograph of Brigitte Bardot on the set of the 1967 film
N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With cropping annotations in pencil on the verso along with a provenance stamp. <br/><br/>A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br/><br/>Shot on location in London and Paris. <br/><br/>8 x 10 with wide side margins. Near Fine. N.p. unknown books
书商的参考编号 : 152312
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Briley John screenwriter
SANCTUARY
Burbank: Warner Bros. 1987. 11301 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in studio logo wrappers. Faint handsoiling to white wrappers else near fine. An unspecified draft of this original screenplay by the Academy Award winning screenwriter for GANDHI CRY FREEDOM SANDINO and many others. The script in hand treats among other topics the plight of refugees from Latin American police states and appears to be unproduced though sharing concerns with SANDINO. Warner Bros. unknown books
书商的参考编号 : WRCLIT68132
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Britt Ekland, Eddie Deezen, Tim Conway Jr. (starring); Fred Olen Ray (director); Ernest D. Farino (screenwriter)
Beverly Hills Vamp Vampire Original screenplay for the 1989 film
Hollywood: Austin Enterprises 1989. Draft script for the 1989 film seen here under the working title "Beverly Hills Vampire." Copy belonging to makeup artist Richard Miranda with his name in manuscript ink on the front wrapper and his annotations throughout. Laid in with the script is a five-day shooting schedule along with a call sheet dated May 24 1988. <br /> <br /> A straight-to-video comedy about three nerds who hook up with vampiric call girls during a trip to Hollywood.<br /> <br /> Set and shot on location in Beverly Hills.<br /> <br /> Blue titled wrappers. Missing title page. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound with three gold brads. Austin Enterprises unknown
书商的参考编号 : 167211
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Brittany Murphy, Mark Dacascos, Kadeem Hardison (starring); Steve Wang (director); Scott Phillips (screenwriter)
Drive Road to Ruin Original screenplay for the 1997 film
Los Angeles: Neo Motion Pictures 1996. Draft script for the 1997 film seen here under the working titles "Road to Ruin" and "Driven." Working copy belonging to actor Sean Moran with his annotations in manuscript pencil on the title page front wrapper and nine pages of the script and two call sheets laid in. A then-new blend of martial arts and traditional fist-and-guns action that has become a cult classic.<br /> <br /> A Hong Kong man with an experimental implant which gives him super-strength and speed must flee from Chinese mercenaries who have been employed to steal the device.<br /> <br /> Shot on location in Santa Clarita Los Angeles and Lancaster California. <br /> <br /> Gray generic Neo Motion Pictures wrappers. Title page present dated 1.2.96 noted as Draft with credits for screenwriter Scott Phillips and storywriter Anthony Trifiletti. 104 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Neo Motion Pictures unknown
书商的参考编号 : 163604
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Brodeur Paul sourcework: Marcus Lawrence B. screenwriter
THE STUNT MAN SCREENPLAY BY . ADAPTED FROM PAUL BRODEUR'S NOVEL
Bel Air West Los Angeles: Simon Productions / 20th C. Fox 1977. 1130 leaves plus lettered inserts. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in hot-stamped stiff card wrapper. Title handlettered on spine but very good or better. Copy #85 of an unidentified but revised early draft of Marcus's adaptation of Brodeur's novel. Richard Rush directed the June 1980 release starring Peter O'Toole in an Oscar and Golden Globe nominated role Steve Railsback Barbara Hershey et al and Rush was co-credited for the final screenplay. Marcus and Rush shared Oscar and Golden Globe nominations for the adaptation. [Simon Productions / 20th C. Fox] unknown books
书商的参考编号 : WRCLIT69500
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Brooke Shields, Charles Durning, Ken Marshall (starring); Rudy Durand (director, screenwriter); Donald Cammell (screenwriter)
Tilt Original screenplay for the 1979 film
N.p.: N.p. 1979. Draft script for the 1979 film.<br /> <br /> A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape.<br /> <br /> Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. <br /> <br /> Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
书商的参考编号 : 167218
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Brooks James L. Allan Burns creators; David Lloyd screenwriter; Mary Tyler Moore Edward Asner Gavin MacLeod Ted Knight Val
The Mary Tyler Moore Show: Edie Gets Married Post-production script for the 1975 television episode
N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 1 "Edie Gets Married" of the classic television series which aired on September 13 1975 printed on yellow pages.<br/><br/>Lou is taken aback when his ex-wife Edie Priscilla Morrill announces she is getting married. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Yellow self wrappers integral with title page with "Revised" dated July 23 1975 with credits for screenwriter Bob Ellison. 48 leaves with last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. MTM Enterprises unknown books
书商的参考编号 : 152241
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Brooks James L. Allan Burns creators; David Lloyd screenwriter; Mary Tyler Moore Edward Asner Gavin MacLeod Ted Knight Val
The Mary Tyler Moore Show: Mary's Aunt Returns Post-production script for the 1976 television episode
N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 21 "Mary's Aunt Returns" of the classic television series which aired on February 7 1976 printed on yellow pages.<br/><br/>Mary's aunt respected newswoman Flo Meredith Eileen Heckart is in town to collaborate on a public television documentary with Lou enlisting the news team to help. When Lou and Flo disagree on approach the news team is forced to take sides. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Goldenrod titled wrappers. Title page present with "Revised" dated January 7 1976 with credits for screenwriter David Lloyd. 52 leaves with last page of text numbered 50. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. MTM Enterprises unknown books
书商的参考编号 : 152237
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Brooks James L. Allan Burns creators; David Lloyd screenwriter; Mary Tyler Moore Edward Asner Gavin MacLeod Ted Knight Val
The Mary Tyler Moore Show: Murray Takes a Stand Post-production script for the 1976 television episode
N.p.: MTM Enterprises 1975. Post-production script for the season 6 episode 20 "Murray Takes a Stand" of the classic television series which aired on January 31 1976 printed on goldenrod pages.<br/><br/>The new station owner's policies infuriate Murray and when Murray makes an irate late night call to the owner Lou is instructed to fire him and the news team needs to band together to get Murray's job back. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Goldenrod self wrappers integral with title page with "Revised" dated December 17 1975 with credits for screenwriter David Lloyd. 52 leaves with last page of text numbered 50. Xerographic duplication rectos only. Pages Very Good plus with title page separated and creasing bound with two gold brads. MTM Enterprises unknown books
书商的参考编号 : 152239
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Brooks Richard (director); Joseph Conrad (novel); Richard Brooks (screenwriter); Peter O'Toole, James Mason, Curd Jurgens (starr
Lord Jim Collection of 12 original color photographs from the 1965 film
Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. <br /> <br /> After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. <br /> <br /> Shot on location in Cambodia China Malaysia and England. <br /> <br /> 8 x 10 inches. Fine. Columbia Pictures unknown
书商的参考编号 : 141553
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Brooks Richard director; Joseph Conrad novel; Richard Brooks screenwriter; Peter O'Toole James Mason Curd Jurgens starring
Lord Jim Collection of 12 original color photographs from the 1965 film
Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. <br/><br/>After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. <br/><br/>Shot on location in Cambodia China Malaysia and England. <br/><br/>8 x 10 inches. Fine. Columbia Pictures unknown books
书商的参考编号 : 141553
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Brooks, James L., Allan Burns (creators); David Lloyd (screenwriter); Mary Tyler Moore, Edward Asner, Gavin MacLeod, Ted Knight,
The Mary Tyler Moore Show: Look at Us We're Walking Original post-production script for the 1976 television episode
N.p.: MTM Enterprises 1976. Post-production script for the season 7 episode 13 "Look at Us We're Walking" of the classic television series which aired on December 25 1976 printed on yellow pages.<br /> <br /> One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. Created by James L. Brooks and Allan Burns and starring Mary Tyler Moore as Mary Richards the quintessential unmarried career woman working at the fictional WJM news station in Minneapolis. The show which championed second-wave feminism and featured realistic and complex characters and storylines is widely considered one of the best written television series of all time and featured an outstanding cast including Edward Asner Gavin MacLeod Ted Knight Valerie Harper Cloris Leachman Georgia Engel and Betty White.<br /> <br /> Mary and Lou ask the new station owner Mel Price David Ogden Stiers for a raise threatening to quit otherwise.<br /> <br /> Yellow self wrappers integral with title page with "Revised" dated July 14 1976 with credits for screenwriter Bob Ellison. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Very Good plus with title page separated bound with two gold brads. MTM Enterprises unknown
书商的参考编号 : 152240
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Brooks, James L., Allan Burns (creators); David Lloyd (screenwriter); Mary Tyler Moore, Edward Asner, Gavin MacLeod, Ted Knight,
The Mary Tyler Moore Show: Edie Gets Married Original post-production script for the 1975 television episode
N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 1 "Edie Gets Married" of the classic television series which aired on September 13 1975 printed on yellow pages.<br /> <br /> Lou is taken aback when his ex-wife Edie Priscilla Morrill announces she is getting married. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br /> <br /> Yellow self wrappers integral with title page with "Revised" dated July 23 1975 with credits for screenwriter Bob Ellison. 48 leaves with last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. MTM Enterprises unknown
书商的参考编号 : 152241
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Brooks, James L., Allan Burns (creators); David Lloyd (screenwriter); Mary Tyler Moore, Edward Asner, Gavin MacLeod, Ted Knight,
The Mary Tyler Moore Show: Murray Takes a Stand Original post-production script for the 1976 television episode
N.p.: MTM Enterprises 1975. Post-production script for Season 6 Episode 20 "Murray Takes a Stand" of the classic television series which aired on January 31 1976 printed on goldenrod pages.<br /> <br /> The new station owner's policies infuriate Murray and when Murray makes an irate late night call to the owner Lou is instructed to fire him and the news team needs to band together to get Murray's job back. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br /> <br /> Goldenrod self wrappers integral with title page with "Revised" dated December 17 1975 with credits for screenwriter David Lloyd. 52 leaves with last page of text numbered 50. Xerographic duplication rectos only. Pages Very Good plus with title page separated and creasing bound with two gold brads. MTM Enterprises unknown
书商的参考编号 : 152239
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Brown E. M. Author and Screenwriter
The Wreckers; or Tom and the Oklahoma Kid First Draft For Proposed Film Original Script Screenplay
Hollywood California: Movie Tech Studios 1975. Book. Near Fine. Soft cover. 1st Edition. 4to - over 9¾ - 12" tall. Offered is the first and possibly only draft of the film screenplay entitled "The Wreckers; or Tom and the Oklahoma Kid" by screenwriter E.M. Brown. An undated draft script the scenes are not numbered circa 1970s the film to my knowledge was never made. The screenplay contains 112 machine-copied loose leaf pages including title page which indicates title author and "1ST DRAFT" measuring 8-1/2" by 11" bound in heavy black covers secured by narrow metal strip. Pasted to the upper area of the front cover is a label from Movie Tech Studios showing its name and address on 832 Seward Street in Hollywood California typed title name of screenwriter and "Reg. S.W.A.W.". Narrow metal band partially age-rusted; light wear and one crease to front cover; "THE TWISTERS" printed in neat black felt pen to outer spine edges. Movie Tech Studios Paperback
书商的参考编号 : 009744
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Brown Fredric Frederic Frederick novel; Gerd Oswald director; Robert Blees screenwriter; Anita Ekberg Phil Carey Gypsy Rose
Screaming Mimi Original Film Pressbook
Culver City CA: Sage Productions / Columbia Pictures 1958. Vintage pressbook for the 1958 film noir. Based on the 1949 Frederic Brown novel. <br/><br/>One of the weirdest and most wonderful of the Columbia B-noirs a very faithful adaptation of Fredric Brown's byzantine mystery novel with Anita Ekberg pre-"La Dolce Vita" put to good use as a dancing siren and the Red Norvo Trio performing icy strains of modern jazz both live and in the soundtrack. <br/><br/>One sheet folded once as issued with one insert 14 x 15 1/2 inches. Very Good or better with a faint horizontal fold crease at the center of the insert wrapper and pages several tiny closed tears at the edges and minor toning. <br/><br/>Lyons US. Selby US. Silver Classic Noir. Spicer US. Sage Productions / Columbia Pictures unknown books
书商的参考编号 : 125456
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Brown Fredric Frederic Frederick novel; Gerd Oswald director; Robert Blees screenwriter; Anita Ekberg Phil Carey Gypsy Rose
Screaming Mimi Two original photographs from the 1958 film
Culver City CA: Columbia Pictures 1958. Two vintage black-and-white studio still photographs from the 1958 film. Based on the 1949 Fredric Brown novel. <br/><br/>One of the weirdest and most wonderful of the Columbia B-noirs a very faithful adaptation of Fredric Brown's byzantine mystery novel with Anita Ekberg pre-"La Dolce Vita" put to good use as a dancing siren and the Red Norvo Trio performing icy strains of modern jazz both live and in the soundtrack. <br/><br/>8 x 10 inches. Very Good plus with a tiny chip to the edge of one photo. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
书商的参考编号 : 135480
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Brown John Mason source work: Taylor Samuel screenwriter
A TREATMENT OF JOHN MASON BROWN'S "MORNING FACES."
Culver City: Vanguard / Selznick 1950. 139 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript wrappers. Some slight tanning at edges else very good or better. A substantial treatment for an unproduced film version of Brown's 1949 book. Taylor's own career as a dramatist was distinguished and as a screenwriter his credits include VERTIGO SABRINA and TOPAZ. Vanguard / Selznick] unknown books
书商的参考编号 : WRCLIT67661
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