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Michael Curtiz (director); James M Cain (novel); Ranald MacDougall (screenwriter); Joan Crawford, Jack Carson, Zachary Scott, Ev
Mildred Pierce Original photograph of Michael Curtiz on the set of the 1945 film
Burbank CA: Warner Brothers 1945. Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. <br /> <br /> Based on James M. Cain's 1941 novel which follows a newly divorced woman as she begins a career as a baker to provide for her family to the shame of her spoiled ungrateful firstborn daughter. A career-reviving role for Joan Crawford who won an Academy Award for her performance following her 1943 departure from Metro-Goldwyn-Mayer.<br /> <br /> Shot on location in Glendale Los Angeles and Malibu California.<br /> <br /> 7.25 x 9.25 inches. Very Good with light dryness and cracking to the finish and light wear to the bottom corners.<br /> <br /> National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir. Warner Brothers unknown
Référence libraire : 149678
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Pier Paolo Pasolini (director, screenwriter); Angelo Frontoni (photographer); Silvana Mangano, Terence Stamp, Massimo Girotti, A
Teorema Theorem Four original photographs from the 1969 Italian film
N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout.<br /> <br /> Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969.<br /> <br /> Set and shot on location in Rome and Milan. <br /> <br /> 9 x 7 inches. Very Good plus with light dampstaining to the versos. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
Référence libraire : 149363
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Howard Hughes (director); Marshall Neilan (novel); Joseph Moncure March (screenwriter); Ben Lyon, James Hall, Jean Harlow, John
Hell's Angels Original program for the 1930 film
Beverly Hills CA: United Artists 1930. 16 page vintage program for the 1930 film announcing its showing at Broadway theaters in New York with abundant black and white photographs of actors aerial stunts and Howard Hughes throughout.<br /> <br /> Hughes' most expensive and ambitious production a story about World War I combat pilots today still a dazzling work of blockbuster action and actual aerial biplane footage. Originally conceived as a silent film and then retooled as a talkie in the wake of "The Jazz Singer." Most of the film is shot in black and white but one sequence is in color-the only color footage ever released of actress Jean Harlow before her untimely death. <br /> <br /> James Whale was hired by Hughes to direct the talking sequences Whale's first major effort in Hollywood but the overall production took so long that Whale's subsequent directorial effort "Journey's End" was released first.<br /> <br /> Nominated for an Academy Award for Best Cinematography.<br /> <br /> Card wrappers saddle stapled 5 x 6.5 inches. 16 pages. Near Fine. United Artists unknown
Référence libraire : 148911
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Frank Capra (director); George S Kaufman, Moss Hart (play); Irving Lippman (photographer); Robert Riskin (screenwriter); Jean Ar
You Can't Take It with You Original photograph of James Stewart and Jean Arthur from the 1938 film
N.p.: N.p. 1938. Vintage borderless double weight sepia photograph of James Stewart and Jean Arthur from the 1938 film. <br /> <br /> Based on the Pulitzer Prize-winning 1936 play by George S. Kaufman and Moss Hart about an eccentric family living in a large house in New York City including their daughter who falls in love with a banker a decent and goodhearted man despite his snobbish elitist family. Winner of two Academy Awards for Best Picture and Best Director and nominated for five more. Frank Capra's third Academy Award for Best Director in just five years.<br /> <br /> Set in New York City. <br /> <br /> 8 x 10.25 inches. Near Fine. <br /> <br /> Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. N.p. unknown
Référence libraire : 148755
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Richard Thorpe (director); Walter Scott (novel); Robert Ardreey, George Froeschel (screenwriter); Robert Taylor, Kay Kendall, Ro
Quentin Durward Original photograph of Robert Taylor and Kay Kendall from the set of the 1955 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Vintage double weight photograph of Robert Taylor and Kay Kendall on the set of the 1955 film. Mimeo snipe and Advertising Code "Approved" stamp dated "May 4 1955" on verso.<br /> <br /> Based on the 1923 novel by Sir Walter Scott about the penniless son of a Scottish nobleman dispatched to propose to a French countess on behalf of his aging uncle but who then falls madly in love with her. The third film in an unofficial trilogy made by director Richard Thorpe and producer Pandro S. Berman and starring Robert Taylor the two preceding films being "Ivanhoe" 1952 and "Knights of the Round Table" 1953.<br /> <br /> Set in 15th century France shot on location in France and England. <br /> <br /> 8 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 149093
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Jean Renoir (director, screenwriter); Roger Corbeau (photographer); Charles Blavette, Celia Montalvan, Edouard Delmont, Max Dalb
Toni Original photograph of Celia Montalvan Charles Blavette and Jean Renoir on the set of the 1935 film
Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br /> <br /> Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br /> <br /> Set and shot on location in the south of France.<br /> <br /> 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown
Référence libraire : 149372
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Martin Scorsese (director, screenwriter); Nicholas Pileggi (book, screenwriter); Phil Caruso (photographer); Robert De Niro, Sha
Casino Two original photographs from the set of the 1995 film
Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. <br /> <br /> Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s.<br /> <br /> Set and shot on location in Las Vegas with casino scenes shot at the Riviera.<br /> <br /> 10 x 8 inches. Fine. <br /> <br /> Spicer US Neo-Noir. Universal Pictures unknown
Référence libraire : 149323
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Everett Freeman (screenwriter); William Price Fox (novel)
Moonshine Light Original screenplay for an unproduced film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Draft script for an unproduced film. Laid in with the script is a note typed on casting agent Paul Kohner's office letterhead introducing the screenplay addressed to actor Charles Bronson. The note is paper-clipped to a four page typed synopsis of the unproduced film "The Last Jump" which is also mentioned in the note.<br /> <br /> Based on noted South Carolinian humorist William Price Fox's 1967 novel following a pair of mischievous teenage boys trying to scrape together enough money to buy a car-encountering bootleggers revivalist preachers loan sharks and other figureheads of southern life in the 20th century along the way.<br /> <br /> Set in Columbia South Carolina. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 109 dated April 22 1968 with credits for screenwriter Everett Freeman and novelist William Price Fox. Title page integral with the front wrapper as issued. 134 leaves with last page of text numbered 134. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 146438
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Walerian Borowczyk (director, screenwriter); Ovid (poem); Wilhelm Buchheim, Enzo Ungari (screenwriters); Marina Pierro, Michele
Art of Love L'art d'aimer Original French poster for the 1983 film
Rome: 2T Produzione Film 1983. Vintage grande French poster for the 1983 erotic film. <br /> <br /> Inspired by Ovid's 2 AD collection of poems "Ars Amatoria" "The Art of Love".<br /> <br /> Set in ancient Rome the poet Ovid teaches courses in the art of love. One of his students sets out to test his newfound skill on a woman whose husband has gone to war. <br /> <br /> 47 x 63 inches. One panel. Folded as issued. Near Fine. <br /> <br /> Bier 96. 2T Produzione Film unknown
Référence libraire : 149305
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Andrzej Wajda (director); Rolf Hochhuth (screenwriter, novel); Werner Jorg Luddecke (screenwriter); Hanna Schygulla, Piotr Lysak
Eine Liebe in Deutschland A Love in Germany Original screenplay for the 1983 film
Berlin: CCC-Film CCC-Filmkunst 1980. Draft script for the 1983 German film directed by Andrzej Wajda. With a few small manuscript pencil annotations mostly regarding a character's name change and changes to pagination. Laid in with the script is a handwritten letter discussing films with KO-Productions. Text in German. Missing page 59 likely as used or issued.<br /> <br /> Based on the 1980 novel. In 1983 a middle-aged man returns to his hometown village with his teenage son in an attempt to discover the details of his mother's affair with a Polish prisoner of war during World War II. <br /> <br /> Set in Brombach shot on location in Baden-Wurttemberg and Berlin. <br /> <br /> Yellow titled perfect-bound wrappers. Title page present dated Januar 1980 with credits for screenwriters Rolf Hochhuth and Werner Jorg Luddecke. 216 leaves with last page of text numbered 210. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus. CCC-Film [CCC-Filmkunst] unknown
Référence libraire : 146511
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Gabriele D'Annunzio (novel); Pasquale Prunas (screenwriter)
Le Novelle Della Pescara The Pescara Stories Original screenplay for an unproduced television miniseries
Rome: Aquila Cinematografica 1974. Draft script for the first episode Episode 1 of an unproduced television miniseries. <br /> <br /> Based on the short story "The Virgin Orsola" from Italian writer Gabriele D'Annunzio's 1902 collection "De Novelle Della Pescara." A chaste schoolteacher in a convent survives a life-threatening illness but soon after is violently sexually assaulted beaten and left for dead.<br /> <br /> Set in Italy. <br /> <br /> Orange untitled wrappers. Title page present dated 1974 with credits for novelist GABRIELE D'ANNUNZIO and screenwriter PASQUALE PRUNAS. 106 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound internally with two gold brads. Aquila Cinematografica unknown
Référence libraire : 146512
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Allan Dwan (director); Anna Hunger (story); Jesse Lasky Jr (screenwriter); Virginia Mayo, Dennis Morgan, David Farrar (starring)
Pearl of the South Pacific Original photograph of Virginia Mayo and Allan Dwan from the set of the 1955 film
Santa Monica: RKO Radio Pictures 1955. Vintage reference photograph of Virginia Mayo and Allan Dwan on the set of the 1955 film. <br /> <br /> Rita Mayo and Bully David Farrar convince her ex Dan Dennis Morgan to join them in an expedition to steal rare black pearls from the natives of a South Pacific island. <br /> <br /> Shot on location in Hawaii. <br /> <br /> 8 x 10 inches. Light edgewear and small crease on upper right edge else Near Fine. RKO Radio Pictures unknown
Référence libraire : 149955
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Volker Schlondorff (director); Marguerite Yourcenar (novel); Margarethe von Trotta (screenwriter, starring); Genevieve Dormann,
Coup de Grace Der Fangschuss Original photograph of Volker Schlondorff and others on the set of the 1976 film
N.p.: N.p. 1976. Vintage oversize borderless photograph of Margarethe von Trotta Volker Schlondorff cinematographer Igor Luther and other crew members on the set of the 1976 film. <br /> <br /> Based on the 1939 novel by Marguerite Yourcenar. Young left-wing aristocrat Sophie von Reval von Trotta sides with the Bolsheviks after being rejected by a young German soldier Matthias Habich preparing to fight the Red Army.<br /> <br /> The third and final collaboration between husband and wife team Schlondorff and von Trotta von Trotta here co-writing and starring before von Trotta would branch off into her own esteemed career as a director. Previously they worked together on "The Sudden Wealth of the Poor People of Kombach" 1971 which von Tratt starred in and co-wrote with director Schlondorff and the New German Cinema masterwork "The Lost Honor of Katharina Blum" 1975 which they co-wrote and co-directed together. <br /> <br /> Set in 1919 Latvia during the Russian Civil War.<br /> <br /> 12 x 9.25 inches. Very Good plus with some creasing at far corners. <br /> <br /> Criterion Collection 192. N.p. unknown
Référence libraire : 149849
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Carlo Lizzani (director, screenwriter); Cosetta Greco (starring); Vasco Pratolini (novel); Osvaldo Civirani (photographer); Serg
Chronicle of Poor Lovers Cronache di poveri amanti Original photograph of Cosetta Greco from the 1954 film
N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. <br /> <br /> Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists.<br /> <br /> Set in Via del Corno Florence Italy shot on location in Tuscany Italy. <br /> <br /> 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown
Référence libraire : 149976
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Michel Audiard (director); Jean-Marie Poire (screenwriter); Jean Carmet, Stephane Audran, Jane Birkin (starring)
How to Make Good When One is a Jerk and a Crybaby Comment reussir quand on est con et pleurnichard Two Original photographs of Jane Birkin from the 1974 film
France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. <br /> <br /> A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br /> <br /> 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown
Référence libraire : 149870
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Pierre Etaix (director, screenwriter, starring); Roger Forster (photographer); Jean-Claude Carriere (screenwriter); Claudine Aug
Yoyo Yo-Yo Original photograph of Pierre Etaix from the 1965 film
N.p.: N.p. 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film.<br /> <br /> After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Morbihan Bas-Rhin and Yvelines France. <br /> <br /> 9 x 6.75 inches. Near Fine. <br /> <br /> Criterion Collection 655. N.p. unknown
Référence libraire : 149858
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Haskell Wexler (director, screenwriter); Robert Forster, Marianna Hill, Harold Blankenship, Peter Bonerz, Janet Langhart (starri
Medium Cool Three original photographs from the 1969 film
Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso.<br /> <br /> A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative.<br /> <br /> Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. <br /> <br /> One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine.<br /> <br /> <br /> Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
Référence libraire : 149604
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Sydney J Furie (director); Frank De Felitta (novel, screenwriter); John R Hamilton, Dave Friedman (still photographers); Barbara
The Entity Original photograph from the 1982 film
Los Angeles: Twentieth Century-Fox 1982. Vintage borderless reference studio still photograph from the 1982 film. "1982 20th Century-Fox" stamp on verso. <br /> <br /> Based on the 1978 Frank De Felitta novel about a real case of an alleged haunting. In 1974 Culver City Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist."<br /> <br /> Martin Scorsese considers "The Entity" as one of the greatest horror films of all time. In a Halloween themed contribution to the website "The Daily Beast" 2013 "The Entity" scored fourth place in Scorsese's list. <br /> <br /> Shot on location in El Segundo and Santa Monica California. <br /> <br /> 9.25 x 7 inches. Near Fine. <br /> <br /> Scorcese The Dark Eleven. Clover Men Women and Chainsaws. Twentieth Century-Fox unknown
Référence libraire : 149977
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Michael Dinner (director); Mark Medoff (screenwriter); Judge Reinhold, Meg Tilly, Cleavant Derricks, Joe Mantegna (starring)
Off Beat Original screenplay for the 1986 film
N.p.: N.p. 1985. Draft script for the 1986 film. With a manuscript ink annotation on the front wrapper noting copy No. 356. Missing five pages likely as used or issued.<br /> <br /> A young librarian poses as a police officer for a one-time charity dance event but attempts to maintain the ruse when he catches the attentions of a young attractive policewoman.<br /> <br /> Light blue illustrated titled wrappers. Title page present dated May 12 1985 with credits for director Michael Dinner and screenwriter Mark Medoff. 141 leaves with last page of text numbered 132. Xerographic duplication rectos only with white revision pages throughout dated variously between 5/20/85 and 7/16/85. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Full provenance available. N.p. unknown
Référence libraire : 149992
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Giampaolo Lomi (screenwriter)
The Holy Sorcerer Original treatment script for an unproduced film
N.p.: N.p. 1976. Treatment script for an unproduced film. <br /> <br /> Based on the true story of Padre Pio an Italian friar and mystic who was later venerated as a saint in the Catholic Church. Screenwriter Giampaolo Lomi was best known for "Tropic of Cancer" 1972 and "The Barons" 1975.<br /> <br /> Set in Italy.<br /> <br /> Mustard cloth covered titled boards. Title page present dated 1976 with credits for screenwriter GIANMPAOLO LOMI sic. 67 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages and boards Very Good plus. N.p. unknown
Référence libraire : 147259
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Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields, Patrici
The River Original photograph of Jean Renoir and Rumer Godden on the set of the 1951 film
Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br /> <br /> Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br /> <br /> Shot on location in West Bengal India. <br /> <br /> 8 x 10 inches. Very Good plus.<br /> <br /> Ebert III. BFI 619. Criterion Collection 276. United Artists unknown
Référence libraire : 149591
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Elia Kazan (director); Sam Shaw (photographer); William Inge (screenwriter); Natalie Wood, Pat Hingle, Warren Beatty (starring)
Splendor in the Grass Original photograph of Elia Kazan and Warren Beatty from the set of the 1961 film
N.p.: N.p. 1960. Vintage reference photograph of Elia Kazan Warren Beatty and four other female cast members on the set of the 1961 film.<br /> <br /> Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. <br /> <br /> Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity.<br /> <br /> 10.25 x 8 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. N.p. unknown
Référence libraire : 150525
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Robert Frank (director); Rudolph Wurlitzer (director, screenwriter); Kevin J O'Connor, Harris Yulin, Bulle Ogier, Dr John, Joe S
Candy Mountain Six original photographs from the 1987 film
N.p.: Xanadu 1987. Six vintage borderless reference photographs from the 1987 film. With the label of Xanadu Film on the verso. <br /> <br /> Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature-length fiction film and experimental novelist Rudolph Wurlitzer who wrote the screenplay. A musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay and David Johansen.<br /> <br /> Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br /> <br /> Shot on location in New York and Nova Scotia Canada.<br /> <br /> 7 x 5 inches. Fine.<br /> <br /> <br /> Rosenbaum 1000. Xanadu unknown
Référence libraire : 149579
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Jim Belushi (screenwriter, starring); Claude Conrad (director); Fred Kaz, Marjorie Bransfield (screenwriters); Michelle Ricca (s
The Birthday Boy Is Anybody Listening Original screenplay for the 1986 television short
N.p.: Whitehorse 1986. Second Draft script for the 1986 comedy short here under the working title "Is Anybody Listening" which originally aired on August 2 on Cinemax. With a manuscript pencil annotation to the title page reading "Second Draft" and copied manuscript annotations throughout the script. <br /> <br /> A cynical beleaguered salesman for a sporting-goods store decides to take a road trip on his birthday to reconnect with his college gym coach. <br /> <br /> Self wrappers. Title page integral with front wrapper dated Monday February 10 1986 noted as Second Draft with credits for screenwriters James Belushi Fred Kaz and Marjorie Bransfield. 34 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads.<br /> <br /> Full provenance available. Whitehorse unknown
Référence libraire : 150006
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Jean Rollin directing as Michel Gentil (director, screenwriter); Natalie Perrey (screenwriter); Joelle Coeur, Brigitte Borghese,
Fly Me the French Way Bacchanales sexuelles Tout le monde il en a deux Five original photographs from the 1974 French film
N.p.: Nordia Films 1974. Five vintage borderless reference photographs from the 1974 erotic horror film. <br /> <br /> A young woman watching over her cousin's house is mistakenly kidnapped by a crazed sex cult.<br /> <br /> Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br /> <br /> 5 x 7 inches. Very Good plus.<br /> <br /> Bier 1669. Hinds 196. Nordia Films unknown
Référence libraire : 149588
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Juan Lopez Moctezuma (director); Emmerich Oross (screenwriter); Angelica Maria, Dean Stockwell, Donald Pleasence, Aldo Ray (star
To Kill a Stranger Rainy Days Rainy Nights Original screenplay for the 1984 film
Paris: Sofracima 1984. Early draft script for the 1984 Mexican crime film here under the working title "Rainy Days Rainy Nights." Text in English.<br /> <br /> After her car breaks down in the middle of the night in rural France a young woman is lured to the home of a local pharmacist who promises to allow her to use his telephone to call a towing company. A violent struggle soon ensues forcing the woman to kill him in self-defense after he attempts to sexually assault and strangle her. A very early draft predating substantial revisions by director Juan Lopez Moctezuma.<br /> <br /> Set in France. <br /> <br /> White non-standard Sofracima studio wrappers. Title page present with credits for screenwriter Emmerich Oross. 99 leaves with last page of text numbered 86. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a black Velo binding. Sofracima unknown
Référence libraire : 147308
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Jean-Luc Godard (director); Anne-Marie Mieville (screenwriter, still photographer); Jean-Claude Carriere (screenwriter); Jacques
Every Man for Himself Sauve qui peut la vie Original photograph of Jean-Luc Goddard from the set of the 1980 film
N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker.<br /> <br /> A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Switzerland. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 744. Godard Histoires du cinema. N.p. unknown
Référence libraire : 149979
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Alain Robbe-Grillet (director, screenwriter); Francoise Brion, Jacques Doniol-Valcroze, Guido Celano (starring)
L'Immortelle The Immortal One Original photograph of Alain Robbe-Grillet from the set of the 1963 film
N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. <br /> <br /> Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961.<br /> <br /> Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears.<br /> <br /> Set in and shot on location in Istanbul Turkey. <br /> <br /> 6.75 x 5 inches. Near Fine. <br /> <br /> BFI 1188. N.p. unknown
Référence libraire : 150389
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Francois Truffaut (director, screenwriter, starring); Henry James (short stories); Guy Gallice, Dominique Le Rigoleur (still pho
The Green Room Le Chambre Verte Original photograph of François Truffaut and Lauence Ragon from the 1978 film
N.p.: N.p. 1978. Vintage borderless reference photograph of François Truffaut and Laurence Ragon from the 1978 film. Layout annotations in manuscript ink "La Chambre Verte" stamp and "June 78" stamp all on verso. <br /> <br /> Based on the 1895 short story "The Altar of the Dead" by Henry James with elements of James' 1903 novella "The Beast in the Jungle" and his 1896 short story "The Way it Came."<br /> <br /> One of Truffaut's least successful films but also one of his most personal and critically acclaimed a meditation on death and on an individual's inability to live in the face of it. Truffaut stars as Julien Davenne a journalist who writes obituaries in an unfashionable journal obsesses about the loss of his wife Julie and those members of his WWI squad lost in the war which lead him to build a shrine as a memorial so that they may never be forgotten. The third and final film which Truffaut would both direct and star.<br /> <br /> Shot on location in Calvados and Eure France. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Référence libraire : 150552
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David Lean (director, screenwriter); TE Lawrence (writings); Robert Bolt, Michael Wilson (screenwriters); Peter O'Toole, Alec Gu
Lawrence of Arabia Original photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film
N.p.: N.p. 1962. Vintage reference photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film. <br /> <br /> Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence.<br /> <br /> An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. <br /> <br /> Winner of seven Academy Awards including Best Picture.<br /> <br /> Shot on location in England Saudi Arabia Spain and Morocco. <br /> <br /> 10.25 x 8 inches. Some edge and corner wear else Near Fine.<br /> <br /> National Film Registry. Ebert I. N.p. unknown
Référence libraire : 150547
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William Dieterle (director); Irving Lippman (photographer); Harry Kleiner (screenwriter); Rita Hayworth, Stewart Granger, Charle
Salome Original photograph from the set of the 1953 film
N.p.: N.p. 1953. Vintage reference photograph of Rita Hayworth and Stewart Granger with director William Dieterle and crew from the set of the 1953 film. Mimeo snipe on verso. <br /> <br /> Columbia Pictures highly fictionalized and flamboyant Technicolor Biblical epic now considered a camp classic wherein Princess Salome Hayworth daughter of King Herod a deliciously lecherous Charles Laughton returns home from banishment and falls in love with Roman Commander Claudius Granger but is maliciously used by her evil mother Queen Herodias Judith Anderson to insure the execution of her critic John the Baptist Alan Badel.<br /> <br /> Shot on location in Israel. <br /> <br /> 10.25 x 8 inches. Very Good plus with creasing and two small closed tears to right margin. N.p. unknown
Référence libraire : 150545
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Wesley Ruggles (director); W Somerset Maugham (play); Irving Lippman (photographer); Claude Binyon (screenwriter); Jean Arthur,
Too Many Husbands Original photograph of Wesley Ruggles from the set of the 1940 film
N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. <br /> <br /> Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson.<br /> <br /> Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many.<br /> <br /> Nominated for an Academy Award.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
Référence libraire : 150548
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Joseph L Mankiewicz (director, screenwriter); Ben Hecht (screenwriter); Abe Burrows, Jo Swerling (book); Frank Loesser (music);
Guys and Dolls Four original candid photographs of Marlon Brando Frank Sinatra director Joseph L. Mankiewicz and composer Frank Loesser from the 1955 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Four vintage candid reference photographs from the 1955 film showing variously actors Marlon Brando Frank Sinatra composer Frank Loesser and director Joseph L. Mankiewicz on the set. <br /> <br /> The first photo double weight shows Marlon Brando as Skye Masterson surreally <br /> socking one of his gangster companions in the nose. <br /> <br /> The second photo shows Brando rehearsing "Luck Be a Lady" with sheet music in hand and with the song's composer Frank Loesser at the piano.<br /> <br /> The third photo shows Sinatra and Brando in a candid moment.<br /> <br /> The fourth photo single weight shows director Joseph L. Mankiewicz and dancer Carey Leverette relaxing contemplatively Mankiewicz sitting and smoking his pipe Leverette inside a large industrial exhaust pipe.<br /> <br /> Based on the 1950 Broadway musical which was in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A serial gambler wins a bet that he can get a Christian missionary to travel with him to Havana where the pair begin to fall for each other. Nominated for four Academy Awards.<br /> <br /> Set in New York and Havana.<br /> <br /> All photos: 8 x 10 inches. Very Good to Near Fine overall variously with a few pinholes and very shallow creasing. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 149900
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Jean-Pierre Melville (director, screenwriter); Alain Delon, Richard Crenna, Catherine Deneuve (starring)
Un Flic A Cop Four original photographs of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna from the set of the 1972 film
N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film.<br /> <br /> A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. <br /> <br /> Shot on location in Paris and Bordeaux France.<br /> <br /> Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. <br /> <br /> Grant France. Selby France. Spicer France. N.p. unknown
Référence libraire : 149967
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Terence Young (director); Bert Cann (photographer); AJ Bevans (biography); Richard Maibaum (screenwriter); Victor Mature, Michae
Zarak Collection of 13 original photographs from the 1956 film
Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br /> <br /> Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br /> <br /> Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br /> <br /> 8 x 10 inches. About Near Fine. Columbia Pictures unknown
Référence libraire : 150605
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Jerzy Skolimowski (director, screenwriter); Jerzy Gruza, Boleslaw Sulik (screenwriter); Jane Asher, John Moulder-Brown, Karl Mic
Deep End Original photograph of Jerzy Skolimowski and Jane Asher from the set of the 1970 film
N.p.: N.p. 1970. Vntage borderless reference photograph of Jerzy Skolimowski and Jane Asher on the set of the 1970 film. <br /> <br /> A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. <br /> <br /> Shot on location in Munich Germany and London. <br /> <br /> 7.25 x 9.25 inches. Light creasing and edgewear else Near Fine. <br /> <br /> BFI 1063. Grant UK. N.p. unknown
Référence libraire : 150635
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Jacques Becker (director, screenwriter); Jose Giovanni (novel); Henry Thibault (photographer); Jean Aurel (screenwriter); Michel
Le Trou The Hole Original photograph of Jacques Becker and Marc Michel from the set of the 1960 film
Paris: Lorcaster 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. <br /> <br /> Based on the 1957 novel by Jose Giovanni. <br /> <br /> True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. <br /> <br /> Jacques Becker's final film having died two weeks after completing the film. Nominated for the Palm d'Or.<br /> <br /> 7 x 9 inches. Some light creasing else Near Fine. <br /> <br /> Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Lorcaster unknown
Référence libraire : 149957
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean Distinghin (photographer); Jean-Claude Carriere (screenwriter);
That Obscure Object of Desire Cet Obscur Objet du Desir Original photograph of Luis Buñuel Fernando Rey and Angela Molina from the set of the 1977 film
N.p.: N.p. 1977. Vintage borderless reference photograph of Luis Buñuel discussing a scene with Fernando Rey and Angela Molina on the set of the 1977 film. <br /> <br /> Based on the 1898 novel "Le femme et le patin" "The Woman and the Puppet" by Pierre Louys.<br /> <br /> The tempestuous relationship between a wealthy middle aged Frenchman and a poor young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Nominated for two Academy Awards for Best Foreign Film and Best Screenplay.<br /> <br /> Shot on location in Switzerland Andalucia and Madrid Spain and Hauts-de-Seine and Paris France. <br /> <br /> 9.25 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
Référence libraire : 150472
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Julien Duvivier (director, screenwriter); Henri La Barthe (novel, screenwriter); Jacques Contant (screenwriter); Jean Gabin, Gab
Pepe le Moko Original photograph from the 1937 film
N.p.: N.p. 1937. Vintage double weight reference photograph from the 1937 film showing Mireille Balin and Jean Gabin in a flirtatious moment.<br /> <br /> Based on the 1931 novel by screenwriter Henri La Barthe. A seminal noir antecedent oddly produced by the French who would go on to consider the Americans to be the inventors of the style. Remade in 1938 as "Algiers" starring Hedy Lamarr and Charles Boyer and in 1948 as "Casbah" a film musical starring Tony Martin and Marta Toren.<br /> <br /> Notorious French criminal Pepe le Moko is safe from the police in the Casbah but begins to reconsider his future in France after meeting and falling for a beautiful Parisian woman.<br /> <br /> Set and shot on location in Algiers Algeria. <br /> <br /> 9.25 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 172. Grant France. N.p. unknown
Référence libraire : 150517
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Ernst Lubitsch (director); Edwin Justus Mayer (screenwriter); Carole Lombard, Jack Benny, Robert Stack (starring)
To Be or Not to Be Original photograph from the set of the 1942 film
Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br /> <br /> Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br /> <br /> Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br /> <br /> Set in Warsaw immediately before and during the 1939 German invasion. <br /> <br /> 10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br /> <br /> National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown
Référence libraire : 150534
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Elia Kazan (director); Sam Shaw (photographer); William Inge (screenwriter); Natalie Wood, Pat Hingle, Warren Beatty (starring)
Splendor in the Grass Original photograph of Elia Kazan from the set of the 1961 film
N.p.: N.p. 1960. Vintage borderless reference photograph of Elia Kazan by photographer Sam Shaw on the set of the 1961 film. "Sam Shaw" and "Graphic Arts Photo Service" stamps on verso. <br /> <br /> Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. <br /> <br /> Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity.<br /> <br /> 10 x 8 inches. Very light edgewear else Near Fine. <br /> <br /> Godard Histoires du cinema. N.p. unknown
Référence libraire : 150523
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John Mills Hugh O'Brian (starring); Andrew Marton (director); Andy White (screenwriter); Tom Nardini, Adrienne Corri (starring)
Africa: Texas Style 35 original photographs from the 1967 film
Los Angeles: Paramount Pictures 1967. Collection of 35 vintage borderless double weight reference photographs from the 1967 US-UK co-production. Seven photographs with images of director Andrew Marton actors and crew on the set. <br /> <br /> A British rancher hires two American cowboys to oversee his Kenyan estate. Basis for the American television show "Cowboy in Africa" starring Chuck Connors which ran on ABC during the 1967-1968 season. <br /> <br /> Set and shot on location in Kenya. <br /> <br /> 8 x 10 inches. Very Good plus to Near Fine. Paramount Pictures unknown
Référence libraire : 150623
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Luchino Visconti (director, screenwriter); Giuseppe Tomasi de Lampedusa (novel); G B Poletto (photographer); Suso Cecci D'Amico,
The Leopard Il Gattopardo Le Guepard Original oversize photograph of Burt Lancaster from the 1963 film
Rome: Titanus 1963. Vintage oversize borderless double weight photograph of Burt Lancaster. Photographer "G. B. Poletto" stamp on verso.<br /> <br /> Based on the 1958 novel by Giuseppe Tomasi di Lampedusa.<br /> <br /> Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. <br /> <br /> Nominated for an Academy Award. Winner of the Palme d'Or.<br /> <br /> Shot on location in Rome Lazio and Sicily Italy. <br /> <br /> 11.75 x 9.5 inches. Very Good plus with some light creasing and edgewear. <br /> <br /> BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader Canon Fodder 22. Titanus unknown
Référence libraire : 150521
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Roger Vadim (director, screenwriter); Jean-Claude Forest (comic); Alfonso Avincola (photographer); Terry Southern, Claude Brule,
Barbarella Original photograph of Jane Fonda and Roger Vadim from the set of the 1968 film
N.p.: N.p. 1968. Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot on location in Rome. <br /> <br /> 8 x 10.5 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
Référence libraire : 150474
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Sacha Guitry (director, screenwriter, starring); Edward Quinn (photographer); Daniel Gelin, Raymond Pellegrin, Michele Morgan (s
Napoleon Two original photographs from the set of the 1955 film
N.p.: N.p. 1955. Two vintage reference photographs of director Sacha Guitry on the set of the 1955 film taken by photographer Edward Quinn. "Ed. Quinn" stamps on verso of both one with additional "Cinema Napoleon" stamp.<br /> <br /> Guitry's historical epic depicting the life of Napoleon from his early life in Corsica to his death at Saint Helena with Napoleon depicted by two actors Daniel Gelin as the young and Raymond Pellegrin as the old. Featuring notable cameos by Erich von Stroheim as Ludwig van Beethoven and Orson Welles as Napoleon's British jailor Sir Hudson Lowe.<br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.75 inches. Light edgewear and light creasing at extremities else Near Fine. N.p. unknown
Référence libraire : 150449
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King Vidor (director); Ruth Harriet Louise (photographer); Wanda Tuchock (screenwriter); Daniel L Haynes, Nina Mae McKinney, Wil
Hallelujah Two original photographs from the set of the 1929 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Two vintage reference photographs on the set of the 1929 film. Mimeo snipes on verso of both one with annotations in manuscript pencil and Culver Picture stamp on verso and one with "Menningen" and graphic stamps on verso. <br /> <br /> The first Black musical and one of the first all-Black films by a major Hollywood studio with arguably more depth than its predecessor Paul Sloane's "Hearts in Dixie" the first all-black Hollywood film released earlier the same year. <br /> <br /> King Vidor's first talkie written by screenwriter Wanda Tuchock who started in the silent era and went on to become one of the first women to be credited as a director on a Hollywood film. <br /> <br /> Although King Vidor had expressed his intent of an honest depiction of rural southern African American life the film still clearly advanced racial stereotypes of the era. "Hallelujah" had however authentically represented African American spiritual music from the period which no other film achieved.<br /> <br /> Shot on location in Memphis Tennessee and Arkansas.<br /> <br /> 8 x 10 inches. Very Good plus with some creasing and waviness one with a chip in the bottom left margin one with faint tape shadows on recto and paper tape on verso. <br /> <br /> National Film Registry. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 150433
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Elia Kazan (director); Cid Ricketts Sumner (novel); Anthony Ugrin (photographer); Philip Dunne, Dudley Nichols (screenwriter); J
Pinky Original photograph from the set of the 1949 film
N.p.: N.p. 1949. Vintage double weight reference photograph of Elia Kazan and Ethel Barrymore on the set of the 1949 film.<br /> <br /> Based on the 1946 novel "Quality" by Cid Ricketts Sumner. <br /> <br /> When Pinky Johnson Jeanne Crain returns home to the South to visit her grandmother she confesses that she's been passing for a white woman while up North studying to be a nurse. She also confesses she is in love with Dr. Thomas Adams William Lundigan a white man unaware she is black.<br /> <br /> Nominated for three Academy Awards including Best Actress and two Best Supporting Actress nominations.<br /> <br /> 10 x 8 inches. Very light rippling on right edge else Near Fine. N.p. unknown
Référence libraire : 150526
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Francois Truffaut (director, screenwriter); Jean-Louis Richard, Suzanne Schiffman (screenwriters); Jacqueline Bisset, Valentina
Day for Night La Nuit americaine Five original photographs from the 1973 film
N.p.: N.p. 1973. Five vintage borderless reference photographs from the set of the 1973 French film four showing actors Dani Jacqueline Bisset and Jean-Pierre Leaud and one showing director François Truffaut speaking into a walkie-talkie. With a stamp noting the film's French title "Nuit Americain" on the verso along with the stamp of the Israel Film Archive. <br /> <br /> One of the great films about film chronicling the ups and downs in the lives of the cast and crew of a fictional melodrama film. Nominated for four Academy Awards winning one for Best Foreign Language Film. <br /> <br /> Shot on location in France. <br /> <br /> 9.75 x 7.75 inches. A couple lightly edgeworn else Near Fine. <br /> <br /> Criterion Collection 769. Ebert IV. N.p. unknown
Référence libraire : 150485
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Stuart Rosenberg (director); Donn Pearce (novel, screenwriter); Frank Pierson (screenwriter); Paul Newman, George Kennedy (starr
Cool Hand Luke Original photograph of Stuart Rosenberg and Paul Newman on the set of the 1967 film
Burbank CA: Warner Brothers 1967. Vintage studio still photograph of director Stuart Rosenberg and actor Paul Newman on the set of the 1967 film. With manuscript ink annotations on the verso. <br /> <br /> Based on the 1965 novel by Donn Pearce who co-wrote the screenplay about a convict who wins a bet to eat 50 hard-boiled eggs in an hour and later suffers a failure of communication with the warden. Winner of a Best Supporting Actor Academy Award for George Kennedy and nominated for three others including Best Adapted Screenplay and Best Actor for Newman. <br /> <br /> 10 x 8 inches. Very Good plus with a light horizontal crease affecting the lower portion of the image. <br /> <br /> National Film Registry. Ebert III. Warner Brothers unknown
Référence libraire : 150475
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Steno (director); Luciano Vincenzoni (screenwriter); Walter Chiari, Mylene Demongeot (starring)
Copacabana Palace Two original photographs of Mylene Demongeot from the 1962 film
N.p.: N.p. 1962. Two vintage borderless reference photographs from the 1962 film showing actress Mylene Demongeot playfully sunbathing in a bikini. With a stamp noting the film's title on the verso along with manuscript pencil annotations regarding cropping. <br /> <br /> A light Italian comedy set and shot on location in Brazil following three loosely intersecting stories of pleasure adventure and love during Carnival. <br /> <br /> 7.25 x 9.25 inches. Very Good plus with faint soil on the recto. N.p. unknown
Référence libraire : 150468
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