‎Scénariste‎

‎Fred Zinnemann (director); Emeric Pressburger (novel); J. P. Miller (screenwriter); Gregory Peck, Anthony Quinn, Omar Sharif, Ra‎

‎Behold a Pale Horse Original photograph from the 1964 film‎

‎Culver City CA: Columbia Pictures 1964. Vintage studio still photograph from the 1964 film showing actors Gregory Peck and Paolo Stoppa. Annotation in manuscript ink on the verso. <br /> <br /> Based on Emeric Pressburger's 1961 novel "Killing a Mouse on Sunday" about a famous bandit who after living in exile in France for two decades returns to Spain in order to visit his ailing mother.<br /> <br /> Shot on location in the Pyrenees.<br /> <br /> 10 x 8 inches. Very Good plus with an annotation in manuscript ink on the bottom right corner. Columbia Pictures unknown‎

Référence libraire : 163559

‎Pablo F. Fenjves (screenwriter)‎

‎Kingpin Original screenplay for an unproduced film‎

‎N.p.: N.p. 1998. First Draft script for an unproduced film based on the life of Ivan "Joe" Deckard a mobster serving a 50-year prison sentence for drug smuggling and other illegal activities. INSCRIBED by Deckard on the title page: "Kevin / Get yourself a cold 'Bud' and enjoy this. Soon we'll see it on the screen / Have a long and happy life / Joe Deckard."<br /> <br /> Not to be confused with the 1996 film directed by the Farrelly Brothers.<br /> <br /> Screenwriter Pablo F. Fenjves is best known for ghostwriting the controversial 2007 O.J. Simpson memoir "If I Did It."<br /> <br /> Set in Miami. <br /> <br /> Blue generic card wrappers. Title page present dated June 1 1988 noted as First Draft with credit for Fenjves. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with a silver prong. N.p. unknown‎

Référence libraire : 163621

‎Marlon Brando (starring, director); Sam Peckinpah (screenwriter); Frank P. Rosenberg (producer), Sam Gilman, Karl Malden (starri‎

‎One-Eyed Jacks Original oversize photograph of Marlon Brando from the 1961 film‎

‎New York: Graphic Arts Photo Service 1960. Vintage oversize borderless reference photograph of actor and director Marlon Brando on the set of the 1961 Western film. Date stamp and stamps of Graphic Arts and photographer Sam Shaw on the verso.<br /> <br /> Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 14 x 11 inches. Very Good plus.<br /> <br /> Criterion Collection 884. Graphic Arts Photo Service unknown‎

Référence libraire : 162841

‎Jack Burns (screenwriter)‎

‎New Love American Style: Love and the Stranger Original screenplay for an unproduced television episode‎

‎Hollywood: Paramount Pictures 1985. First Draft script for an unproduced episode of the 1985-1986 television series. With xerographically duplicated Paramount Pictures script duplication form laid in the back of the script. <br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a new bartender is confused by a couple who comes in and reenacts the night they first met. <br /> <br /> Gray titled wrappers noted as FIRST DRAFT on the front wrapper production No. 1-090 dated 12-11-85 with credits for screenwriter Jack Burns. Title page integral with front wrapper. 16 leaves with last page of text numbered 14. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Pictures unknown‎

Référence libraire : 163249

‎Gregory Van Boom (screenwriter)‎

‎New Love American Style: Love and the Positive Man Original screenplay for an unproduced television episode‎

‎N.p.: N.p. 1985. First Draft script for an unproduced episode of the 1985-1986 television series.<br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a man with a complex about his short height tries to start a relationship with a woman much taller than him. <br /> <br /> Gray titled wrappers noted as FIRST DRAFT on the front wrapper production No. 1-065 dated 11/25/85 with credits for screenwriter Gregory Van Boom. Title page integral with front wrapper. 14 leaves with last page of text numbered 13. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163282

‎Jeff Abugov (screenwriter)‎

‎New Love American Style: Love and the Hero Original screenplay for an unproduced television episode‎

‎N.p.: N.p. 1985. First Draft script for an unproduced episode of the 1985-1986 television series. <br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a man sets up a fake mugging of a woman he likes so he can defend and impress her. <br /> <br /> Lime titled wrappers noted as FIRST DRAFT on the front wrapper production No. 1-061 dated 11/26/85 with credits for screenwriter Jeff Abugov. Title page integral with front wrapper. 21 leaves with last page of text numbered 20. Xerogrpahic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163218

‎John Boni (screenwriter)‎

‎New Love American Style: Love and Cupid Original screenplay for an unproduced television episode‎

‎N.p.: N.p. 1986. First Draft script for an unproduced episode of the 1985-1986 television series.<br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a sentient cupid statue narrates himself shooting his arrow and setting two people up on Valentine's day. <br /> <br /> Green titled self wrappers noted as FIRST DRAFT on the front wrapper production No. 1-20-86 dated 1-20-86 with credits for screenwriter John Boni. Title page integral with front wrapper. 17 leaves with last page of text numbered 16. Xerogrpahic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163269

‎RS. Allen (screenwriter) R. S.‎

‎New Love American Style: Love and the Logical Explanation Original screenplay an unproduced television episode‎

‎N.p.: N.p. 1985. First Draft script for an unproduced episode of the 1985-1986 television series.<br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a couple finds a pair of women's underwear in their car and the husband not knowing why they were there comes up with ridiculous excuses to get his wife to understand. <br /> <br /> Set in San Francisco. <br /> <br /> Beige titled wrappers noted as FIRST DRAFT on the front wrapper production No. 1-066 dated 11/15/85 with credits for screenwriter R.S. Allen. Title page integral with front wrapper. 18 leaves with last page of text numbered 17. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163259

‎Tom Palmer (screenwriter)‎

‎New Love American Style: Love and Beauty Original screenplay for an unproduced television episode‎

‎N.p.: N.p. 1986. Second Draft script for an unproduced episode of the 1985-1986 television series. <br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a couple celebrates their 25th wedding anniversary until the husband gifts his wife a makeover as an anniversary present insulting her. <br /> <br /> Pink titled wrappers noted as SECOND DRAFT on the front wrapper production No. 1-108 dated 1/20/86 with credits for screenwriter Tom Palmer. Title page integral with front wrapper. 19 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163214

‎John Boni (screenwriter)‎

‎New Love American Style: Love and the Mountain Man Original screenplay for an unproduced television episode‎

‎N.p.: N.p. 1985. Second Draft script for an unproduced episode of the 1985-1986 television series. <br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a mountain man and a real estate developer get stuck in the mountain man's cabin which she plans to bulldoze over to build condos. <br /> <br /> Gray titled wrappers noted as SECOND DRAFT on the front wrapper production No. 1-052 dated 11/11/85 with credits for screenwriter John Boni. Title page integral with front wrapper. 21 leaves with last page of text numbered 20. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163213

‎Woody Allen, Zero Mostel, Michael Murphy (starring); Martin Ritt (director); Walter Bernstein (screenwriter)‎

‎The Front Original screenplay for the 1976 film‎

‎N.p.: N.p. 1975. Revised script for the 1976 film. Copy belonging to hair stylist Philip Leto with his annotations in manuscript ink and pencil throughout. With two pink revision pages laid in dated 10/23/75 partially bound with a single paper clip. <br /> <br /> Set during the McCarthy era following a restaurant cashier and small-time bookie who agrees to serve as the artistic "front" for his friend a blacklisted television screenwriter. Nominated for an Academy Award for Best Screenplay. <br /> <br /> Set and shot on location in New York City.<br /> <br /> Red titled Studio Duplicating Service wrappers with credit for screenwriter Walter Bernstein. Title page present dated August 13 1975 noted as Revised with credit for Bernstein. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout largely undated with some dated 9/2/75. Pages Near Fine wrapper Very Good plus with front wrapper detached from the binding bound with two gold brads. N.p. unknown‎

Référence libraire : 161437

‎Theresa Russell, Burt Reynolds, Ted McGinley (starring); Michael Crichton (director); Bill Phillips (screenwriter)‎

‎Physical Evidence Smoke Original screenplay for the 1989 film‎

‎Culver City CA: Columbia Pictures 1987. First Director's Polish script for the 1989 film seen here under the working title "Smoke." <br /> <br /> A police officer is wrongly accused of murder joining forces with his court-appointed attorney to clear his name and uncover the real culprit. <br /> <br /> Shot in Boston Ontario and Québec. <br /> <br /> Self wrappers. Title page present dated May 1987 noted as FIRST DIRECTOR'S POLISH with credit for screenwriter Bill Phillips. 135 leaves with last page of text numbered 128. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Very Good plus bound with two gold brads. Columbia Pictures unknown‎

Référence libraire : 161428

‎Marlon Brando, Jean Simmons, Frank Sinatra, Vivian Blaine (starring); Joseph L. Mankiewicz (director, screenwriter); Ben Hecht (‎

‎Guys and Dolls Original oversize photograph of Marlon Brando on the set of the 1955 film‎

‎N.p.: Dell Publishing 1955. Vintage oversize satin finish borderless photograph of actor Marlon Brando on the set of the 1955 film. Stamp of Dell Publishing on the verso with annotations in manuscript pencil crediting photographer Peter Basch. <br /> <br /> Based on the 1950 Broadway musical in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana where the pair begin to fall for each other. Nominated for four Academy Awards.<br /> <br /> Set in New York and Havana. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 11 x 14 inches with wide top and bottom margins archivally matted in a 16 x 20 inch 8-ply white mat. Very Good plus with a small splash on the bottom edge. Dell Publishing unknown‎

Référence libraire : 162913

‎Robert Altman (director); Lawrence Schiller (photographer); Richard Hooker (novel); Ring Lardner Jr. (screenwriter); Donald Suth‎

‎MASH MASH Original oversize photograph Donald Sutherland and Elliott Gould from the 1970 film‎

‎Los Angeles: Twenty Pimlico Inc 1970. Vintage oversize publicity photograph of Donald Sutherland and Elliott Gould from the 1970 film by photographer Lawrence Schiller. Photograph with a credit stamp on the verso stamped with the photographer name "Lawrence Schiller" for Twenty Pimlico Inc. with the annotations of Set No. "1072" and Print No. "5."<br /> <br /> Lawrence Julian Schiller is an award winning photographer film producer director screenwriter and bestselling author who has worked in film and television since the 1960s.<br /> <br /> Based on the 1968 novel by Richard Hooker and in turn the basis of the acclaimed television show which ran for 11 seasons on CBS from 1972 to 1983. A film that kick-started a great decade of cinema and one that still defines it. <br /> <br /> Winner of the Academy Award for Best Screenplay nominated for four more including Best Picture Best Director and Best Supporting Actress. Winner of the Palme d'Or. <br /> <br /> 11 x14 inches with irregular margins archivally matted in a 16 x 20 inch 8-ply mat. Near Fine with a small emulsion blemish to the far right side obscured by the matting. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> National Film Registry. Twenty Pimlico, Inc unknown‎

Référence libraire : 162890

‎Sylvester Stallone (starring, screenwriter); Dolly Parton, Tim Thomerson (starring); Bob Clark (director); Phil Alden Robinson (‎

‎Rhinestone Original screenplay for the 1984 film‎

‎Los Angeles: Twentieth Century-Fox 1983. Final script for the 1984 film. <br /> <br /> An aspiring country music star bets the owner of a nightclub that she can turn an ill-mannered New York cab driver into a singer.<br /> <br /> Set in New York and Tennessee shot on location in Santa Clarita and Piru California and in Leipers Fork Tennessee. <br /> <br /> Gray titled Twentieth Century-Fox wrappers dated September 22 1983 on the front wrapper. Title page present dated September 22 1983 noted as FINAL with credits for screenwriters Sylvester Stallone and Phil Alden Robinson. 133 leaves with last page of text numbered 107. Xerographic duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between 9/28/83 and 1/24/84. Pages about Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown‎

Référence libraire : 163380

‎John Lennon, Yoko Ono (subjects); Sandor Stern (director, screenwriter); Mark McGann, Kim Miyori, Peter Capaldi, Robert Daws, Ma‎

‎John and Yoko: A Love Story Imagine: John and Yoko Original screenplay for the 1985 television movie‎

‎Wembley: Lee International Film Studios 1985. Final Draft script for the 1985 television movie originally aired on December 2 1985 on NBC and seen here under the working title "Imagine: John and Yoko." Single annotation in manuscript ink on the title page noting "Final Script" and copied annotations on three leaves. <br /> <br /> A dramatization of the relationship between John Lennon and Yoko Ono from their first meeting in 1966 to Lennon's murder by Mark David Chapman in 1980. <br /> <br /> Shot on location in London and New York.<br /> <br /> Gray generic Carson Productions Group wrappers. Title page present dated 11th July 1985 noted as FINAL DRAFT with credit for director-screenwriter Sandor Stern. 160 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. Lee International Film Studios unknown‎

Référence libraire : 162764

‎Charles Grodin, Bonnie Hunt, Debi Mazar (starring); Rod Daniel (director); Len Blum (screenwriter)‎

‎Beethoven's 2nd Second Original screenplay for the 1993 film‎

‎Universal City: Universal City Studios 1993. Revised Draft script for the 1993 film.<br /> <br /> Sequel to the successful 1992 family comedy film "Beethoven" about the adventures of the titular St. Bernard dog and his suburban family.<br /> <br /> Self wrappers. Title page present dated May 3 1993 noted as Rev. with credit for screenwriter Len Blum. 127 leaves with last page of text numbered 123. Xerographic duplication rectos only with blue and pink revision pages throughout variously dated 5/6/93 and 5/7/93. Pages Very Good plus bound with two gold brads. Universal City Studios unknown‎

Référence libraire : 163367

‎Robin Sanborn (screenwriter)‎

‎My Personal Czech Original treatment script for an unproduced television series‎

‎N.p.: N.p. 1982. Draft script for an unproduced television series. Laid in is a letter to agent Walter Kohner and five pages relating to another unrelated and unproduced television program. <br /> <br /> After speaking very fondly about the Americans he met while traveling abroad a chef is arrested by the KGB.<br /> <br /> Set in the Czech Republic. <br /> <br /> Green titled wrappers with credit for screenwriter Robin Sanborn. Title page present with credit for screenwriter Robin Sanborn. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown‎

Référence libraire : 141746

‎Gina Kaus (screenwriter)‎

‎Love Letters Original treatment script for an unproduced film‎

‎N.p.: N.p. Unknown. Treatment script for an unproduced film. <br /> <br /> A gubernatorial candidate faces the unexpected exposure of his private life when his ex-wife declares her intentions to release his early love letters to her in the local newspaper.<br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriter GINA KAUS and translator Albert Julian. 34 leaves with last page of text numbered 33. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good lightly soiled bound internally with two gold brads. N.p. unknown‎

Référence libraire : 147316

‎Michael H. Krohn (screenwriter)‎

‎The Cross Original screenplay for an unproduced film‎

‎N.p.: N.p. 1982. Draft script for an unproduced film. Laid in with the script is a three-page autograph note discussing the script's plot. <br /> <br /> In the Virgin Islands in the 18th century a prominent doctor is given a valuable crucifix to protect his employer the governor of Jamaica unaware that the artifact is highly desired by a nefarious supernatural being for its mystical properties. <br /> <br /> Set in the Virgin Islands. <br /> <br /> Black untitled wrappers. Title page present dated 1982 with credits for screenwriter Michael H. Krohn. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown‎

Référence libraire : 153824

‎Sidney Poitier (starring); James Clavell (director, screenwriter); ER. Braithwaite (novel) E. R.‎

‎To Sir With Love Original photograph of Sidney Poitier on the set of the 1967 film‎

‎N.p.: N.p. 1967. Vintage double weight borderless reference photograph from the set of the 1967 film showing actor Sidney Poitier. Stamp of photographer Peter Basch on the verso.<br /> <br /> Based on the 1959 autobiographical novel by E.R. Braithwaite. An unemployed middle class Guyanese immigrant takes a teaching job in the tough East End of London where he must contend with the rambunctious students. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 7.75 x 11 inches. Very Good plus. N.p. unknown‎

Référence libraire : 163150

‎Jean-Pierre Leaud, Claude Jade, Hiroko Berghauer, Barbara Laage (starring); Francois Truffaut (director, screenwriter); Claude d‎

‎Bed and Board Domicile Conjugal Four original photographs from the 1970 film‎

‎Culver City CA: Columbia Pictures 1971. Four vintage reference photographs from the 1970 French film including three from the American release and one from the Spanish release. One with printed mimeo snipes affixed to the verso along with a date stamp reading MAY 1971.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 187. Columbia Pictures unknown‎

Référence libraire : 162142

‎Joseph W. Sarno (director, screenwriter); Sue Akers, Morris Kaplan, Maria Lease, Dan Machuen (starring)‎

‎All the Sins of Sodom Three original photographs from the 1968 film‎

‎New York: Morris Kaplan 1968. Three vintage still photographs from the 1968 film. All three photographs with provenance stamps on the verso two with labels on the versos obscuring previous provenance stamps. <br /> <br /> Henning an ambitious fashion photographer begins a series of erotic nudes with his favorite model Leslie until the mysterious model Joyce arrives and threatens to disrupt the studio and Henning's plans. <br /> <br /> Set in and shot on location in New York City. <br /> <br /> 8 x 10 inches. Very Good plus.<br /> <br /> Vinegar Syndrome 147. Nilsen Warped and Faded. Morris Kaplan unknown‎

Référence libraire : 161456

‎Raymond Phelan (director, screenwriter); Fujiko Asakawa, Jean Boudreau, Keith Caporal (starring)‎

‎Assignment: Female Five original photographs from the 1966 film‎

‎N.p.: N.p. 1966. Five vintage studio still photographs from the 1966 film. Four with provenance stamps on the verso one with a label obscuring a previous provenance stamp.<br /> <br /> Hank and Rob go to New York City in search of adventure and sexual exploits until Hank meets the seductive Carol and Rob a woman who is more shy and inexperienced.<br /> <br /> Shot on location in New York. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown‎

Référence libraire : 161505

‎David Byrne (director, screenwriter, starring); John Goodman, Anne McEnroe, Swoosie Kurtz (starring); Stephen Tobolowsky, Beth H‎

‎True Stories Collection of twelve original color slides from the 1986 film‎

‎Burbank CA: Warner Brothers 1986. Collection of twelve vintage color slides from the 1986 film. Five with annotations in manuscript ink on the cardboard sleeves and a printed Dutch photo agency label affixed to the plastic sleeve holding the slides.<br /> <br /> A series of vignettes about the goings-on in the fictional Texan town of Virgil whose inhabitants are preparing for a large celebration in honor of the 150th anniversary of Texas' independence. A passion project for David Byrne poorly received at the time of its release but today considered a cult classic largely funded on the strength of Jonathan Demme's successful 1984 concert film "Stop Making Sense" with much of the film's soundtrack supplied by Talking Heads.<br /> <br /> Shot on location throughout Texas in Dallas Mesquite Midlothian Red Oak Allen and McKinney. <br /> <br /> Slides 1.25 x 1 inches in cardboard sleeves measuring 2 x 2 inches. About Near Fine. Warner Brothers unknown‎

Référence libraire : 162368