|
Alain Resnais (director); Alain Robbe-Grillet (screenwriter); Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoeff (starring)
Last Year at Marienbad Original photograph of Alain Resnais on the set of the 1961 French film
N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. <br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.25 inches with a wide bottom margin. Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
Riferimento per il libraio : 153966
|
|
|
Silvio Narizzano (director); Elizabeth Linington writing as Anne Blaisdell (novel); Richard Matheson (screenwriter); Tallulah Ba
Fanatic Die! Die! My Darling! Original photograph of Tallulah Bankhead on the set of the 1965 film
London: Hammer Films 1965. Vintage borderless reference photograph of actress Tallulah Bankhead during filming on location for the 1965 Hammer film while to the right a camera crew captures the shot. Provenance stamp to the verso. <br /> <br /> Based on the 1961 novel "Nightmare" by Elizabeth Linington writing as Anne Blaisdell about a woman who is stalked and terrorized by her deceased fiance's mother. Bankhead's final feature film before her death in 1968 produced hot on the heels of "What Ever Happened to Baby Jane" 1962 and "Hush. Hush Sweet Charlotte" 1964. <br /> <br /> Shot on location in Hertfordshire England. <br /> <br /> 7.5 x 9.75 inches. Near Fine. <br /> <br /> Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 251-254. Hammer Films unknown
Riferimento per il libraio : 153971
|
|
|
[The Who] Ken Russell (director, screenwriter); Ann-Margret, Oliver Reed, Roger Daltrey, Elton John, Eric Clapton, Jack Nicholso
Tommy Original photograph of The Who from the 1975 film
London: Hemdale International Films 1975. Vintage borderless reference photograph of Pete Townshend Keith Moon and John Entwistle performing onstage in the 1975 film. Printed mimeo label affixed to the verso. <br /> <br /> Based on the 1969 rock opera written by The Who about a deaf dumb and blind kid who sure plays a mean pinball and subsequently becomes the idol of a religious cult. The cast included among others every member of The Who Jack Nicholson Tina Turner and Eric Clapton.<br /> <br /> Shot on location in Cumbria Buckinghamshire and Hampshire England. <br /> <br /> 10 x 8 inches. Near Fine. Hemdale International Films unknown
Riferimento per il libraio : 153977
|
|
|
Francois Truffaut (director, screenwriter); Jean-Louis Richard (screenwriter); Jean Desailly, Francoise Dorleac, Nelly Benedetti
The Soft Skin La peau douce Original photograph of François Truffaut Françoise Dorleac and Raoul Coutard on the set of the 1964 French film
Various cities: Les Films du Carrosse / SEDIF 1964. Vintage borderless reference photograph of director François Truffaut and his longtime cinematographer Raoul Coutard setting up a shot with actress Françoise Dorleac on the set of the 1964 film. Mimeo snipe on the verso. <br /> <br /> Truffaut's fourth film about a seemingly happily married literary scholar who begins an affair with an airline stewardess. <br /> <br /> Truffaut and Coutard worked together on a number of films including "Breathless" 1960 "Shoot the Piano Player" 1960 "Jules and Jim" 1962 and "The Bride Wore Black" 1968. <br /> <br /> Set and shot on location in Portugal and France.<br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 749. Rosenbaum 1000. Les Films du Carrosse / SEDIF unknown
Riferimento per il libraio : 153961
|
|
|
Roger Corman (director); Leo Lieberman (screenwriter); Susan Cabot, Brian G Hutton, David J Stewart, Dick Miller (starring)
Carnival Rock Original screenplay for the 1957 film actor Dick Miller's working copy
Hollywood: Howco Productions 1957. Draft script for the 1957 film. Copy belonging to actor Dick Miller with his manuscript pencil annotations throughout. Miller was apparently considered for the role of Stanley as many of Stanley's lines are marked with manuscript pencil and then struck through but was ultimately cast in the role of Ben. <br /> <br /> The gangster owner of a nightclub on a carnival pier is tormented by his love for the club's star who herself is in love with a local businessman with dreams of buying out the club. An early role for Miller who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961 and would continue to work with Corman throughout his career.<br /> <br /> Red titled wrappers. Title page present undated with credits for screenwriter Leo Lieberman. 72 leaves with last page of text numbered 71. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Howco Productions unknown
Riferimento per il libraio : 154183
|
|
|
Barbara Peeters (director); Stephanie Rothman (screenwriter); Dorothy Buhrman, Sterling Frazier, Jillian Kesner (starring)
Starhops Original screenplay for the 1978 film actor Dick Miller's working copy
Marina del Rey: First American Films 1978. Draft script for the 1978 film. Copy belonging to actor Dick Miller with his name on the front wrapper and title page and his manuscript ink annotations throughout. Missing seven pages likely as used or issued.<br /> <br /> Screenwriter Stephanie Rothman worked as one of two female directors the other being Barbara Peeters at Roger Corman's New World Pictures most notably directing the films "The Student Nurses" 1970 and "Terminal Island" 1974. Rothman was initially intended to direct "Starhops" but executives at Dimension Pictures chose to drastically rewrite the script and hire Peeters as director instead leading Rothman to remove her name from the script. The script on offer here is solely authored by Rothman.<br /> <br /> Set and shot on location in Venice Beach.<br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter Stephanie Rothman. 108 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages and wrapper Very Good plus with faint foxing to the final leaf and light rusting to the binding bound internally with a silver prong. First American Films unknown
Riferimento per il libraio : 154198
|
|
|
Roger Corman (director); Lawrence L Goldman (screenwriter); Abby Dalton, Susan Cabot, Bradford Jackson, June Kenney (starring)
The Viking Women and the Sea Serpent The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent Original screenplay for the 1957 film actor Dick Miller's working copy
N.p.: N.p. 1957. Revised Draft script for the 1957 film here under the working title "Viking Women." Copy belonging to uncredited actor Dick Miller with his name in manuscript ink to the title page and manuscript pencil annotations throughout underlining lines for Ottar although the role was played by actor Jonathan Haze. <br /> <br /> A group of Viking women-warriors go on a sea voyage to recover the missing men from their village but an encounter with a massive dragon-serpent forces them to take shelter on a mysterious island. <br /> <br /> Beige titled wrappers noted as Revised on the front wrapper. Title page present dated undated noted as Revised with credits for screenwriter Lawrence Louis Goldman and story credits to Irving Block. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
Riferimento per il libraio : 154178
|
|
|
John Cassavetes (starring); Daniel Haller (director); Charles B Griffith (screenwriter); Beverly Adams, Mimsy Farmer (starring)
Devil's Angels Original screenplay for the 1967 film actor Dick Miller's working copy
Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. <br /> <br /> From the estate of Dick Miller.<br /> <br /> Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces."<br /> <br /> Shot on location throughout Arizona. <br /> <br /> Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> McPadden Heavy Metal Movies. American International Pictures [AIP] unknown
Riferimento per il libraio : 154165
|
|
|
Trevor Wrenn (director); Jonathan Gershfield (screenwriter); Chris Chittell, Jenny Westbrook, Michael Watkins (starring)
Adam and Nicole Erotic Inferno The Will Original screenplay for the 1975 film
London: English Film Company Limited 1975. Draft script for the 1975 film here under the working title "The Will" with single annotation in manuscript ink of copy number "24" on first page. <br /> <br /> One of the better known British sexploitation films of the 1970s having been the subject of a 1975 episode of BBC program "Man Alive" season 9 episode 24 "Xploitation" as well as having been one of three British sex films viewed by moral reformer Lord Longford.<br /> <br /> A pair of greedy brothers are summoned to their father's estate after his death but are instructed not to enter the house until the reading of the will and are forced to stay instead with servants Adam and Nicole in a cottage on the grounds. <br /> <br /> Green titled wrappers dated January 1975. 96 leaves with last page of text numbered 95. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. English Film Company Limited unknown
Riferimento per il libraio : 152715
|
|
|
Michael Winner (director); Hugh Atkinson (novel); Erich Segal (screenwriter); Michael Crawford, Ryan O'Neal, Charles Aznavour, J
The Games Original screenplay for the 1970 film
London: Twentieth Century-Fox 1968. Revised Draft script for the 1970 film. Copy belonging to crew member Bert Lea with his name in manuscript ink annotation to the title page. Playfully altered on the front wrapper with two images from the film. <br /> <br /> Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome.<br /> <br /> Set and shot on location in Austria Denmark England Australia Italy and Japan. <br /> <br /> Maroon untitled wrappers with a die-cut title window in the British style. Title page present dated 20.10.68 noted as Revised with credits for screenwriter Erich Segal and novelist Hugh Atkinson. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown
Riferimento per il libraio : 153241
|
|
|
William Faulkner (novel, stories); Michael Zagor (screenwriter); Edmond O'Brien, Dan O'Herlihy, Roy Thinnes, Nancy Malone, Ruth
The Long Hot Summer: A Time to Die Original screenplay for the 1966 television episode
Los Angeles: Twentieth Century-Fox Television 1966. Revised Final Draft script for the 21st episode of season one of the 1965-1966 television series which originally aired on February 16 1966 on ABC. Copy belonging to an unknown crew member with their name in manuscript ink on the front wrapper.<br /> <br /> Based on the 1958 film directed by Martin Ritt which was in turn based on the 1931 novella "Spotted Horses" the 1939 short story "Barn Burning" and the 1940 novel "The Hamlet" by William Faulkner. The series followed the Varners a wealthy Mississippi family whose patriarch is forced to confront the newly arrived young son of his former rival who challenges the Varners' control over the town. <br /> <br /> Set in the fictitious town of Frenchman's Bend Mississippi. <br /> <br /> Red titled wrappers noted as REVISED FINAL on the front wrapper dated January 11 1966. Title page present dated January 11 1966 noted as REVISED FINAL with credits for screenwriter Mike Zagor. 62 leaves with last page of text numbered 60. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
Riferimento per il libraio : 152456
|
|
|
Ernest Hemingway (novel); Franklin J Schaffner (director); Denne Bart Petitclerc (screenwriter); George C Scott, David Hemmings,
Islands in the Stream Original screenplay for the 1977 film
Los Angeles: Paramount Pictures 1975. Final Draft script for the 1977 film. <br /> <br /> Based on the novel by Ernest Hemingway published posthumously in 1970 following three episodes in the life of a stoic aging artist living in the British-controlled Bahamas. <br /> <br /> Set in the Bahamas shot on location in Kaua'i Hawaii. <br /> <br /> Green generic Paramount wrappers with a die-cut title window in the British style. Title page present dated September 10 1975 noted as FINAL DRAFT with credits for screenwriter Denne Bart Petitclerc. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown
Riferimento per il libraio : 153845
|
|
|
Alfred Hitchcock (director); Sanford H Roth (photographer); Frederick Knott (play, screenwriter); Ray Milland, Grace Kelly, Robe
Dial M for Murder Archive of five original oversize special photographs of Alfred Hitchcock on the set of the 1954 film
N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. <br /> <br /> Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. <br /> <br /> Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. <br /> <br /> One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. <br /> <br /> Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. N.p. unknown
Riferimento per il libraio : 153634
|
|
|
Jonathan Kaplan (director); George Armitage (screenwriter); Patty Byrne, Alana Hamilton, Mittie Lawrence, Clint Kimbrough (starr
Night Call Nurses Canyons Original screenplay for the 1972 film actor Dick Miller's annotated copy
N.p.: Roger Corman Productions 1972. Revised Draft script for the 1972 film seen here under the working title "Canyons." Copy belonging to character actor and longtime Roger Corman collaborator Dick Miller with his manuscript ink and pencil annotations to pages 48 and 50A as well as copied annotations on nearly every page.<br /> <br /> From the estate of Dick Miller.<br /> <br /> The third film in Corman's "nurses" film cycle preceded by "The Student Nurses" 1971 and "Private Duty Nurses" 1971 and followed by "The Young Nurses" 1973 and "Candy Stripe Nurses" 1975. <br /> <br /> Blue untitled card wrappers with a manuscript ink annotation to the top right corner of the front wrapper noting copy No. 22. Title page present dated Feb. 22 1972 noted as Rewrite. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing on the front wrapper and first three leaves bound internally with three silver brads. Roger Corman Productions unknown
Riferimento per il libraio : 153820
|
|
|
Roger Corman (producer); Barbara Peeters (director, screenwriter); Candice Rialson, Pat Anderson, Rhonda Leigh Hopkins, Grainger
Summer School Teachers Original screenplay for the 1975 film actor Dick Miller's working copy
N.p.: N.p. 1975. Draft script for the 1975 film. Copy belonging to actor Dick Miller with his name in manuscript ink annotation to the title page and his manuscript ink annotations throughout.<br /> <br /> From the estate of Dick Miller. Directed by noted 1970s filmmaker Barbara Peeters during her tutelage period with Roger Corman. A well received film both upon its release and in retrospect that while exploitative of course has a notably feminist bent with strong and decisive female characters.<br /> <br /> Yellow untitled wrappers with a small manuscript pencil annotation to the top right corner of the front wrapper noting copy No. 26. Title page present dated March 4 1975 with credits for director and screenwriter Barbara Peeters. 101 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
Riferimento per il libraio : 153819
|
|
|
Luchino Visconti (director, screenwriter); Giuseppe Tomasi de Lampedusa (novel); Suso Cecci D'Amico, Pasquale Festa Campanile,En
The Leopard Le Guepard Original photograph of Luchino Visconti and Burt Lancaster from the set of the 1963 film
N.p.: N.p. 1963. Vintage borderless photograph of Luchino Visconti Burt Lancaster and crew on the set of the 1963 film. Coat of Arms with Leopard and "Le Guepard" stamps on the verso. <br /> <br /> Based on the 1958 novel by Giuseppe Tomasi di Lampedusa.<br /> <br /> Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. <br /> <br /> Nominated for an Academy Award. Winner of the Palme d'Or.<br /> <br /> Shot on location in Rome Lazio and Sicily Italy. <br /> <br /> 7 x 9.25 inches. Near Fine. <br /> <br /> BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. N.p. unknown
Riferimento per il libraio : 150212
|
|
|
Ralph Levy (director, screenwriter); Paul Henning (screenwriter); Marlon Brando, David Niven, Shirley Jones (starring)
Bedtime Story Original photograph of Stanley Shapiro and Marlon Brando on the set of the 1964 film
Universal City: Universal Pictures 1964. Vintage studio still photograph of producer Stanley Shapiro and actor Marlon Brando in conversation between takes on the set of the 1964 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> A love-them-and-leave-them womanizer meets a man equal in skill at deceiving women but with an added knack for conning them out of money. The two men attempt to seduce a naive American woman to settle a bet as to which one is the better con artist. Later remade as "Dirty Rotten Scoundrels" 1988. <br /> <br /> Set and shot on location in Alpes-Maritimes France. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
Riferimento per il libraio : 149932
|
|
|
Michael Rennie, Yolande Donlan, Garry Marsh (starring); Val Guest (director, screenwriter); Norman Hargood (photographer)
Miss Pilgrim's Progress Original photograph from the set of the 1949 film
N.p.: N.p. 1949. Vintage narrow margin reference photograph featuring Michael Rennie Yolande Donlan director Val Guest and crew on the set of the 1949 film. <br /> <br /> A Val Guest favorite Donlan stars as Laramie Pilgrim an exchange factory worker from New Jersey struggling to adjust to the culture helps to save the village from a local land developer.<br /> <br /> 7.75 x 10 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 150238
|
|
|
Tobe Hooper (director); Eric H Lasher (photographer); LM Kit Carson (screenwriter); Dennis Hopper, Caroline Williams, Bill Mosel
The Texas Chainsaw Massacre Part 2 Original photograph from the set of the 1986 film
N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. <br /> <br /> Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. <br /> <br /> Set in and shot on location in Bastrop Prarie Dell and Austin Texas. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown
Riferimento per il libraio : 150254
|
|
|
Henri-Georges Clouzot (director, screenwriter); Paul Apoteker (photographer); Simone Drieu, Michele Perrein, Jerome Geronimi, Ch
La Verite The Truth Two original photographs from the set of the 1960 film
N.p.: N.p. 1960. Two vintage reference photographs on the set of the 1960 film. Both with "Cinema Verite" and "London Express News" stamps on verso and one with mimeo snipe on verso. <br /> <br /> A young woman finds herself standing trial for the murder of her lover forcing her to reflect on her memories of their turbulent relationship. <br /> <br /> Set in and shot on location in Paris France. <br /> <br /> 6.75 x 10.25 inches and 7 x 10.25 inches. Mildly wavy else Near Fine. <br /> <br /> Criterion Collection 960. Grant France. N.p. unknown
Riferimento per il libraio : 150227
|
|
|
Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan
Lancelot of the Lake Lancelot du lac Original oversize photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso.<br /> <br /> Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. <br /> <br /> Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 150217
|
|
|
Pete Walker (director); Murray Smith (screenwriter); Robin Askwith, Jess Conrad, Janet Lynn, Harry Baird (starring)
Cool It Carol! The Dirtiest Girl I Have Ever Met Six original photographs from the 1970 film
N.p.: United Producers 1970. Six vintage studio still photographs from the 1970 film. <br /> <br /> A small-town woman finds work in London as a successful fashion model and is drawn deeper into the lascivious world of alcohol drugs and sex to the displeasure of her husband. <br /> <br /> Set and shot on location in London.<br /> <br /> 10 x 8 inches. Near Fine. United Producers unknown
Riferimento per il libraio : 150679
|
|
|
Stanley Donen (director); Norman Krasna (play, screenwriter); Cary Grant, Ingrid Bergman (starring)
Indiscreet Original photograph of Ingrid Bergman Stanley Donen and Cary Grant on the set of the 1958 film
N.p.: N.p. 1958. Vintage borderless reference photograph of director Stanley Donen and actors Ingrid Bergman and Cary Grant on the set of the 1958 British film. <br /> <br /> Based on screenwriter Norman Krasna's 1953 play "Kind Sir" wherein a lovelorn theatre actress begins an affair with a handsome married economist. <br /> <br /> Set and shot on location in London.<br /> <br /> 9.5 x 7.5 inches. Near Fine. <br /> <br /> Olive Films 526. N.p. unknown
Riferimento per il libraio : 149927
|
|
|
Paul Morrissey (director, screenwriter); Bram Stoker (character); Paolo Pettini (photographer); Udo Kier, Joe Dallesandro, Vitto
Blood for Dracula Andy Warhol's Dracula Original photograph from the 1974 film featuring Roman Polanski
N.p.: Bryanston Pictures 1974. Vintage studio still photograph from the 1974 film featuring Joe Dallesandro and Roman Polanski uncredited in the role of 'man in tavern' here under the working title "Andy Warhol's Dracula" title visible through paper tape covering byline in bottom margin. <br /> <br /> One of Warhol's two horror films the other being "Frankenstein" released the previous year both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde film circles. Attempts to court commercial markets included rating the film X and director Paul Morrissey very much influenced by the look of the Hammer horror films of the 1960s gave the films a lurid shocking appeal. <br /> <br /> Set in Italy and shot on location in Italy and Serbia.<br /> <br /> 9.75 x 8 inches. Slight diagonal trim on upper left side margin else Near Fine. <br /> <br /> Criterion Collection 28. Bryanston Pictures unknown
Riferimento per il libraio : 150272
|
|
|
Brigitte Bardot, Laurent Terzieff, Jean Rochefort (starring); Serge Bourguignon (director, screenwriter); Sean Graham, Pascal Ja
Two Weeks in September Five original photographs from the 1967 film
Los Angeles: Paramount Pictures 1967. Five vintage reference photographs from the 1967 film all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. <br /> <br /> From the collection of noted British film producer John Palmer.<br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 8 x 10 inches. Very Good moderately toned and lightly creased. Paramount Pictures unknown
Riferimento per il libraio : 151850
|
|
|
Roger Corman (director); Howard Browne (screenwriter); Jason Robards, George Segal, Ralph Meeker, Bruce Dern, Jack Nicholson (st
The St. Valentine's Day Massacre Three original photographs from the 1967 film
Los Angeles: Twentieth Century-Fox 1967. Three striking vintage reference photographs from the 1967 Roger Corman film. With printed mimeo snipes affixed to the verso. <br /> <br /> From the collection of noted British film producer John Palmer.<br /> <br /> A dramatization of the 1929 mass murder of seven members of the Northside Gang by members of Al Capone's gang led by George "Bugs" Moran. <br /> <br /> Set in Chicago. <br /> <br /> 10 x 8 inches. Very Good plus overall. Twentieth Century-Fox unknown
Riferimento per il libraio : 151844
|
|
|
Marguerite Duras (director, novel, screenwriter); Catherine Sellers, Michael Lonsdale, Henri Garcin (starring)
Destroy She Said Detruire Dit-Elle Original photograph of Marguerite Duras from the set of the 1969 film
N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. <br /> <br /> Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. <br /> <br /> 5 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 150219
|
|
|
Roberto Rossellini (director, screenwriter); Vitaliano Brancati (screenwriter); Ingrid Bergman, George Sanders (starring)
Journey to Italy Original photograph taken on the set of the 1954 film
N.p.: N.p. 1954. Vintage oversize borderless reference photograph taken on location for the 1954 film showing actress Ingrid Bergman in the film's final scene during the procession of Saint Gennaro in Naples with a camera crew to the far left. With a printed mimeo snipe affixed to the verso. <br /> <br /> Loosely based on the 1934 novel "Duo" by Colette. An English couple travels to Italy to sell a recently inherited villa. Their travels through the countryside and subsequent stay in the villa are disrupted by misunderstandings and jealousy leading both to wonder if their relationship is worth continuing. <br /> <br /> Set in and shot on location in Naples and Rome.<br /> <br /> 9.25 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 149930
|
|
|
Federico Fellini (director, screenwriter); GB Poletto (photographer); Peter Gonzales, Fiona Florence, Pia De Doses, Renato Giova
Fellini's Roma Original photograph of Federico Fellini from the set of the 1972 film
N.p.: N.p. 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. <br /> <br /> A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. <br /> <br /> Set and shot on location in Rome Italy. <br /> <br /> 8 x 10 inches. Light even fading else Near Fine. N.p. unknown
Riferimento per il libraio : 150256
|
|
|
Val Guest (director, screenwriter); Len Heath, John Warren (screenwriters); Bud Flanagan, Teddy Knox, Jimmy Nervo, Jimmy Gold, C
Life is a Circus Original cast photograph with director Val Guest circus showman Billy Smart and guests from the 1960 film
N.p.: N.p. 1960. Vintage candid reference photograph from the 1960 film featuring members of "The Crazy Gang" director Val Guest Shirley Eaton circus impresario Billy Smart and wife and guests.<br /> <br /> "The Crazy Gang" were a much-loved British comedy troupe who performed for over three decades. Formed in the early 1930s they performed largely at the London Palladium as well as numerous Royal Command performances and made five feature films "Life is a Circus" being their last. Core members were Bud Flanagan Chesney Allen Jimmy Nervo Teddy Knox Charlie Naughton and Jimmy Gold.<br /> <br /> Billy Smart was a popular British showman and founder of Billy Smart's New World Circus. The circus was featured in two 1960 films "Life is a Circus" and Anglo-Amalgamated's "Circus of Horrors" directed by Sidney Hayers.<br /> <br /> "The Crazy Gang" save the struggling Joe Winter's Monster Circus with an Aladdin's magic lantern. <br /> <br /> 9.75 x 7.75 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 150233
|
|
|
Peter Falk, Jack Klugman (starring); Larry Cohen (screenwriter); William L Stuart (novel); Michael Dreyfuss (director)
Kraft Mystery Theatre: Night Cry Archive of material for the 1958 television episode
Burbank CA: National Broadcasting Company NBC 1958. Archive of material for the 1958 television episode which originally aired on August 13 1958 on NBC including one Revised First Draft script a ten-page typescript treatment and approximately 70 unnumbered typescript draft leaves. Revised First Draft script treatment script and one draft page signed by screenwriter Larry Cohen with Cohen's manuscript annotations throughout all materials noting substantive revisions and deletions.<br /> <br /> "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this installment based on William L. Stuart's 1948 novel a tough troubled cop is assigned to a homicide case and begins to use brutal tactics to force the lead suspect to confess. The television debut of actor Peter Falk. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set and shot on location in New York.<br /> <br /> Revised First Draft:<br /> <br /> Self wrappers. Title page present dated 8/4/58 noted as 1ST REVISION with credits for screenwriter Larry Cohen. 103 leaves with last page of text numbered III-97. Mimeograph duplication rectos only. Pages Very Good plus with first and last leaves detached from the binding partially bound with a single staple to the top left corner. <br /> <br /> Treatment:<br /> <br /> Self wrappers. Title page present undated noted as OUTLINE with credits for screenwriter Larry Cohen and novelist William L. Stuart. 10 leaves not numbered. Typescript rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Treatment and loose draft pages housed in a manila envelope. <br /> <br /> Pagination for typescript draft materials available upon request. National Broadcasting Company [NBC] unknown
Riferimento per il libraio : 153669
|
|
|
Robert Aldrich (director); John McNulty, Lou Morheim (story); Herbert Baker (screenwriter); Edward G Robinson, Vera-Ellen, Jeff
Big Leaguer The Long Way Up Original treatment script for the 1953 film
Culver City CA: Loew's Incorporated 1952. Treatment script for the 1953 film on yellow paper created by screenwriter Louis Morheim who received a story credit in the final film. With a single annotation in manuscript pencil changing the revision date on page five.<br /> <br /> Robert Aldrich's directorial debut wherein a baseball scout at a New York Giants training camp in Florida evaluates prospective hopefuls for a minor league contract. Starring Edward G. Robinson in his first major role after being threatened with blacklisting by the House Un-American Activities Committee HUAC.<br /> <br /> Shot on location in Melbourne Florida. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 2 stamped "Incomplete" dated 6-18-52 with credits for screenwriter Louis Morheim. 42 leaves with last page of text numbered 42. Mimeograph duplication rectos only on yellow pages dated variously between 6-18-52 and 6-20-52. Pages Near Fine wrapper Near Fine bound with two gold brads. Loew's Incorporated unknown
Riferimento per il libraio : 154485
|
|
|
Larry Cohen (screenwriter); Alex March (director); Shirl Conway, Zina Bethune, Edward Asner, Robert Gerringer (starring)
The Doctors and the Nurses: The Gift The Nurses Original screenplay for the 1963 television episode
New York: Plautus Productions 1963. Revised Draft script for the 1963 television episode which originally aired on October 17 1963 on CBS. Manuscript ink annotations by screenwriter Larry Cohen to the first 19 pages noting substantive revisions and Cohen's playful annotation to the title page crossing through "The Nurses" and writing "Florence Nightmare" possibly a working title over the printed title. <br /> <br /> The series title was changed from "The Nurses" to "The Doctors and the Nurses" for the second season. <br /> <br /> The series ran from 1962 to 1965 and followed the interpersonal dramas of a group of doctors and nurses at the fictitious Alden General Hospital in New York. In this installment a man attempts suicide and is left partially paralyzed and is tended by Nurse Kelly. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set in New York. <br /> <br /> Self wrappers housed in a manila envelope. Title page present dated April 5 1963 noted as Revised Mimeo and production No. 34 with credits for screenwriter Larry Cohen. 84 leaves with last page of text numbered IV-77. Mimeograph duplication on pink stock rectos only. Title page Very Good plus with light wear and dampstaining to the edges else Pages Near Fine unbound. Envelope Very Good plus overall. Plautus Productions unknown
Riferimento per il libraio : 153714
|
|
|
Paul Wendkos (director); Gay Talese (book); Lewis John Carlino (screenwriter); Joseph Bologna, Brenda Vaccaro, Raf Vallone (star
Honor Thy Father Original screenplay for the 1973 television film
New York: Metromedia Producers Corp 1972. Revised Draft script for the 1973 television film which aired on March 1 1973 on CBS. Copy belonging to uncredited still photographer Jack Stager his name in manuscript marker on top of the title page with the annotations of production dates "12-11-72 to 12-22-72" in manuscript ink and copy number "17" in manuscript green marker. Laid in are a four page and a single page Crew and Staff List a two page Schedule and a three and a single page Cast List all with the annotation of Stager's name in manuscript marker to top right of first page.<br /> <br /> Based on the 1971 book by Gay Talese about the Bonanno crime family in the 1960s. Salvatore Bonanno takes control of the family business after the kidnapping of his father causing a rift in the family and inciting a bloody Mafioso war.<br /> <br /> Yellow untitled card wrappers with a titled Metromedia Producers Corporation label. Title page present dated 12-9-72 noted as REVISE with credits for screenwriter Lewis John Carlino and author Gay Talese. 108 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Metromedia Producers Corp unknown
Riferimento per il libraio : 154493
|
|
|
Evan Hunter writing as Ed McBain (novels); Larry Cohen (screenwriter); Robert Bray, Joan Copeland, Pat Henning, Salome Jens (sta
Kraft Mystery Theatre: The Eighty Seventh 87th Precinct Archive of six original screenplays for the 1958 television episode
Burbank CA: National Broadcasting Company NBC 1958. Archive of six Revised Draft scripts for the 1958 three-part television episode which originally aired on June 25 1958 on NBC. Collection includes three scripts noted as Acts I-III and one script duplicate of Act I only and two scripts compiling all three acts. Also included are two typescript pages noting story outlines for a proposed "87th Precinct" television series. Each script signed by screenwriter Larry Cohen and three scripts with manuscript pencil and ink annotations by Cohen throughout noting deletions and substantive revisions. <br /> <br /> "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this installment loosely based on Ed McBain's "87th Precinct" novel series a solitary widow whose frequent calls to the police to report a burglar are usually ignored turns up dead in her apartment. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set and shot on location in New York. <br /> <br /> Act I Revised Script with pencil annotation on the front wrapper:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Very Good plus with the last leaf detached from the binding partially bound with a single staple to the top left corner. <br /> <br /> Act II Revised Script:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 43 leaves with last page of text numbered II-68. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Act III Revised Script:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 34 leaves with last page of text numbered III-103. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Act I Revised Script with no pencil annotation on the front wrapper:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Complete script:<br /> <br /> Lacking wrappers and title page possibly as issued. 144 leaves with last page of text numbered III-136. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Revised complete script:<br /> <br /> Lacking and title page possibly as issued. 94 leaves with last page of text numbered III-87. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. National Broadcasting Company [NBC] unknown
Riferimento per il libraio : 153663
|
|
|
Larry Cohen (screenwriter); Charles S Durbin (director); EG Marshall, Robert Reed, Andrew Duggan, Dana Elcar (starring) E G
The Defenders: The Captive Original screenplay for the 1963 television episode
New York: Filmways 1963. Draft script for the 1963 television episode which originally aired on October 12 1963 on CBS. Signed by screenwriter Larry Cohen on the title page.<br /> <br /> The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this installment the duo become involved in an international espionage case. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Black titled Studio Duplicating Service wrappers. Title page present dated May 15 1963 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 92 leaves with last page of text numbered 87. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus slightly edgeworn bound with two gold brads. Filmways unknown
Riferimento per il libraio : 153686
|
|
|
Larry Cohen (screenwriter)
Archive of typescript draft materials for four unproduced television series: Play Ball The Adventures of the Dude The Producer Cannonball
N.p.: N.p. 1960. Archive of loose typescript materials for four unproduced television series. Two pages signed by screenwriter Larry Cohen and many pages with manuscript ink and pencil annotations by him noting editorial and substantive revisions. <br /> <br /> Included in the collection are treatment drafts and draft script pages for four television series: one show called "Play Ball" a quiz show based on baseball trivia one show called "The Adventures of the Dude" about a New York police officer who moves west to become a cowboy one show called "The Producer" about the early days of Hollywood and one show called "Cannonball" an adventure series about two truckers. <br /> <br /> Four unproduced early ventures by screenwriter Larry Cohen best known for his Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Approximately 65 pages in total. Pages generally loose some partially bound with a single staple. Housed in a manila envelope with manuscript ink annotations to the recto noting "Old Treatments by Larry Cohen". Pages and envelope Near Fine. <br /> <br /> Pagination available upon request. N.p. unknown
Riferimento per il libraio : 153710
|
|
|
Larry Cohen (screenwriter); Stuart Rosenberg (director); EG Marshall, Robert Reed, Skip Homeier, Tim O'Connor (starring) E G
The Defenders: May Day! May Day! Fade Away Original screenplay for the 1964 television episode
New York: Filmways 1964. Draft script for the 1964 television episode seen here under the working title "Fade Away" which originally aired on April 18 1964 on CBS. Signed by screenwriter Larry Cohen on the title page below an annotation noting the episode name. <br /> <br /> The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this installment an aging wartime hero becomes fanatical about United States foreign policy towards China and plans a military takeover of the government. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Self wrappers. Title page present dated February 5 1964 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 78 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Near Fine bound with a single paper clip to the top left corner. Filmways unknown
Riferimento per il libraio : 153682
|
|
|
Larry Cohen (screenwriter); Stuart Rosenberg (director); EG Marshall, Robert Reed, Larry Hagman, Milton Selzer (starring) E G
The Defenders: The Noose Original screenplay for the 1963 television episode
New York: Filmways 1963. Draft script for the 1963 television episode which originally aired on April 27 1963 on CBS. Signed by screenwriter Larry Cohen on the title page.<br /> <br /> The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this installment the duo arrive in a small southern town to prepare for a trial only to discover their client a man accused of murdering a young child has been lynched. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Shot on location in Pelham New York. <br /> <br /> Black titled Studio Duplicating Service wrappers. Title page present dated February 19 1963 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 78 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. Filmways unknown
Riferimento per il libraio : 153700
|
|
|
Rip Torn (starring); Daryl Duke (director); Don Carpenter (screenwriter); Ahna Capri, Elayne Heilveil, Michael C Gwynne (starrin
Payday Collection of 15 original photographs from the 1973 film
Los Angeles: Cinerama Releasing 1973. Collection of 13 vintage studio still photographs and 2 borderless portraits of actors Elayne Heilveil and Rip Torn all from the release of the 1973 film.<br /> <br /> Six photographs shown. Please inquire to see others.<br /> <br /> A ruthless manipulative country western singer tours the southern nightclub circuit in his big Cadillac accompanied by a bevy of girlfriends and copious amounts of liquor and drugs.<br /> <br /> Set in the American South shot on location in Selma Alabama. <br /> <br /> 13 photographs 10 x 8.25 inches 2 photographs 7.5 x 10 inches. Near Fine. Cinerama Releasing unknown
Riferimento per il libraio : 147719
|
|
|
Brian De Palma (director, screenwriter); Louis Goldman (photographer); John Travolta, Nancy Allen, John Lithgow (starring)
Blow Out Original photograph of Brian De Palma from the set of the 1981 film
N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
Riferimento per il libraio : 151952
|
|
|
Jacques Demy (director, screenwriter); Charles Perrault (fairy tale); Andre Marinie (photographer); Catherine Deneuve, Jean Mara
Donkey Skin Peau d'Ane Collection of nine original photographs from the 1970 film including three on the set photographs with Jacques Demy
N.p.: N.p. 1970. Collection of nine vintage reference photographs from the 1970 film including eight borderless and one with narrow margins and wide bottom margin. Two bear provenance stamps on the verso and one bears the stamp of photographer Andre Marinie.<br /> <br /> Three in the collection are on the set photographs featuring director Jacques Demy.<br /> <br /> Based on the 1695 French fairytale in verse by Charles Perrault and loosely based on Jean Cocteau's 1946 "Beauty and the Beast." <br /> <br /> Shot on location in Chambord Ecuille Gmabais Manche and Oise France. <br /> <br /> Photographs range in size from 7 x 5 inches to 10.5 x 7 inches. Generally about Near Fine. <br /> <br /> Criterion Collection 718. N.p. unknown
Riferimento per il libraio : 150990
|
|
|
W R Burnett (novel); Barry Pollack (director, screenwriter); Thalmus Rasulala, Jim Watkins, Judy Pace (starring)
Cool Breeze Complete set of eight original color photographs from the 1972 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Complete set of eight vintage color studio still photographs from the 1972 film.<br /> <br /> Four photos shown please inquire to see the others.<br /> <br /> Loosely based on the 1950 film "The Asphalt Jungle" which was in turn based on W. R. Burnett's 1949 novel. A former inmate decides to gather a gang of criminals to execute a diamond heist in the hopes of using the profits to start a community bank for black-owned businesses. <br /> <br /> Set in Los Angeles and San Quentin. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Parish and Hill 66. Spicer US Neo-Noir.<br /> Howard Blaxploitation Cinema p. 69 119-121. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 150607
|
|
|
John Huston (director); Desmond Bagley (novel); Walter Hill (screenwriter); Paul Newman, Dominique Sanda, James Mason (starring)
The Mackintosh Man Original photograph of John Huston and Paul Newman from the set of the 1973 film
Burbank CA: Warner Brothers 1973. Vintage borderless reference photograph of John Huston and Paul Newman on the set of the 1973 film.<br /> <br /> Based on the 1971 novel "The Freedom Trap" by Desmond Bagley.<br /> <br /> Director John Huston's neo-noir Cold War spy thriller with Paul Newman as a British Intelligence officer who allows himself to be imprisoned to infiltrate a spy organization. Screenwriter Walter Hill's third produced screenplay.<br /> <br /> Shot on location in Ireland and England. <br /> <br /> 9.25 x 8 inches. Near Fine. Warner Brothers unknown
Riferimento per il libraio : 150828
|
|
|
Steven Spielberg (director, screenwriter); Marcia Reed, Jim Coe, Peter Sorel, Pete Turner (still photographers); Richard Dreyfus
Close Encounters of the Third Kind Original photograph of Steven Spielberg and François Truffaut from the set of the 1977 film
Culver City CA: Columbia Pictures 1977. Vintage reference photograph of Steven Spielberg and François Truffaut on the set of the 1977 film. <br /> <br /> Roy Neary Dreyfuss is one of several people who witness UFOs at night and subsequently begins to have visions of a mysterious place. Government agents also have similar encounters only they discover physical evidence of extraterrestrials. Roy and the agents join together and are led to a place not unlike the place in Roy's visions where they have a close encounter of the third kind: contact. Winner of an Academy Award Best Cinematography 1978 and Spielberg's third feature as director following "Jaws" 1975 and "The Sugarland Express" 1974.<br /> <br /> Set in Muncie Indiana shot on location in Alabama and India. <br /> <br /> 9.75 x 8.25 inches. Near Fine. <br /> <br /> National Film Registry. Columbia Pictures unknown
Riferimento per il libraio : 151940
|
|
|
Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan
Lancelot of the Lake Lancelot du Lac Original photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso.<br /> <br /> Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 150864
|
|
|
Jacques Demy (director, screenwriter); Riyoko Ikeda (manga series); Michele Laurent (photographer); Patricia Louisianna Knop (sc
Lady Oscar Two original photographs one on the set from the 1979 film
N.p.: N.p. 1979. Two vintage reference photographs with bottom margins from the 1979 film one of Catriona MacColl and Barry Stokes and one on the set photograph of MacColl Stokes and director Jacques Demy. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" and layout annotations in manuscript red pencil on verso. <br /> <br /> Based on the 1972-1973 Japanese manga series "The Rose of Versailles" by Riyoko Ikeda which was also made into a 40 episode anime series under the same name directed by Tadao Nagahama and Osamu Dezak and broadcast on Nippon Television from October 10 1979 to September 3 1980.<br /> <br /> Oscar Francois de Jarjayes captain of the guards at the Palace of Versailles under King Louis XVI and Marie Antoinette was born a girl and raised as a boy by her militant father. She now finds herself conflicted while in the maw of the French Revolution with the boy she loved in her youth Oscar on the opposite side of the struggle.<br /> <br /> Shot on location in Paris Seine-et-Marne Oise and Versailles France. <br /> <br /> 9.25 x 7 inches. Some faint creasing else Near Fine. N.p. unknown
Riferimento per il libraio : 151011
|
|
|
Jacques Demy (director, screenwriter); Anouk Aimee, Gary Lockwood, Alexandra Hay (starring)
Model Shop Three original photographs two of Jacques Demy and Anouk Aimee and one of Demy with a crew member from the set of the 1969 film
N.p.: N.p. 1969. Three vintage borderless reference photographs from the set of the 1969 film. Provenance stamps of film scholar and author J. P. Berthome on versos of all three and one with a National Film Archive stamp on the verso.<br /> <br /> Demy's first English language film recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s.<br /> <br /> A young discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed he sees and becomes obsessed with the beautiful Lola an older French model who works in a "model shop" posing for photographers.<br /> <br /> Set and shot on location in Laurel Canyon Los Angeles California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Twilight Time 327. N.p. unknown
Riferimento per il libraio : 150969
|
|
|
Sidney Lumet (director); Tennessee Williams (novel, screenplay); Meade Roberts (screenwriter); Marlon Brando, Anna Magnani, Joan
The Fugitive Kind Original cast and crew photograph from the set of the 1960 film
N.p.: Pennebaker Productions 1960. Vintage double weight reference photograph of Marlon Brando Joanne Woodward Anna Magnani Sydney Lumet and cinematographer Boris Kaufman on the set of the 1960 film. <br /> <br /> Based on Tennesee Williams' 1957 play "Orpheus Descending" which itself was a revision of Williams' 1940 play "Battle of Angels." A man flees the law in New Orleans and finds work at a small-town store run by the resentful and frustrated Lady Torrance whose husband lies ill in the apartment above the store.<br /> <br /> 8 x 10 inches. Very Good with thin two inch bruise to upper left portion of the image. <br /> <br /> Criterion Collection 515. Pennebaker Productions unknown
Riferimento per il libraio : 152019
|
|
|
Douglas Sirk (director); Fannie Hurst (novel); Rollie Lane (photographer); Eleanor Griffin, Allan Scott (screenwriter); Lana Tur
Imitation of Life Original photograph of Douglas Sirk and Lana Turner from the set of the 1959 film
N.p.: N.p. 1958. Vintage reference photograph with wide vertical right border and cropped bottom of Douglas Sirk and Lana Turner on the set of the 1959 film. "Telegram and Gazette" stamp dated "AUG 15 1958" "Associated Press" stamp and descriptive newspaper clipping of photo now separated all on verso. <br /> <br /> Based on the 1933 novel by Fannie Hurst.<br /> <br /> Two single mothers-one white one black-struggle to raise their rebellious daughters. <br /> <br /> Nominated for two Academy Awards. <br /> <br /> Set in New York City shot on location in Los Angeles. <br /> <br /> 8 x 8 inches. Very Good plus with two small closed tears in right margin and cropped bottom. <br /> <br /> National Film Registry. N.p. unknown
Riferimento per il libraio : 151065
|
|