‎Scénariste‎

‎Alfred Hitchcock (director); Sanford H Roth (photographer); Frederick Knott (play, screenwriter); Ray Milland, Grace Kelly, Robe‎

‎Dial M for Murder Archive of five original oversize special photographs of Alfred Hitchcock on the set of the 1954 film‎

‎N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. <br /> <br /> Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. <br /> <br /> Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. <br /> <br /> One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. <br /> <br /> Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. N.p. unknown‎

Référence libraire : 153634

‎Roger Corman (producer); Barbara Peeters (director, screenwriter); Candice Rialson, Pat Anderson, Rhonda Leigh Hopkins, Grainger‎

‎Summer School Teachers Original screenplay for the 1975 film actor Dick Miller's working copy‎

‎N.p.: N.p. 1975. Draft script for the 1975 film. Copy belonging to actor Dick Miller with his name in manuscript ink annotation to the title page and his manuscript ink annotations throughout.<br /> <br /> From the estate of Dick Miller. Directed by noted 1970s filmmaker Barbara Peeters during her tutelage period with Roger Corman. A well received film both upon its release and in retrospect that while exploitative of course has a notably feminist bent with strong and decisive female characters.<br /> <br /> Yellow untitled wrappers with a small manuscript pencil annotation to the top right corner of the front wrapper noting copy No. 26. Title page present dated March 4 1975 with credits for director and screenwriter Barbara Peeters. 101 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown‎

Référence libraire : 153819

‎Ralph Levy (director, screenwriter); Paul Henning (screenwriter); Marlon Brando, David Niven, Shirley Jones (starring)‎

‎Bedtime Story Original photograph of Stanley Shapiro and Marlon Brando on the set of the 1964 film‎

‎Universal City: Universal Pictures 1964. Vintage studio still photograph of producer Stanley Shapiro and actor Marlon Brando in conversation between takes on the set of the 1964 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> A love-them-and-leave-them womanizer meets a man equal in skill at deceiving women but with an added knack for conning them out of money. The two men attempt to seduce a naive American woman to settle a bet as to which one is the better con artist. Later remade as "Dirty Rotten Scoundrels" 1988. <br /> <br /> Set and shot on location in Alpes-Maritimes France. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown‎

Référence libraire : 149932

‎Tobe Hooper (director); Eric H Lasher (photographer); LM Kit Carson (screenwriter); Dennis Hopper, Caroline Williams, Bill Mosel‎

‎The Texas Chainsaw Massacre Part 2 Original photograph from the set of the 1986 film‎

‎N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. <br /> <br /> Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. <br /> <br /> Set in and shot on location in Bastrop Prarie Dell and Austin Texas. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown‎

Référence libraire : 150254

‎Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan‎

‎Lancelot of the Lake Lancelot du lac Original oversize photograph from the set of the 1974 film‎

‎N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso.<br /> <br /> Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. <br /> <br /> Rosenbaum 1000. N.p. unknown‎

Référence libraire : 150217

‎Stanley Donen (director); Norman Krasna (play, screenwriter); Cary Grant, Ingrid Bergman (starring)‎

‎Indiscreet Original photograph of Ingrid Bergman Stanley Donen and Cary Grant on the set of the 1958 film‎

‎N.p.: N.p. 1958. Vintage borderless reference photograph of director Stanley Donen and actors Ingrid Bergman and Cary Grant on the set of the 1958 British film. <br /> <br /> Based on screenwriter Norman Krasna's 1953 play "Kind Sir" wherein a lovelorn theatre actress begins an affair with a handsome married economist. <br /> <br /> Set and shot on location in London.<br /> <br /> 9.5 x 7.5 inches. Near Fine. <br /> <br /> Olive Films 526. N.p. unknown‎

Référence libraire : 149927

‎Brigitte Bardot, Laurent Terzieff, Jean Rochefort (starring); Serge Bourguignon (director, screenwriter); Sean Graham, Pascal Ja‎

‎Two Weeks in September Five original photographs from the 1967 film‎

‎Los Angeles: Paramount Pictures 1967. Five vintage reference photographs from the 1967 film all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. <br /> <br /> From the collection of noted British film producer John Palmer.<br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 8 x 10 inches. Very Good moderately toned and lightly creased. Paramount Pictures unknown‎

Référence libraire : 151850

‎Marguerite Duras (director, novel, screenwriter); Catherine Sellers, Michael Lonsdale, Henri Garcin (starring)‎

‎Destroy She Said Detruire Dit-Elle Original photograph of Marguerite Duras from the set of the 1969 film‎

‎N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. <br /> <br /> Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. <br /> <br /> 5 x 7 inches. Near Fine. N.p. unknown‎

Référence libraire : 150219

‎Federico Fellini (director, screenwriter); GB Poletto (photographer); Peter Gonzales, Fiona Florence, Pia De Doses, Renato Giova‎

‎Fellini's Roma Original photograph of Federico Fellini from the set of the 1972 film‎

‎N.p.: N.p. 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. <br /> <br /> A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. <br /> <br /> Set and shot on location in Rome Italy. <br /> <br /> 8 x 10 inches. Light even fading else Near Fine. N.p. unknown‎

Référence libraire : 150256

‎Peter Falk, Jack Klugman (starring); Larry Cohen (screenwriter); William L Stuart (novel); Michael Dreyfuss (director)‎

‎Kraft Mystery Theatre: Night Cry Archive of material for the 1958 television episode‎

‎Burbank CA: National Broadcasting Company NBC 1958. Archive of material for the 1958 television episode which originally aired on August 13 1958 on NBC including one Revised First Draft script a ten-page typescript treatment and approximately 70 unnumbered typescript draft leaves. Revised First Draft script treatment script and one draft page signed by screenwriter Larry Cohen with Cohen's manuscript annotations throughout all materials noting substantive revisions and deletions.<br /> <br /> "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this installment based on William L. Stuart's 1948 novel a tough troubled cop is assigned to a homicide case and begins to use brutal tactics to force the lead suspect to confess. The television debut of actor Peter Falk. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set and shot on location in New York.<br /> <br /> Revised First Draft:<br /> <br /> Self wrappers. Title page present dated 8/4/58 noted as 1ST REVISION with credits for screenwriter Larry Cohen. 103 leaves with last page of text numbered III-97. Mimeograph duplication rectos only. Pages Very Good plus with first and last leaves detached from the binding partially bound with a single staple to the top left corner. <br /> <br /> Treatment:<br /> <br /> Self wrappers. Title page present undated noted as OUTLINE with credits for screenwriter Larry Cohen and novelist William L. Stuart. 10 leaves not numbered. Typescript rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Treatment and loose draft pages housed in a manila envelope. <br /> <br /> Pagination for typescript draft materials available upon request. National Broadcasting Company [NBC] unknown‎

Référence libraire : 153669

‎Larry Cohen (screenwriter); Alex March (director); Shirl Conway, Zina Bethune, Edward Asner, Robert Gerringer (starring)‎

‎The Doctors and the Nurses: The Gift The Nurses Original screenplay for the 1963 television episode‎

‎New York: Plautus Productions 1963. Revised Draft script for the 1963 television episode which originally aired on October 17 1963 on CBS. Manuscript ink annotations by screenwriter Larry Cohen to the first 19 pages noting substantive revisions and Cohen's playful annotation to the title page crossing through "The Nurses" and writing "Florence Nightmare" possibly a working title over the printed title. <br /> <br /> The series title was changed from "The Nurses" to "The Doctors and the Nurses" for the second season. <br /> <br /> The series ran from 1962 to 1965 and followed the interpersonal dramas of a group of doctors and nurses at the fictitious Alden General Hospital in New York. In this installment a man attempts suicide and is left partially paralyzed and is tended by Nurse Kelly. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set in New York. <br /> <br /> Self wrappers housed in a manila envelope. Title page present dated April 5 1963 noted as Revised Mimeo and production No. 34 with credits for screenwriter Larry Cohen. 84 leaves with last page of text numbered IV-77. Mimeograph duplication on pink stock rectos only. Title page Very Good plus with light wear and dampstaining to the edges else Pages Near Fine unbound. Envelope Very Good plus overall. Plautus Productions unknown‎

Référence libraire : 153714

‎Evan Hunter writing as Ed McBain (novels); Larry Cohen (screenwriter); Robert Bray, Joan Copeland, Pat Henning, Salome Jens (sta‎

‎Kraft Mystery Theatre: The Eighty Seventh 87th Precinct Archive of six original screenplays for the 1958 television episode‎

‎Burbank CA: National Broadcasting Company NBC 1958. Archive of six Revised Draft scripts for the 1958 three-part television episode which originally aired on June 25 1958 on NBC. Collection includes three scripts noted as Acts I-III and one script duplicate of Act I only and two scripts compiling all three acts. Also included are two typescript pages noting story outlines for a proposed "87th Precinct" television series. Each script signed by screenwriter Larry Cohen and three scripts with manuscript pencil and ink annotations by Cohen throughout noting deletions and substantive revisions. <br /> <br /> "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this installment loosely based on Ed McBain's "87th Precinct" novel series a solitary widow whose frequent calls to the police to report a burglar are usually ignored turns up dead in her apartment. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set and shot on location in New York. <br /> <br /> Act I Revised Script with pencil annotation on the front wrapper:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Very Good plus with the last leaf detached from the binding partially bound with a single staple to the top left corner. <br /> <br /> Act II Revised Script:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 43 leaves with last page of text numbered II-68. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Act III Revised Script:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 34 leaves with last page of text numbered III-103. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Act I Revised Script with no pencil annotation on the front wrapper:<br /> <br /> Self wrappers. Title page present noted as REVISED dated 6/17/58 with credits for screenwriter Larry Cohen. Title page integral with the front wrapper. 30 leaves with last page of text numbered I-24. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Complete script:<br /> <br /> Lacking wrappers and title page possibly as issued. 144 leaves with last page of text numbered III-136. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Revised complete script:<br /> <br /> Lacking and title page possibly as issued. 94 leaves with last page of text numbered III-87. Mimeograph duplication rectos only. Pages Near Fine partially bound with a single staple to the top left corner. National Broadcasting Company [NBC] unknown‎

Référence libraire : 153663

‎Larry Cohen (screenwriter)‎

‎Archive of typescript draft materials for four unproduced television series: Play Ball The Adventures of the Dude The Producer Cannonball‎

‎N.p.: N.p. 1960. Archive of loose typescript materials for four unproduced television series. Two pages signed by screenwriter Larry Cohen and many pages with manuscript ink and pencil annotations by him noting editorial and substantive revisions. <br /> <br /> Included in the collection are treatment drafts and draft script pages for four television series: one show called "Play Ball" a quiz show based on baseball trivia one show called "The Adventures of the Dude" about a New York police officer who moves west to become a cowboy one show called "The Producer" about the early days of Hollywood and one show called "Cannonball" an adventure series about two truckers. <br /> <br /> Four unproduced early ventures by screenwriter Larry Cohen best known for his Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Approximately 65 pages in total. Pages generally loose some partially bound with a single staple. Housed in a manila envelope with manuscript ink annotations to the recto noting "Old Treatments by Larry Cohen". Pages and envelope Near Fine. <br /> <br /> Pagination available upon request. N.p. unknown‎

Référence libraire : 153710

‎Larry Cohen (screenwriter); Stuart Rosenberg (director); EG Marshall, Robert Reed, Larry Hagman, Milton Selzer (starring) E G‎

‎The Defenders: The Noose Original screenplay for the 1963 television episode‎

‎New York: Filmways 1963. Draft script for the 1963 television episode which originally aired on April 27 1963 on CBS. Signed by screenwriter Larry Cohen on the title page.<br /> <br /> The series which ran from 1961-1965 followed the legal adventures of a father-son defense attorney team. In this installment the duo arrive in a small southern town to prepare for a trial only to discover their client a man accused of murdering a young child has been lynched. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Shot on location in Pelham New York. <br /> <br /> Black titled Studio Duplicating Service wrappers. Title page present dated February 19 1963 noted as FIRST MIMEO with credits for screenwriter Larry Cohen. 78 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. Filmways unknown‎

Référence libraire : 153700

‎Brian De Palma (director, screenwriter); Louis Goldman (photographer); John Travolta, Nancy Allen, John Lithgow (starring)‎

‎Blow Out Original photograph of Brian De Palma from the set of the 1981 film‎

‎N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown‎

Référence libraire : 151952

‎W R Burnett (novel); Barry Pollack (director, screenwriter); Thalmus Rasulala, Jim Watkins, Judy Pace (starring)‎

‎Cool Breeze Complete set of eight original color photographs from the 1972 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Complete set of eight vintage color studio still photographs from the 1972 film.<br /> <br /> Four photos shown please inquire to see the others.<br /> <br /> Loosely based on the 1950 film "The Asphalt Jungle" which was in turn based on W. R. Burnett's 1949 novel. A former inmate decides to gather a gang of criminals to execute a diamond heist in the hopes of using the profits to start a community bank for black-owned businesses. <br /> <br /> Set in Los Angeles and San Quentin. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Parish and Hill 66. Spicer US Neo-Noir.<br /> Howard Blaxploitation Cinema p. 69 119-121. Metro-Goldwyn-Mayer [MGM] unknown‎

Référence libraire : 150607

‎Steven Spielberg (director, screenwriter); Marcia Reed, Jim Coe, Peter Sorel, Pete Turner (still photographers); Richard Dreyfus‎

‎Close Encounters of the Third Kind Original photograph of Steven Spielberg and François Truffaut from the set of the 1977 film‎

‎Culver City CA: Columbia Pictures 1977. Vintage reference photograph of Steven Spielberg and François Truffaut on the set of the 1977 film. <br /> <br /> Roy Neary Dreyfuss is one of several people who witness UFOs at night and subsequently begins to have visions of a mysterious place. Government agents also have similar encounters only they discover physical evidence of extraterrestrials. Roy and the agents join together and are led to a place not unlike the place in Roy's visions where they have a close encounter of the third kind: contact. Winner of an Academy Award Best Cinematography 1978 and Spielberg's third feature as director following "Jaws" 1975 and "The Sugarland Express" 1974.<br /> <br /> Set in Muncie Indiana shot on location in Alabama and India. <br /> <br /> 9.75 x 8.25 inches. Near Fine. <br /> <br /> National Film Registry. Columbia Pictures unknown‎

Référence libraire : 151940

‎Jacques Demy (director, screenwriter); Riyoko Ikeda (manga series); Michele Laurent (photographer); Patricia Louisianna Knop (sc‎

‎Lady Oscar Two original photographs one on the set from the 1979 film‎

‎N.p.: N.p. 1979. Two vintage reference photographs with bottom margins from the 1979 film one of Catriona MacColl and Barry Stokes and one on the set photograph of MacColl Stokes and director Jacques Demy. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" and layout annotations in manuscript red pencil on verso. <br /> <br /> Based on the 1972-1973 Japanese manga series "The Rose of Versailles" by Riyoko Ikeda which was also made into a 40 episode anime series under the same name directed by Tadao Nagahama and Osamu Dezak and broadcast on Nippon Television from October 10 1979 to September 3 1980.<br /> <br /> Oscar Francois de Jarjayes captain of the guards at the Palace of Versailles under King Louis XVI and Marie Antoinette was born a girl and raised as a boy by her militant father. She now finds herself conflicted while in the maw of the French Revolution with the boy she loved in her youth Oscar on the opposite side of the struggle.<br /> <br /> Shot on location in Paris Seine-et-Marne Oise and Versailles France. <br /> <br /> 9.25 x 7 inches. Some faint creasing else Near Fine. N.p. unknown‎

Référence libraire : 151011

‎Sidney Lumet (director); Tennessee Williams (novel, screenplay); Meade Roberts (screenwriter); Marlon Brando, Anna Magnani, Joan‎

‎The Fugitive Kind Original cast and crew photograph from the set of the 1960 film‎

‎N.p.: Pennebaker Productions 1960. Vintage double weight reference photograph of Marlon Brando Joanne Woodward Anna Magnani Sydney Lumet and cinematographer Boris Kaufman on the set of the 1960 film. <br /> <br /> Based on Tennesee Williams' 1957 play "Orpheus Descending" which itself was a revision of Williams' 1940 play "Battle of Angels." A man flees the law in New Orleans and finds work at a small-town store run by the resentful and frustrated Lady Torrance whose husband lies ill in the apartment above the store.<br /> <br /> 8 x 10 inches. Very Good with thin two inch bruise to upper left portion of the image. <br /> <br /> Criterion Collection 515. Pennebaker Productions unknown‎

Référence libraire : 152019

‎Francois Truffaut (director, screenwriter); Cornell Woolrich (novel); PHOTOGRAPHER (photographer); Jean-Louis Richard (screenwri‎

‎The Bride Wore Black La Mariee etait en Noir Original photograph of Jeanne Moreau and Jean-Claude Brialy from the 1968 film‎

‎N.p.: N.p. 1968. Vntage borderless double weight reference photograph of Jeanne Moreau and Jean-Claude Brialy from the 1968 film. <br /> <br /> Based on the classic 1940 crime novel by Cornell Woolrich a Haycraft Queen Cornerstone. <br /> <br /> A beautiful widow hunts down then seduces and kills the five men responsible for accidentally killing her beloved on their wedding day. An unforgettable performance from Moreau. <br /> <br /> Shot on location throughout France. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown‎

Référence libraire : 150870

‎Federico Fellini (director, screenwriter); GB Poletto (photographer); Peter Gonzales, Fiona Florence, Pia De Doses, Renato Giova‎

‎Fellini's Roma Original photograph of Federico Fellini from the set of the 1972 film‎

‎Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. <br /> <br /> A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. <br /> <br /> Set and shot on location in Rome. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown‎

Référence libraire : 150813

‎Saul Bass (director); Mayo Simon (screenwriter); Nigel Davenport, Michael Murphy, Lynne Frederick (starring)‎

‎Phase IV Original compilation photograph of six Saul Bass title designs to promote the 1974 film‎

‎Los Angeles: Paramount Pictures 1973. Vintage borderless compilation photograph of six Saul Bass title designs and portrait of Saul Bass to promote the 1974 Bass directed film. Bass' title designs shown are "The Man with the Golden Arm" "Carmen Jones" "Anatomy of a Murder" "Bonjour Tristesse" "Exodus" and "Seconds." Mimeo snipe affixed to verso and folded over recto. <br /> <br /> Bass' first and only directorial effort now a cult favorite which was featured on Season 1 Episode 9 of "Mystery Science Theater 3000" which aired on January 15 1989.<br /> <br /> Ants suddenly begin building strange towers and geometric designs in the Arizona desert and begin to exhibit greater intelligence threatening the scientists studying them and ultimately all of humanity. <br /> <br /> Set in the Arizona desert shot on location in Rift Valley Kenya and Eloy and Yuma Arizona. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Olive Films 1116. Paramount Pictures unknown‎

Référence libraire : 151057

‎Henri Verneuil (director, screenwriter); Claude Veillot (novel); Claude Schwartz (photographer); Michel Audiard, Marcel Jullian‎

‎Greed in the Sun Cent Mille Dollars au Soleil Original photograph from the set of the 1964 film‎

‎N.p.: N.p. 1964. Vintage borderless reference photograph of L-R Jean-Paul Belmondo Henri Verneuil Lino Ventura and Bernard Blier on the set of the 1964 film. Photographer "Claude Schwartz" stamp on verso. <br /> <br /> Based on the 1972 French novel "Nous n'irons pas en Nigeria" by Claude Veillot.<br /> <br /> Rocco and his girlfriend hijack a truck with a mysterious payload and proceed to drive it through the Saharan desert toward the border. The trucking company gets Rocco's friend Herve and the new German employee Hans to go after him and retrieve the goods. <br /> <br /> Nominated for the Palm d'Or.<br /> <br /> Set in the Saharan desert shot on location in Morocco. <br /> <br /> 9.5 x 6.25 inches. Near Fine. <br /> <br /> Lee The Heist Film. Olive FIlms 324. N.p. unknown‎

Référence libraire : 150865

‎Louis Malle (director, screenwriter); Sidney Bechet, Gaston Freche, Charlie Parker, Henri Reynaud (starring)‎

‎Le souffle au coeur Murmur of the Heart Original screenplay for the 1971 French film‎

‎N.p.: N.p. 1971. Draft script for the 1971 film. Text and titles in French. <br /> <br /> A coming of age story following an intelligent jazz loving teenage boy growing up in a complicated bourgeois family in 1950s Dijon. Nominated for an Academy Award.<br /> <br /> Set and shot on location in Dijon Yvelines and Nievre France. <br /> <br /> Orange titled wrappers. Title page present undated. 71 leaves with last page of text numbered 70. Xerographic duplication rectos only. Pages and wrapper Near Fine with perfect binding.<br /> <br /> Criterion Collection 328. N.p. unknown‎

Référence libraire : 154479

‎Alfred Vohrer (director); Manfred Purzer (screenwriter); Horst Tappert, Werner Peters, Erika Pluhar, Judy Winter (starring)‎

‎Hard Women Perrak Original pressbook from the US release of the 1970 German film‎

‎New York: Independent International Pictures Corp 1975. Vintage pressbook for the US release of the 1970 German exploitation film. <br /> <br /> Detective Perrak's investigation into the murder of a transgender woman leads into an underworld of sexual corruption and blackmail.<br /> <br /> Shot on location in Bendestorf and Hamburg Germany. <br /> <br /> 11 x 17 inches Bi-fold. Horizontally Folded as issued. Near Fine. Independent International Pictures Corp unknown‎

Référence libraire : 154401