‎Scénariste‎

‎Douglas Sirk (director); Samuel Fuller (screenwriter); Irving Lippman (photographer); Cornel Wilde, Patricia Knight (starring)‎

‎Douglas Sirk and Cornel Wilde on the set of "Shockproof‎

‎Culver City CA: Columbia Pictures 1949. Vintage studio still photograph of director Douglas Sirk working on the set of the 1949 film noir. <br /> <br /> A wonderful photograph of the entire crew shooting a scene where Cornel Wilde and Patricia Knight are parting at an airport. Sirk is standing on a crane support at the left and cinematographer Charles Lawton Jr. is seated just below. A key American noir from an original screenplay by Samuel Fuller. <br /> <br /> Shot on location throughout Los Angeles and notably in the Bradbury Building on Broadway now an architectural landmark originally built in 1893 by Los Angeles mining millionaire Lewis L. Bradbury and designed by George Wyman. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 7 x 9 inches borderless with a studio stamp and a mimeograph snipe on the verso. Near Fine. <br /> <br /> Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown‎

書籍販売業者の参照番号 : 133084

‎Robert Aldrich (director); Howard Rigsby (novel); Dalton Trumbo (screenwriter); Rock Hudson, Kirk Douglas, Dorothy Malone, Josep‎

‎The Last Sunset Five photographs from the 1961 film‎

‎London: Unviersal International Pictures 1961. Five vintage full-color still photographs from the 1961 UK release of the 1961 US film. <br /> <br /> Based on Howard Rigsby's novel "Sundown at Crazy Horse" about a cowboy who on the lam from the law travels to visit an old flame in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br /> <br /> A story set and shot on location in Mexico. <br /> <br /> 8 x 10 inches. Faint creases overall else Near Fine. Unviersal International Pictures unknown‎

書籍販売業者の参照番号 : 132742

‎John Sturges (director); Les Crutchfield (story); James Poe (screenwriter); Kirk Douglas, Anthony Quinn, Carolyn Jones (starring‎

‎Last Train from Gun Hill Ostatni pociag z Gun Hill Original Polish poster for the 1959 film‎

‎Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. <br /> <br /> Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction."<br /> <br /> Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. <br /> <br /> Artwork by Jerzy Flisak. <br /> <br /> 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. <br /> <br /> Pitts 2240. N.p. unknown‎

書籍販売業者の参照番号 : 132301

‎Otis Garrett (director); William Edward Haynes (novel); Harold Buckley (screenwriter); C Henry Gordon, Donald Woods, Nan Grey (s‎

‎The Black Doll Original post-production script for the 1938 film‎

‎Universal City CA: Universal Pictures 1937. Continuity and Dialogue script for the 1938 film. <br /> <br /> Based on the 1936 novel by William Edward Haynes. The second installment of the Universal Crime Club mysteries. A man finds a black doll after murdering his business partner and is then later murdered himself. A detective tries to solves the mystery with multiple suspects. <br /> <br /> White self-wrappers with credits for director Otis Garrett. 106 leaves with last page of text numbered 15. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Universal Pictures unknown‎

書籍販売業者の参照番号 : 130886

‎Frank Partos (screenwriter); Dorothy Canfield (story)‎

‎The Murder on Jefferson Street Original screenplay for an unproduced film‎

‎N.p.: N.p. 1944. Treatment script and copy of the original story for an unproduced film "The Murder on Jefferson Street" based on the 1944 short story by Dorothy Canfield. Copy belonging to screenwriter Frank Partos with his name in manuscript pencil. Also included with the script are contracts from Dorothy Canfield Story Magazine and Harcourt Brace and Company signing over the story's film and television rights to Partos. <br /> <br /> A psychological thriller set in a Middle Western town called Huntsville the story follows the career paths of two men who work in the same office as one attempts to psychologically damage the other in order to take his better position. <br /> <br /> Housed in a blank black spring binder. Title page present with credits for screenwriter Partos and story writer Canfield. 128 leaves carbon typescript. Pages Near Fine spring binder Near Fine. N.p. unknown‎

書籍販売業者の参照番号 : 133742

‎Russ Meyer (director, screenwriter); Ken Parker (photographer); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Dan‎

‎The Immoral Mr. Teas Mr. Teas and His Playthings Eight original still photographs from the 1959 film‎

‎Los Angeles: Pad-Ram Enterprises 1959. A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br /> <br /> The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown‎

書籍販売業者の参照番号 : 134256

‎Irving Lerner (director); Peter Shaffer (playwright); Philip Yordan (screenwriter, producer); Christopher Plummer, Robert Shaw (‎

‎The Royal Hunt of the Sun Original screenplay for the 1969 film‎

‎London: National General Pictures 1968. Revised British script for the 1969 film a UK-US co-production. Based on the play by Peter Shaffer written for the screen by Philip Yordan. <br /> <br /> Dan Pavlides: Fueled by promises of gold Pizarro Robert Shaw and his explorers make a third trip across the treacherous Andes Mountains to Peru where they meet King Atahuallpa Christopher Plummer considered to be a god by his faithful followers. The two leaders overcome their initial mistrust and suspicion garnering admiration for each other. When the King is sentenced to die Pizarro tries unsuccessfully to prevent the monarch's death at the hands of gold-hungry explorers. <br /> <br /> Green titled wrappers with a die-cut title window in the British style. Title page present dated 1 June 1968 noted as Revised with credits for screenwriter Yordan. 163 leaves mechanical duplication with pink blue green white tan and goldenrod revision pages throughout dated variously between 16 May and 22 July. Pages Near Fine wrapper Very Good plus bound internally with three screw brads. National General Pictures unknown‎

書籍販売業者の参照番号 : 131823

‎Bezencentet, Peter, Terry Bishop (directors); Benjamin Simcoe (screenwriter); Ronald Howard (starring)‎

‎Bomb in the High Street Original screenplay for the 1961 film‎

‎London: Foxwarren-Elthea / Hemisphere Pictures 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street."<br /> <br /> An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in but the men in the squad are not who they seem and the ultimate goal is revealed to be a bank heist. <br /> <br /> Tall red titled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Simcoe. 68 leaves mechanical duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Foxwarren-Elthea / Hemisphere Pictures unknown‎

書籍販売業者の参照番号 : 131821

‎Michael Forlong (director); Rex Howard Arunel (playwright); Ernie Player (screenwriter); Thora Hird, Rex Deering (starring)‎

‎Over The Odds Original screenplay for the 1961 film‎

‎Aldenham UK: Jermyn Productions 1961. Final script for the 1961 British film comedy. With revisions on pink stock bound in throughout and manuscript ink annotations mostly scene deletions on numerous pages. Also laid in are 16 pages of revisions on goldenrod stock accompanied by an advisory letter on Shepperton Studios stationery date stamped 12 January 1961. <br /> <br /> Bookkeeper George Summers Glenn Melvyn opts to marry one more time after his first wife leaves him. Unfortunately his ex-wife's harridan mother-in-law Marjorie Rhodes does not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads-not a recipe for the beginning of a successful marriage. <br /> <br /> Deep blue titled wrappers with a die-cut title window in the British style. Title page present dated January 4 1961 noted as FINAL SCRIPT with credits for screenwriter Player and playwright Deering assumed erroneously as Deering was an actor in the film and the playright was Rex Howard Arundel. 144 leaves mechanical duplication with pink undated revision pages throughout and goldenrod revision pages laid in dated 9th January 1961. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Jermyn Productions unknown‎

書籍販売業者の参照番号 : 131817

‎Joseph L Makiewicz (director, screenwriter); Carlo Mario Franzero (book); Bob Penn (photographer); Ranald MacDougall, Sidney Buc‎

‎Cleopatra Three photographs from the 1963 film‎

‎Los Angeles: Twentieth Century-Fox 1963. Collection of 3 vintage black-and-white still photographs two studio stills one reference still from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing beginning their tumultuous love-hate relationship. <br /> <br /> Based on the histories written by Plutarch Suetonius and Appian and also based on the Carlo Maria Franzero book and set in 48 B.C. in Egypt. Winner of several Academy Awards Best Cinematography Art Direction Costume Design Effects. <br /> <br /> Set in Egypt shot on location in Spain Italy England and the USA. <br /> <br /> 8 x 10 inches. Very Good plus corner creases to all studio stills toned short closed tears and a few tiny chips. The reference still has two larger tears at the right edge. Twentieth Century-Fox unknown‎

書籍販売業者の参照番号 : 134356

‎Martin Brest (director, screenwriter); Edward Cannon (short story); Tony Bill (producer); George Burns, Art Carney (starring)‎

‎Going in Style Stepping Out Two original screenplays for the 1979 film‎

‎Burbank CA: Warner Brothers 1979. A Final Draft and a Revised Draft script for the 1979 film seen here as "Stepping Out." Based on the short story "Here on a Visit" by Edward Cannon. Both drafts belonging to producer Tony Bill with his signature in black manuscript ink at the top right corner: "Tony Bill producer." Included is a typed letter of provenance signed by Bill. <br /> <br /> A delightful comedy that follows three retired men living on social security who decide to pull off a bank heist to finance their final days but more importantly to bring some excitement to their otherwise humdrum lives. The first major feature film from director and screenwriter Martin Brest who would go on to make the blockbuster success "Beverly Hills Cop" and who was only 28 at the time this film was shot. <br /> <br /> Set in New York City shot on location there and in Las Vegas. <br /> <br /> Revised Draft:<br /> <br /> Red titled wrappers. Title page present dated October 16 1978 noted as REVISED with credits for screenwriter Brest and short story writer Cannon. 128 leaves mechanical duplication. Pages Fine wrapper about Fine bound with three silver screw brads. <br /> <br /> Final Draft:<br /> <br /> Red titled wrappers noted as FINAL on the front wrapper dated October 16 1978. Title page present dated April 12 1979 noted as FINAL with credits for screenwriter Brest and short story writer Cannon. 134 leaves photocopy with blue and pink revision pages throughout dated 1/22/79 and 4/12/79. Pages Fine wrapper about Fine bound internally with two gold brads. Warner Brothers unknown‎

書籍販売業者の参照番号 : 133649

‎Gordon Douglas (director); Nate Monaster, Johanna Harwood, Mort Lachman (screenwriter); Albert R Broccoli, Harry Saltzman (produ‎

‎Call Me Bwana Original screenplay for the 1963 film‎

‎Beverly Hills CA: United Artists 1962. Treatment script for the 1963 film. <br /> <br /> Paul Brenner at AllMovie: It's Bob Hope as phony explorer Matt Merriwether who promotes himself as an expert on the dark continent basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa Merriwether based on his alleged expert knowledge of the region is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit is security agent Frederica Larsen Edie Adams. Hot on their heels are Russian agents Luba Anita Ekberg and Dr. Ezra Mungo Lionel Jeffries who want to get to the space capsule first. <br /> <br /> Self wrappers. Title page present integral with front wrapper dated 1st June 1962 noted as Original Screen Treatment on the front wrapper with credits for producers Saltzman and Broccoli. 35 leaves mimeograph on gray stock. Pages Very Good plus to Near Fine side stapled with a single staple. United Artists unknown‎

書籍販売業者の参照番号 : 131827

‎Geoffrey Household (novel); Marvin H Albert (screenwriter)‎

‎Watcher in the Shadows Original screenplay for an unproduced film‎

‎Los Angeles: Twentieth Century-Fox 1967. First Draft script for an unproduced film written by Marvin H. Albert based on the 1960 Geoffrey Household novel about an ex-military man with a dark past that comes back to haunt him. "Frances Richardson" in manuscript pencil on the front wrapper but this person's role in the film is undetermined. An interesting script with several "storyboard" pages throughout detailing scenery. <br /> <br /> A story set in Middleburg Virginia circa 1869 just after the defeat of the Confederate Army and nearing the end of the Civil War. <br /> <br /> Blue studio wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper copy No. 120 dated January 19 1967. Title page present dated January 19 1967 noted as First Draft Screenplay with credits for screenwriter Albert and novelist Household. 148 leaves mechanical duplication on eye-rest green stock with 5 storyboard leaves on white stock. Toning to the wrapper and storyboard leaves and a few light creases to the wrapper else pages and wrapper Near Fine bound with three gold brads. Twentieth Century-Fox unknown‎

書籍販売業者の参照番号 : 134381

‎George Lucas (director, screenwriter); Robert Duvall, Donald Pleasence (starring); Walter Murch (screenwriter)‎

‎THX-1138 Original oversize double weight candid photograph from the 1971 film‎

‎Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage black-and-white oversize double weight still photograph from the 1971 film. Shown are George Lucas and an assistant setting up a shot of Robert Duvall with Lucas placing calipers on Duvall's head. With the Warner Brothers studio stamp on the verso along with a notation regarding the shot and its reference number. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> Written by Lucas and Walter Murch the film set a standard for dystopian stories that would inform dozens of films in its wake. Oddly Lucas did not continue down the pessimistic path choosing instead to engage in the broader appeal of "Star Wars."<br /> <br /> 14 x 10.25 inches. Near Fine. American Zoetrope / Warner Brothers unknown‎

書籍販売業者の参照番号 : 134494

‎Ingmar Bergman (director, screenwriter); Sven Nykvist (photographer); Max Von Sydow, Lars Passgard Gunnar Bjornstrand, Harriet A‎

‎Through a Glass Darkly Original Swedish still photograph from the 1961 film‎

‎Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br /> <br /> In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br /> <br /> 11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br /> <br /> Criterion Collection 209. Svensk Filmindustri unknown‎

書籍販売業者の参照番号 : 133624

‎Roman Polanski (director, screenwriter); Gerard Brach (screenwriter); Marcello Mastroianni (starring)‎

‎What Original screenplay for the 1972 film with cast listings shooting schedules etc.‎

‎Rome: C C. Champion 1972. Draft script for the 1972 film. Bound at the rear are an additional 11 pages that include a complete Cast List and Unit List. Filmed on location in Italy as "Che" the film also saw later release in the US as "Diary of Forbidden Dreams."<br /> <br /> A lesser known film in the director's oeuvre a comedic and highly sexualized homage to Alice in Wonderland starring Sydne Rome as an American hitchhiker who stumbles upon an increasingly bizarre and decadent party at an Italian villa. <br /> <br /> Blue wrappers as originally used. Title page present noted as copy No. 4 in pink manuscript ink with credits for screenwriters Brach and Polanski. 122 leaves mechanical duplication. Pages Near Fine wrapper Very Good bound internally with two gold brads. C C. Champion unknown‎

書籍販売業者の参照番号 : 131876

‎[Film] [Art] Harold Adler (letterer); Alfred Hitchcock (director); Daphne Du Maurier (story); Evan Hunter (screenwriter); Tippi‎

‎The Birds Archive of three original title card maquettes for the 1963 film‎

‎Universal City CA: Universal Pictures 1986. Archive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters both elaborately designed and executed in a calligraphic style from Adler to author illustrator and editor Fridolf Johnson relating to Adler's work with Hitchcock. <br /> <br /> Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" 1963 his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "In the Heat of the Night" 1967 and "Justine" 1969. <br /> <br /> In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br /> <br /> In the first letter dated May 16 1986 Adler describes after touching on other topics meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill stating that Hitchcock "was amazed" by this answer and after that would "request 'to be sure to bring that nice young man along" meaning Adler whenever he had a job for Adler's firm. <br /> <br /> The second letter dated June 10th 1986 focuses almost exclusively on Adler's work on "The Birds" going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did knew what he wanted and smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. <br /> <br /> The letters themselves are works of art executed in a variety of inks in Adler's detailed penmanship with Johnson's name on each in particular receiving full calligraphic treatment. <br /> <br /> Also included are draft title cards for the film stylistically similar to each other but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil with titles executed in white paint on black board. The third card photo stat on black paper which accompanied the June 10th letter has been annotated by Adler on both the recto and verso explaining the in more detail the technical process of putting the lettering on film. <br /> <br /> Overall a significant collection of material illuminating a little explored aspect of film design with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. <br /> <br /> Each letter 19 x 24 inches single leaf rectos only. May 16th letter folded twice for mailing June 10th letter folded. Two long diagonal creases to the May 16th letter else both are Fine. Original mailing envelope for the May 16th letter included. <br /> <br /> "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. <br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown‎

書籍販売業者の参照番号 : 132794

‎Harold Adler (letterer); Menahem Golan (director, screenwriter); Isaac Bashevis Singer (novel); Sheldon Patinkin, Irving S White‎

‎The Magician of Lublin Three original title card maquettes for the 1979 film‎

‎Los Angeles: Golan-Globus Productions 1979. Three original draft title card maquettes hand lettered by Harold Adler for the 1979 film. Based on the 1960 novel by Isaac Bashevis Singer. The three sketches show different approaches to the title all distinct from the final lettering design used. <br /> <br /> Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Magician of Lublin" his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "The Birds" 1963 "In the Heat of the Night" 1967 and "Finian's Rainbow" 1969. In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br /> <br /> At the turn of the Twentieth century a Jewish stage magician and con man whose career has been ruined by womanizing gets one more shot at the big time by attempting to pull off a never before seen trick. <br /> <br /> Two leaves. First leaf: 19 x 18 inches. About Near Fine with creasing to the edges. Two designs executed in black ink on white paper with a manuscript notation to the side in blue pencil. Second leaf: 15.5 x 5.5 inches. Black ink on white paper. Near Fine with manuscript annotations in blue pencil. Golan-Globus Productions unknown‎

書籍販売業者の参照番号 : 132786

‎Fritz Lang (director, screenwriter); Bartlett Cormack (screenwriter); Spencer Tracy, Sylvia Sidney, Walter Brennan (starring)‎

‎Fury Original US herald for the 1936 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Original US herald for the 1936 film. Lang's first Hollywood film and second talkie considered one of his finest efforts and one of three films in 1936 that propelled Spencer Tracy to the upper echelons of stardom. An important precursor to film noir which would develop directly from the expressionist style Lang and others brought to Hollywood from Germany beginning in the early 1930s. <br /> <br /> 6.75 x 11.75 inches. Near Fine quite bright with a coupe of tiny closed tears and light creasing to the top edge. <br /> <br /> National Film Registry. Grant US. Rosenbaum 1000. Spicer US Precursor. Metro-Goldwyn-Mayer [MGM] unknown‎

書籍販売業者の参照番号 : 132489

‎Stephen Frears (director); Neville Smith (screenwriter); Albert Finney, Billie Whitelaw, Janice Rule (starring); Andrew Lloyd We‎

‎Gumshoe Original screenplay for the 1971 film Billie Whitelaw's working copy‎

‎Culver City CA: Columbia Pictures 1970. Draft British script for the 1971 UK film. Working copy belonging to actress Billie Whitelaw SIGNED by Whitelaw on the front wrapper with her manuscript annotations throughout in pencil and red and blue ink. Included are four vintage black-and-white still photographs from the film. <br /> <br /> Director Stephen Frear's debut feature film and the first film to feature an original musical score by Andrew Lloyd Weber. <br /> <br /> A whodunit verging on spoof Albert Finney plays a standup comedian and aspiring private detective. When he advertises his detective services in the local newspaper he may actually have to solve a real mystery. Set in Liverpool and London and shot there on location. <br /> <br /> Tall orange studio wrappers with a die-cut title window in the British style. Title page present dated 1st October 1970 with credits for screenwriter Neville Smith. 123 leaves mimeograph duplication. Pages Very Good wrapper Good bound internally with three silver brads. <br /> <br /> Grant US. Indicator 37. Columbia Pictures unknown‎

書籍販売業者の参照番号 : 134464

‎Roy Ward Baker (director); David Case (novel); Roger Marshall (screenwriter); Peter Cushing, Herbert Lom, Ian Ogilvy, Stephanie‎

‎.And Now the Screaming Starts Eight photographs from the 1973 film‎

‎London: Amicus Productions 1973. Eight vintage black-and-white still photographs from the 1973 UK film based on the novel "Fengriffen" by David Case. <br /> <br /> The ghost and severed hand of a 18th century servant terrorizes the descendant of the nobleman who maimed him along with the descendant's new wife. A darker and more serious film than the typical Amicus horror films of the era. <br /> <br /> A story shot on location in the UK. <br /> <br /> 8 x 10 inches. Photos slightly wavy Near Fine. Amicus Productions unknown‎

書籍販売業者の参照番号 : 133026

‎Robert R Presnell Jr (screenwriter)‎

‎The Mighty Mo Original screenplay for an unproduced film‎

‎Los Angeles: Bischoff-Diamond 1956. Draft script for an unproduced film. <br /> <br /> A story set aboard the USS. Missouri "The Mighty Mo" during WWII. <br /> <br /> Presnell would also write screenplays for "Screaming Eagles" 1956 also produced by Bischoff-Diamond "Legend of the Lost" 1957 "Conspiracy of Hearts" 1960 and "The Third Day" 1965. <br /> <br /> Light blue titled wrappers noted as copy No. 47 dated January 26 1956 with a credit for screenwriter Presnell Jr. Title page present with a credit for screenwriter Presnell Jr. 129 leaves mechanical duplication with the last leaf of text numbered 128. Pages Near Fine wrapper lightly toned and creased else Near Fine bound with two gold brads. Bischoff-Diamond unknown‎

書籍販売業者の参照番号 : 132370

‎Ronald Neame (director); Michael Barrett (novel); Robin Estridge (screenwriter); Yul Brynner, Anthony Caruso, Sal Mineo, Jay Nov‎

‎Escape from Zahrain Zahrain Original screenplay for the 1962 film‎

‎Hollywood: Paramount Pictures 1961. Final White script for the 1962 film "Escape from Zahrain" here under the film's working title "Zahrain" with ESCAPE FROM in manuscript ink just above it. Notations in manuscript ink and pencil on the front wrapper recto and verso though the associations are unknown. <br /> <br /> Based on Michael Barrett's 1960 novel "Appointment in Zahrain." A wanted revolutionary Brynner and his gang including a protege played by Sal Mineo travel through the desert in an attempt to elude the Arab security forces. <br /> <br /> A story set in the Middle East shot on location in the Mojave Desert in California. <br /> <br /> Self wrappers noted as FINAL WHITE SCRIPT on the front wrapper rubber-stamped copy No. 122 and production No. 11541 dated June 6 1961 with credits for producer-director Neame and screenwriter Estridge. Title page integral with front wrapper. 111 leaves with last page of text numbered 111. Mimeograph duplication dated variously 6/5/61 and 6/6/61. Near Fine overall bound with two silver brads. Paramount Pictures unknown‎

書籍販売業者の参照番号 : 134942

‎Lawrence Huntington (director, screenwriter, producer); Martin Benson (starring)‎

‎The Fur Collar Original screenplay for the 1962 film‎

‎London: Albatross 1962. Shooting script for the 1962 film. Date notation of "12 Sept 1982" in manuscript pencil on the front wrapper label. <br /> <br /> Hal Erickson at AllMovie: "The Fur Collar" is the principal clue in a mystery involving an espionage ring. Reporter John Bentley assigned to the Paris beat does his best to route out the spies. When his enemies try to assassinate him Bentley pretends to be dead the better to work undercover. Martin Benson co-stars as Inspector Legrain Bentley's friendly enemy. <br /> <br /> Burgundy titled wrappers noted as Shooting Script on the front wrapper. Title page present noted as Shooting Script in master scenes. 116 leaves carbon typescript. Pages Near Fine wrapper Very Good plus internal prong binding. Albatross unknown‎

書籍販売業者の参照番号 : 131830

‎Herman Wouk (novel); Delmer Daves (director, screenwriter); James Franciscus, Suzanne Pleshette, Genevieve Page, Eva Gabor (star‎

‎Youngblood Hawke Original screenplay for the 1964 film‎

‎Burbank CA: Warner Brothers 1963. Final script for the 1964 film. <br /> <br /> Based on Herman Wouk's 1962 novel. Youngblood Hawke Franciscus is a Kentucky truck driver who comes to New York City to start a career as a writer. He meets editor Jeanne Green Pleshette who falls for him while putting together a book deal. Throughout his first three books his hops from woman to woman and book deal to book deal including a Broadway adaptation and an affair with a woman whose jealous husband intends to destroy Hawke. He returns to Kentucky to work on writing contracts pneumonia and realizes that Jeanne was the only woman he truly loved. <br /> <br /> Set in Kentucky and New York shot on location in New York. <br /> <br /> Self wrappers noted as FINAl on the front wrapper dated February 15 1963 with credits for screenwriter Daves and novelist Wouk. Title page integral with front wrapper DATE. 160 leaves with last page of text numbered 157. Mimeograph on eye-rest green stock. Near Fine overall bound with two gold brads. Warner Brothers unknown‎

書籍販売業者の参照番号 : 135122