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ENGIN ÇIZGEN [ÖZENDES].
Photographer Ali Sami, 1866-1936.= Fotografçi Ali Sami, 1866-1936.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 155 p., b/w ills. Photographer Ali Sami, 1866-1936.= Fotografçi Ali Sami, 1866-1936. "Ali Sami (Aközer) is born in Rusçuk in 1866, and moves to Istanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarli Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school. He is employed in the Ottoman army, and he is also a teacher of phography at the palace and for many years gives lessons to Prince Burhaneddin Efendi. In 1889 he becomes an aide to Abdülhamid II. As a military photographer, he is assigned by Abdülhamid II to accompany German Emperor Wilhelm II during his visit to the Ottoman Empire when he travels from Istanbul to Jerusalem in 1898, and presents an album of this journey to the sultan. After the constitutional monarchy is proclaimed, he becomes a painting teacher at Trabzon High School, and passes away in 1936 in Istanbul". (Source: From Konstantiniyye to Istanbul: Photographs of the Anatolian shore of the Bosphorus from the mid XIXth century to XXth century). Contents: - The World Discovers Photography - Turkish Art and the Effect of the Industrial Revolution on the Ottoman Empire - Photography in the Ottoman Empire - The Imperial School of Engineers - Ali Sami Bey - Album - Captions to Photographs.
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ENGIN ÖZDENIZ.
Istanbul'daki kaptan-i derya çesmeleri ve sebilleri.
Very Good English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. [xviii], 514 p. Kaptan-i derya fountains and sebils in Istanbul. Color and b/w ills. Istanbul'daki kaptan-i derya çesmeleri ve sebilleri.
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ENGIN ÖZDENIZ.
Turkish naval officer painters.= Türk deniz subayi ressamlari.
New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 227 p. Turkish naval officer painters.= Türk deniz subayi ressamlari.
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ENGIN ÖZENDES.
Modern and contemporary approaches to photography in Turkey.= Türkiye'de fotografa modern ve çagdas yaklasimlar.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 305, [3] p., b/w and color ills. Modern and contemporary approaches to photography in Turkey.= Türkiye'de fotografa modern ve çagdas yaklasimlar. Özellikle fotograf konusunda gerçeklestirdigi önemli arastirma ve belgeleme çalismalarinin yani sira yine bu alandaki kitaplariyla taninan Engin Özendes, Cumhuriyet'in ilk yillarindan günümüze kadar çagdas ve modern çalismalar yapmis sanatçilari ilk kez bir kitapta bir araya getirirken onlarin eserleri üzerinden Türkiye'deki fotografin gelisimini onar yillik periyotlarla anlatiyor. Magara duvari resimlerinden bir örnek verilerek, insanligin resmetme tutkusunun anlatilmasiyla baslayan kitapta, sanat akimlari, fotografin bulunusunun hemen ardindan, 1840'lardan baslatilarak ele aliniyor. Fotografa yön veren bu sanat akimlarinin okuyucu tarafindan daha iyi anlasilmasi amaciyla, dünya fotografçilarindan çok genis bir yelpazede seçim yapilarak, 17 sanatçinin 17 fotografi önemli arsivlerden alinarak sunuluyor. Ardindan, kitabin ana konusunu olusturan, Türkiye'deki çagdas ve modern fotograf alaninda isler üretmis sanatçilar tanitiliyor; onlarin bu kapsamdaki eserlerinden örnekler veriliyor. Türkçe-Ingilizce bir arada yayimlanan kitapta, aralarinda Othmar Pferschy, Baha Gelenbevi, Ara Güler, Gültekin Çizgen, Sakir Eczacibasi, Teoman Madra, Ersin Alok, Kamil Sükûn, Çerkes Karadag, Ahmet Ertug, Cengiz Karliova, Sitki Kösemen, Nuri Bilge Ceylan, Orhan Cem Çetin, Kamil Firat, Mehmet Günyeli, Ali Borovali, Aramis Kalay, Laleper Aytek, Ani Çelik Arevyan, Merih Akogul, Cemal Emden, Murat Germen, Silva Bingaz, Ali Taptik, Ahmet Polat, Burcu Aksoy, Serkan Taycan, Jak Baruh, Lale Tara, Seza Bali, Can Mocan gibi sanatçilarin yer aldigi 86 yerli fotografçinin 230 adet "modern ve çagdas" nitelikteki fotografi yer aliyor. Bugüne Kadar Kitaplastirilmamis Bir Konunun Kesiti". Engin Özendes, geçtigimiz yil yine YEM Yayin tarafindan yayimlanan Osmanli Imparatorlugu'nda Fotografçilik 1839-1923 adli kitabinin devami niteligi tasiyan Türkiye'de Fotografa Modern ve Çagdas Yaklasimlar'i söyle özetliyor: "Bu kitap, ne bir ansiklopedi ne de bir özgeçmisler listesidir. Baslibasina fotografin tarihiyle ilgili degildir. Çagdas ya da modern fotografla ilgili herkesin yer aldigi iddiasini da tasimaz. Bu kitap; simdiye kadar kitaplastirilmamis bir konunun bir kesit halinde sunulmasidir. Bugün yaraticiliklarini modern ve çagdas anlayisla ortaya koyan genç sanatçilarin, geçmiste bu yolda ugras veren, yadsinamayacak isimleri tanimalari için konunun baslangici eski yillara dayandirilmistir. Cumhuriyet dönemi fotografçiligi baslangiçtan günümüze kadar degerlendirilerek, çagdas ve modern çalismalar yapmis sanatçilara yer verilmektedir. Kitapta yer almayan sanatçilar yalnizca bu tür çalismalar yapmadiklari için örneklenmemektedir.". -- Fotograf Çagdas fotografçilik Türk fotografi.
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ENGIN ÖZENDES.
Osmanli'nin son baskenti: Istanbul.
As New English Paperback. Pbo. Mint. Oblong large 8vo. (22 x 24 cm). In Turkish. B/w and color ills. 192 p. The last capital of the Ottoman Empire: Istanbul. Osmanli'nin son baskenti: Istanbul.
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ENGIN ÖZENDES.
Photography in the Ottoman Empire, (1839-1919).= Osmanli Imparatorlugu'nda fotografçilik, (1839-1919).
Very Good Very Good English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In English and Turkish. 271 p., b/w ills. Photography in the Ottoman Empire (1839-1919).= Osmanli Imparatorlugu'nda fotografçilik (1839-1919). Photography in the Ottoman Empire provides an account of the history of photography in the Ottoman Empire between the years 1839-1919, an important though neclected field in the history of an early photography. The sultans of the Ottoman Empire traditionally shaped the arts of their day. Their enthusiastic reaction to the discovery of photography was to be crucial to the development of photography in the Empire. First Edition.
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ENGIN ÖZENDES.
Photography in the Ottoman Empire, 1839-1923.
New English Paperback. Pbo. 4to. (28 x 20 cm). In English. 356 p. B/w and color ills. "Photography in the Ottoman Empire 1839-1923 provides an account of the history of photography in the Ottoman Empire between the years 1839-1923, an important though neglected field in the history of an early photography. The sultans of the Ottoman Empire traditionally shaped the arts of their day, and their enthusiastic reaction to the discovery of photography was to be crucial in the development of photography in the Empire. This third edition of the book published by YEM Publications has been updated and enlarged to incorporate new information gathered over the years and many new photographs that have been added to my archive. I have made sure that the revised text comprises the latest information available on the subject. Many nation states were created in the former Ottoman territories in Europe, Asia and Africa. I have not included the individual photographic histories of these countries but endeavoured to focus primarily on photography within the present boundaries of the Republic of Turkey. A list of photographers who worked in the Ottoman Empire has been provided to assist all those who are interested in the history of photography in Turkey and the Middle East. The names of photographers that I have come across in documents written in Ottoman Turkish script have been given as spelt. The first two editions treated the story of photography in the Ottoman Empire from the announcement of its discovery in 1839 up to 1919, but this new edition has been extended up to the year 1923 when the Turkish Republic was founded. Researching the history of photography is an unending task requiring a lifetime's dedication."
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ENGIN ÖZENDES.
The first Ottoman capital Bursa. Translated by Priscilla Mary Isin.
New English Original bdg. HC. Oblong large 8vo. (22 x 24 cm). In English. 202 p., b/w ills. The first Ottoman capital Bursa. Translated by Priscilla Mary Isin.
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ENGIN ÖZENDES.
The second Ottoman Capital Edirne. A photographic history.
New English Paperback. Pbo. Oblong large 8vo. (22 x 24 cm). In English. 178 p. Contents: Legend of the City, History of the City, The Ottoman Period, The Buildings, Commercial Life, Cultural Life, Prologue, The Photographers.
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Engle Anita
Spie all'ombra della mezzaluna. Il sogno irrealizzato di un unico Stato Arabo-Ebraico
8vo. Prima guerra mondiale. Dopo iI massacro degli Armeni, la furia turca rischia di travolgere anche il popolo d'Israele. È allora che alcuni amici, spinti dall'urgenza di liberare la Palestina, decidono di istituire una rete di spionaggio per appoggiare i liberatori inglesi. Nasce così il N.I.L.I. (acronimo di Netzach Israel Lo Ishakare, La Gloria di Israele non mentirà né si pentirà), dal coraggio di piccoli uomini che, giunti da disparate zone, si erano insediati imparando a convivere pacificamente con gli arabi. A costo della vita stessa, per tutta la durata del conflitto, essi servirono da collegamento fra le truppe del generale Allenby di stanza in Egitto e gli ebrei ostili, trasportando armi, dispacci e informazioni sulla dislocazione del nemico. Aaron Aaronsohn, agronomo e botanico, scomparso in circostanze misteriose; sua sorella Sarah, vera fiamma del N.I.L.I., che quando il gruppo venne denunciato dall'Yishuv (comunità ebraica fedele agli ottomani) si tolse la vita per non tradire i suoi segreti; Absalom Feinberg, Yosef Lishanskye molti altri. Tanto determinante fu il loro ruolo nella vittoria inglese, quanto nullo il merito che fu loro tributato.
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Engraved by J & C. WALKER.
[PORTOLAN MAP of the BOSPHORUS] Bosphorus to Kerempeh. (Black Sea sheet IX).
Very Good English Original b/w portolan chart. Folded. A little foxing and some pencil markings and notes in Ottoman script in its period. Oblong double elephant folio. (70 x 102 cm). In English. Bosphorus to Kerempeh from the Russian survey of 1834 with additions and corrections by Commander W. J. L. Wharton., R. N. 1872-80. It's written 'London published according to Act of Parliament at the Hydrographic Office of the Admiralty Jare. 16th 1854. Also shows Killa Bay (Shile Bay) from a survey by Lieut. Comm. W. R. Pristen and the midshipmen of H. M. S. Royal Sovereign, 1920. Topography partly from a Turkish map. Up side of map, engraved a view from sea of entrance of the Bosphorus, Rumili (sic. Rumeli) Lighthouse and environment with several hills. And also shows Amastra (Ancient Amastris) from Russian surveys, 1834-41; Kosku Bay from a surbey by Capt. Spratt R. N. 1854; and Sungul Bay (Zonguldak) from the Heraclee Companys plans to 1915. A rare navigation chart.
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Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] A female bedouin of the desert, with her child. Plate XXVII.= Une femme bedouin du desert, avec son enfant. Planche vingt-septieme. Drawn by Octavien Dlvimart.
Very Good English Original hand-coloured engraved plate. Slightly chipped on paper. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This may be considered as the companion of the last plat. The dress, though not elegant, is not uninteresting. The Arabian women of the desert wear a number singular ornaments; large metal rings in the ears, others of the same kind upon the ancles and arms, pieces of coral hung about hem, and also necklaces of all sorts. They sometimes even hang small bells to their hair, and the young girls fix them to their feet. And it is not an uncommon custom among the Bedouins, as with the more civilized Arabians, to puncture different parts of the body and insert a blue dye.". etc.
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Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] A Turkish woman, in a provincial dress. Plate 4.= Une femme Turque, en habit de province. Planche quatrieme. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "No dress can possibly be better calculated to conceal the person, than that worn by the Turkish females, both in Constantinople and the country, whenever appear abroad. No woman is ever seen without her maharmah, which is generally formed of muslin; one part of which fastens under the chin, and encloses the head, the other crosses the mouth and nose, and admits only space enough to see from. They also constantly wear a feredje, which entirely envelops their whole person". = "Il n'est pas d'habillemet mieux invente pour se cacher, que celui que portent les femmes Turques, lorsqu'elles proîssen dans les rues de Constantinople, ou dans le campagne. On ne vot jamais de femme sans son maharmah, qui est ordinairement fait de mousseline. Une partie s'aatche sous le menton, et enveloppe le tête; l'autre traverse la bouche et le nez, et laisse a peine assez d'espace pour y voir. Elles portent aussi un feredje, dont elles s'enveloppent entierement".
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Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] An inhabitant of the coast of Syria. Plate XXIII.= Un habitant de la côte de Syrie. Plance vingt-troisieme. [Ottoman janissarie of Syria]. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This plate, which represents the dress of an inhabitant of the coast of Syria, is also very similar to that worn by the Asiatic Janissaries. It is highly picturesque, and very different from the janissaries of Constantinople. In many eastern countries the climate is very variable, and the inhabitants therefore are obliged to clothe themselves warmer than Europeans perhaps might think it necessary, and to put on several kinds of dress, one over the other, that they may either lay them aside or resume them at their pleasure, as the temperature of the atmosphere varies. The blue cloak thrown over the left shoulder is for that purpose". = "Cette planche represente le costume d'un habitant de la côte de Syrie. Il ressemble beaucoup a celui des Jannisaires Asiatiques. Il est tres pittoresque, et differe beaucoup du costumes des Jannisaires de Constantinople. Dans la pluspart des pays de l'orient le climat est res variable, et les habitans sont obliges par consequent de s'habiller plus chaudement que des Europeens ne le croiroient necessaire. Ils mettent divers habillemens l'un sur l'autre; il les otent, ou les remettent a volonte, selon les variations de l'atmsphere. Le manteau bleu sur l'epaule gauche est pour cet usage"."
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Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] An inhabitant of the Isle of Simia. Plate XLI.= Une femme de 'lIsle de Simie. Plache quarante-unieme. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Slightly chipped on paper. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "Simia is one of the numerous islands scattered all over the Archipelago. It is at a very small distance from the Asiatic coast, and a little to the north of the island of Rhodes. Most of these islands were formerly the cause of frequent wars, and were sometimes subject to one power, sometimes to another, and many of them were often also independent of all. They have now, however, for a great length of time, been subject to the Turkish government, which derives an annual tribute from each of them. It has been remarked before, that the dress of the women in many of these islands was extremely picturesque and becoming. The present, perhaps, is only partially so, on account of the concealment of the lower part of the face; as well as on account of the form of the body, which is too undeterminate, and therefore appears ill-formed". = "Simie est une de ces isles qui sont repandues en grand nombre dans l'Archipel. Elle est fort pres de la côte d'Asie, et en peu au nord de l'isle de Rhodes. Ces isles ont ete jadis la cause de guerres frequente, et ont apartenues, tantôt a un pouvoir, tantôt a un autre; quelques une ont souvent aussi ete independentes. Il y a deja longtems cependant qu'elles sont sous la domination de l'empire Ottoman, qui tire un tribut chaqu'une d'elles...".
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Engraved by JOHN DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] A Bedouin Arab. Plate XXVI.= Un Arab de Bedouin. Planche vingt-sixieme. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This singular body of Arabs never inhabit any town, but constantly live under tents...". etc.
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Engraved by WILLIAM POOLE, (1803-1807).
[HANDCOLOURED COLOR ENGRAVING] A Turk in his chall, or shawl. Plate IX.= Un Turc dans son chale. Planche neuvieme. [An Ottoman Turk in his shal]. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This is the dress of a Turk, whenever he ventures abroad on foot: but this, among the higher ranks, is never done in the streets of Constantinople. The clokes are generally ornamented with rich and valuable furs, and the châlls [sic. shals] or shawls, are also very richly worked. The male dress of the Turks is regulated by sumptuary laws, and is distinctive of the different classes, but the females are permitted to wear any sort of ornament they choose. The TUrks of any considerable rank in life consider it as a degradation to be seen walking; and they constantly go about the city on horseback, accompanied by a numerous train of servants on foot. Some very pompous and rich individuals have been known to have above an hundred in their train. These are always as richly dressed, and as numerous as possible at any of their feasts, particularly that of the Beyram (sic. Bayram)". = "Tel est l'habillement d'un Turc toutes les fois qu'il lui rrive de sortir a pied. Mais c'est ce que les gens de distinction ne font jamais dans les rues de Constantinople. Les mantaux sont generalement ornes de fourrures de tres grand prix, et les châles aussi sont tres richement brodees..." etc.
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Engraved by WILLIAM POOLE, (1803-1807).
[HANDCOLOURED COLOR ENGRAVING] An Egyptian Arab. Plate XXII.= Une Arabe Egyptienne. Planche vingt-deuxiemme. [Egyptian women]. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "The varieties of female dress in most of the eastern nations can never be distinguished when they are in the streets, both form their veils and the long cloaks in which they are concealed. At Cairo they conceal the head and part of the body by a large black veil; and those who can afford rich habits, are always covered with a large wrapper. The veil, which is always the first concern with the women, for it is the very last part of their dress they would part with, is formed of a long triangular piece of linen cloth fitted to the head, and falling down before, so as to cover all the face except the eyes. At Cairo this is always black, and very large. All the oriental women wear drawers, and the poorer sort in Egypt wear little ese but these drawers, and a long blue shirt.". etc.
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Engraver: M. DE RIENZI.
[MAP of FRENCH POLYNESIA AND MICRONESIA] Polynesie et Micronesie; d'apres la classification et les divisions etablies par. M. de Rienzi.
Very Good French Original b/w map. Folded. Oblong 4to. (23 x 29 cm). In French. It shows New Zealand, Australia, and islands in Polynesia and Micronesia. [MAP of FRENCH POLYNESIA AND MICRONESIA] Polynesie et Micronesie; d'apres la classification et les divisions etablies par. M. de Rienzi.
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ENIS KORTAN.
Kaybolan Istanbul'um: Bir mimarin anilari, 1947-1957.
Very Good Turkish Paperback. Large 8vo. (23x 23 cm). In Turkish. 156 p., b/w and color ills. Kaybolan Istanbul'um: Bir mimarin anilari, 1947-1957. Memoirs of a Turkish architect, Enis Kortan, (1932-). With illustrations by Le Corbusier.
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ENKI BILAL.
Nikopol tirilogy. 3 volumes set: Vol. 1: Ölümsüzler panayiri. Vol. 2: Tehlikeli kadin. Vol. 3: Soguk ekvator. [Turkish Edition of Nikopol trilogy: The Carnival of Immortals, The Woman Trap, Cold Equator].
Fine English Paperback. Pbo. Fine+. 4to. (28 x 19 cm). In Turkish. Color ills. 3 volumes set: (64 p.; 56 p.; 56 p). Translator: Ülker Üner. Nikopol tirilogy. 3 volumes set: Vol. 1: Ölümsüzler panayiri. Vol. 2: Tehlikeli kadin. Vol. 3: Soguk ekvator. [Turkish Edition of Nikopol trilogy: The Carnival of Immortals, The Woman Trap, Cold Equator].
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ENNIO CONCINA.
Il doge e il Sultano. Mercatura, arte e relazioni nel primo '500.= Doç ve Sultan. 16. yüzyil baslarinda ticaret, sanat ve iliskiler.
Fine English Paperback. 4to. (29 x 25 cm). In Italian and Turkish. 167 p., color and b/w ills. Dopo aver delineato la lunga storia di un rapporto tra Venezia e Constantinopoli bizantina che si traduce in una progressiva assunzione da parte della prima delle 'vesti imperiali' -artistiche e architettoniche- della capitale dell'Impero d'Oriente, il saggio riconstruisce i complessi termini de competizione e confronto tra la Repubblica Serenissima e Istanbul ottomana nel secono '400. Ripercorre, quindi, la straordinaria vicenda di un doge, Andrea Gritti, vissuto a lungo come mercante nella Istanbul di Beyazid II, intimamente legato a questa e alla sua societa a convinto assertore di una politica di apertura mediterranea, entro la quale trova corretta interpretazione la vivace e partecipe attenzione veneta alla cultura ottomana nell'eta di Solimano il Magnifico. Contents; La laguna a il Bosforo; Venezia Alterum Byzantium e Istanbul Ottomana, 1450-1530.; Il mercante, il doge, il Sultano.; Bibliografia essenziale; indice delle illustrazioni.
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ENRIQUE SAPORTA Y BEJA.
Refranes de los Judíos Sefardíes y otras locuciones típicas de los Judíos Sefarcíes de Salónica y otros sitios de Oriente (Biblioteca Nueva Sefarad Volumen V).
Fine Spanish Paperback. Demy 8vo. (21 x 14 cm). In Spanish. [6], [xii], [2], 203 p. Refranes de los Judíos Sefardíes y otras locuciones típicas de los Judíos Sefarcíes de Salónica y otros sitios de Oriente (Biblioteca Nueva Sefarad Volumen V). Sayings of Sephardic Jews and other locutions typical of Sephardic Jews from Thessaloniki and other sites in the East. First and Only Edition.
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ENSAR ASLAN.
Çildirli Âsik Senlik. Hayati, siirleri, karsilasmalari, hikâyeleri.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 502 p. Çildirli Âsik Senlik. Hayati, siirleri, karsilasmalari, hikâyeleri. A comprehensive biographical study on Asik Çildir Senlik, (1850-1913), who was Turkish minstrel and public leader in 19th century. Rare.
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ENVER BEHNAN SAPOLYO.
Mustafa Resit Pasa ve Tanzimat Devri tarihi.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 199, [1] p. A study on Mustafa Resid Pasha and Westernization (Tanzimat) period of the Ottoman Empire. Mustafa Resit Pasa ve Tanzimat Devri tarihi.
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ENVER BEHNAN SAPOLYO.
Osmanli - Inkilâp ve Avrupa tarihi özü.
Very Good English Modern aesthetic cloth bdg. Demy 8vo. (22 x 15 cm). In Turkish. 176 p. Osmanli - Inkilâp ve Avrupa tarihi özü.
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ENVER BESINCI.
Osmanli'dan günümüze icazetten diplomaya.
New New Turkish Original bdg. Dust wrapper. Folio. (33 x 24 cm). In Turkish. 455 p., colot ills. Osmanli'dan günümüze icazetten diplomaya. History of Turkish education from the Ottoman Empire to present, focusing in particular on Ottoman graduation documents such as certificates and diplomas. Based on a private collection.
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ENVER Bey
Le "grand divan" vieux-turc du 22 janvier et le coup d'?tat jeune turc du 23. - La journ?e fatale de Nazim Pacha : la signature de l'armistice. - Devant la sublime porte. Article (7 pages, 9 photos) dans l'illustration.
Num?ro complet.
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ENVER BOSTANCI.
Studies of the skulls from the excavation at Sardes and the relation with the Ancient Anatolians.= Sardis kazilarinda çikan kafataslarin incelenmesi ve Eski Anadolu halklari ile olan münasebetleri.
Very Good English Modern cloth bdg. Roy. 8vo. (24 x 17 cm). In English and Turkish. 222 p., b/w plates. Studies of the skulls from the excavation at Sardes and the relation with the Ancient Anatolians.= Sardis kazilarinda çikan kafataslarin incelenmesi ve Eski Anadolu halklari ile olan münasebetleri.
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ENVER GALIP CEYLAN.
Kendi kendine kirk derste Osmanli Türkçesi.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In Turkish. 103 p. Kendi kendine kirk derste Osmanli Türkçesi. A study on learning the Ottoman Turkish (Old Turkish with Arabic letters) by self.
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ENVER KONUKÇU.
Kocaeli'nin ilk Osmanli yöneticisi Süleyman Pasa [1316-1356 / 7].
New English Paperback. Pbo. Roy. 8vo. (23 x 15 cm). In Turkish. 272 p. B/w ills. First Ottoman governor of Kocaeli City: Suleiman Pasha. Zeugma yalniz degil! Türkiye'de barajlar ve kültürel miras.
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ENVER KONUKÇU.
Kocaeli'nin ilk Osmanli yöneticisi Süleyman Pasa, [1316-1356 / 7].
New English Paperback. Pbo. Roy. 8vo. (23 x 15 cm). In Turkish. 272 p. B/w ills. First Ottoman governor of Kocaeli City: Suleiman Pasha. Kocaeli'nin ilk Osmanli yöneticisi Süleyman Pasa, [1316-1356 / 7].
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ENVER KONUKÇU.
Selçuklulardan Cumhuriyete Erzurum.
Fine English Paperback. çok temiz, Roy. 8vo. (24 x 17 cm). In Turkish. [xix], 974 p., b/w ills. Selçuklulardan Cumhuriyete Erzurum., ENVER KONUKÇU, Yüksekögretim Kurulu Matbaasi, Ankara, 1992" -- Sehir tarihi Yerel tarih Türk tarihi Erzurum Dogu Anadolu
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ENVER KONUKÇU.
Selçuklulardan Cumhuriyete Erzurum.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xix], [1], 974 p., b/w ills. First Edition. Rare. Selçuklulardan Cumhuriyete Erzurum. First Edition. Rare. URBAN HISTORY Seljuks Ottoman Empire Local history Erzurum Erzeron Erzorum East Anatolia Turkish history Kurds.
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ENVER MERCAN.
Osmanli bahriyesinde ilk denizaltilar: Abdülhamid ve Abdülmecid.
New New English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. 224 p. B/w and color ills. and documents in Ottoman Turkish. 500 copies were printed. A privately limited published edition. Rare. Osmanli bahriyesinde ilk denizaltilar: Abdülhamid ve Abdülmecid.
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ENVER METE ASLAN.
Ud exercises: Building technique.= Ud alistirmalari: Teknik çalismalar.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. 95 p. Ud exercises: Building technique.= Ud alistirmalari: Teknik çalismalar. CLASSICAL TURKISH AND OTTOMAN MUSIC Musiki Ud Turkish instrument Reference Method.
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ENVER PASA.
Basinda Enver Pasa. Preface by Osman Mayatepek.
Fine English Paperback. Pbo. 4to. (34 x 24 cm). In Turkish. 48, [1] p., b/w ills. Basinda Enver Pasa. Preface by Osman Mayatepek. Enver Pasha in Turkish press.
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ENVER PASHA Sealed by personally Ottoman Mnister of War Harbiye Naziri 1881 1922.
Ottoman berat for promoted rank of Mehmed Emin Efendi son of Ahmed Nuri of Istanbul who was deputy reserve officer in the wireless telegraph to the rank 'lieutenant' durin WW 1 in 1916.
Istanbul: AH 1332 1916. Soft cover. Very Good. Original manuscript 'berat' in diwan� Ottoman Turkish script for promoted rank of Mehmed Emin Efendi son of Ahmed Nuri of Istanbul who was deputy reserve officer in the wireless telegraph to the rank 'lieutenant' durin WW 1 in 1916. 41x195 cm. 1 p. Four lines with elqab and sealed by Enver Pasha when he was Minister of War during the first World War in 1916. Written in very calligraphic diwan� style. Sealed in Dersaadet Ministry of War as 'Harbiye N�ziri Enver' i.e. Enver Minister of War. Enver Pasha was an important Ottoman general and commander in chief a hero of the Young Turk Revolution of 1908 and a leading member of the Ottoman government from 1913 to 1918. He played a key role in the Ottoman entry into World War I on the side of Germany and after the Ottoman defeat in 1918 he attempted to organize the Turkic peoples of Central Asia against the Soviets. Manuscript notes on verso. <br/> <br/> AH 1332 paperback
Bookseller reference : 052091
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ENVER PASHA Sealed by personally Ottoman Mnister of War Harbiye Naziri 1881 1922.
Ottoman berat for promoted rank of Musa Rifki Efendi son of Hasan of D�zce who was deputy reserve officer to the rank 'lieutenant' during WW 1 in 1916.
Istanbul: AH 1332 1916. Soft cover. Very Good. Original manuscript 'berat' in diwan� Ottoman Turkish script for promoted rank of Ottoman berat for promoted rank of Musa Rifki Efendi son of Hasan of D�zce who was deputy reserve officer to the rank 'lieutenant' durin WW 1 in 1916. 41x195 cm. 1 p. Four lines with elqab and sealed by Enver Pasha when he was Minister of War during the first World War in 1916. Written in very calligraphic diwan� style. Sealed in Dersaadet Ministry of War as 'Harbiye N�ziri Enver' i.e. Enver Minister of War. Enver Pasha was an important Ottoman general and commander in chief a hero of the Young Turk Revolution of 1908 and a leading member of the Ottoman government from 1913 to 1918. He played a key role in the Ottoman entry into World War I on the side of Germany and after the Ottoman defeat in 1918 he attempted to organize the Turkic peoples of Central Asia against the Soviets. Manuscript notes on verso. <br/> <br/> AH 1332 paperback
Bookseller reference : 052092
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ENVER PASHA (Sealed by personally), (Ottoman Mnister of War -Harbiye Nâziri-), (1881-1922).
Ottoman berat for promoted rank of Mehmed Emin Efendi, son of Ahmed Nuri of Istanbul who was deputy reserve officer in the wireless telegraph to the rank 'lieutenant' durin WW 1 in 1916.
Very Good Turkish, Ottoman (1500-1928) Original manuscript 'berat' in diwanî Ottoman Turkish script for promoted rank of Mehmed Emin Efendi, son of Ahmed Nuri of Istanbul who was deputy reserve officer in the wireless telegraph to the rank 'lieutenant' durin WW 1 in 1916. 41x19,5 cm. 1 p. Four lines with elqab and sealed by Enver Pasha when he was Minister of War during the first World War in 1916. Written in very calligraphic diwanî style. Sealed in Dersaadet, Ministry of War, as 'Harbiye Nâziri Enver' (i.e. Enver, Minister of War). Enver Pasha was an important Ottoman general and commander in chief, a hero of the Young Turk Revolution of 1908, and a leading member of the Ottoman government from 1913 to 1918. He played a key role in the Ottoman entry into World War I on the side of Germany, and, after the Ottoman defeat in 1918, he attempted to organize the Turkic peoples of Central Asia against the Soviets. Manuscript notes on verso.
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ENVER PASHA (Sealed by personally), (Ottoman Mnister of War -Harbiye Nâziri-), (1881-1922).
Ottoman berat for promoted rank of Musa Rifki Efendi, son of Hasan of Düzce, who was deputy reserve officer to the rank 'lieutenant' during WW 1 in 1916.
Very Good Turkish, Ottoman (1500-1928) Original manuscript 'berat' in diwanî Ottoman Turkish script for promoted rank of Ottoman berat for promoted rank of Musa Rifki Efendi, son of Hasan of Düzce, who was deputy reserve officer to the rank 'lieutenant' durin WW 1 in 1916. 41x19,5 cm. 1 p. Four lines with elqab and sealed by Enver Pasha when he was Minister of War during the first World War in 1916. Written in very calligraphic diwanî style. Sealed in Dersaadet, Ministry of War, as 'Harbiye Nâziri Enver' (i.e. Enver, Minister of War). Enver Pasha was an important Ottoman general and commander in chief, a hero of the Young Turk Revolution of 1908, and a leading member of the Ottoman government from 1913 to 1918. He played a key role in the Ottoman entry into World War I on the side of Germany, and, after the Ottoman defeat in 1918, he attempted to organize the Turkic peoples of Central Asia against the Soviets. Manuscript notes on verso.
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ENVER ZIYA KARAL, (1908-1982).
Halet Efendinin Paris büyük elçiligi, (1802-1806).
Fine Turkish Modern cloth. Roy .8vo. (24 x 17 cm). In Turkish. 131, [5] p., b/w plates, Ottoman documents. First Edition. Rare. Halet Efendinin Paris büyük elçiligi, (1802-1806). Embassy of Halet Efendi in the early 19th century in Paris.
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ENVER ZIYA KARAL, (1908-1982).
Halet Efendinin Paris büyük elçiligi, (1802-1806).
Fine Turkish Modern cloth. Roy .8vo. (24 x 17 cm). In Turkish. 131, [5] p., b/w plates, Ottoman documents. First Edition. Rare. Halet Efendinin Paris büyük elçiligi, (1802-1806). Embassy of Halet Efendi in the early 19th century in Paris. Signed and inscribed by Karal.
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ENVER ZIYA KARAL.
Armenian question, 1878-1923.
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English. 25, [7] p. Many b/w ills. [La question Armenienne (1878-1923)]. Armenian question, 1878-1923.
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ENVER ZIYA KARAL.
Armenian question, 1878-1923.
Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English. 25, [7] p. Many b/w ills. [La question Armenienne (1878-1923)]. Armenian question, 1878-1923.
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ENVER ZIYA KARAL.
La question Arménienne, (1878-1923).
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In French. 25, [7] p. Many b/w ills. Armenian question, (1878-1923). La question Arménienne, (1878-1923).
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ENVER ZIYA KARAL.
Osmanli Imparatorlugunda ilk nüfus sayimi, 1831.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 216 p. Osmanli Imparatorlugunda ilk nüfus sayimi, 1831. The work is the reprint of the edition that was made in 1943 by the Directorate General of the Turkish Prime Ministry. First census in the Ottoman Empire 1831.
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ENVER ZIYA KARAL.
Osmanli Imparatorlugunda ilk nüfus sayimi: 1831. [FACSIMILE EDITION].
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 216, [1] p. Osmanli Imparatorlugunda ilk nüfus sayimi: 1831. [FACSIMILE EDITION]. The work is the reprint of the edition that was made in 1943 by the Directorate General of the Turkish Prime Ministry. First census in the Ottoman Empire 1831.
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ENVER ZIYA KARAL.
Selim III'ün hat-ti hümayunlari. Nizam-i Cedit, 1789-1807.
Fine English Paperback., Very good., 23 x 16 cm, [iv], 210 p. "Selim III'ün hümayunlari, -Nizm-i Cedit, 1789 - 1807-, ENVER ZIYA KARTAL, TTK - Türk Tarih Kurumu, Ankara, 1946" First Edition.
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Erasme.
Des. Erasmi Roterodami Concultatio De Bello Turcis inferendo. Opus cum cura recens editum.
Athène, 1974, 220x150mm, 91pages, broché. Réimpressions de l’édition de Lyon, Jean Maire, 1643. Bel exemplaire.
Bookseller reference : 93804
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