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HOVHANNES KATSCHAZNOUNI.
Für die Daschnakzutjun gibt es nichts mehr zu tun. (Bericht zur parteikonferenz 1923).
Fine English Paperback. Pbo. Cr. 8vo. 142, [1] p. In German. "Wir beginnen die Serie "Die Lüge vom Genozid an den Armeniern anhand armenischer Dokumente" mit einem offiziellen Dokument, das die Unterschrifts des ersten Ministerpräsidenten Armeniens und Führer der Dashnakzutjun-Partei trägt. Dieser historische Bericht, der auf der Auslandskonferenz der Daschnakzutjun-Partei im April 1923 in Bukarest vorgetragen wurde, wurde in Armenien verboten. Die in verschiedenen Sprachen gedruckten Auflagen dieses Buches wurden aus den europäischen Bibliotheken konfisziert. Der Ministerpräsident der Armenier, von denen behauptet wird, dass sie einem Völkermord ausgesetzt worden sind, bewertet die Geschehnisse als einen Krieg. Was noch wichtiger ist: Er stellt die Geschehnisse offenherzig dar, dass sie zum Instrument der Imperialisten geworden sind. Der Bericht von Katchaznouni setzt der großen Lüge der Imperialisten ein Ende. Mehmet Perincek, wissentschaftlicher Mitarbeiter an der Unuversität Istanbul, hat dieses Dokument in Lenin-Bibliothek in Moskau entdeckt. Wir veröffentlichen den Bericht von Katchaznouni zusammen mit der Einleitung von Mehmet Perincek".
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HOWEL (Thomas).
Voyage en retour de l'Inde par terre et par une route en partie inconnue jusqu'ici ; suivi d'Observations sur le passage dans l'Inde par l'Égypte et le grand désert par James Capper. À
Paris, De l'Imprimerie de la République, 1797. 1 vol. 2 parties en 1 vol. in-4 de (2)-XVI-385- (1) pp., demi-veau havane, dos lisse orné de filets dorés et noir (relié vers 1830).
Référence libraire : 43100
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Hrant DINK
Deux peuples proches, deux voisins lointains : Arménie - Turquie
Actes Sud, "Bleu", 2009, 10 x 19, 201 pages sous couverture illustrée. Essai traduit du turc par Emre Ülker et Dominique Eddé. Préface de Jean Kéhayan. Ouverture d'Etyen Mahçupyan.
Référence libraire : TURQUIE2410
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HRAND D. ANDREASYAN.
Polonyali Simeon'un seyahatnâmesi, 1608-1619.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [vii], [2], 206 p. Polonyali Simeon'un seyahatnâmesi, 1608-1619.
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HRANT BEY NORADOUNGHIAN.
Les Balkans et la Russie a la veille de la Premiere Guerre Mondiale. Memoires d'un diplomate Ottoman.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 103 p. Contents: Préface.; Avant-propos.; 1. Belgrade à la veille des guerres balkanique.; 2. Saint Petersbourg.; 3. Belgrade à la veille de la guerre mondiale; Index. Les Balkans et la Russie a la veille de la Premiere Guerre Mondiale. Memoires d'un diplomate Ottoman.
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HRANT PAPAZIAN.
Anus (Dilber). Opera 4 perde. Turkish libretto and musical arrangement by Hrant Papazian.
Very Good English Modern cloth made as saved original covers on cloth's faces. Cr. 8vo. (19 x 13 cm). In French. 16 p. Anus (Dilber). Opera 4 perde. Turkish libretto and musical arrangement by Hrant Papazian.
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HRANT PAPAZIAN.
Dicran Tchouhadjian. Vie et oeuvres. [i.e. Tigran Chukhajian: His life and works].
Very Good French Paperback. Cr. 8vo. (19 x 13 cm). In French. 27 p., fully visual material including musical scores, ills., posters, et alli. Dicran Tchouhadjian. Vie et oeuvres. Life and works of Tigran Gevorki Chukhajian (1837-1898). Chukhajian was an Ottoman Armenian composer and conductor, and the founder of the first opera institution in the Ottoman Empire. He is considered the first opera composer in Turkish history. He created the first Armenian opera, Arshak II (1868, partially staged in 1873), based on the historical figure King Arsaces II (Arshak II). The score was considered lost, but was discovered in 1942 and performed in 1945 in a revised version at the Armenian Opera Theater opera theater in Yerevan. Arshak II continued in the repertoire of the Yerevan Opera Theater. In 2001, it was staged at the San Francisco Opera. He is famous with his Leblebidji Hor-Hor Agha (1875).
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HRANT PAPAZIAN.
Eglises Byzantines transferees aux Armeniens. Avec photographies de l'auteur.
Very Good English Paperback Pbo. Cr. 8vo. (19 x 13 cm). In French and Armenian. 31, [10] p. B/w and color ills. Eglises Byzantines transferees aux Armeniens. Avec photographies de l'auteur. ARMENIANS Christian architecture Byzantium Church History of art.
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HRANT PAPAZIAN.
Hin Skutary yev mer p'voghots'y. [= Old Scutari and our street].
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. Color and b/w ills. 30, [2] p. Signed and inscribed by Papazian. Hin Skutary yev mer p'voghots'y. [= Old Scutari and our street].
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HRANT PAPAZIAN.
Komitas. Vie et ouvres.
Fine English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In French. 29, [3] p., color and b/w ills. Komitas. Vie et ouvres. MUSIC Armenians Compositor Composition Biography Ottoman culture History of art.
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HRANT PAPAZIAN.
Les eglises Byzantines d'Istanbul. Avec photographies de l'auteur.
Very Good English Modern cloth made as saved original covers on cloth's faces. Cr. 8vo. (19 x 13 cm). In French. 31, [1] p. B/w photos. Editor's copy. Les eglises Byzantines d'Istanbul. Avec photographies de l'auteur.
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HRANT PAPAZIAN.
Vonferenvia. Yerazhshtavan Banakhosutiwnk.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. 143, [1] p. B/w and color ills. Signed and inscribed by Papazian. Vonferenvia. Yerazhshtavan Banakhosutiwnk.
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HRISTO STAMBOLSKI, JOSIF LJUBENOV.
Le Yemen en 1877-78 tel que l'ont vu deux medecins Bulgares. Traduction, introduction et notes de Bernard Lory.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 140 p. Contents: Introduction. Mémoires de Hristo Stambolski Josif Ljubenov: Mes souvenirs du Yemen Cartes: Le Yémen, Sana. Le Yemen en 1877-78 tel que l'ont vu deux medecins Bulgares. Traduction, introduction et notes de Bernard Lory.
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HUBER, Paul:
Image et message. Miniatures byzantines de l'Ancien et du Nouveau Testament.
Zürich, Atlantis, 1975, in-4to, 210 p., rich. ill., reliure en toile originale, jaquette et emboîtage. Bel exemplaire.
Référence libraire : 66691aaf
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HUGO (Victor).
LES ORIENTALES. - Les feuilles d'automne. - Les chants du crépuscule.
1884, 1 demi chagrin, dos à nerfs, tête dorée, filets dorés sur les plats, coins émoussés, pliure sur le plat supérieur. in-8, faux-titre, titre, 508 pages ;
Référence libraire : 16932
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HUGH POPE.
Sons of the conquerors: The rise of the Turkic world.
Fine Fine English Original bdg. Dust wrapper. Demy 8vo. (22 x 14 cm). In English. 413 p., b/w ills. Sons of the conquerors: The rise of the Turkic world. A detailed portrait of the Turkic people explores events since World War I that have rendered the nation a vital NATO ally and the site of a secular Islamic democracy, tracing centuries of citizen ancestry to offer insight into how Turkish culture has significantly impacted history. By the co-author of Turkey Unveiled. 20,000 first printing. With the end of the Soviet Union began independence for a half-dozen Turkic countries, where Istanbul-based reporter Pope has made forays for the past 15 years, traveling in both presidential airliners and faltering taxis. Pope does not organize his trips chronologically, but, rather, according to what he believes are the seven collective characteristics of Turkic peoples. One is the "military vocation" epitomized by Turkey itself, whose military is regarded as the guardian of secularism; a concomitant trait is predilection for the political strongman. None of the new Turkic states is a liberal democracy, and none less so than Turkmenistan, home to a shambolic personality cult devoted to its dictator. Pope's talks with officials are always revelatory of local and international politics, but readers will most value his perceptiveness about Turkic culture when he, speaking fluent Turkish, meets ordinary people. Some of these are Uygurs, the Turkic minority suppressed by communist China, and others are part of the Turkic diaspora in Europe and America. A sensitive presentation of how Turks view themselves and their future.
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Hughes, Bettany
Istanbul a Tale of Three Cities
8vo, hardcover in dj. 832pp. a city which stands as a gateway between the east and west, one of the indisputably greatest cities in the world. Previously known by the names Byzantium and Constantinople, this is the most celebrated metropolis in the world to sit on two continents, straddling the dividing line of the Bosphorus Strait between Europe and Asia. During its long history, Istanbul has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. Its architecture reflects these many cultures, including the Hagia Sophia (Byzantine), the Blue Mosque (Ottoman), the Valens Aqueduct (Roman), the Topkapi Palace (Ottoman), and more modern Art Nouveau avenues built in the 19th and 20th centuries - many of which are UNESCO World Heritage sites. With the founding of the Republic of Turkey by Ataturk in 1923, Istanbul was overlooked and Ankara became the capital. Over the next 90 years, Istanbul has undergone great structural change, and in the 1970s the population of the city rocketed as people moved to the city to find work, turning Istanbul into the cultural, economic and financial centre of Turkey. Events there recently have again brought Istanbul to the forefront of global attention. Indeed, while writing this book, Bettany was caught with her daughters in the crossfire of Taksim Square. Bettany Hughes has been researching and writing this rich portrait of one of the world s most multi-faceted cities for over a decade.
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HUGO WINCKLER, (1863-1913).
Ein Beitrag zur Geschichte der Assyriologie in deutschland.
Very Good German Paperback. Roy. 8vo. (23 x 16 cm). In German. 44 p. Ein Beitrag zur Geschichte der Assyriologie in deutschland. A contribution to the history of Assyriology in Germany.
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HULL Alastair & BARNARD Nicholas
Decors de Kilims
Paris, Flammarion 1989 191pp., avec de nombreuses illustrations en couleurs et en n/bl, texte en Français, 27cm., reliure cart. d'éditeur, jaquette illustrée, bon état, S96698
Référence libraire : S96698
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HULL Alastair & BARNARD Nicholas
Decors de Kilims
191pp., avec de nombreuses illustrations en couleurs et en n/bl, texte en Français, 27cm., reliure cart. d'éditeur, jaquette illustrée, bon état, S96698
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HULUSI AKAR.
Harbord Military Mission Report: Studies on American fact funding mission conducted and their impact on Turkish-American relations.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 264 p. Harbord military mission report: Studies on American fact funding mission conducted and their impact on Turkish-American relations.
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HULUSI KÖSE, KEVORK KALLOSHYAN, ELIF NAIME ARSLANOGLU.
A chronological view of Armenian - Muslim relations.= Ermeni - Müslüman iliskilerine kronolojik bir bakis.
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English and Turkish. 448 p. A chronological view of Armenian - Muslim relations.= Ermeni - Müslüman iliskilerine kronolojik bir bakis. ARMENIANS Armenian Non - Muslim minorities Ottoman history Muslim culture Islamic world Ottoman society.
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HULUSI YAZICIOGLU, MUSTAFA AL.
Safranbolu, Karabük, Ulus, Eflâni. Tarihçe, kaynaklar.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 131 p. B/w ills. History of old cities of Western Black Sea shores (Bythinia, Safranbolu, Karabük etc.) and their sources. Safranbolu, Karabük, Ulus, Eflâni. Tarihçe, kaynaklar.
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HULÛSI YAVUZ.
Kâbe ve Haremeyn için Yemen'de Osmanli hakimiyeti, (1517-1571).
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 224, [16] p. Kâbe ve Haremeyn için Yemen'de Osmanli hakimiyeti, (1517-1571). Ottoman rule in Yemen in 16th century for Kaaba and Haramayn.
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HULÛSI YAVUZ.
Osmanli Devleti ve Islâmiyet.
Fine English Paperback. Cr. 8vo. (20 x 13 cm). In Turkish. 262 p. Osmanli Devleti ve Islâmiyet. The Ottoman Empire and Islam.
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HULÛSI YAVUZ.
Siyaset ve kültür tarihi açisindan Osmanli devleti ve Islâmiyet.
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 262 p. Siyaset ve kültür tarihi açisindan Osmanli devleti ve Islâmiyet. The Ottoman Empire and Islam.
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HULÛSI, (Teacher, doctor and 'kaimakam' in the Natural Sciences Faculty of Darülfünûn [University of Istanbul]).
Rehber-i ümrân-i vatan ve sebçerag-i rah-i medeniyyet.
Very Good Turkish, Ottoman (1500-1928) In full leather bdg. with Ottoman letter gilt on spine. Cr. 8vo. (20 x 14 cm). In Ottoman script. 91 p. Rehber-i ümrân-i vatan ve sebçerag-i rah-i medeniyyet. Only one copy located in Columbia University in the City of New York in OCLC: 1038069972.; Özege 16674.; TBTK 13725. First and Only Edition. Extremely rare.
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Humana, Charles, Illustrated by Multi-illus.
The Keeper of the Bed : The Story of the Eunuch
Hard Cover. First Edition. 8vo 202pp, photo illustrations and reproductions, VG Copy in G mylar protected DJ. eunuchi serraglio.in english.
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HUNGARIAN NATIONAL MUSEUM.
Süleyman the Magnificent and his age. [Exhibition catalogue]. Hungarian National Museum, September 7, 1994-January 8, 1995, Budavári Palota, Building 'A'. Edited by Ibolya Gerelyes.
New English Paperback. 4to. (28 x 20 cm). In English. 137, [10] p., color and b/w ills., 1 map. Süleyman the Magnificent and his age: [exhibition] Hungarian National Museum, September 7, 1994-January 8, 1995, Budavári Palota, Building 'A'. Edited by Ibolya Gerelyes. Contents: Foreword.; Acknowledgements.; I: Art in the Sultan's saray in the Sixteenth Century.; Süleyman, the ruler.; Artists and workshops in the saray.; The Nakkashane.; Goldsmith's art, ornamented weapons.; Furniture.; Textiles.; Ceramics.; II: Sixteenth-century Ottoman art in Hungary.; Goldsmith's art.; Ornamented weapons.; Ottoman textiles.; Ceramics.; Bibliography.; Abbreviations.; Glossary.; Catalohue entries.; Map to Ottoman Empire.
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HURI ISLAMOGLU.
Ottoman history as world history.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 268 p. Introduction: A Venture into Ottoman History as World History or A Personal Agenda for Ottoman History The Ottoman Empire and the World System Perspective: A Critical View Oriental Despotism in World System Perspective in The Ottoman Empire and the World Economy. Edited by Huri Islamoglu-Inan. Cambridge: CUP, 1987. pp. 1-24. The Middle East and North Africa in the World Economy: Gran and Seddon Reconsidered, METU Studies in Development, vol. 18, no. 3 (1991), pp. 307-42. 'Peasants, Commercialisation and Legitimisation of State Power in Sixteenth Century Anatolia in Landholding and Commercial Agriculture in the Ottoman Empire. Edited by Çaglar Keyder and Faruk Tabak. New York: SUNY Press, 1991. pp. 5776. The Ottoman Empire in Comparative Perspective: Not that Unique after All. An Agenda for Comparative History: Law and Property as Aspects of State Power, METU Studies in Development, vol. 19, no. 4 (1992), pp. 60720. Why European History?? METU Studies in Development, vol. 22, no. 3 (1995), pp. 221-230. Ottoman and Chinese Modernities Compared: State Transformations and Constitutions of Property in Qing and Ottoman Empires in the 18th and the 19th Centuries, Journal of Early Modern History, vol. 5, no. 4 (Fall 2001) pp. 352-386 Towards a Political Economy of Ottoman Modernity and Beyond. A History of the Idea of Civil Society (expanded version of Civil Society, history of the idea of in International Encyclopedia of the Social & Behavioral Sciences. Edited by N. J. Smelser and Paul B. Baltes. Oxford : Pergamon, 2001 Property as a Contested Domain: A Re-evaluation of the Ottoman Land Code of 1858. (revised version of the article with the same title in New Perspectives on Property and Land in the Middle East. Edited by Roger Owen. Cambridge, Mass.: Harvard University Press, 2000. pp. 3-61) Politics of Administering Property: Law and Statistics in the 19th Century Ottoman Empire, in Constituting Modernity: Private Property in the East and the West. Edited by Huri Islamoglu. London: I.B. Tauris, 2004. pp. 276-319) ?Words that Rule: From Bureaucratic 'Commissions? to Governing 'Boards'.
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HURIYE SAHIN, MAHIR ÖZKAN, MINE ÜÇÜNCÜ, H. KANÇ, TOTI GARBENOGLU.
Hamsetsu gor.= Hemsin imecesi.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish and Hemsin Armenian. 48 p., b/w ills. Hamsetsu gor.= Hemsin imecesi. ARMENIANS Armenian culture Non-Muslim minorities of Turkey Ottoman Empire Hemsin - Hamamsen Black Sea Rize Minorities Ethnicity Language.
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HUSAIN SHERIFI.
Art of restoring and storage ancient coins.= Hunar-i marammat va nigah'dârî-i sikkah'hâ-yi bâstânî.
New Persian Paperback. Roy. 8vo. (24 x 17 cm). Text in Persian; bilingual in English and Persian title on cover. 106 p., color plates. Art of restoring and storaje ancient coins.= Hunar-i marammat va nigah'dârî-i sikkah'hâ-yi bâstânî.
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HUSEYIN (ISTANBULLU MUSAVVIR), (Early Ottoman painter), (17th century).
Silsile-nâme = Genealogical tree of the Ottoman Dynasty. Introduction by Nurettin Yardimci. Transcription by Sadi Bayram.
Ankara: Vakiflar Genel Müdürlügü 2000. Limited Edition . Hardcover. New. 4to - over 9¾ - 12" tall. Original burgundy cloth binding with gilt decoration in the Ottoman style to front and back. In publisher's burgundy slipcase with gilt decorations. Small 4to. 29 x 18 cm. In Ottoman script with its booklet in the pocket of book including transcription and introductory text. 40 p. reprint of the Ottoman text color ills.; 40 p. text in Turkish. Reprint of manuscript dated 1682. 3000 copies were printed. Facsimile in beautiful Ottoman calligraphy 40 pages including 102 miniatures in circle medallions. The 'Silsile-name' Genealogical Tree is a manuscript dating back to 1682 with miniature paintings of Ottoman Sultans The Prophet Muhammad face not shown the Four Caliphs and on the facing page Hasan and Hüseyin and the Imams in it and other leaders. The original manuscript was made by the Musavir portrait painter Hüseyin in Istanbul during the reign of Suleiman the Magnificent in the 16th century. <br/> <br/> Vakiflar Genel Müdürlügü hardcover
Référence libraire : 051483 ISBN : 9751925347 9789751925343
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HUSNI AL-BARAZY, (Ex-deputy of Syria).
Business card with autograph note.
Very Good Turkish Original business card of Hüsni El-Barazi who was ex-deputy of Syria. Size: 5,5x9cm. In Turkish. Title under the printed name on card is handwritten. ca. 1950s.
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HUUSSEN A.H.
Het leven van Ogier Ghislain de Busbecq. En het verhall van zjin avonturen als keizerlink gezant in Turkije. 1554 - 1562
Leiden Sijthoff's 1949 Leiden Sijthoff's 1949, In-8 reliure éditeur pleine toile bleue. Portrait en frontispice + 304 pages, gravure, index des noms cités. Texte en hollandais. Bon état.
Référence libraire : 114985
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HUUSSEN A.H.
Het leven van Ogier Ghislain de Busbecq. En het verhall van zjin avonturen als keizerlink gezant in Turkije. 1554 - 1562
Leiden Sijthoff's 1949, In-8 reliure éditeur pleine toile bleue. Portrait en frontispice + 304 pages, gravure, index des noms cités. Bon état.
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HUXLEY Julian
Splendeur et misère de l'Orient.
Couverture rigide. Reliure toile de l'éditeur. 334 pages. Jaquette rodhoïd.
Référence libraire : 45574
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HÂFIZ HÜSEYIN AYVANSARÂYÎ.
Mecmuâ-i tevârih. Prep. by Fahri Ç. Derin - Vâhid Çabuk.
Fine English Paperback. Pbo. Near mint. Roy. 8vo. (24 x 17 cm). In Turkish. [xxxix], 488 p., errata. Mecmuâ-i tevârih. Prep. by Fahri Ç. Derin - Vâhid Çabuk. OTTOMANIA Ottoman history Historiography Historian.
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HÂFIZ HÜSEYIN AYVANSARÂYÎ.
Vefeyât-i Ayvansarâyî. (Inceleme - tenkitli metin). Prep. by Rifat Kütük.
New English Paperback. Pbo. Roy. (24 x 17 cm). In Turkish. 272 p. Vefeyât-i Ayvansarâyî. (Inceleme - tenkitli metin). Transcription of a manuscript giving biographican information on Ottoman people.
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HÂLID ZIYÂ [TÜRKKAN].
Kadastro ne idi, nedir, ne olacaktir? Çeviri - biyografi. Edited by Songül Kadioglu, Mehmet Yildirir.
New English Original bdg. HC. Roy 8vo. (25 x 18 cm). In Turkish and facsimile in Ottoman script. [xviii], [4], 313 p., b/w ills. Kadastro ne idi, nedir, ne olacaktir? Çeviri - biyografi. Edited by Songül kadioglu, Mehmet Yildirir. First Edition in 1928.
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HÂMIT DERELI.
Kraliçe Elizabeth devrinde Türkler ve Ingilizler. Bir arastirma.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 135 p. Kraliçe Elizabeth devrinde Türkler ve Ingilizler. Bir arastirma. British and Turkish people in the age of Queen Elizabeth. A research.
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HÂMIT ZÜBEYR KOSAY, (Turkish archaeologist, ethnographer, writer and folklore researcher), (1897-1984).
Autograph letter signed 'H. Kosay' with its envelope, addressed to Ibrahim Hakki Konyali, (1896-1984).
Very Good Turkish Original ALS by Hamid Zübeyr Kosay sent to Ibrahim Hakki Konyali. With its envelope. 21x14,4 cm. In Turkish. He congratulates Konyali and he says that he's working on the ancient civilizations reports, and he has to return his ex-duty in Ethnography Museum. He praises 'Tarih Dünyasi' periodical which was a historical magazine published in 1950s by Konyali. Hamit Zübeyir was a Turkish archaeologist, ethnographer, writer, and folklore researcher. He was the son of Ubeydullah Efendi who was a scholar of the period and Rizaetdin Fäxretdin (a close friend of Musa Carullah) a famous scientist, was his brother-in-law. He was sent to Turkey with the support of Rizaetdin Fäxretdin for his education in 1909. He graduated from Thessalonica Central Secondary School in 1911. At the break of the Balkan War, he returned to Istanbul when he was in Sultaniye. He finished the teacher training school in 1916 and became a teacher. After attending courses on ethnography and the Hungarian language at university for the winter semester, he went to Hungary to continue his education where he completed pedagogy. He was accepted to the Advanced Teachers Training School at Eötvös Kollegium (Eötvös Loránd University with the support of Prof. Ne'meth Gyula. Then he attended the same university's Faculty of Philosophy and received the title of Doctor of Language and Turcology. He went to Germany in 1924 to attend the courses of Prof. Bang Koup at Berlin University and did research at the State Library and museums. In 1925 he returned to Turkey and worked at the Ministry of National Education. After working as the Inspector of Libraries at the Ministry of Culture he was a director for the Department of Culture, Antique Works, and Libraries at the same ministry. He continued as the General Director of Antique Works and Museums, board member of Culture Training, and for the second time as the Director of the Ethnography Museum. He retired on 1 December 1969 after working for two years as Deputy Director of the Ethnography Museum and Consulting General Director of Antique Works and Museums.
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HÂMIT ZÜBEYR KOSAY, AKILE ÜLKÜCAN.
Anadolu yemekleri ve Türk mutfagi. Prep. by Turgut Çeviker.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 323 p. Color and b/w ills. Anadolu yemekleri ve Türk mutfagi. Prep. by Turgut Çeviker.
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HÂMIT ZÜBEYR KOSAY, M. E. ZARIF ORGUN, SADI BAYRAM, ERDOGAN TAN.
Osmanli Imparatorlugu ve Türkiye Cumhuriyeti çaglarinda Türk kazi tarihi. 5 volumes set.
New English Paperback. Pbo. 4to. (32 x 21 cm). In Turkish. 5 volumes set. History of Turkish Archaeology in the Ottoman Empire and the Republican Turkey. Osmanli Imparatorlugu ve Türkiye Cumhuriyeti çaglarinda Türk kazi tarihi. 5 (6 books) volumes set.
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HÂMIT ZÜBEYR KOSAY.
Guide d'Alaca Höyük.= Alaca Höyük kilavuzu. Translated by Selma Inal.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish and French. 30 p., 8 plates and maps. Guide d'Alaca Höyük.= Alaca Höyük kilavuzu. Translated by Selma Inal.
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HÂMIT ZÜBEYR KOSAY.
Summary guides to the sights of Anatolia, Ankara (Ankyra).
Very Good English Paperback. Pbo. Mint. Roy. 8vo. (24 x 17 cm). In English. 10 p. Summary guides to the sights of Anatolia, Ankara (Ankyra).
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Hélian Jacques,Marie-José,Moreno Dario,Les Quatre de Paris - Simon Nat - Fontenoy Marc,Kennedy Jimmy
Partition de la chanson : Istamboul Istanbul
Partitions sur la Turquie Beuscher Paul 1953
Référence libraire : 17950
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Hérisson
Carte de l'Empire Ottoman, théâtre de la guerre en Europe et en Asie, dressée par Hérisson, 1854
J. Noël et Fourmage, éditeurs Carte 1854 Carte ancienne (env. 87 x 63 cm dépliée), de l'Empire Ottoman, théâtre de la guerre en Europe et en Asie, dressée par Hérisson, comprenant un plan de Constantinople, de Chouma et ses environs, de Varna et de Silistrie, ainsi que de magnifiques ornements aquarellés (drapeaux), 2e édition, 1854 ; un petit défaut dans la marge gauche, par ailleurs très bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Référence libraire : yd1551
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HÜLYA BILGI, IDIL ZANBAK VERMEERSCH.
Kütahya: Sadberk Hanim Museum Kütahya Tiles and Ceramics Collection.
New New English Original bdg. Dust wrapper. 4to. (32 x 25 cm). Edition in English. 488 p., color ills. Kütahya: Sadberk Hanim Museum Kütahya Tiles and Ceramics Collection. The KÜTAHYA: Sadberk Hanim Museum's Kütahya Tile and Ceramic Collection Exhibition will be held at Sadberk Hanim Museum and remain open from 8 March until 25 November 2018. The exhibition encompasses Kütahya ware in all its wide diversity of form and decoration, and is accompanied by a comprehensive book on the subject. Curators of the exhibition are Hülya Bilgi and Idil Zanbak Vermeersch, who have also prepared the catalogue. The Ottoman period tiles and ceramics collection is one of the most important of the Sadberk Hanim Museum collections. It consists of ware made in potteries in Iznik, Kütahya and Çanakkale, which were the three main centres of Ottoman tile and ceramic art between the 15th and early 20th centuries; enabling the development of production over this period to be clearly understood. Organised as one of the major events on Sadberk Hanim Museum's programme for 2018, the exhibition presents examples of tiles and ceramics produced in Kütahya, where pottery has been made without interruption since antiquity and which in Ottoman times became the second most important source of tiles after Iznik. Sadberk Hanim Museum's Kütahya tile and ceramic collection is here exhibited chronologically and according to stylistic features. The exhibition is a reflection of production in Kütahya between the 18th and 20th centuries, during the Ottoman period. The diversity of the exhibits means that they throw light on both the artistic and technical aspects of Kütahya tile and ceramic production; tracing changes over time in decoration, form, and quality of the paste and glaze. Ceramic finds uncovered in the course of public infrastructure works in the city of Kütahya in 1979 demonstrated that production in Kütahya continued in parallel with that of Iznik. This ancient art managed to survive in Kütahya for centuries, from early Ottoman times onwards. Kütahya's master potters and tile makers maintained a high level of creativity and while styles changed throughout the period they continued to meet the needs of ordinary people for domestic ware, while at the same time producing tiles to embellish the walls of monumental buildings. Kütahya tiles and ceramics had long since found their way into museums and private collections in the 19th century, and today are increasingly sought after by collectors.
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HÜLYA BILGI, TURGUT SANER, SEBNEM ERYAVUZ.
Motif from the Sadberk Hanim Museum Collection.= Sadberk Hanim Müzesi Koleksiyonu'ndan motif. [Exhibition catalogue]. 9 November 2020 - 31 October 2021, Sadberk Hanim Museum.
New English Original cloth bdg. Folio. (32 x 25 cm). In English and Turkish. 474 p., color and b/w ills. In 2020, its 40th anniversary, Sadberk Hanim Museum is justly proud of its position as Turkey's first private museum and aware of the responsibility that this entails. This significant anniversary is being celebrated by an inspiring exhibition and accompanying catalogue. The exhibition and publication project in this instance does not present a specific group of objects in the museum collections. Under the title 'Motif,' the panoramic diversity of every category is represented by bringing together historical motifs from different cultures that have encountered one another in very different regions. Up till now all of the museum's exhibitions have focused on strong aspects of the museum's collections. However, our anniversary project links objects together through their motifs, displaying the exceptional range of our relatively small yet outstanding museum. Motifs are the mainstays of works of art. The motifs of a novel, a story, a symphony or a folksong carry the work forward and bring it to life. The Latin word motivus encompasses several meanings: to set in motion, movement and flow. This project displays the historical depth, flow and cultural movement of the beautiful motifs on works of art in Sadberk Hanim Museum, both in the Archaeological Section and the Turkish-Islamic Section. In antiquity spinning motifs were used on coins that passed from hand to hand, while lamps illuminated cornucopias, vine branches and bunches of grapes that represented abundance and fertility. Garlands and acanthus motifs were introduced to Ottoman art. The rose (rh?don) featured on the coins of ancient Rhodes still conveys meaningful messages to us. Legendary creatures instilled fear but also gave protection; human figures on coins represented gods and rulers. The ancient lotus and palmette motif was applied to tile decoration by Ottoman artists. Motifs travelled back and forth along the caravan roads; much as today, for example, they wander the world on our clothes and bags. In the past motifs were passed down from master to apprentice and from older to younger generations, while now they gain new identities in the creative hands of designers. Our aim is to increase knowledge, arouse curiosity and share the beauty of 466 selected objects from the Sadberk Hanim Museum collection. These artefacts, each with a powerfully expressive aesthetic, represent nearly 500 motifs. Looking at these it becomes clear how closely connected Turkey is to both East and West, with Anatolia at its centre. The motifs have been divided into five main concepts, arranged from the general to the specific: Perception of the world and the universe ("Life and Power"); scenes of nature and the world of plants ("Nature"); images of human beings and animals in art ("Figurative Decoration"); expression in art of the principles governing a large and majestic system ("Order and Harmony"); and the ways in which people shape their surroundings ("Space"). One of the most important achievements of the project has been to give visibility to hundreds of motifs that might ordinarily escape attention. We invite visitors of every age and every occupation to establish an intellectual tie with what these historical motifs have to tell, and present a new visual palette and opportunity for intellectual exercise in relation to the world of art and forms. We developed this project in order to share the story of motifs with both art history and contemporary art circles, and to set the scene for a fresh look at many subjects, such as "rules, inspiration and evocation in creativity". Drawing attention to the possibilities of combining motifs with the visuality of the digital age and to the perfection found in antique works of art and handcrafts has been among our aims.
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