|
|
|
RINALDO MARMARA.
La Paix Hospital. A testament to Ottoman tolerance, 1858-2008.= Lape Hastanesi. Osmanli hosgörüsünün tanigi, 1858-2008.
New New English Original bdg. Original dust wrapper. 4to. (29 x 25 cm). In English and Turkish. 174, [1] p. Color and b/w ills. La Paix Hospital. A testament to Ottoman tolerance, 1858-2008.= Lape Hastanesi. Osmanli hosgörüsünün tanigi, 1858-2008. OTTOMANIA Corporate history History of medicine Non-Muslim minorities Medical Health Hospital Istanbul - Constantinople.
|
|
|
KEMAL ÖZDEMIR.
Osmanli deniz haritalari. Ali Macar Reis atlasi.
Fine Fine English Original bdg. Original dust wrapper. 4to. (33 x 23 cm). In Turkish. Many color and b/w ills. 159 p. Ottoman charts: Maps and atlas of Kaptan-i Derya Ali Macar Reis. Osmanli deniz haritalari. Ali Macar Reis atlasi. OTTOMANIA Atlas Maps Travel History of science Travel Mapbook Collection Navigation Nautical charts.
|
|
|
MUSTAFA KOÇAK.
Aphrodite am Pfeiler. Studien zu aufgestützten / angelehnten weiblichen figuren der Griechischen marmorplastik.
New English Paperback. Pbo. 4to. (28 x 20 cm). In German; and Turkish abstract. [x], 244 p., many b/w plates. In der vorliegenden Arbeit wurden die aufgestützten/angelehnten weiblichen Figuren der griechischen Marmorplastik zum ersten Mal zusammengestellt und in zwei großen Abschnitten untersucht. Anhand der Stilanalysen sowie der Beobachtungen an technischen Aspekten konnten wichtige Ergebnisse erzielt werden. Darüber hinaus konnten die ästhetisch-formalen Aspekte des untersuchten Bildmotivs herausgearbeitet werden. Aus der nachparthenonischen Zeit stammen, neben den aufgestützten/angelehnten zahlreiche andere Standbilder der Aphrodite. Aufgrund der fehlenden oder unzureichenden archäologischen sowie inschriftlichen Zeugnisse und wegen der spärlichen Quellenlage kann nahezu keine von ihnen mit Sicherheit mit einem bestimmten Heiligtum resp. dessen Kultbild in eine direkte Verbindung gebracht werden, wie in der bisherigen Forschung wiederholt vorgenommen wurde. Man kann nur hoffen, dass in der Zukunft diesbezügliche Funde oder andersartige Belege auftauchen, die das heutige Bild verändern können. Nach der Mitte des 2. Jhs. v. Chr. brachte die hellenistische Kunst zahlreiche aufgestützte/angelehnte weibliche Figuren hervor. Anhand einer eingehenden Beobachtung konnten diese klassifiziert werden. Wichtig war zudem, einen zeitlichen Rahmen, besonders obere Grenze(n), für den untersuchten Gegenstand zu bestimmen, welche durch die Gegenüberstellungen mit verschiedenen späthellenistischen Werken gewährleistet werden konnte. Der überwiegende Teil der hellenistischen aufgestützten und/oder angelehnten Figuren orientiert sich vielmehr an ,Vorbildern' wie den Musen, dem ,Apollon Kyrene' und dem Hermaphrodit aus Pergamon, die zeitlich unmittelbar vorangehen, also nicht an klassischen Aphroditen, wie in der bisherigen Forschung wiederholt postuliert wurde. Sie übernehmen dabei nicht nur Stand- und Stützmotive von diesen sondern auch Gewandformen. Man bedient sich dabei einer eklektischen, als ein besonderes Phänomen des Späthellenismus zu betrachtenden Darstellungsweise für diese Figuren, welche dadurch als genuine Schöpfungen ihrer Zeit zu gelten haben.
|
|
|
SIR RICHARD GREGORY.
Ingiliz ilim adamlari. [=First and only Turkish Edition of Gregory's British scientists'. Propaganda book series of England published during the WW II].
Very Good English Original bdg. HC. Roy. 8vo. (23 x 17 cm). In Turkish. First Turkish Edition of 'British scientists [1941]'. 47, [1] p. Color and b/w plates and ills. Minor splits at spine. Ingiliz ilim adamlari. [=First and only Turkish Edition of Gregory's British scientists'. Propaganda book series of England published during the WW II].
|
|
|
EDMUND BLUNDEN.
Ingiliz köyleri. [First and only Turkish Edition of Blunden's 'English villages'. Propaganda book series of England published during the WW II].
Very Good English Original bdg. HC. Roy. 8vo. (23 x 17 cm). In Turkish. First Turkish Edition of 'English villages [1941]'. 47, [1] p. Color and b/w plates and ills. Minor splits on spine. Ingiliz köyleri. [=First and only Turkish Edition of Blunden's 'English villages'. Propaganda book series of England published during the WW II].
|
|
|
MEHMED SEVKI EFENDI, (Ottoman calligrapher), (1829-1887).
Yâsin sûresi [= Surat Yasin]. Calligraphy: Mehmed Sevkî Efendi (1829-1887). Illumination: Fatma Özçay.
New English Original bdg. with traditional semse (mystic Islamic sun) figure in Ottoman style. 12mo. (17 x 12 cm). [16] p. 2000 copies were printed. Yâsin sûresi [=Surat Yasin]. Calligraphy: Mehmed Sevkî Efendi (1829-1887). Illumination: Fatma Özçay. This chapter wa taken from a prayer album (awrâd) dated 1295/1878 and copied by Seyyid Yahya al-Shirwânî in the collection of Zeki Cemal Özen, and is being published separately. Second Edition.
|
|
|
CEVAT ÜSTÜN.
1683 Viyana seferi.
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. First Edition. B/w ills. 120 p., 11 ills. and plans; 13 color maps. 1683: The Ottoman Empire's Vienna siege. 1683 Viyana seferi.
|
|
|
CELÂL ESAD ARSEVEN, (1876-1971).
Sanat ansiklopedisi. 5 volumes set.
Very Good English Original 1/4 leather bounds. 5 volumes set: (2644 p). 4to. (28 x 20 cm). In Turkish. Many b/w ills. and plates. Celal Esad Arseven was a Turkish art professor and historian. He's pioneer who got some disciplines such as urbanism, architecture and history of art. In addition he said the Turkish arts are unique and have some unique characteristics in history of art. The most important study is 'Sanat ansiklopedisi =[Encyclopedia of art]. First Edition. A very good copy. Sanat ansiklopedisi. 5 volumes set.
|
|
|
IBNÜLEMIN MAHMUD KEMAL INAL.
Son sadriazamlar. [Son sadrazamlar]. 3 volumes, 14 fascicules set.
Very Good English In contemporary bdg. Roy. 8vo. (24 x 17 cm). In Turkish. 3 volumes set: (1600 p). Many b/w plates. First Edition of Ibnulemin's biographical study (tazkira). [Last grand viziers of the Ottoman Empire]. Son sadriazamlar. [Son sadrazamlar]. 3 volumes, 14 fascicules set.
|
|
|
Prep by BARIS CEZAR, EMRAH GÜLEK, ÇIÇEK ÖZTEK.
Stories from the Hidden Harbor: Shipwrecks of Yenikapi. Edited by Gülbahar Baran Çelik, Zeynep Kiziltan.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English. Color and b/w ills. 219 p. "In 2004, the Istanbul Archaeological Museums started large-scale salvage excavations at Yenikapi within the scope of Marmaray-Metro projects. For the first time in Istanbul's history, archaeological excavations were conducted at one of its Byzantine harbors. When the excavations started, it was not known what this ancient harbor at the mouth of the Lykos (Bayrampasa) River would yield. At first, Ottoman remains were encountered in the excavation area, which covers over 58,000 square meters. Then, one of Constantinople's most important, and the world's best known harbors, the Theodosian Harbor, was reached only 1 meter below sea level. During the ongoing excavations, countless small finds and works of architecture were unearthed. In addition to wood and rope fragments, an unexpected find, a shipwreck, was found in 2005. As the excavation area expanded, a total of 37 ships dating between the 5th and 11th centuries were brought to light. Among the finds are very well preserved small and large merchantmen, as well as galleys from the Middle and Late Byzantine periods, which have been found for the first time. The Yenikapi wrecks constitute the largest collection of shipwrecks ever found together. Another surprise was waiting for the archaeologists 6,3 meters below sea level: Istanbul's oldest settlement. This Neolithic settlement dates back 8000 years and changes the writing of Istanbul's history. The footprints of Istanbulites who lived there thousands of years ago were found a few meters below. As the excavations go on uninterrupted, we have now acquired much new information about the city. This exhibition has been prepared in light of the finds from Yenikapi and their scientific study. It presents a section of the city from its first inhabitants to the present, and allows a multidimensional view of trade, seafaring, shipbuilding technology, and everyday life in Constantinople through four wrecks that were found together with their cargo. A publication by the Istanbul Archaeological Museums, Koç Foundation, Koç University Research Center for Anatolian Civilizations and Koç University Press".
|
|
|
MARTIN BACHMANN.
Tarabya. Geschichte und entwicklung der historischen sommerresidenz des Deutschen boschafters am Bosporus.= Tarabya. Alman Büyükelçisi'nin Bogaziçi'ndeki tarihi yazlik rezidansinin tarihçesi ve gelisimi.
New English Original bdg. 4to. (30 x 21 cm). In German and Turkish. B/w ills. 72 p. Tarabya. Geschichte und entwicklung der historischen sommerresidenz des Deutschen boschafters am Bosporus.= Tarabya. Alman Büyükelçisi'nin Bogaziçi'ndeki tarihi yazlik rezidansinin tarihçesi ve gelisimi.
|
|
|
LADY DOROTHY MILLS.
Beyond the Bosphorus.
Very Good English In original cloth. HC. Small Roy. 8vo. (23 x 15 cm). In English. 224 p., 35 photographic ills. in 24 plates. Lady Dorothy Mills who started her Istanbul journey with a wrong train, noticed this in Budapest and got off the train in Romania border, after all succeeds to got on the Sofia Express. She became very happy when she arrived to Istanbul. However the pouring rain, her wet aching feet, cold wind of Bosphorus, seeing her dreams about the city were not real made her unhappy and she did not love Istanbul. Afterwards Istanbul, with its mosques especially Hagia Sophia (St. Sophia), its Grand Bazaar, Bosphorus and with its all other beauty impressed Doroty Mills. The writer continues her journey visiting Ankara, South Anatolia, Syria, Jerusalem, Tel-Aviv, Jordan and Iraq, wrote her observations about historical, geographical, cultural and social qualities of countries, qualities and traditions of nations of the countries that she travelled as a diary with a riveting style.
|
|
|
EDHEM ELDEM.
Osmanli Bankasi Arsivi ve Tahsin Isbiroglu Koleksiyonundan Osmanli Bankasi banknotlari, 1863-1914.
New New English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. Many color ills. of banknotes. 167 p. Ottoman paper moneys form the Collection of Tahsin Isbiroglu and the archive of the Ottoman Bank. Osmanli Bankasi Arsivi ve Tahsin Isbiroglu Koleksiyonundan Osmanli Bankasi banknotlari, 1863-1914. This book attempts to present all the banknotes and instruments of circulation issued by the Imperial Ottoman Bank from 1863 to 1914, within the framework of its privilege. The main reason behind this effort is to complete the patchy, or sometimes altogether missing, information available to this day. Indeed, even though some of the general features and figures of the bank's issue were already known, this information still remained extremely superficial. To give but one concrete example of the limits and superficiality of this knowledge, it should suffice to say that there was no clear information as to the exact dates and numbers of each issue. Figures and dates relating to the withdrawal, cancellation and incineration of these banknotes were even harder to come by. In short, it was clear that the only source likely to bring some clarity to the matter was the bank's own records. The Ottoman Bank historical research project, initiated in 1997 with the collaboration of the Ottoman Bank and the Economic and Social History Foundation of Turkey, made it possible to unearth, one after the other, all the documents relating to the Imperial Ottoman Bank's role as a bank of issue. Today, it is possible to study in great detail every single issue of the bank, to the point of following the fate of an individual banknote from issue to cancellation and to incineration. This book consists, therefore, of a systematic presentation of these sources and of the information that can be derived from them.
|
|
|
GARO KÜRKMAN.
Magic of clay and fire. A history of Kütahya pottery and potters.
New New English Original bdg. Dust wrapper. 4to. (33 x 25 cm). In English. 405 p. Color ills. Some areas of art history have been overlooked in comparison to others, attracted less attention, and for this reason been the subject of less research and evaluation. Such situations are observed in particular where one branch or period of art in a country is so prominent as to overshadow its neighbours and counterparts. These neglected areas often deserve far more interest than circumstances grant them. Moreover, the bright light cast by their more famous cousins makes it harder, or even sometimes impossible, to do them justice and gain a true understanding of their qualities. A striking example of this phenomenon in Ottoman art is Kutahya ceramics, which have remained relatively unnoticed with the spotlight of attention focused on Iznik. When speaking of Ottoman ceramics it is first of all those of Iznik that spring to mind today, and this was no less true in the past. Kutahya pottery, like that of Canakkale, has been left to straggle far behind. Yet even a little examination reveals that although in comparison with these splendid 'court art' of Iznik, the pottery of Kutahya is regarded as provincial in character, and that of Canakkale as 'folk art', both these traditions are marked by lively originality and creativity. This book has been designed to throw new light on one of these overshadowed areas, the richly endowed world of Kutahya ceramics. In a region where pottery has been produced without interruption through the Phrygian, Greek, Roman, Byzantine, Ottoman and modern periods, Kutahya's long history of pottery production - its development, materials, workshops and craftsmen - has now been re-examined in new depth. Garo Kurkman has combed museums and archives all over the world, bringing to light a myriad documents and photographs that have never been published before, and his fascinating study based on all this new information takes us on a thrilling journey through the magical world of clay, fire and glaze. Some aspects of art history are inevitably overshadowed, and attracting less attention are inadequately researched and evaluated. This happens particularly when one branch or period of a country's art rises to the fore and casts a dazzling light in which other close and similar forms pale into indignificance. arts which are so outshone do not receive the appreciation they really deserve, the brigjht of their illustrious fellow over shadwowed arts possess unexpected riches, uniqe flavours and unforeseen depths thath await discovery by the alert arthistorian, the sharp eyed collector, and the art lover who enjoys following rarely trodden paths.
|
|
|
SERDAR AYBEK.
Metropolis Ionia I. Heykel: Metropolis'de Hellenistik ve Roma dönemi heykeltrasligi.
New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In Turkish. 207 p. B/w ills. Metropolis Ionia I: Sculpture: Hellenistic and Roman sculpture in Metropolis, Anatolia, Smyrna. Metropolis Ionia I. Heykel: Metropolis'de Hellenistik ve Roma dönemi heykeltrasligi. ARCHEOLOYG Anatolian civilizations Sculpture History of art Ancient history of art Smrne Izmir The Roman Empire Hellenism.
|
|
|
Edited by MUSTAFA SAHIN.
Mosaics of Turkey and parallel developments in the rest of the Ancient and Medieval world: Questions of iconography, style and technique from the beginnings of mosaic until the late Byzantine Era.= Türkiye mozaikleri ve Antik Dönemden Ortaçag dünyasina diger mozaiklerle paralel gelisimi: Mozaiklerin baslangicindan Geç Bizans çagina kadar ikonografi, stil ve teknik üzerine sorular.
New English Original bdg. Color and b/w ills. [xxvi], 974 p. In English, Turkish, German, and French articles. Contents: Abdallah, Komait / Mosaïque d'Heracles decouverte à Homs (Syrie centrale). Andaloro, Maria-Paola Pogliani / The 6th Century Mosaic Floor of the Church of Küçük Tavsan Adasi (Bodrum). A Model for an Integrated Analysis between Knowledge, Conservation and Documentation. Aydin, Ayse / Das Fussbodenmosaik des Annexbaus in der Kuppelkirche in Kaunos. The Floor Mosaics at the Annex Building of the Domed Church. Baldassarri, Paola / Archaeological Excavations at Palazzo Valentini: A Residential Area in the Shade of the Trajan's Forum. Balmelle, Catherina-Aïcha Ben Abed-Ben Khader-Fathi Bejaoui / La Maison des Deux Lions à Carthage. Barsanti, Claudia / The Marble Floor of St. John Studius in Constantinople: A Neglected Masterpiece. Abed, Aïcha Ben - Roger Hanoune / Les pavements mosaïques des Thermes à l'octagone de Pupput (Hammamet, Tunisie. Tirado, Jesús Bermejo / The Social Construction of Gender Identities through the Ancient Mosaics from Antioch. Blanc-Bijon, Veronique-Fabienne Olmer avec la collaboration de Marie-Laure Courboules / Une nouvelle mosaïque sur l'oppidum de l'Ermitage à Ales (Gard, France). Blázquez, Jose María / Mythology in Mosaics of Zeugma and Hispania. Similarities and DifferencesBugini, Roberto-Luisa Folli-Brunella Portulano-Elisabetta Roffia / The Analytical Approach to the Roman Mosaics. A Case-Study in Northern Italy. Buzov, Marija / The Early Christian Mosaics with Inscription in Croatia. Piquero, Javier Cabrero / A New Hispano-Roman Mosaic with the Story of Meleager. Caetano, Maria Teresa - Cátia Mourão / A "Portrait" of Book XII of the Æneid Mosaic from the « House of the Medusa » (Alter do Chão, Portugal). Can, Birol / Technical, Stylistic, Iconographic Evaluation and Dating of Mosaics of Altintepe Church. Carucci, Margherita / An Example of Visual Humour on a Romano-African Mosaic Putting Images in their ContextClarke, John R. - Lea Cline / New Light on Mosaic Metrics: Research at Villa A. Torre Annunziata - Italy - 50 B.C. - A.D. 79Cookson, Neil / Orpheus: Some Metaphors in Mosaic. Cvetkovska Ocokoljic, Violeta - Jugoslav Ocokoljic / Parallel Research Fresco Painting of Chora and Sopocani. Darmon, Jean-Pierre / Une enigme enfin resolue: la fausse Iphigenie d'Antioche etait une AlcesteTavares da Silva, Carlos - Joaquina Soares - Licínia Nunes Correia Wrench / Les premieres mosaïques romaines decouvertes à Caetobriga (Setúbal, Portugal). Decriaud, Anne-Sophie / Les Saisons personnifiees sur les mosaïques romaines tardives (IVe-VIe siecles) de la partie orientale du Bassin mediterraneen (Turquie, Syrie Liban, Israël, Jordanie). Delbarre-Bärtschi, Sophie / Les mosaïques romaines en SuisseMatteis, Lorella Maria de / The Mosaics of the Early Christian Basilicas on the Island of Kos. Kremer, Maria de Jesus Duran / Les mosaïques geometriques de la villa romaine de Abicada: Leur rôle dans le contexte des mosaïques romaines de l'Algarve. Penedo, Mercedes Durán / Mosaicos con la iconografía de Thetis, madre de Aquiles, en Turquía y en otros enclaves del Imperio. Foulias, Andreas M. / The Basilica of Agioi Saranta / Kirklar Tekke in Cyprus and its Mosaics. Friedman, Zaraza / Ships Depicted in the Madaba Map Mosaic. Fuchs, Michel E. - Sophie Delbarre-Bärtschi / Derecik, Buyukorhan: Une eglise pour deux mosaïques. Guidobaldi, Alessandra Guiglia / The Marble Floor Decoration in Constantinople: Prolegomena to a Corpus. Guimier-Sorbets, Anne-M.
|
|
|
CEMAL PASHA.
Hatiralar. Ittihat ve Terakki, I. Dünya Savasi anilari. Comp. by Behçet Cemal.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 468, [3] p. Memoirs in the World War I, of Cemal Pasha who is one of three leaders of Committee of Union and Progress (Party) in the Ottoman Empire. Hatiralar. Ittihat ve Terakki, I. Dünya Savasi anilari. Comp. by Behçet Cemal.
|
|
|
ÇILEM UYGUN.
Patara IV. 2. Tepecik kirmizi astarli seramikleri. (IÖ. 2. YY. - IS. 4. YY.).
New English In original cloth bdg. 4to. (30 x 23 cm). In Turkish. B/w ills. 300 p., 61 b/w plates. Patara IV. 2. Tepecik red coated ceramics: BC 2nd century - AD 4th century. Patara IV. 2. Tepecik kirmizi astarli seramikleri. (IÖ. 2. YY. - IS. 4. YY.). ARCHEOLOYG Anatolian civilizations History of art Prehistory Tile Ceramics.
|
|
|
CELÂL ESAD ARSEVEN.
Türk sanati tarihi. Menseinden bugüne kadar mimarî, heykel, resim ve süsleme ve tezyinî sanatlar. 14 fascicles set.
Very Good English Paperback. Pbo. 4to. (30 x 22 cm). In Turkish. Many b/w ills. 14 fascicles full set: (801, 320 p). Celal Esad Arseven was a Turkish art professor and historian. He's pioneer who got some disciplines such as urbanism, architecture and history of art. In addition he said the Turkish arts are unique and have some unique characteristics in history of art. This set is one of the most comprehensive study on Turkish and Ottoman arts. Türk sanati tarihi. Menseinden bugüne kadar mimarî, heykel, resim ve süsleme ve tezyinî sanatlar. 14 fascicles set.
|
|
|
Edited by MUSTAFA ADAK, SENCER SAHIN.
Monographien zur Gephyra Band 1. Stadiasmus Patarensis Itinera Romana Provinciae Lyciae.
New German Original bdg. 4to. (28 x 20 cm). In German. 332 p., folding plans and maps. Color and b/w ills. Monographien zur Gephyra Band 1. Stadiasmus Patarensis Itinera Romana Provinciae Lyciae.
|
|
|
ENVER ZIYA KARAL.
La question Arménienne, (1878-1923).
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In French. 25, [7] p. Many b/w ills. Armenian question, (1878-1923). La question Arménienne, (1878-1923).
|
|
|
CELÂL BAYAR (1884 - 1986).
Ben de yazdim. Milli Mücadele'ye giris. 8 volumes set.
Very Good Very Good English Original bdg. Dust wrapper. 8 volumes set: ([114], 2809 p)., b/w ills. Cr. 8vo. (20 x 14 cm). In Turkish. First Edition. Memoirs of Celal Bayar was Turkish statesman. The son of a religious leader and teacher, Bayar joined the nationalist movement after the Young Turk revolution. Kemal Atatürk's colleague after World War I, he held several ministerial positions (1921-37); he supervised the Greek-Turkish exchange of population (1923). In 1937 he became premier, but he resigned the post after Atatürk's death (1938). In 1946 he founded with Adnan Menderes and others the Democratic party, which came to power in 1950. He then became president of the republic and was reelected in 1954 and 1957. Ousted in 1960 by Cemal Gürsel, he was tried for violating the constitution and sentenced to death. The sentence was commuted to life imprisonment in 1961. Bayar was released because of ill health in 1964 and pardoned in 1966".
|
|
|
ENVER ZIYA KARAL.
Armenian question, 1878-1923.
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English. 25, [7] p. Many b/w ills. [La question Armenienne (1878-1923)]. Armenian question, 1878-1923.
|
|
|
Prep. by MOHAMMED TAMIMI.
Catalogue of winner's plates in the Fourth International Calligraphy Competition in the name of Sheikh Hamdullah (1429-1520).
New English Original bdg. HC. Oblong 4to. (23 x 32 cm). In English and Arabic. 132, [3] p. B/w ills. Catalogue of winner's plates in the Fourth International Calligraphy Competition in the name of Sheikh Hamdullah (1429-1520).
|
|
|
Prep. by MOHAMMED TAMIMI.
Catalog of winner's plates in the Eighth International Calligraphy Competition in the name of Badawi al-Dirani (1312-1387 / 1894-1967).= Bedevî el-Diranî. Milletlerarasi sekizinci hat yarismasi kazanan eserler katalogu (1312-1387 / 1894-1967).
New English Original bdg. HC. Oblong 4to. (23 x 32 cm). In English, Turkish, and Arabic. 80, [1] p. B/w and color ills. Catalog of winner's plates in the Eighth International Calligraphy Competition in the name of Badawi al-Dirani (1312-1387 / 1894-1967).= Bedevî el-Diranî. Milletlerarasi sekizinci hat yarismasi kazanan eserler katalogu (1312-1387 / 1894-1967).
|
|
|
MEHMET ÇEBI.
When love for the Prophet becomes art. From the Collection of Mehmet Çebi.= Ask-i Nebi sanat olunca. Mehmet Çebi Koleksiyonu'ndan. [Exhibition catalogue].
New English Paperback. Pbo. 279, [1] p. In English and Turkish texts. Fully color ills. When love for the Prophet becomes art. From the Collection of Mehmet Çebi.= Ask-i Nebi sanat olunca. Mehmet Çebi Koleksiyonu'ndan. [Exhibition catalogue]. TURKISH AND ISLAMIC ARTS Ottoman calligraphic art Calligrapher Collection Prophet Muhammed.
|
|
|
Prep. by SERVER R. ISKIT.
Yeni tarih dergisi. No.: 1-36. 2 volumes. [= Journal of the New history].
Very Good English Publisher's original bdg. 36 issues in 2 volumes. Roy. 8vo. (24 x 17 cm). Ills. Yeni tarih dergisi. No.: 1-36. 2 volumes. [= Journal of the New history].
|
|
|
Edited by COSKUN YILMAZ.
II. Abdulhamid. Istanbul during the modernization process.= II. Abdülhamid. Modernlesme sürecinde Istanbul. [In Special Slip-case].
New New English Original bdg. Dust wrapper. In the publisher's original slip-case. 4to. (34 x 25 cm). Heavy volume. B/w and color pcs. 528, [1] p. II. Abdulhamid. Istanbul during the modernization process.= II. Abdülhamid. Modernlesme sürecinde Istanbul. [In Special Slip-case].
|
|
|
FUAT SEZGIN.
Piri Reis and the Pre-Columbian discovery of the American continent by Muslim seafarers.
New English Paperback. Pbo. Oblong large 8vo. (22 x 22 cm). In English. Color and b/w ills. 68 p. Piri Reis and the Pre-Columbian discovery of the American continent by Muslim seafarers.
|
|
|
HÜSEYIN LÜTFI ERSOY.
Karabük'ün köyden kente dönüs öyküsü: Karabük tarihi.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. B/w and color ills. 247 p. History of Karabuk City in the Western Black Sea Region. Karabük'ün köyden kente dönüs öyküsü: Karabük tarihi.
|
|
|
OGUZ TEKIN, ALIYE EROL ÖZDIZBAY.
Coins, Glass Stamps and Weights in the Collection of Prehistory Department Faculty of Letters Istanbul University.= Istanbul Üniversitesi Edebiyat Fakültesi Prehistorya Anabilim Dali Sikke, Sence ve Agirlik Koleksiyonu.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. [xii], 100 p. Coins, Glass Stamps and Weights in the Collection of Prehistory Department Faculty of Letters Istanbul University.= Istanbul Üniversitesi Edebiyat Fakültesi Prehistorya Anabilim Dali Sikke, Sence ve Agirlik Koleksiyonu. ARCHEOLOGY Anatolian civilizations Collection Weight Prehistory.
|
|
|
VERGILIUS.
Aeneis. Bütün eserleri: II. Translation by Türkân Uzel. [Turkish Edition of Aeneis].
Fine English Original bdg. HC. Cr. 8vo. (20 x 14 cm). In Turkish. 599 p. Aeneis. Bütün eserleri: II. Translation by Türkân Uzel. [Turkish Edition of Aeneis].
|
|
|
VERGILIUS.
Bucolica'lar, Georgica'lar. Bütün eserleri: I. Translation by Türkân Uzel. [Turkish Edition of Bucolica and Georgica].
Fine English Original bdg. HC. Cr. 8vo. (20 x 14 cm). In Turkish. 263 p. Bucolica'lar, Georgica'lar. Bütün eserleri: I. Translation by Türkân Uzel. [Turkish Edition of Bucolica and Georgica].
|
|
|
Prep. by NORBERT ZIMMERMANN, SABINE LANDSTATTER.
Ephesos duvar resimleri. Hellenistik dönemden Bizans dönemine kadar.
New English Paperback. Pbo. 224 p. In Turkish. Color ills. Witnesses to a bygone culture ancient wall paintings provide direct access to the ancient way of life, and become a means of communication between their commissioner and their audience. In Ephesos for a long time wall painting was treated as a second-class citizen, as a secondary product of the excavated monuments. The remains of wall paintings at Ephesos, however, extend far beyond Terrace Houses which can be easily visited today. With this book the remnants of wall paintings in Ephesos are for the first time studied and presented in detail, claiming a new chronology and dating. From the Terrace Houses to the Grotto of St. Paul the work covers a long time span from the Hellenistic period through medieval Byzantine period, enriched with numerous colour figures.
|
|
|
[KÖPRÜLÜ], MEHMED FUAD KÖPRÜLÜZADE, (1890-1966).
Türk edebiyatinda ilk mutasavviflar.
Very Good English In contemporary HC. Ex-library. Roy. 8vo. 446 p., 16 plts. First Edition in Ottoman world. In Ottoman script. Ozege: 21426. Pioneer Sufis in the Turkish and Ottoman literature. This Koprulu's study is the most important one of his all works. Köprülüzade, who traced his descent from the illustrious Köprülü family, was a Turkish politician and historian, known for his contributions to Ottoman history, Turkish folklore and language. Mehmet Fuad Köprülü had a wide acquaintance with Turkish-Islamic orders, Sufism and Ottoman-Turkish literature, especially sufi diwans. Türk edebiyatinda ilk mutasavviflar.
|
|
|
LÜTFI SIMAVI.
Sultan Mehmed Resad Han'in ve halefinin sarayinda gördüklerim. 2 volumes set.
Very Good English In contemporary HC. 2 volumes set in 1: (144 p.; 271 p.). Cr. 8vo. (20 x 14 cm). In Ottoman script. Hejra: 1340 = Gregorian: 1924. Ozege: 18312. The arbitrary rule of Committee of Union and Progress (Ittihad ve Terakki Cemiyeti) and sultanate ambition of Damad Ferit Pasha, same time Freedom and Entente Party (Hurriyet ve Itilâf Partisi), and competition between those parties gave an opportunity to powers those who wanna break-up the Ottoman Empire. The memoirs of Simavi explains exactly that period of empire, the period of Sultan Mehmed Resad Khan, and Sultan Vahdettin. Sultan Mehmed Resad Han'in ve halefinin sarayinda gördüklerim. 2 volumes set.
|
|
|
ENGIN ÖZENDES.
Osmanli'nin son baskenti: Istanbul.
As New English Paperback. Pbo. Mint. Oblong large 8vo. (22 x 24 cm). In Turkish. B/w and color ills. 192 p. The last capital of the Ottoman Empire: Istanbul. Osmanli'nin son baskenti: Istanbul.
|
|
|
JEAN CHESNEAU.
D'Aramon seyahatnamesi. Kanuni devrinde Istanbul-Anadolu-Mezopotamya. Translated by Isil Erverdi.
As New English Paperback. Pbo. Mint. Demy 8vo. (21 x 14 cm). In Turkish. 102 p. D'Aramon's travel memoirs of travel into Constantinople, Aais Minor and Mesopotamia in the period of Suleiman the Magnificent. Turkish translation. D'Aramon seyahatnamesi. Kanuni devrinde Istanbul-Anadolu-Mezopotamya. Translated by Isil Erverdi.
|
|
|
JOHN FREELY, AUGUSTO ROMANO BURELLI.
Sinan: Architect of Suleyman the Magnificent and the Ottoman golden age. Photographs: Ara Güler.
Fine Fine English Original bdg. Dust wrapper. Large 4to. (42 x 32 cm). In English. 143 p. Color photos. Sinan was the greatest architect of the Ottoman Golden Age of the sixteenth century - when the Ottoman Empire reached its zenith of power and magnificence. At the same time as Michelangelo was working on St. Peter's, Sinan completed the greatest of Turkish mosques, the Suleymaniye and the Selimiye. His style marks the apogee of Turkish art. The son of Christians, Sinan was drafted as a boy into the Imperial Corps of Janissaries, and took part in many of te Ottoman campaigns in Eastern Europe during the 1520s and 1530s. Beginning as a military engineer and designer of fortifications, he was appointed Chief Imperial Architect in 1538. Under Suleyman the magnificent and his successor Selim II, Sinan designed hundreds of buildings: mosques, palaces, tombs, mausolea, hospitals, schools, caravanserai, bridges, aqueducts and baths. As he himself said, 'with time each edifice became - with the help of Allah and thanks to the generosity and benevolence of the State - the very image of the world in the lands ruled by the Ottoman dynasty.' In his greatest works, he adapted Byzantine and Islamic styles to produce something quite new: a centralized organization of absolute space unhindered by pillars or columns and covered by a soaring dome. An architect of genius in a dynamic new empire expanding into both Asia and Europe, he was a true man of the Renaissance. Opulent colour illustrations - may photographed especially for this publication - pay tribute to the extraordinary space and light of Sinan's buildings. Texts by the most important specialists in this field complement the handsome visual material and offer new interpretations of Sinan's art. The result is a magnificent testament to the achievement of one man, who stamped his imprint on an entire culture.
|
|
|
PERTEV NAILI BORATAV (1907 - 1998).
100 soruda Türk folkloru (Inanislar, töre ve törenler, oyunlar).
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 334 p. The competent and comprehensive study on Turkish folklore (beliefs, traditions, customs, dances, games etc.) in 100 questions. 100 soruda Türk folkloru (Inanislar, töre ve törenler, oyunlar).
|
|
|
FAHRI ÇAKIR.
Elli yil öncesi: Sark cephesi ve Anadolu hatiralari.
Very Good English Paperback. Pbo. Very good+. Cr. 8vo. (20 x 14 cm). In Turkish. 1 map, 199 p. Memoirs of Cakir during World War I in East Front-line. Elli yil öncesi: Sark cephesi ve Anadolu hatiralari.
|
|
|
MUSTAFA BAYDAR.
31 Mart Vakasi.
Very Good English Paperback. Pbo. Foolscap 8vo. (17 x 11 cm). In Turkish. 38, [2] p. A study on 31 Mart Incident in the Ottoman Empire, 1909. The 31 March Incident (Turkish: 31 Mart Vakasi or 31 Mart Olayi) was a 1909 rebellion of reactionaries in Istanbul against the restoration of the constitutional system that had taken place in 1908. It took place on 13 April 1909 (31 March on the Rumi calendar in use at the time in Turkey for official timekeeping). The countercoup had attempted to put an end to the nascent Second Constitutional Era in the Ottoman Empire and to the newly established influence of the Committee of Union and Progress, in order to re-affirm the position of the Sultan Abdul Hamid II as absolute monarch. The incident was a milestone in the Turkish military's encroaching on the political sphere.
|
|
|
VELI ERTAN.
Tarihte mesihat makami ilmiye sinifi ve meshur seyhülislâmlar.
Fine English Paperback. Pbo. 12mo. (17 x 11 cm). In Turkish. 139, [5] p. Famous Ottoman sheikh-ul-islams. Tarihte mesihat makami ilmiye sinifi ve meshur seyhülislâmlar.
|
|
|
DR. OKTAY BELLI.
Capital of Urartu: Van. Ruins and museums.
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English. Color ills. 108, [2] p. Capital of Urartu: Van. Ruins and museums.
|
|
|
LE DEPARTEMENT DE TOURISME DU MINISTERE.
Vos vacances en Turquie.
Fine English Paperback. Pbo. 12mo. (16 x 10 cm). In French. 127, [20] p. 20 p. b/w plates. Vos vacances en Turquie.
|
|
|
Edited by FEDE BERTI, ROBERTA FABIANI, ZEYNEP KIZILTAN, MASSIMO NAFISSI.
Wandering marbles. Marbles of Iasos at the Istanbul Archaeological Museums.= Marmi erranti. I marmi di Iasos presso i Musei Archeologici di Istanbul.= Gezgin taslar. Istanbul Arkeoloji Müzeleri'ndeki Iasos mermerleri.
New English Paperback. Pbo. 4to. (30 x 21 cm). In English, Italian, and Turkish. Color ills. 243 p. Wandering marbles. Marbles of Iasos at the Istanbul Archaeological Museums.= Marmi erranti. I marmi di Iasos presso i Musei Archeologici di Istanbul.= Gezgin taslar. Istanbul Arkeoloji Müzeleri'ndeki Iasos mermerleri.
|
|
|
PONTUS HELLSTRÖM.
Labraunda. A guide to the Karian Sanctuary of Zeus Labraundos.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English. 163 p. Color ills. Labraunda is an ancient site in south-western Turkey, excavated by Swedish archaeologists. This solitary place was a pilgrim sanctuary and the sacred center for the ancient Karians; a paved road for sacred processions led there from Milas. The shrine at Labraunda was the most important one in this part of Karia. This guide to the Swedish excavations contains both a description of the buildings that were erected in honour of the god Zeus Labraundos and an account of how the site was rediscovered in the 19th century. Labraunda is worth a visit not only because of the well-preserved remains of the unique banqueting hall Andron A and the other ruins, but also for the beautiful location and the splendid panorama view it offers. It is also unusual to find an ancient sanctuary, which, after its heyday, remained almost unchanged. It is therefore still possible to imagine what the sanctuary looked like in the 4th century BC, at the time when Karia was ruled by Maussollos and Idrieus.
|
|
|
EMIRHAN KARTAL.
Türk müzigi enstrümanlarinin frekans araliklari.
Fine English Paperback. Pbo. Mint. Roy. 8vo. (24 x 16 cm). In Turkish. 240 p. Frequency range of Classical Turkish musical instruments. Türk müzigi enstrümanlarinin frekans araliklari.
|
|
|
BURSA METROPOLITAN MUNICIPALITY.
The legendary heritage Bursa Mehter Band: First military band of the world. [DVD].
As New English Special DVD case. New. 20 x 14 cm. In English. Documentary. The legendary heritage Bursa Mehter Band: First military band of the world. [DVD].
|
|
|
Edited by J. C. CARTER.
The gravestones of Chersonesos. Research and conservation.
New English Paperback. Pbo. Oblong small 4to. (19 x 30 cm). In English, Russian, and Ukrainian. 91 p. Color ills. Exhibition catalogue of Chersonesos grave steles. The gravestones of Chersonesos. Research and conservation.
|
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
