‎Maurice ile‎

‎DAUMAS, Maurice, ed‎

‎A History of Technology and Invention: Progress Through the Ages.; I: The Origins of Technological Civilization. II: The First Stages of Mechanization‎

‎New York: Crown Publishers 1969. hardcover. very good/very good. Illustrated with hundreds of b/w photographs drawings and diagrams. 2 volumes. 596 & 694 pages. Short thick 4to brown cloth d.w. with light edgewear and tears. New York: Crown Publishers 1969. Small stamped name on front free endpapers still a very good copy in a very good dust wrapper.<br/> <br/> Crown Publishers unknown‎

Referentie van de boekhandelaar : 300174

‎Daumas, Maurice and Eileen B Hennessay‎

‎A History of Technology and Invention Progress Through the Ages: 2 vols.‎

‎New York: Crown Publishers 1969 Reprint. Brown cloth bindings. Volume I: The Origins of Technical Civilization 596 pp. Volume II The First Stages of Mechanization through the 16th Century 694 pp. Both books in near fine condition. One page accidentally dog-eared. Dustjackets price-clipped. Near fine in very good dustjackets. Crown Publishers hardcover‎

Referentie van de boekhandelaar : 015355

‎Daumas, Maurice (sous la direction de).‎

‎Histoire gÂŽnÂŽrale des techniques. 2 Volumes. I: Les origines de la civilisation technique. II: Les premiÂres ÂŽtapes du machinisme.‎

‎Paris : Presses Universitaires de France 1962 - 1965. 235x180mm. 750Êpages photos en hŽliogravure reliure d'Žditeur sous jaquette. Bel exemplaire. 3257 Presses Universitaires de France unknown‎

Referentie van de boekhandelaar : 108419

‎Daumas, Maurice‎

‎L'affaire d'Esclans: Les conflits familiaux au XVIIIe siecle French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 2020098679.G ISBN : 2020098679 9782020098670

‎Daumas, Maurice‎

‎Les Instruments Scientifiques aux XVIIe et XVIIIe Siècles‎

‎Paris: Presses Universitaires de France 1953 8vo 24 cm 4 420 pp. 63 plates. Publisher's wrappers with flaps untrimmed and partly unopened. First edition of this pioneering study of the scientific instrument-making industry in seventeenth- and eighteenth-century Europe. Rather than treating instruments merely as adjuncts to scientific discovery Daumas placed instrument makers workshops and manufacturing practices at the centre of the historical narrative establishing an approach that proved highly influential and remains fundamental to the historiography of scientific instruments. Part I surveys the instrument industry of the seventeenth century examining the classical heritage of astronomical and mathematical instruments--including astrolabes quadrants theodolites and related devices--together with the century's major innovations notably the telescope and microscope. It concludes with detailed studies of instrument-making workshops in Italy England France the Low Countries and Eastern Europe. Part II analyses the forces driving the evolution of the industry including economic and social conditions technical and industrial developments major scientific problems and the role of the cabinets de physique. Part III provides an extensive account of eighteenth-century instrument manufacture covering optical instruments such as achromatic objectives microscopes and reflecting telescopes; astronomical and geodetic instruments; techniques of limb division; and a wide range of physical apparatus including barometers thermometers pyrometers hygrometers air pumps electrical machines and precision balances. The principal workshops of England continental Europe and France are examined in detail with particular attention to leading makers and dynasties. Illustrated with 63 plates and concluding with a bibliography index of instrument makers and scientists index of instruments and table of illustrations. A foundational reference work for the history of scientific instruments and the material culture of early modern science. Presses Universitaires de France paperback‎

Referentie van de boekhandelaar : 009877

‎DAUMAS, Maurice‎

‎Les Instruments Scientifiques aux XVIIe et XVIIe Siecles.‎

‎Paris:: Presses Universitaires de France 1953. 1953. 8vo. 417 pp. 137 figs. 63 plates; some gatherings unopened. Original printed wrappers; rubbed. Roger Hahn's signature in pencil. Very good. SCARCE. Presses Universitaires de France, 1953. unknown‎

Referentie van de boekhandelaar : RH1262

‎Daumas, Maurice; translated & edited by Mary Holbrook‎

‎Scientific Instruments of the Seventeenth and Eighteenth Centuries‎

‎London: B. T. Batsford 1972. Scholarly account of instruments & their makers' influence on the advancement of science; first published in French in 1953; here translated & updated. Large hardcover in jacket as pictured. Light wear to book; jacket shows minor edgewear. Text clean; vi 361 pages; index bibliography notes figures b/w photos. A surcharge for expedited or international shipping of this oversize book may be required; please inquire for an accurate quote. . First Edition in English. Hard Cover. Very Good/Very Good. Quarto. B. T. Batsford Hardcover‎

Referentie van de boekhandelaar : u0531os ISBN : 0713407271 9780713407273

‎Daumas, Maurice‎

‎Scientific instruments of the seventeenth and eighteenth centuries and their makers‎

‎Portman Books 1989-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Portman Books hardcover‎

Referentie van de boekhandelaar : Q-0713407271 ISBN : 0713407271 9780713407273

‎Daumas, Maurice‎

‎Scientific instruments of the seventeenth and eighteenth centuries and their makers‎

‎Portman Books 0000-00-00. Reprint. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Portman Books hardcover‎

Referentie van de boekhandelaar : SONG0713407271 ISBN : 0713407271 9780713407273

‎Daumas, Maurice‎

‎Scientific Instruments of the Seventeenth and Eighteenth Centuries. Translated by Mary Holbrook‎

‎New York: Praeger 1972 First edition in English. Cloth. Large octavo. Numerous plates. Fine in fine d.j. Praeger, hardcover‎

Referentie van de boekhandelaar : 15018

‎Daumas, Maurice‎

‎Au bonheur des mâles : adultère et cocuage à la Renaissance‎

‎Dunod (4/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782200638559‎

Referentie van de boekhandelaar : SLIVCN-9782200638559

‎Daumas, Maurice‎

‎Le Syndrome des Grieux. La relation père/fils au XVIIIe (18e) siècle‎

‎Seuil In-8 Couverture souple Paris 1990‎

‎Très bon 214 pages. Essai de qualité.‎

Referentie van de boekhandelaar : 052

‎DAUMAS, Maurice‎

‎Les instruments scientifiques, aux XVIIe et XVIIIe siècles‎

‎Paris, Presses Universitaires de France, 1953, in-4, 418 pp, 63 pl. (sur 32 ff.), Demi-chagrin bleu-vert moderne, couvertures et dos conservées, Première édition de cet ouvrage recherché. De la collection Bibliothèque de philosophie contemporaine. Planches de reproductions en noir. Exemplaire enrichi d'un envoi signé de l'auteur à Monsieur Laissus (Joseph Laissus, 1900-1969, directeur-fondateur de l'École technique supérieure du Laboratoire), "en hommage à son art de rassembler et d'apprécier de beaux instruments"; avec étiquette ex-libris de ce dernier. Très bon état (infimes frottements sur le dos). Couverture rigide‎

‎Bon 418 pp., 63 pl. (sur 32 ff.)‎

Referentie van de boekhandelaar : 97021

‎Daumas, Maurice (sous la direction de).‎

‎Histoire générale des techniques. 2 Volumes. I: Les origines de la civilisation technique. II: Les premières étapes du machinisme.‎

‎Paris, Presses Universitaires de France 1962 - 1965, 235x180mm, 652 + 750pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

‎photos en héliogravure, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referentie van de boekhandelaar : 108419

‎DAUMAS,, Maurice‎

‎SCIENTIFIC INSTRUMENTS OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES AND THEIR MAKERS. Translated and edited by Dr Mary Holbrook.‎

‎London Portman Books 1972. 362pp. Small 4to. Original boards in dustwrapper. Black and white prints. A very good copy. London, Portman Books 1972. hardcover‎

Referentie van de boekhandelaar : 201787

‎DAUMIER Honore; Gavarni; Alhoy Maurice; Philipon Charles‎

‎Musée pour rire Le‎

‎Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br/>including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br/><br/>First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br/><br/>Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books‎

Referentie van de boekhandelaar : 02253

‎Daumier, Honore; Maurice Gobin‎

‎Daumier Sculpteur - 1808-1879 : AVEC UNE CATALOGUE RAISONNE ET ILLUSTRE DE L'OEUVRE SCULPTE Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'Œuvre Oeuvre Raisonnee‎

‎Pierre Cailler. As New. 1952. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Text in French. 338 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'Œuvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Pierre Cailler paperback‎

Referentie van de boekhandelaar : C91976

‎Daumier, Honore, Bouchot, Gavarni, et al (illustrations by) Maurice Alhoy, Louis Huart, and Ch Philipon (text)‎

‎Le Musée pour Rire: Dessins par tous les caricaturistes de Paris‎

‎Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover‎

Referentie van de boekhandelaar : 4726

‎DAUMIER, Honore; Gavarni; Alhoy, Maurice; Philipon, Charles‎

‎Musée pour rire Le‎

‎Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br /> including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br /> <br /> DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br /> <br /> Three quarto volumes 10 3/16 x 7 15/16 inches; 259 x 202 mm. 2 half-title 2 title 200 2 "Table" 4 publisher's advertisements; 2 half-title 2 title 200 2 "Table; 2 half-title 2 title 200 2 "Table 4 publisher's advertisements pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br /> <br /> Early twentieth-century half red scored calf ruled in gilt over marbled boards by Adolphe Cuzin stamp-signed in gilt at foot of spine. Smooth spines decoratively tooled and lettered in gilt all edges gilt marbled endpapers. Expert and almost invisible minor restoration to corners and spine extremities. Occasional light foxing and/or browning. A wonderful copy.<br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br /> <br /> Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'" The Daumier Register at http://www.daumier-register.org.<br /> <br /> Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown‎

Referentie van de boekhandelaar : 05964

‎Daumier, M H Maurice Alhoy Louis Huart‎

‎Les Cent et Un Robert-Macaire. Composes et Dessines Par M. H. Daumier Sur Les Idees et Les Legendes De M. Ch. Philipon.‎

‎Paris: Aubert et Cie. Quarto. Two volumes bound in one. 101 numbered lithographic plates each with three pages of text. Half title title page wood engraving signifying the volume number and two-page catalog beginning each volume and list of tables and concluding page for each volume at the end. Covers detached spine missing some leaves foxed small area of dampstain in the corner of some pages Fair. All lithograph plates present. . Fair. Hardcover. 1840. Aubert et Cie hardcover‎

Referentie van de boekhandelaar : 012049

‎DAUMIER, M. H. - PHILIPON, Ch. - ALHOY, Maurice. - HUART, Louis.‎

‎Les cents et un Robert-Macaire, composés et dessinés par M. H. Daumier, sur les Idées et les Légendes de M. Ch. Philipon, réduits et lithographiés par MM. ***. Texte de MM. Maurice Alhoy et Louis Huart. Volume deuxième, seule. (Feuillets nos. 51 à 101)‎

‎Paris, Chez Aubert et Cie. 1839, 290x240mm, en feuillet sou cartable toilé. Rousseurs marginales.‎

‎typographie Lacrampe et Ce., Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referentie van de boekhandelaar : 105952

‎Daurat, Maurice (1880-1969); Catherine Baumgartner, author‎

‎Maurice Daurat. Orfèvre et sculpteur Art déco.First edition with a collection of the original negative for the illustrations.‎

‎Paris: Les Éditions Norma 2009. 4to. 23 x 30.5 cm. Cloth and dust-jacket corner tear without loss. . Denier de Saint-Pierre304pp. Included are 108 original negatvives for the illustrations in 5.5 x 5.5 cm. format. .Ouvrage consacré au travail de Maurice Daurat 1880-1969 orfèvre de formation très tôt influencé dans son oeuvre par la nature et le japonisme en découlent des créations d'inspiration Art Nouveau. Au fil du temps son style s'épure pour tendre à une géométrisation des formes. Daurat s'intéresse à différentes techniques fonte ciselure montage au marteau sculpture et différents matériaux dont l'étain réalisant ainsi des oeuvres exceptionnelles et d'une grande originalité stylistique et technique. Ouvrage comportant de très nombreuses reproductions de pièces et documents permettant ainsi d'illustrer les propos de l'auteur. En fin d'étude des documents intéresseront amateurs et collectionneurs : explications sur le travail du métal les marques et signatures employées par Daurat.formé à l’école d’art appliqué Germain-Pilon créée sous la IIIe République dans le but de réconcilier art et industrie l’orfèvre Maurice Daurat allie la sensibilité d’un artiste à une simplicité d’artisan. Abandonnant dans les années 1920 la fonte et la ciselure pour le montage au marteau Maurice Daurat travaille très tôt l’étain métal alors méprisé dont il saura exploiter les qualités avec un talent rare pour réaliser des pièces uniques ou en très petites séries mais aussi des Å“uvres monumentales comme les vases du paquebot Normandie en 1935 ou le vase luminaire d’une hauteur de 312 mètres destiné à la rotonde Alma du musée d’Art moderne de la Ville de Paris en 1937.Maurice Daurat 1880-1969 was born in Bordeaux on August 2 1880. From 1895 to 1898 he was a student at the Ecole Germain Pilon where he received no specialized training. He learned the arts of drawing painting and especially sculpture for which he showed taste and skill from his early childhood. In order to make a living he began by doing decorative work making embroidery patterns and gradually moved towards metalwork. Upon returning from his involvement in the war of 1914-1918 he began exhibiting objects including gold silver and tin cups and boxes at the Salon d'Automne and des Artistes Décorateurs. But it was not until the Exhibition of 1925 that his personality was first revealed: winning a prestigious award he went on to take part in all the major events of decorative art in France and abroad: Geneva San Francisco Barcelona and Brussels Grand Prix.He was a member of International Jury at the 1937 Exhibition and became senior vice president of the league of goldsmiths Grand Prize. Outside his participation in exhibitions he created the basins and fountains of the Quai d'Orsay gardens and a monumental fountain for the rotunda of the city of Paris Palais de Tokyo. In 1935 he served as the gold/silversmith for the legations of Canada The Hague and Brussels. The French state commissioned him to design a basin with water jets and in 1945 he was commissioned by the city of Paris to make a vase for the flat of the Prefect of the Seine. Many of Maurice Daurat’s works belong to private collections and his tin and silver pieces can be found at the Museum of Decorative Arts in Paris Cairo and the Metropolitan Museum in New York.Recipient of the Grand Prize of Honor at the Salon des Artistes Décorators in 1949 Maurice Daurat became a knight of the Legion of Honor in 1929 and has been an officer since 1935. Daurat was a sculptor as well as a goldsmith executing elevated forms with a hammer. He produced entirely hand-made work representative of the age-old tradition of tin pottery. Although he employed gold silver and duralumin all the interior decorating lighting and objects of worship of the chapel of a large boarding school in Thionville designed by architects Hiriart and Tribout his metal of choice was tin. With his solid purity of forms that preserved the expressive value of volumes under a play of light Maurice Daurat restored tin to its original nobility and secured a prominent place for himself in the religious and civil goldsmith trade and in interior decoration. A modest artist passionate about his craft but virtually incapable however necessary of defending his work Daurat owes his triumph not only to the fundamental virtuosity of his work but to a series of fateful opportunities. Thanks to an important submission to the exhibition of 1925 Daurat was noticed by a man of taste and fortune who was able to provide him with the material resources required to execute his work for some years until a "crisis abruptly interrupted his generous initiative.†Luxuriously installed in avenue Friedland Daurat had at his disposal the metals with which to realize whatever his imagination conceived. While the adventure only lasted three years starting 1927 by 1930 Daurat’s art had taken off and he had made a name for himself.During and after this experience Daurat was at liberty to express himself in the most diverse areas: luxury and religious goldsmith’s art jewelry necklaces rings belts bracelets as well as vases basins and lamps. Hostile to all decoration Daurat chose metal as the sole medium of his expression enhancing its beauty through robust forms structured by harmonious rhythms logically arranged in accordance with the object’s purposeProvenance: Estate of Maurice Daurat 1880-1969 and his granddaughter and biographer Catherine Baumgartner.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Paris: Les Éditions Norma, 2009 hardcover‎

Referentie van de boekhandelaar : 51-6254

‎DAUSSE Maurice‎

‎INITIATION A LA VIE CIVIQUE‎

‎Editions de l'école. 1948. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Mouillures. 70 pages. Page de titre un peu tâchée.. . . . Classification Dewey : 372.8-Livre scolaire : autres matières‎

‎Classification Dewey : 372.8-Livre scolaire : autres matières‎

Referentie van de boekhandelaar : RO70028711

‎Dautray Robert Tubiana Maurice Que sais-je‎

‎La radioactivité et ses applications‎

‎Presses Universitaires de France - PUF 1997 128 pages 11x17x1cm. 1997. Poche. 128 pages.‎

‎Bon état‎

Referentie van de boekhandelaar : 500298861

‎Dauty Nadia - Hess Johnny - Vandair Maurice‎

‎Partition de la chanson : Clocher de mon coeur (Le)‎

‎Paris Monde 1940‎

‎Bon état Petit format‎

Referentie van de boekhandelaar : 1915