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GAVAZZENI, Gianandrea.
La casa di Arlecchino. Prose memorie e un dialogo.
In 8°, br. edit. fig., pp. 159(3), con graziose testatine.
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Gavazzeni, Gianandrea.
Non eseguire Beethoven e altri scritti.
<br/> STATO: USATO, MOLTO BUONO.<br/> TITOLO: Non eseguire Beethoven e altri scritti. <br/> AUTORE: Gavazzeni, Gianandrea.<br/> EDITORE: Il Saggiatore<br/> DATA ED.: 1974,<br/> COLLANA: Coll. La Cultura - Saggi di Arte e di Letteratura, 32.<br/>
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GAVAZZENI, Gianandrea.
Non eseguire Beethoven. E altri scritti.
In 8°, br. edit., sovracop. fig., pp. 323.
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GAVAZZENI, Gianandrea.
Viaggio in paesi musicali.
In 16° gr., br., pp. 177. Ediz. originale.
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GAVAZZENI, Gianandrea. (dedica)
Parole e suoni.
Milano, Il Balcone, 1946. In 16mo (cm. 17); cop. orig. ; pp. 245 (3). PRIMA edizione. Dedica autografa.
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Gavazzeni,Gianandrea.
Le feste musicali. Scritti d'occasione.
<br/> STATO: USATO, MOLTO BUONO.<br/> TITOLO: Le feste musicali. Scritti d'occasione. <br/> AUTORE: Gavazzeni,Gianandrea.<br/> EDITORE: Gentile Editore<br/> DATA ED.: 1944,<br/> COLLANA: Coll.Saggi,11.<br/>
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Gaveaux-Sabatier, Emilie, French singer (1820-1896).
Autograph letter signed. No place or date.
8vo. 1 page on bifolium. With autograph address on verso. To the Polish pianist and composer Antoine de Kontski (1816-99), declining his invitation, as she has to leave the same night for a performance in Sens: "Croyant aller le 20 à Sens, Je me suis engagée pour chanter le lendemain dans une Matiné qu'on doit donner à quelques lieux de là; il me sera donc impossible d'assister à votre Concert puisque je serai forcée de partir le même soir […]". - With the former collector's number "29" in pencil. Traces of former mounting on verso; traces of old folds.
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GAVEZZANI Gianandrea.
La musica e il teatro.
In-16° pp. 281, bross. edit. Prima ediz.
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Gavezzoni Gianandrea
La bacchetta spezzata
Pisa. Nistri-Lischi 1987, 16°, pp. 234, con qualche segno di matita nel testo. Bross. Sovracc.
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Gavin Baddeley
Anatomia di Marilyn Manson
Prima edizione, collana "Nuoviritmi", brossura, copertina con alette, formato 17 x 22, pagine 176, illustrato con fotografie in nero e colori nel testo e fuori testo, ottime condizioni - 48175
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Gavin Baddeley
Anatomia di Marilyn Manson Nuova Edizione
Vol.in 8°bross.edit.illustr.Ordinari segni d'uso sui piatti.Ottimo
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Gavin Petrie, Roy Carr
Creedence clearwater revival
20 dei più grandi titoli di uno dei gruppi più famosi negli anni '60. Arrangiati per pianoforte/voce con box chitarra. Compilato da Peter Evans. Design di Bernard Higton. Il volume si presenta in buono stato di conservazione. Il dorso e le copertine mostrano lievi segni di usura. Le pagine interne sono bianche e fruibili. I tagli regolari con macchioline di fioritura. La cerniera è ben salda. Numero pagine 61 USATO
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GAVINA P.
Il ballo. Storia della danza - balli girati - controdanze - cotillon - danze locali - feste da ballo - igiene del ballo.
Cm. 15, pp. vii (1) 239 (1) + 16 di cat. edit. Con 99 incisioni nel testo. Legatura edit. in tela. Leggere scoloriture alla leg (appena percettibili) peraltro esemplare genuino e ben conservato. Interessante prima edizione di questo raro Manuale Hoepli.
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Gavines
24 Studi per Violino
Spartiti scolastici per la Musica - Revisione di A. Poltronieri - Codice fascicolo: 20056 (32b).
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Gaviniès, Pierre. (1728 - 1800)
24 Etüden (Matinées). Ausgabe für Violine solo. Herausgegeben von Walther Davisson. Neu revidierte Ausgabe.
Leipzig, Peters., 1987. 4°. 53 Seiten. Originalkarton. (Name auf oberem Deckelrand). - Ansonsten ein sehr gut erhaltenes Exemplar ohne Eintragungen im Notentext. = Edition Peters 1381.
書籍販売業者の参照番号
: 61210AB
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Gavoty (Bernard).
Roberto Benzi. Texte de B. Gavoty; portraits de Roger Hauert.
Un album de format in 4° de 12 pp. (Texte); un cahier de 24 photos en noir et blanc de l'artiste enfant et jeune homme , jusqu'à l'âge de 16 ans. Bon état. Voir les photos. Edition peu fréquente uniquement consacrée à l'enfance du virtuose.
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GAVOTY Bernard
ANTONIO JANIGRO.
In-8 (cm. 27), brossura, sovracoperta, pp. 30, con illustrazioni in bianco e nero In buono stato di conservazione (good copy).
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Gavoty Bernard
Bruno Walter. I grandi interpreti. Fotografie di R. Hauert
27 cm, br. illustrata, p. 32, numerose foto a piena pag
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GAVOTY Bernard
Chopin. Vita di un musicista nell'Europa romantica borghese
1^ ediz., in 8°, pp. 495, leg. edit. con sovracop. ill. Collana: Le Scie; traduz. di R. Rinaldi, con cronologia e indice dei nomi. Buon esemplare. 039/37
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Gavoty Bernard
Dix grands musiciens
24 cm, ril. in tela ill, tit. in oro al dorso, fascetta; pp. 194, num. tav. e 10 riproduzioni di spartiti più volte ripiegate
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Gavoty Bernard
Federico Chopin
In 8° leg. edit. sov. fig. col. ( non perfetta ) pp. 493, con alcune sottolineature a matita rossa e blu, ben tenuto
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GAVOTY Bernard
LA CRISE DE LA MUSIQUE RELIGIEUSE.
Paris Typographie Firmin Didot 1976, Institut de France, Académie des Beaux Arts. Communication faite à la séance du 8 décembre 1976, In-4 broché, 16 pages. Parfait état.
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GAVOTY BERNARD
LES FRANCAIS SONT-ILS MUSICIENS ?
Le Conquistador. 1950. In-8 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos abîmé. Intérieur acceptable. 233 pages. Etiquette annotée sur le 1er plat. Six siècles de gloire. L'éclipse romantique. Physionomie de la France musicale...
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GAVOTY BERNARD
LES GRANDS MYSTERES DE LA MUSIQUE
TREVISE. 1975. In-8 Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 224 pages augmentées de nombreuses planches photos en noir et blanc .
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GAVOTY BERNARD
LETTRE A MOZART SUR LA MUSIQUE
Maxime en forme de préface par André Malraux. Paris. Emile Paul 1973. In-8 broché de 194 pages. Parfait état.
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GAVOTY Bernard - LESUR Daniel
POUR OU CONTRE LA MUSIQUE MODERNE ?
Flammarion 1957, In-8 broché, 337 pages. Envoi autographe de l'auteur à Emile VUILLERMOZ (critique musical). Bon état.
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GAVOTY Bernard - LESUR Daniel
Pour ou contre la musique moderne ?
Broch?. 340 pages.
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GAVOTY BERNARD.
Dieci grandi musicisti.
Cm. 23, pp. 194 (6). Con molte tavole ripiegate f.t. Legatura edit. in tela illustrata con plastica protettiva. Perfetta conservazione.
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GAVOTY BERNARD.
LES GRANDS MYSTERES DE LA MUSIQUE.
TREVISE.. 1975. In-8 Carré. Relié plein cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 308 pages. Nombreuses illustrations en noir et blanc dans le texte et hors texte. Envoi d'auteur sur la page de faux titre. Petit bout de papier collée sur le deuxième plat de couverture.
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GAVOTY BERNARD. ( CLARENDON ).
LA MUSIQUE ADOUCIT LES MOEURS ? COLLECTION : L'AIR DU TEMPS .
GALLIMARD .. 1959.. In-8 Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable. 260 pages. Notes au stylo sur la 1ère de couverture et la page de faux titre . Collection dirigée par Pierre Lazareff. 4 ème édition .
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GAVOTY, Bernad.
Los grandes intérpretes. Andrés Segovia. Texto de... Fotografías de Roger Hauert. Versión española de J. Peral.
Ginebra, René Kister, 1956, 26,5 x 18 cm., fotografías a toda página, 29 págs. + 1 h.
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GAVOTY, Bernad.
Los grandes intérpretes. Pablo Casals. Texto de... Fotografías de Roger Hauert. Versión española de J. Peral.
Ginebra, René Kister, 1956, 26,5 x 18 cm., fotografías a toda página, 30 págs. + 1 h.
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Gavoty, Bernard
Bruno Walter
Gavoty, Bernard Bruno Walter. Milano, G. Ricordi c1956, 30 p. : ill. ; 27 cm Ottimo (Fine) copertina leggermente sciupata, pagine in ottime condizioni. <br> <br> <br> <br>
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Gavoty, Bernard
Herbert von Karajan
Gavoty, Bernard Herbert von Karajan. Milano, G. Ricordi 1956, 30 p., illustrato Buono (Good) tagli sui bordi e sul dorso della sovracopertina, ingiallimento,pagine in ottimo stato. <br> <br> <br> <br>
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GAVOTY, Bernard (FISCHER)
Edwin Fischer.
Genève, Editions René Kister, 1954. Collection: “Les Grands Interprètes”. Portraits de Roger Hauert. Texte de Bernard Gavoty, critique musical du “Figaro”. In 4to (cm. 26,7); br. orig. con sovraccoperta illustrata in bianco e nero; pp. 30, (2). Con 25 illustrazioni in bianco e nero nel testo e il facsimile di alcune pagine autografe scritte da Edwin Fischer. Testo in francese. Ax
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GAVOTY, Bernard (FURTWANGLER)
Wilhelm Furtwangler.
Genève, Editions René Kister, 1955. Collection: “Les Grands Interprètes”. Portraits de Roger Hauert. Texte de Bernard Gavoty, critique musical du “Figaro”. Deuxième édition. In 4to (cm. 26,7); br. orig. con sovraccoperta illustrata in bianco e nero; pp. 28, (6). Con 23 illustrazioni in bianco e nero nel testo e 1 facsimile di un testo autografo di Furtwangler. Testo in francese. Ax
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GAVOTY, Bernard (GIESEKING)
Walter Gieseking.
Genève, Editions René Kister, 1954. Collection: “Les Grands Interprètes”. Portraits de Roger Hauert. Texte de Bernard Gavoty, critique musical du “Figaro”. In 4to (cm. 26,7); br. orig. con sovraccoperta illustrata in bianco e nero; pp. 29, (5). Con 21 illustrazioni in bianco e nero nel testo e i facsimili di 2 testi autografi di Walter Gieseking, uno in tedesco e l’altro in inglese. Testo in francese. Ax
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GAVOTY, Bernard (LANDOWSKA)
Wanda Landowska.
Genève, Editions René Kister, 1956. Collection: “Les Grands Interprètes”. Portraits de Roger Hauert. Texte de Bernard Gavoty, critique musical du “Figaro”. In 4to (cm. 26,7); br. orig. con sovraccoperta illustrata in bianco e nero; pp. 30, (4). Con 22 illustrazioni in bianco e nero nel testo e 1 facsimile di un testo autografo di Wanda Landowska. Testo in francese. Ax
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GAVOTY, Bernard (MENUHIN - ENESCO)
Yehudi Menuhin - Georges Enesco.
Genève, Editions René Kister, 1955. Collection: “Les Grands Interprètes”. Portraits de Roger Hauert. Texte de Bernard Gavoty, critique musical du “Figaro”. Deuxième édition. In 4to (cm. 26,7); br. orig. con sovraccoperta illustrata in bianco e nero; pp. 29, (5). Con 25 illustrazioni in bianco e nero nel testo. Testo in francese. Ax
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GAVOTY, Bernard ; HAUERT, Roger
Victoria de Los Angeles [ exemplaire signé par l'artiste ]
Portrait de Roger Hauert, texte de Bernard Gavoty, 1 vol. grand in-8 cartonnage souple éditeur sous jaquette illustrée, Editions René Kister, Genève, 1956 Belle signature autographe de Victoria de Los Angeles. Bel exemplaire signé. Français
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GAVOTY, Bernard ; HAUERT, Roger (photos)
Roberto Benzi
3e éd., 1 vol. in-8 cartonnage éditeur sous jaquette ill. noir et blanc, photos noir et blanc, coll. Les Grands Interprètes, éditions René Kister, Genève, 1955, 30 pp. Bon état pour cette éd. de l'ouvrage sur Roberto Benzi (né en 1937). Le célèbre pianiste et futur chef d'orchestre avait alors 18 ans. Français
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Gavoty,Bernard.
Chopin, vita di un musicista nell'Europa romantica borghese.
<br/> STATO: USATO, MOLTO BUONO.<br/> TITOLO: Chopin, vita di un musicista nell'Europa romantica borghese. <br/> AUTORE: Gavoty,Bernard.<br/> CURATORE: Traduzione di Raffaele Rinaldi.<br/> EDITORE: Mondadori<br/> DATA ED.: 1975,<br/>
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Gay John
L' opera dei mendicanti A cura di V. Marinucci
20 cm, bross. ill. con risvolti; pp. 125, alcuni disegni e partiture nel testo, 4 tav. fuori testo
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Gay, Byron; Johnson, Arnold
"O" Oh! - Sheet Music for Voice and Piano with Ukulele Chords: Pee Wee Hunt Cover Photo
New York: Leo Feist Inc. 1953. Sheet music. Illus. by Sorokin. Good. Paperback. Reprint. Folio - over 12" - 15" tall. Six pages. Prior owner's name atop front cover otherwise clean and unmarked with moderate wear. A quality vintage copy. Leo Feist Inc. Paperback
書籍販売業者の参照番号
: 836G2591
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Gay, Byron; Johnson, Arnold
"O" Oh! A New Jazz Hit: Sheet Music for Voice and Piano
New York: Leo. Feist Inc. 1919. Sheet music. Good. Paperback. First Edition. Folio - over 12" - 15" tall. 6 pages. "O how she can snuggle she's as sweet as can be." - from chorus. Nice romantic cover silhouette illustration with squawking pink parrot. Opening along bottom of coverfold. Prior owner's name on front cover. Moderate wear. A quality vintage copy. Leo. Feist Inc. Paperback
書籍販売業者の参照番号
: 812H1411
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Gay, Byron
Fast Asleep in Poppyland: Sheet Music for Voice and Piano
Chicago: Will Rossiter 1919. Sheet music. Fair. Paperback. First Edition. Folio - over 12" - 15" tall. 4 pages. All music included. Please note that front and back covers not included. Moderate wear. Unmarked. A worthy vintage copy. Will Rossiter Paperback
書籍販売業者の参照番号
: 812H1425
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Gay, John
Polly, by John Gay ; being the second part of The beggar's opera, adapted by Clifford Bax ; music arranged and composed by Frederic Austin
1 score (134 pages) : 24 cm Paperback Very good condition, bottom of spine worn
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Gay, John
The Beggar's Opera: As it is Acted At the Theatre-Royal in Lincolns-Inn Fields. Written by Mr. Gay. the Fourth Edition: to Which is Added the Ouverture in Score; and the Musick Prefix'd to Each Song
London: John Watts. Very Good with no dust jacket; Boards rubbed and splayed some light . foxing and toning particularly at first and last several pages several pages stained. 1735. Fourth Edition. Hardcover. Woodcut vignette of cherub and floor globe at end of Table of Songs. Pp. 8 8 76 4. Rebound in brown paper-covered boards with brown leather spine probably contemporary with 1925 heraldic bookplate of previous owner Edward Heron-Allen. Titles stamped in gilt on spine. ESTC T13775. A lovely volume of this classic ballad opera first published in 1728 and still being staged and reinterpreted in contemporary productions. According to Wikipedia previous owner Edward Heron-Allen was also an important British scholar having earned the distinction of being a Fellow of the Royal Linnean Geological Zoological and Microscopical Societies as well as being renowned for his writings on Persian studies violin-making and palmistry. ; 12mo 7" - 7½" tall . John Watts hardcover
書籍販売業者の参照番号
: 33451
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Gay, John
The Beggar's Opera as it is performed at the Lyric Theatre, Hammersmith, with new settings of the airs and additional music by Frederic Austin arr. for the voice and pianoforte
125 p. Paperback Good condition, top right corner bumped with small chip from cover
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Gay, John (1685-1732) ; music arranged by Johann Christoph Pepusch (1667-1752)
The Beggar's Opera with Musical Score By Johann Christian Pepusch bound with The Second Part of the Beggars Opera Polly
London: John Watts & T. Read 1749. Very Good/No Dust Jacket As Issued. <br /> <br /> Modern full calf leather with a floral blind-stamped borders the spine with compartments with harp designs and a red leather title renewed endpages. Contains illustrated title page and numerous musical scores for each song as well as the overture.<br /> <br /> The bindings are tight and square. Text clean light even toning. Moderate shelf handling wear. 8vo; 8 inches tall; delicate edges to the first few pages some age-related blemishes through-out.<br /> <br /> The Beggar's Opera with the ouverture in score; and the musick prefix'd to each song. 76 pages followed by 8 pages of other books published by John Watts with brief synopsis of each. The first edition had the score on 16 pages at the end here the music is printed in the text in woodcut.<br /> <br /> Second Part of the Beggars Opera. v 1 70. This a pirated edition of Polly Gay's sequel to the Beggar's Opera. Published Anonymous. By John Gay. Also known as Polly and is a ballad opera with text by John Gay and music by Johann Christoph Pepusch. It is a sequel to Gay's The Beggar's Opera. Due to censorship the opera was not performed in Gay's lifetime. It had its world premiere on 19 June 1777 at the Haymarket Theatre in London.<br /> <br /> Provenance: From the private collection of Anton Vishio Sr. a scholar and mentor. He taught Latin and Classical Greek at the Gilmore School in Baltimore for 45 years. <br /> <br /> Ref: ESTC ESTC; T13803; Old English plays noted bibliographically and biographically. London: Pickering & Chatto 1909; page 63 item no. 536. Background Information:<br /> The Beggar's Opera written in 1728 by John Gay with music arranged by Johann Christoph Pepusch is a notable ballad opera in three acts. This play holds great significance in the realm of Augustan drama and stands as the sole enduring example of the once flourishing genre of satirical ballad opera.<br /> <br /> The primary aim of this piece was to satirize the burgeoning popularity of Italian opera in London. As aptly described by The New York Times Gay crafted the work as an anti-opera cleverly exploiting the public's fascination with the Italian opera style prevalent in 18th-century London.<br /> <br /> By lampooning this style The Beggar's Opera captivated audiences with its wit and irreverence. In contrast to the grandeur and lofty themes of traditional opera Gay's work relied on familiar tunes and portrayed characters from everyday life.<br /> <br /> While some of the songs were composed by notable opera composers such as Handel only the most popular melodies were included. This deliberate choice allowed the audience to hum along forging a connection with the music and characters on stage.<br /> <br /> Central to its narrative The Beggar's Opera satirically tackled political corruption poverty and social injustice permeating all levels of society. Through its biting commentary the play shed light on the pervasive nature of corruption exposing its presence in various strata of society.<br /> <br /> Overall The Beggar's Opera not only served as a parody of Italian opera but also offered a critical examination of societal issues. By blending accessible music relatable characters and astute satire this enduring piece continues to captivate audiences and maintain its relevance to this day.<br /> <br /> The Second Part of the Beggars Opera Polly<br /> <br /> Similar to its predecessor Polly also faced censorship during its time. The production was prohibited by the Lord Chamberlain the Duke of Grafton most likely influenced by Walpole. However rather than negatively impacting Gay the censorship served as exceptional advertisement for the play. In 1729 Polly was published through a subscription model leading Gay to earn a substantial sum of money.<br /> <br /> Although Polly did not see the light of day on stage during Gay's lifetime its censorship was more severe compared to the first play. Walpole deemed the satire in Polly to be far more explicit and potent. Consequently the Lord Chamberlain banned the play from even entering the rehearsal stage labeling it as a lewd and defamatory work. It is worth noting that the ban on Polly may have been a result of its association with Gay rather than solely its subject matter. Finally on 19 June 1777 Polly made its stage debut at the Haymarket Theatre in London.<br /> <br /> However the ban's impact was merely nominal as the play was not only printed and sold in April 1729 but also prompted Gay and his publisher to file injunctions against 17 printers and booksellers for pirating the work in June of the same year. John Watts & T. Read unknown
書籍販売業者の参照番号
: 17048
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