‎Musique‎

‎Hummel, Walter‎

‎W. A. Mozarts Söhne. Hrsgg. von der Internationalen Stiftung Mozarteum Salzburg.‎

‎Kassel und Basel, Bärenreiter Verlag, 1956. Ca. 23 x 16 cm. X S., 383 Seiten. Mit zahlreichen Abbildungen auf Tafeln. Farbig illustrierter Orig.-Karton.‎

‎Einband etwas knittrig, sonst gutes Exemplar. Mit mehrzeiliger handschriftlicher Widmung des Verfassers (1883-1963, Salzburger Musikforscher und Pädagoge) sowie einer eigenhändigen Postkarte und einer weiteren unterschriebenen Beilage.‎

Referentie van de boekhandelaar : 81816AB

‎Humoresquesheet music e s‎

‎HUMORESQUE. Music by Anton Dvorak. Lyrics by Jerry Castillo‎

‎Calumet Music 1935-01-01. Paperback. Good. Nice looking book has edge wear. top edge has tears taped. cover faded. Calumet Music paperback‎

Referentie van de boekhandelaar : 2500190713011

‎Humperdinck, Engelbert arr Rudolf Siegal, text by Ernst Rosmer‎

‎Konigskinder: Marchenoper in drei Aufzugen Royal Children‎

‎Leipzig: Max Brockhaus 1910. Vollstandiger Klavierauszug mit Text complete piano reduction with text. Paperback. Good paperback. Edgeworn esp. to spine rubbed and front endpapers foxed. Internally clean and unmarked. Outsize card covers with illustration by Franz Stassen to front. The picture on this listing page is of the actual book for sale. Max Brockhaus paperback‎

Referentie van de boekhandelaar : 51130

‎Humperdinck Eugelbert‎

‎Figli di Re‎

‎Libretto d’opera. Teatro alla Scala di Milano 1911-12. Elenco dei personaggi cpmpleto dei nomi degli interpreti tra cui Lucrezia Bori e Giuseppe Arnanini. Direttore Tullio Serafin. É il libretto della prima rappresentazione italiana. ‎

‎HUMPERDINCK, E. - WETTE, Adelaide‎

‎Hansel e Gretel (Nino e Rita). Fiaba musicale in tre atti di Adelaide Wette‎

‎32 p.; 16,5 cm. Brossura editoriale. Buono, intonso‎

‎HUMPERDINCK, Engelbert - ROSMER, Ernesto‎

‎Figli di re. Fiaba in 3 atti di Ernesto Rosmer. Versione di G. Pozza. Musica di Engelbert Humperdinck. Teatro alla Scala 1911-1912 Direttore Tullio Serafin‎

‎72 p.; 18,5 cm. Brossura editoriale. Buono‎

‎Humperdinck, Engelbert, Komponist (1854-1921).‎

‎Eigenh. Postkarte mit U. ("EHumperdinck"). [Berlin, 13. III. 1909].‎

‎1 S. 8vo. Mit eh. Adresse. An den Schriftsteller und Musikkritiker Ernst Décsey: "Es freut mich, aus Ihren Zeilen zu ersehen, dass meine Notizen für tauglich befunden worden sind. Ich muss allerdings hinzufügen, dass ich alles mögliche, richtiges und unrichtiges, darin vereinigt habe, nur um Ihnen ein umfassendes Material zur Auslese an die Hand geben zu können. Was Sie hiervon für Ihre Zwecke gebrauchen können, müssen Sie ja am besten wissen [...]".‎

‎Humphrey Burton‎

‎Leonard Bernstein‎

‎Humphrey Burton Leonard Bernstein. New York, Doubleday 1994 english, 593 ST1142 Opera con copertina rigida, sovraccoperta, illustrazioni ft in b/n‎

‎HUMPHRIES, Charles / SMITH, William C:‎

‎Music Publishing in the British Isles from the Beginning until the Middle of the Nineteenth Century: A Dictionary of Engravers Printers Publishers and Music Sellers with a Historical Introduction‎

‎Oxford: Basil Blackwell 1970 . A very good book with the original dustwrapper. Second edition. pp.vii./1p./pp.392 . 10.0" x 6.25" x 1.5" . Pale dustwrapper with dark blue titles edges rubbed and chipped now protected by a removable clear plastic cover. Blue cloth boards with white title to spine just light rubbing to edges. Couple of tape marks to inside boards. Previous owner's initials to front endpaper. Clean text throughout with all illustrations as called for. VG/VG . Oxford: Basil Blackwell, 1970 . hardcover‎

Referentie van de boekhandelaar : 49593 ISBN : 063112330x 9780631123309

‎HUNTER Dave‎

‎Guitares acoustiques - L'encyclopédie illustrée‎

‎Edl 2007 320 pages in-4. 2007. cartonné. 320 pages. Nombreuses illustrations en noir et en couleurs‎

‎Bon état‎

Referentie van de boekhandelaar : 19427

‎Hundoegger Agnese‎

‎Giovinezza canto e gioia. Raccolta di canoni. Edizione italiana ampliata e ordinata ad uso degli Istituti magistrali da Lilia Giglioli. Vol. I: Canoni di genere didattico in ordine progressivo e preceduti da una breve spiegazione del Metodo Tonica-Do per‎

‎2 volumi, 27 cm, brossura editoriale con titolo in rosso e nero; pp. 24; 34 numerosi spartiti, timbro di musicista alle copertine‎

‎Huneker, James‎

‎The Steinway Collection of Paintings by American Artists Together with Prose Portraits of the Great Composers‎

‎<p>Steinway and Sons. Good with no dust jacket; Spine worn owner bookplate on front pastedown . endpaper. 1919. Limited Edition. Hardcover. White parchment spine with brown paper-covered boards with elaborate gilt design on front boards. One of 5000 copies this one presented to A. F. Leonhard as denoted by limitation slip on front flyleaf. 12 color tipped-in reproductions of paintings of classical composers by American artists including two by N. C. Wyeth. ; 4to 11" - 13" tall .</p> Steinway and Sons hardcover‎

Referentie van de boekhandelaar : 61627

‎Huneker,James.‎

‎Chopin The man and his music.‎

‎<br/> TITOLO: Chopin The man and his music. <br/> AUTORE: Huneker,James.<br/> CURATORE: With new Introduction, footnotes and indax by Herbert Weinstock.<br/> EDITORE: Dover Publications, Inc.<br/> DATA ED.: 1966,<br/> EAN: 9780486216874‎

‎Hungerford, Edward (Text) and Weill, Kurt (Music)‎

‎Bill of the Play Railroads on Parade; A Pageant Drama of Transport‎

‎New York : Eastern Presidents' Conference 1939. Presumed First Edition First printing. Wraps. Good. Harry Horner. The format is approximately 9.75 inches by 13 inches. Unpagineated 8 pages stapled at the center. Illustrated. The Entire Production Created and Designed by Edward Hungerfors. Scenery and Costumes Designed by Harry Horner. Architects--Eggers & Higgins. Builders--George A. Fuller Company. Engineers--Gibbs & Hill. Consulting Designers__Howard Ketcham and A. Sheldon Pennoy7er. Dances stages by Bill Matons. Isac Van Grove Conductor. Twenty-seven railroads were listed at the back as sponsoing this pageant. In a 3000-seat theater with a cast of 250 members Railroads on Parade reenacted the progress of rail transportation from the 1820s through 1939. The goal of Edward Hungerford was to briefly tell the story of the railroad through a series of stage presentations with narration and incidental music. Hungerford wrote that "into every corner of our social and economic existence the railroad is tightly interwoven. It is the backbone of he country no even more it is its veritable lifeblood. In its 250000 miles of steel veins it flows to every far corner of a far-flung land it binds in its living throbbing embrace city and town and village the open country the forest the mine the forge the factory and the sea. It is indeed the nation's lifeblood the great arm not only of its industry but of its military defense. If it were to die then the nation would die." The spectacular finish of the show culminated with the cast both human and steel the J2a - Hudson Streamliner and another modern engine were used in the Grand Finale making their final appearance on stage. From a comment found posted on line: This is a playbill for a 250-member cast production performed at the 1939 Ny World's Fair entitled "Railroads on Parade" portraying "the magnificent progress of rail transport in American for the past 110 years." Talk about an industry blowing its own horn! As it happened 1939 was pretty much the top for the RR industry. WWII came along and so did the aiplane trucks suburbs the Federal Highway system - everything conspired to doom railroads to a freight system. The great thing about this booklet is the visual richness and how it captures a moment in time - from the Art Deco modern/progress motifs to the drawings of the actual Railroad exhibit. A Marion Ross is listed in the chorus--possibly the later film and television star. Edward Hungerford 1875 – July 29 1948 was an American journalist and author. His main interest was the railroad about which he wrote many books and articles. He travelled extensively by rail and was a specialist in organizing railroad exhibitions. In 1925 Hungerford approached Daniel Willard the president of the Baltimore and Ohio Railroad and offered to write a history of the company which was shortly to reach its centenary. Willard not only took up the suggestion but also hired Hungerford to be the B&O's centennial director. Hungerford had seen a railroad celebration in England and created an extravagant exhibition at a park outside Baltimore. The "Fair of the Iron Horse" opened on February 28 1927 including displays and a two-hour play Pageant of The Iron Horse. It drew crowds averaging 50000 a day. "His success in Baltimore became his chief calling card" He created five more transportation pageants during the 1930s including the Rochester Centennial of 1934 the Parade of the Years Pageant in 1936 in Cleveland; and lastly "Railroads on Parade". The railroad display at the fair which lasted until 1940 presented steam electric and diesel engines brought from Canada England and Italy. The attraction drew 2.6 million visitors during its two-year run. Kurt Julian Weill March 2 1900 – April 3 1950 was a German-born American composer active from the 1920s in his native country and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht he developed productions such as his best-known work The Threepenny Opera which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose Gebrauchsmusik. He also wrote several works for the concert hall. He became a United States citizen in 1943. Rather than continue to write in the same style that had characterized his European compositions Weill made a study of American popular and stage music. His American output contains individual songs and entire shows that not only became highly respected and admired but have been seen as seminal works in the development of the American musical. In 1939 he wrote the music for Railroads on Parade a musical spectacular put on at the 1939 World's Fair in New York to celebrate the American railroad industry book by Edward Hungerford. Unique among Broadway composers of the time Weill insisted on writing his own orchestrations with some very few exceptions. Eggers & Higgins was a New York architectural firm partnered by Otto Reinhold Eggers August 4 1882 – April 23 196412 and Daniel Paul Higgins September 12 1886 – December 26 1953.34 The architects were responsible for the construction phase of the Jefferson Memorial beginning in 1939 two years after the death of its original architect John Russell Pope despite protests that their appointment had been undemocratic and therefore "un-Jeffersonian". Critics argued a competition should have been held to choose Pope's successor. In 1941 they also completed construction of Pope's other famous design the West Building of the National Gallery of Art also in Washington D.C. For the 1939 New York World's Fair they designed two pavilions and attractions: the Railroads Building the largest at the Fair and the Schaefer center a restaurant seating 1600 with a long open-air bar. Harry Horner July 24 1910 – December 5 1994 was a Czech-born American art director who made a successful career in Hollywood as an Oscar-winning art director and as a feature film and television director. Eastern Presidents' Conference paperback‎

Referentie van de boekhandelaar : 89601

‎Hunnius, Monika. (1858 - 1934)‎

‎Mein Weg zur Kunst. Autobiographie.‎

‎Heilbronn, Salzer., 1936. 8°. 349 Seiten. Mit einem Namenverzeichnis. Frakturdruck. Grüner Originalleinenband. (Rücken angeblasst. Schwacher Fleck im Kopfschnitt. Widmung auf Vorsatz). - Im übrigen ein sehr gut erhaltenes, ordentliches Exemplar ohne Eintragungen. 63. Tausend.‎

‎- Mit eingedruckter Widmung: Raimund von Zur-Mühlen und Hans Schmidt in alter Freundschaft.‎

Referentie van de boekhandelaar : 57600AB

‎Hunt, Donald‎

‎Festival Memories‎

‎Staple-bound paperback. Light wear to covers' corners. Interior is clean and sound. TS Used‎

‎Hunt, J‎

‎Sächsische Staatskapelle Dresden. Complete Discography (with Appendix a. Index) compiled by John Hunt.‎

‎(Exeter, Short Run Press), 2002. Some photographs courtesy of Hans Joachim Mirschel a. Erwin Döring. 316 S. OBr.‎

Referentie van de boekhandelaar : 172845

‎HUNTER (David)‎

‎Opera and Song Books Published in England 1703-1726: A Descriptive Bibliography.‎

‎First edition, large 8vo, xlix, 521pp., numerous facsimiles, orig. cloth.‎

‎Hunter, Mary; & James Webster (editors)‎

‎Opera Buffa in Mozart's Vienna‎

‎Cambridge & New York: Cambridge University Press 1997. Fine condition in a bright and shiny Near Fine dust jacket only lightly rubbed. NO chips or tears. NO owner's name or bookplate. NOT a remainder. Minor offset darkening from binder's glue to the rear endpaper gutter as usual. All other pages are crisp clean and unmarked. A volume from the Cambridge Studies in Opera series. Bound in the original black boards stamped in bright gold on the spine. Complete with dust jacket. From the publisher: "This collection of essays presented by an internationally known team of scholars explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Among the topics explored are the relationship of Viennese opera buffa to French theater; Mozart and eighteenth century comedy; gender nature and bourgeois society on Mozart's buffa stage; as well as close examinations of key works such as Don Giovanni and Figaro.". First Printing of the First Edition. Hardcover. Fine condition/Near Fine dust jacket. Illus. by NOT a library discard. 8vo. xii 459pp. Great Packaging Fast Shipping. Cambridge University Press Hardcover‎

Referentie van de boekhandelaar : 026285 ISBN : 0521572398 9780521572392

‎HUNTINGTON, Harriet E.‎

‎TUNE UP. THE INSTRUMENTS OF THE ORCHESTRA AND THEIR PLAYERS.‎

‎27x20. s.pp. (78p. aprox.). Fotogr. Enc. Tela ed.‎

‎HURM Horace‎

‎"La passionnante histoire du phonographe; suivie de La première méthode pour en ""jouer avec art""."‎

‎Paris, Les Publications Techniques, 1944. 12 x 18, 190 pp., quelques illustrations en N/B, broché, bon état (couverture défraîchie).‎

Referentie van de boekhandelaar : 103.845

‎HURD (Michael)‎

‎Le grand livre de l'orchestre.‎

‎Paris et Bruxelles, Bordas - Elsevier, 1981. In-4°, 224p. Reliure pleine toile d'éditeur, sous jaquette illustrée.‎

‎Préface de Lorin Maazel. Importante iconographie en noir et en couleurs. Nom de possesseur au dos de la page de garde, sinon à l'état de neuf.‎

Referentie van de boekhandelaar : 24176

‎HURARD-VILTARD (Eveline).‎

‎Le Groupe des Six ou Le matin d'un jour de fête.‎

‎Paris Méridiens Klincksieck 1988 1 vol. broché in-8, broché, couverture illustrée, 341 pp., bibliographie. Étude universitaire sur l'émergence du cercle des compositeurs Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc et Germaine Tailleferre. Bel envoi autographe signé de l'autrice "à Lucien Clergue en souvenir d'une charmante rencontre sous le signe du vent et d'une vieille maison de Provence, avec un espoir d'amitié, Eveline Viltard". Dos et bordure du plat inférieur insolés.‎

Referentie van de boekhandelaar : 123854

‎HURÉ (Jean).‎

‎Lettre autographe signée adressée à un rédacteur du “Signal”. Datée d’Angers le 5 janvier 1903 ; 2 pp. in-8.‎

‎“Monsieur et cher confrère, Dans un récent article, publié par “Le Signal”, vous parlez de mes “Danses bretonnes”, mises au programme du 306e concert de la Nationale. Quelques jours avant le concert, je fus si grièvement blessé dans un accident de chemin de fer, que je suis encore alité et je ne pus jouer, le 24 janvier, comme je l’avais promis la partie de piano des “Danses bretonnes” dont l’exécution fut remise à plus tard. Vous ne les avez donc pas entendues et, sans doute, vous n’assistiez pas au concert dont vous faites un compte rendu si peu élogieux pour M. Déodat de Séverac et pour moi. (...) Il est bon que vous rougissiez un peu de votre injuste malveillance pour deux jeunes compositeurs dont vous n’avez pas entendu les œuvres. (...)”‎

Referentie van de boekhandelaar : 46404918

‎HURD (Michael)‎

‎Le grand livre de l'orchestre.‎

‎In-4, 224p. Préface de Lorin Maazel. Importante iconographie en noir et en couleurs. Nom de possesseur au dos de la page de garde, sinon à l'état de neuf.‎