‎Musique‎

‎KAMPER, Dietrich‎

‎La Musica Strumentale Nel Rinascimento: Studi sulla musica strumentale d'assieme in Italia nel XVI secolo‎

‎Torino: Edizioni Rai Radiotelevisione Italiana 1976. Hardcover. 8vo. Red pictorial cloth with printed clear mylar wrapper. 358pp. Illustrations. Very good/very good. Bit of minor wear as usual to the printed clear mylar wrapper; delicate front inner hinge expertly archivally strengthened. First edition. From the library of musicologist and conductor/director Paul Clinton Echols 1944-94. Edizioni Rai Radiotelevisione Italiana hardcover‎

Referentie van de boekhandelaar : 31138

‎KANIN (Garson).‎

‎Do Re Mi.‎

‎Boston Little, Brown and Company, An Atlantic Monthly Press Book 1955 1 vol. relié in-12, cartonnage illustré, jaquette illustrée, 88 pp. Edition originale de second tirage illustrée par Al Hirschfeld de nombreux et truculents dessins à pleine page sur fond de couleurs. Ce vaudeville sur les dessous mafieux des comédies musicales new-yorkaises sera adapté à Broadway en 1960. Texte en anglais. En belle condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

Referentie van de boekhandelaar : 112215

‎Kander, John; Fred Ebb‎

‎Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz‎

‎A new, unread book in excellent condition. First Edition with the number "1" present in the number line.‎

‎Kane, Peter‎

‎Shania Twain‎

‎No marks or inscriptions. No creasing to covers or to spine. A lovely clean crisp very tight copy with bright covers and no bumping to corners. 96pp.‎

‎Kanin, Garson (Book), and Betty Comden (Lyrics), and Adolph Green (Lyrics) and Styne, Jule (Music)‎

‎Do Re Mi‎

‎Philadelphia PA: Philip Trachtman Theatrical Publications 1962. Presumed First Edition First printing thus presumably for a Summer Stock tour. Wraps. Good. Philip Trachtman cover. 12 pages plus covers. Illustrations some color inside. This production was staged and directed by Richard Barstow. A rare item of Peggy Cass stage and musical career. The principal performers were: Peggy Cass Jerry Lester Judy Foster Joel Schaub Harold Gary Irv Harmon Al Henderson and Barney Martin. Perhaps the best known song from this show is Make Someone Happy. This program includes The History of the Show. In addition to narratives on the producers director choreographer musical director and production designer there is a synopsis of the show. The last page and inside the back cover are photographs of the General Manager Lighting Director and a very large ensemble cast. Do Re Mi is a musical with music by Jule Styne lyrics by Betty Comden and Adolph Green and a book by Garson Kanin who also directed the original 1960 Broadway production. The plot centers on a minor-league con man who decides to go somewhat straight by moving into the legitimate business of juke boxes and music promotion. The musical was notable for its elaborate scenic design by Boris Aronson who conceived the set as an enormous pop-art jukebox and used extremely novel forms such as collage in his design. The curtain of juke boxes "evoked a cathedral's stained-glass effect." This production may have toured: Valley Forge Music Fair Devon Pa; Camden County Music Fair Haddonfield NJ; Westbury Music Fair Westbury L.I.; Storrowton Music Fair West Springfield Mass.; Painters Mill Music Fair Owings Mills Md.; and Shady Grove Music Fair Gaithersburg Md. Mary Margaret "Peggy" Cass May 21 1924 – March 8 1999 was an American actress comedian game show panelist and announcer. She was nominated for an Academy Award for Best Supporting Actress and a Golden Globe Award for Best Supporting Actress – Motion Picture for her performance in the 1958 film Auntie Mame. Cass made her Broadway debut in 1949 with the play Touch and Go. Remembered today primarily as a regular panelist on the long-running To Tell the Truth she played Agnes Gooch in Auntie Mame on Broadway and in the film version a role for which she won the Tony Award for Best Supporting Actress and later received an Oscar nomination for Best Supporting Actress. She was cast as "First Woman" in the nine-member ensemble for the 1960 Broadway revue A Thurber Carnival adapted by James Thurber from his own works. She played several characters throughout the performance including: the mother in "The Wolf at the Door" the narrator of "The Little Girl and the Wolf" a nameless American tourist who insisted Macbeth was a murder mystery Miss Alma Winege in "File and Forget" who wanted to ship Mr. Thurber 36 copies of Grandma Was a Nudist which he did not order Mrs. Preble in "Mr. Preble Gets Rid of His Wife" Lou in "Take Her Up Tenderly" who was helping make old poetry more cheerful and Walter Mitty's wife. She played Mitzi Stewart in the movie Gidget Goes Hawaiian. She starred as First Lady Martha Dinwiddie Butterfield in the mock-biographical novel First Lady: My Thirty Days in the White House. The book written by Auntie Mame author Patrick Dennis included photographs by Cris Alexander of Cass Dody Goodman Kaye Ballard and others who portrayed the novel's characters. In the late 1960s and early 1970s she succeeded other actresses in Don't Drink the Water as Marion Hollander and in Neil Simon's Plaza Suite as well as played Mollie Malloy in two revival runs of The Front Page. She also appeared in the film comedy If It's Tuesday This Must Be Belgium. In the 1980s she returned to the stage in 42nd Street and in The Octette Bridge Club. Jerry Lester born Lester J. Goldberg; February 16 1910 – March 23 1995 was an American comedian singer and performer on radio television and the stage knows for playing the father of the main characters Mike Firpo in the comedy Odds and Evens and who hosted the first network late night television program as host of Broadway Open House on NBC a vaudeville-esque combination of comedy and music whose success demonstrated the potential for late-night television and led to the creation of the Tonight Show. He performed nationally in music halls and nightclubs going on to appear in vaudeville several Broadway musicals including Beat the Band and Jackpot and Hollywood films in the 1940s as well as being a performer on radio. Lester returned to prominence in theatre in the 1960s appearing in the lead role of slave Pseudolus in the road production of A Funny Thing Happened on the Way to the Forum subsequently replacing Zero Mostel on Broadway and playing Seabee in the 1969 production of South Pacific. In the ensemble cast is Phyllis Ford believed to later becoming Phyllis Ford Frick an accomplished performer and sometime associate of Frank Sinatra. Philip Trachtman, Theatrical Publications paperback‎

Referentie van de boekhandelaar : 83799

‎Kanne, Friedrich August, Komponist (1778-1833).‎

‎Eigenh. Brief mit U. Wien, 29. I. 1823.‎

‎1 S. 4to. Mit eh. Adresse (Faltbrief). An den Schriftsteller und k. k. Zensor Johann Baptist Rupprecht (1776-1846), dessen Gedicht "Merkenstein" Beethoven vertonte: "Da ich das Glück habe, mein Blatt unter Ihrer Censur zu wissen, so tröstet mich Ihr mir bisher bewiesenes Wohlwollen. Ich kann versichern, daß ich die Laune meines Herrn Censors durch abgenöthigtes Streichen wenig getrübt habe. Seyn Sie so gütig, meine unschuldigen, wenn gleich komischen 'Briefe einer Prima Donna' nicht mit misstrauischem Auge zu betrachten. Die Satyre darinn ist so allgemein, dass ich alle Farben brauche, um nur kein uns bekanntes Gesicht zu zeichnen. - Mein verwundeter Fuß hindert mich seit 8 Wochen weit zu gehen, sonst hätte ich meine Aufwartung persönlich gemacht […]". - 1809 wandte sich Kanne der Musik zu und zog von Wittenberg nach Wien. Seit 1817 redigierte er die "Allgemeine musikalische Zeitung" sowie den von Ignaz Franz Castelli gegründeten "Musikalischen Anzeiger" und schrieb Musikkritiken für die "Theaterzeitung" und den "Sammler".‎

‎Kanner-Rosenthal, Hedwig, Pianistin (1882-1959).‎

‎Eigenh. Brief mit U. O. O. u. D.‎

‎1½ SS. auf Doppelblatt. Gr.-8vo. Mit eh. adr. Kuvert. An eine Frau Professor Wiesel betr. einer neuerlichen Zusammenkunft: "[...] Ich bin etwas unwohl und muss zu Hause bleiben. Gestern hätte ich erst um ½10 Abends zu Ihnen kommen können, das wäre schon zu spät gewesen. Muss Sie aber morgen gegen Abend unbedingt sprechen [...]". - Die aus Budapest stammende Pianistin studierte in Wien bei Theodor Leschetizky und Moritz Rosenthal, den sie 1920 oder im Jahr darauf auch ehelichte und mit dem sie gelegentlich auch gemeinsam auftrat. Zudem unterrichtete sie am Neuen Wiener Konservatorium und war als Musikredakteurin für Wiener Zeitschriften tätig. 1936 emigrierte das Ehepaar nach New York und gründete eine Schule für Klaviervirtuosen, die u. a. Robert Goldsand und Poldi Mildner zu ihren Schülern zählen sollte. - In Bleistift.‎

‎Kansas; Walsh, Steve; Ehart, Phil; Steinhardt, Robby; Livgren, Kerry‎

‎Kansas - Point of Know No Return: Songbook with Sheet Music for Piano and Voice with Guitar Chords‎

‎USA: Warner Bros. Publications Inc. 1978. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 59 pages. Five pages of nice colour photos of the band and members. Includes piano sheet music lyrics and guitar chords for these songs: Point of No Return; Paradox; The Spider; Portrait He Knew; Closet Chronicles; Dust in the Wind; Sparks of the Tempest; Lightning's Hand; Nobody's Home; Hopelessly Human. Above-average wear. Sticker removal marks on illustrated front cover. Binding weak - first three pages partially loose. Why is this copy so worn Because these songs are so awesome to play! Who can forget the first time they heard Dust in the Wind Despite its deficiencies a marvelous Kansas memento from their glory days of the late 1970s. Warner Bros. Publications Inc. Paperback‎

Referentie van de boekhandelaar : 563H3951

‎Kanth, G. (Hrsg.)‎

‎Bilder-Atlas zur Musikgeschichte von Bach bis Strauss.‎

‎Berlin, Schuster & Löffler, (1911). Quer-2°. M. zahlr. Abb. u. Faks. VIII, 248 S. OLwd. in etwas bestoß. OSchuber. Rückenkanten leicht bestoßen. Vorsätze u. Tit. leicht geknickt.‎

Referentie van de boekhandelaar : 413067

‎Kapp‎

‎Richard Wagner et les femmes d'après des documents inédits‎

‎Perrin et C., ,1914, in-12 de 288 pages ,illustrations hors-texte ,broché ,Bon état , .(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

Referentie van de boekhandelaar : 41570

‎kapp j.‎

‎The Loves of Richard Wagner.‎

‎London, W. H. Allen, 1951, in-8, tela edit., titolo oro, pp. 280. Con 12 ill. in b.n. f.t.‎

‎Kapp, David; Tobias, Charles‎

‎Just a Prayer Away - Featured By Bing Crosby‎

‎New York: Shapiro-Bernstein & Co. Inc. 1944. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 3 pages. Above-averge wear. Unmarked. Shapiro-Bernstein & Co. Inc. Paperback‎

Referentie van de boekhandelaar : 107c5817

‎Kapp, J‎

‎Carl Maria von Weber. Eine Biographie. 15. Aufl. Völlige Neuausgabe.‎

‎Berlin, Hessein u. Comp. 1944. M. 78 Abb. 320 S. OPp. Rücken leicht angerissen. Einbd. angeschmutzt.‎

Referentie van de boekhandelaar : 186975

‎Kapp, Julius‎

‎Liszt. Eine Biographie. Mit einem Werkeverzeichnis.‎

‎Berlin/Leipzig, Schuster & Löffler., 1919. 8°. 307 Seiten. Mit einem Register. Originalhalbleinenband. (Etwas Papierbräunung. Name auf Vorsatz). - Im übrigen ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen. 11.-14. Auflage.‎

‎- Eingedruckt: "Wegen Papierschwierigkeiten mußte in dieser Auflage der Bilderteil wegfallen" (Kriegsjahr!). Mit eingedruckter Widmung: Dem berufenen Sänger und eifrigen Vorkämpfer der Liszt-schen Lieder / Hofopernsänger Gustaf Bergmann / in alter herzlicher Freundschaft zugeeignet.‎

Referentie van de boekhandelaar : 1422AB

‎KAPP, Julius.‎

‎Geschichte der Staatsoper Berlin. Mit 500 Abbildungen.‎

‎In 4°, t.tl. edit., tit. imp. in argento al p. e al d., pp. (10)251 con 500 illustrazioni relative ai cantanti, registi, scenografie et al. che hanno attraversato la storia del Teatro. In fine, Indice dei nomi.‎

‎Kapper, Ed. (répertoire):‎

‎Lenteliefde. Tekst van Frans Vilé. Muziek van D. Monnickendam‎

‎[3] p. Gr. 4°. Titelillustratie met portr. Kapper.‎

‎Karel van Keymeulen, Kurt Defrancq‎

‎EEN HALVE EEUW HOTSY TOTSY‎

‎, Snoeck Publishers (Belgium), 2023 PB, 215 x 155 mm, 176 p, 120 illustraties, NL edition, Publication date: Juni 23. ISBN 9789461618009.‎

‎Het Gentse nachtcaf Hotsy Totsy bestaat een halve eeuw. Met zijn interieur ge nspireerd op de roaring twenties werd het een pleisterplek voor een kleurrijk en gemengd publiek, van kunstenaars en wetenschappers tot vrijdenkende drinkebroers, die zich thuis voelden in die warme cocon. Aan het roer stonden Motte en Guido Claus, een vorstelijk duo dat het woelige schip elke keer weer door de nacht laveerde, met landelijke renommee en echo's tot in de Amsterdamse grachtengordel toe. Daar zal de aanwezigheid van Guido's broer, Hugo Claus, zeker een rol in gespeeld hebben. In dit boek vertellen we de geschiedenis van het caf en graven 35 notoire Hotsy Totsygangers in hun herinneringen. Onder meer Jessie De Caluwe, Kurt Van Eeghem, Herman Brusselmans, Josse De Pauw, Pjeroo Roobjee, Frank Liefooghe, Herman Balthazar, Guido Lauwaert, Vera Vermeersch, Zaki, Mugo en Jean Paul van Bendegem getuigen. Zij brengen een ode aan het caf dat een rol in hun leven speelde, maar ook aan Motte, die nu 78 is. De eigenaars zijn nu veranderd, het interieur hetzelfde gebleven. Hoe dan ook is een halve eeuw Hotsy Totsy een reden om te vieren, en een zegen voor het mensdom. Karel Van Keymeulen is een vermaard jazzjournalist, die het Gentse horeca-erfgoed als zijn binnenzak kent, en schreef een inleiding bij het boek. Kurt Defrancq staat bekend als acteur en theatermaker. Samen stelden ze het boek samen.‎

Referentie van de boekhandelaar : 61801

‎Karen M. Cook, William Gibbons, Fanny Rebillard (eds)‎

‎Global Histories of Video Game Music Technology‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: xvi + 313 pages, Size:210 x 270 mm, Illustrations:20 b/w, 5 tables b/w., 14 musical examples, Language English. *new. ISBN 9782503618654.‎

‎Summary This book investigates the global histories of video game sound from the perspective of technology. Technology and video game sound are inextricably intertwined, whether through the creation of the actual sounds, their sonic enactment through the games and consoles, or through their reception and performance outside of the games themselves. Technology and game sound have been the focus of several studies, but those studies have generally maintained a Euro-American and Japanese bias. This volume seeks to begin broadening our perspective by opening up the conversation to and with game sound scholars, practitioners, and specialists from around the world. The contributions in this volume thus speak not only to the most commonly told American, UK, and Japanese histories, but also past and present practices in Spain, France, Germany, Latin America, and Africa. The volume is divided into three sections. The first focuses on the relationships between technology and the development of game sound, from early pinball sounds (Neil Lerner) to the interplay between performance practice, notation, and technology in rhythm games (Alex Habeen Chang). The second part investigates the impact of geographical, economic, and political structures on the development and consumption of game sound. Lasse Lehtonen provides a sweeping historiography of Japanese writing on video game technology and sound, while other chapters scrutinize Spanish game development in the 1980s (Juan Pablo Fern ndez-Cort s) and evaluate the use of motion capture in Red Dead Redemption 2 (Barnabas Smith). The final part offers a glimpse into the working lives of industry personnel (developer Eyram Tawia, composers Chase Bethea, Kinuyo Yamashita, and Yann van der Cruyssen (aka Morusque), and translator J r mie Kermarrec), allowing them to speak to how technology couples with geopolitical factors to impact their experiences working in and with game sound. TABLE OF CONTENTS Karen M. Cook, William Gibbons, Fanny Rebillard, Introduction. Local Vistas: Contemplating Game Sound in a Globalized Industry Part I: Technological Perspectives Neil Lerner, Sounds and Music in Pinball?s Transition from Electromechanical to Solid State Machines, 1975-1982 Alan Elkins, The Influence of Optical Media on Music and Sound Design in Video Games James Newman, Fearful Harmonies: Composing (and Decomposing) the PlayStation Startup Sound Mickael Blum, Composing Video Game Music Using FamiTracker: A Case Study of Shovel Knight Melanie Fritsch ? Stefan H ltgen, Boing Boom Tschak: De/Scribing Sounds with BASIC Alex Habeen Chang, Rhythm Games: A Performance Practice of Play Part II: Regional Perspectives Lasse Lehtonen, Histories of Video Game Music in Japan: Technological Change, Creativity Under Constraints, and Revaluation of Early Game Music Juan Pablo Fern ndez-Cort s, Video Game Music Technology in the Golden Age of Spanish Software Lidia L pez G mez, The Technological Development of Spanish Musical Tropes in Street Fighter Ariel Grez, Technological Negotiations and Shared Listening: The Impact of the 1990s on Chilean Memory Barnabas Smith, Battle Hymn of the Republic or Dixie, with Equal Enthusiasm Part III: Industry Perspectives Eyram Tawia interviewed by Ravi Krishnaswami, Building an African Game Industry Chase Bethea interviewed by Ryan Thompson, Music Mediating Technology J r mie Kermarrec interviewed by Fanny Rebillard, From Squaremusic to Salle Cortot: Birth and Rise of a French VGM Fan Base Yann van der Cruyssen interviewed by Andra Iv?nescu, Obsolete Sounds and Playful Futures Kinuyo Yamashita, Looking Back: My Journey into Video Game Music Abstracts Biographies Index of Names‎

Referentie van de boekhandelaar : 67760

‎KARINE FENAT directrice de la publication‎

‎MES PLUS BELLES CHANSONS n°1‎

‎TOO CUT PUBLISHING. 1999. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 26 pages. Nombreuses illustrationsen noir et blanc, et en couleur, dans le texte et hors texte.. . . . Classification Dewey : 780-Musique‎

‎Classification Dewey : 780-Musique‎

Referentie van de boekhandelaar : R240007161

‎Karche, Vincent.‎

‎Une sylvothérapie à pleine voix. Vibrer avec les chants de la forêt. Préface Ernst Zürcher.‎

‎Lausanne, Favre 2022, 235x150mm, 238pages, broché. Exemplaire à l'état de neuf.‎

‎photos couleurs, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referentie van de boekhandelaar : 108526

‎Karajan Herbert von (prefazione di)‎

‎Musica musicisti editoria. 175 anni di Casa Ricordi. 1808-1983‎

‎Legatura editoriale in piena tela, sovraccoperta figurata, cofanetto, titoli al piatto e al dorso, saggi di Francesco Degrada, Maria Pia Ferraris, Mario Luzzato Fegiz e Giorgio Fioravanti, numerose illustrazioni in b/n e a colori anche a piena pagina, conserva la fascetta editoriale, in ottimo stato.‎

‎Karajan, Herbert von (1908-1989)‎

‎S/w-Autogrammkarte. Motiv: Karajan dirigierend. [signiert, signed].‎

‎Siegfried Lauterwasser, Fotograf. Format: ca. 15x10,5cm. Auf der Vorderseite von Karajan signiert. Kleine Beschädigung (ca 3mm) auf dem Fotopapier an der unteren rechten Ecke. Gutes Exemplar. Sehr selten. Very rare,. Signed by Karajan.‎

Referentie van de boekhandelaar : 14649

‎Karajan, Herbert von, Dirigent (1908-1989).‎

‎Albumblatt mit eigenh. U. O. O. u. D.‎

‎1 S. 8vo. Mit montiertem Portrait (Zeitungsausschnitt).‎

‎Karajan, Herbert von, Dirigent (1908-1989).‎

‎Albumblatt mit Originalphotographie und eigenh. U. [Berlin, 25. oder 26. X. 1969].‎

‎1 S. 4to. Mit montierter Photographie. Die Aufnahme von einer Signierstunde vor oder nach einem Konzert in der Berliner Philharmonie am 25. oder 26. Oktober 1969.‎

‎Karajan, Herbert von, Dirigent (1908-1989).‎

‎Portraitkarte mit eigenh. U. O. O. u. D.‎

‎1 S. 8vo. Im weißen unteren Rand stellenweise etwas fleckig.‎