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(Douthitt, Wilfrid [aka Louis Graveure].
LOUIS GRAVEURE: WORLD RENOWNED BARITONE. College Auditorium Monday Evening January 14th at 8:15 o'clock. Auspices: Iowa Teachers' College. PAMPHLET.
New York: Metropolitan Musical Bureau 1924. 1924. Very good. - Octavo 9 inches high by 6 inches wide. Softcover self-wraps titled in red & black with a black & white portrait of the singer on the front wrap. A 4 page pamphlet including the covers with a brief biography and promotional material printed within and an advertisement for his recordings on the Columbia Graphophone Co. label printed on the rear wrap. Near fine. <p>An original pamphlet for Louis Graveure's January 14th 1924 recital in Cedar Falls Iowa.<p>Known as "The Mystery Man" he was born in London as Wilfrid Douthitt in 1888 but took on the name of Louis Graveure from his mother's maiden name and claimed to be Belgian. Though he first studied architecture at the Royal College of Art in South Kensington Louis Graveure 1888-1965 studied under the Welsh Soprano Clara Novello-Davies. He made his New York debut as a baritone opposite Eleanor Painter in the operetta "The Lilac Domino" under his birth name and subsequently had yet another debut recital in New York as Louis Graveure in 1915. His voice captivated the public and he had a successful career producing over 40 recordings for Columbia. He married the soprano Eleanor Painter in 1916 though they were divorced in 1930. In 1928 Graveure decided to sing tenor roles though critical reactions were mixed. He taught singing at Michigan State University before emigrating to Berlin in 1931. He primarily sang 5 roles those of Faust Rodolfo Pagilacci Don Jose and Lohengrin and and also made 4 films including one with Camilla Horn with whom he had a liaison. Graveure left Berlin for Paris before war broke out and claiming he was a spy the Gestapo searched Horn's home and destroyed her car seeking nonexistent incriminating material. He fled France in 1940 and ended up in England. He returned to the United States with his new wife Patricia and daughter Viola in 1947 but was unable to make much of a comeback. He and his family lived in comfort for the remainder of his years. New York: Metropolitan Musical Bureau, [1924]. paperback
書籍販売業者の参照番号
: 98954
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(DRIEU) LANDORMY (Paul)
Gluck
Gallimard 1941, in-12 broché, 247 p. (bon exemplaire non coupé du service de presse, avec prière d'insérer) Envoi de l'auteur à Drieu la Rochelle. Biographie de ce compositeur pour lequel l'Europe des Lumières s'enflammait.
書籍販売業者の参照番号
: 47216
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(DRIEU) LANDORMY (Paul)
Gounod
Gallimard 1942, in-12 broché, 277 p. (bon exemplaire non coupé du service de presse, avec prière d'insérer) Envoi de l'auteur à Drieu la Rochelle. La vie du très religieux compositeur de Faust, par un témoin de ses dernières années.
書籍販売業者の参照番号
: 47217
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(DRIEU) STROBEL (Heinrich)
Claude Debussy
Editions Balzac 1943, in-8 broché, couverture illustrée rempliée, IV-261 p. (très bon état) Envoi de l'auteur à Drieu la Rochelle. Etude d'ensemble d'un des meilleurs spécialistes du compositeur, traduite et préfacée par André Coeuroy.
書籍販売業者の参照番号
: 47198
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(du MAURIER, George) TAYLOR, Deems, music and libretto by, and Constance Collier, libretto by
Sheet music: Peter Ibbetson: Lyric Drama in Three Acts Nine Scenes
New York: J. Fischer & Bro 1930. Softcover. Very Good. First edition. Quarto. 8 329pp. Illustrated wrappers. Spine a bit cocked front wrapper separating a bit at the foot of the spine rubbing to the wrappers and edgewear very good. An opera based on the novel of the same name by George du Maurier it premiered February 7 1931 at the Metropolitan Opera starring Lucrezia Bori and Edward Johnson. J. Fischer & Bro unknown
書籍販売業者の参照番号
: 584711
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(Eglise Réformée)
Psaumes et cantiques pour le culte de l'Eglise Réformée publiés par le consistoire de Lyon
Lyon, chez Georg libraire, 1903. In-12 (17 x 11 cm) très belle reliure plein maroquin marine, dos à nerfs à titre doré, filets à froid sur les plats, monogramme (RM) en argent sur le plat supérieur, dentelle intérieure, doré trois tranches, 277 pages. Quelques rares rousseurs discrètes, usure sur deux coins. Bel exemplaire.
書籍販売業者の参照番号
: 22460
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(Enescu, George; 1881-1955). Gara, Emmerich
A HANDSOME BLACK & WHITE PORTRAIT OF THE GREAT ROMANIAN COMPOSER & CONDUCTOR GEORGE ENESCU BATON IN HAND INTENSELY LOOKING UP FROM A SCORE.
New York February 1947. 1947. Fine. - sc - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the great Romanian composer and conductor from the chest up standing at the podium in three-quarter profile. Attired in a dark suit and tie over a striped shirt the disheveled conductor looks up from a score into the dark distance. His furrowed brow belies the softer look of his features as he gently holds a baton between his two hands. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso of the photograph. Signed by Gara in pencil on the verso. Fine. <p>The Romanian composer violinist and conductor and teacher George Enescu 1881-1955 was born in the village of Liveni. Known as Georges Enesco in France Enescu was a child prodigy who created his first composition at the age of five. His works influenced by Romanian folk music include the two Romanian Rhapsodies his opera "Oedipe" five symphonies a symphonic poem "Vox Maris" and much more including chamber music. He made his American debut as a conductor at Carnegie Hall in 1923 and made several recordings as a violinist. He was considered as a possible successor to Toscanini. The town of Liveni where he was born was later renamed "George Enescu" in his honor.<p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. (New York, February), (1947). unknown
書籍販売業者の参照番号
: 32994
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(Estellés, Eugeni d'Ors)
SERRA D'OR. Gener 1975, núm. 184 - Barcelona 1975
Barcelona, Edit. Abadia de Montserrat, 1975. Nombroses il·lustracions en b/n. 64 p. 4t. Rústica editorial il·lustrada una mica deslluïda. Bon exemplar. La poesia de Vicent Andrés Estellés per Jaume Vidal Alcover. Eugeni d'Ors parla de Guimerà per Ferran de Pol.
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(Estellés, Pau Vila, etc.)
SERRA D'OR. Juny 1976, núm. 201 - Barcelona 1976
Barcelona, Edit. Abadia de Montserrat, 1976. Nombroses il·lustracions en b/n. 64 p. 4t. Rústica editorial il·lustrada una mica deslluïda. Bon exemplar. Pau Vila, Premi d'Honor. Oratori per Marilyn Monroe de Vicent Andrés Estellés.
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(Fauklner, O'Henry, Frank Lloyd Wright, etc.
ATLÁNTICO nº 3. Revista de cultura contemporánea - Madrid 1956 - Ilustrado
Madrid, Edit. Casa Americana, 1956. Algunas láminas ilustradas en b/n. 115 p. 8º. Rústica editorial algo deslucida. Algunas manchas de óxido. Buen ejemplar. Artículos sobre Thomas Jefferson y O'Henry, Siete poemas de amor de Kenneth Patchen, La música como expresión del espíritu de Aaron Copland, entrevista a William Faulkner, Sobre el contenido de la arquitectura orgánica por Vicente Aguilera Cerni, Sección gráfica: Frank Lloyd Wright, poeta de la arquitectura
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(FERRARI Luigi) -
Viaggio a Rossini (Una mostra spettacolo per immagini e suoni).
Bologna, Comune, 1993, 4to brossura, cm. 20,5 x 30 pp. 50 con numerose foto dei cimeli esposti alla mostra.
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(FORMIGGINI - GUIDE RADIO-LIRICHE - BERLIOZ) MANTOVANI, Tancredi
La dannazione di Faust di Ettore Berlioz.
Roma, A. F. Formiggini, 1930. PRIMA EDIZIONE. Volume appartenente alla Collana: Guide radio-liriche. Il volumetto comprende un breve profilo dell’Autore, un cenno sulla genesi e i caratteri dell’opera; segue poi la guida vera e propria. “Appariscono nel 1929 le Guide radio-liriche dedicate ai radioamatori, felice concepimento ad attuare il quale fui coadiuvato da Tancredi Mantovani, ma che dovette esser fermato dopo la dodicesima puntata per l’opposizione degli editori di musica”, così Formiggini in Trent’anni dopo. In 8vo (cm. 20,5); brossura in carta robusta azzurra con titoli al piatto; pp. 44, (4). Brossura leggermente sciupata, per il resto in buono stato di conservazione. PAx
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(Frederic Mompou, Manuel de Pedrolo)
SERRA D'OR. Octubre 1975, núm. 193 - Barcelona 1975
Barcelona, Edit. Abadia de Montserrat, 1975. Nombroses il·lustracions en b/n. 64 p. 4t. Rústica editorial il·lustrada una mica deslluïda. Bon exemplar. Entrevista de Montserrat Roig a Frederic Mompou. Crítica de quatre obres de Pedrolo - inclòs el Mecanoscrit i Acte de violència - per Eudald Puig. Article sobre Novel·la de Joan Brossa i Antoni Tàpies per Pere Gimferrer.
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(FRENCH ILLUSTRATED BOOKS). (MUSIC). (ENGRAVED BOOKS). LABORDE, BENJAMIN
CHOIX DE CHANSONS MISES EN MUSIQUE . . . ORNÉE D'ESTAMPES PAR J. M. MOREAU. "CHANSONS DE LABORDE"
Paris: Chez de Lormel Imprimeur de l'Academie Royale de Musique 1773. FIRST EDITION First Issue with pencilled correction of "affreux Serpent" on p. 54 of Vol. II. 237 x 160 mm. 9 1/4 x 6 1/4". Engraved throughout. Four volumes. <br/> Tasteful contemporary crimson morocco gilt covers with triple fillet border floral garland at corners crossed trumpets with laurel branches at center smooth spines in gilt compartments with floral sprig within an oval catkin wreath two tan morocco labels gilt turn-ins marbled endpapers all edges gilt restorations to head of two spines. ENGRAVED THROUGHOUT: Engraved decorative title page and dedication page in volume I three engraved frontispieces by Le Bouteux and Le Barbier in volumes II-IV one of these a portrait of the dedicatee La Dauphine Marie Antoinette and 100 FULL-PAGE PLATES the 25 in volume I designed and engraved by Moreau le jeune all with tissue guards those in volumes II-IV engraved by Masquelier and Née after designs by Le Barbier Le Bouteux and Saint-Quentin about one-third of the plates with original tissue guards. Without the separately printed portrait of Laborde issued in 1774 and found in some copies. Cohen-de Ricci pp. 534-38; Ray 49 pp. 90-91 p. 76; Lewine pp. 266-68. Spines slightly and evenly sunned a hint of wear at corners but the bindings otherwise beautifully preserved with only the most trivial imperfections; internally with isolated inconsequential foxing or small stains. A VERY FINE CONTEMPORARY SET the lovely bindings scarcely worn the margins extremely ample the contents clean and fresh and THE ENGRAVINGS RICHLY IMPRESSED.<br/> <br/> Dedicated to the crown princess Marie Antoinette this opulent production--offered here in fine contemporary morocco--beautifully displays the music fashion and aristocratic antics of Louis XV's court perfectly encapsulating the French Rococo. According to Cohen-de Ricci "This book—one of the most beautiful of the 18th century—is perhaps along with 'Contes de La Fontaine' the most delightful by virtue of the grace of its subjects and the variety of the costumes depicted therein." It contains some of the most elegant and memorable engravings to be seen in any French work of the period and they transform a book of perhaps more than occasionally vapid songs into a profoundly pleasurable visual experience. The author Benjamin de Laborde or Jean-Benjamin de La Borde 1734-94 was the hunchbacked valet of King Louis XV. In consequence of the monarch's indulgence of his favorite de Laborde's songs were given a presentation described by Ray as being of "the utmost sumptuousness" the entire work having been produced by engraving. The first volume which Cohen-de Ricci Ray and Lemire unanimously proclaim a "masterpiece" is graced by plates that were both designed and cut by Jean-Michel Moreau called Moreau le jeune 1741-1814. Ray says that the work done by Moreau le jeune during the 1760s "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his work during the 1770s "he carried all before him." So Moreau was in his prime then when he executed these charming scenes often of courtship set in pastures pleasure parks and elegant interiors; they represent the culmination of the Rococo style delicate and lush without being cloying. Because of a quarrel between the artist and the author the final three volumes were illustrated by Le Bouteux and by Jean-Jacques-François Le Barbier 1738-1826. Le Barbier was one of the first great French neoclassical illustrators and Ray declares the engravings here his "most sustained and accomplished series of illustrations apart from that for Gessner's 'Oeuvres'" and laments that the present work "has not received the attention it deserves." Le Barbier's compositions are characterized by charm grace and elaborate and convincing detail. This first printing presents the engravings at the height of their richness and power which has been undimmed by the intervening centuries. With any copy of this work the engravings will always take center stage but here the tasteful contemporary red morocco bindings deserve a prolonged bow: they are perfectly elegant and elegantly perfect. Chez de Lormel, Imprimeur de l'Academie Royale de Musique unknown
書籍販売業者の参照番号
: ST20891
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(FRIZZONI, G. G. B.) (1726-1800):
Canzuns Spirituales davart Christo Gesu il bun pastor, e deliziusa paschura per sias nuorsas.
Celerina, da Giacomo N: Gadina, 1765, in-8°, gest. Front. + 16 n.n. Bl. (Titel in Schwarz-Rot, Widmung, praefatio, avvertimaint) + 643 S. + 6 n.n. Bl. (Register), Marmorierter Ldr. d. Zt. mit Rvg., breiter goldgepr. Spitzenbordüre auf den Deckeln, prächtige Augsburger Brokatvorsätze u. Goldschn., in Pp.-Schuber d. Zt.; Rücken berieben u. bestossen.
書籍販売業者の参照番号
: 40781aaf
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(Fullat, Casamajor, Porcel)
SERRA D'OR. Juny 1965 - Barcelona 1965 - Molt il·lustrat
Barcelona, Edit. Abadia MOntserrat, 1965. Il·lustracions en b/n. 79p. 4t major. Rústica editorial il·lustrada, un pèl gastada. Bon exemplar.
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(GAINSBOURG) BONIFASSI (Catherine, sous la direction de)
Gainsbourg Je suis venu te dire…
NRJ Editions 1991, in-4 (29 x 23,5 cm) cartonnage illustré de l'éditeur, 93 p. (très bon exemplaire ; non réédité) Album souvenir, riche en photos retraçant toute sa vie et son œuvre.
書籍販売業者の参照番号
: 52335
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(Galletti Gianoli Isabella)
In “La settimana”, Giornale illustrato di Romanzi e Varietà, 31 marzo- 6 aprile 1870
Fascicolo n. 122, anno V, pp. 485-488. In copertina il ritratto della cantante di profilo e le descrizione delle tappe significative della sua importante carriera.
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(GARCIA LORCA) BARDI, Ubaldo
Seppelliscimi con la mia chitarra sotto la rena. Recital con ninnenanne, canzoni e musiche della Baracca di Federico Garcia Lorca.
Firenze, Edizioni Esuvia, 1987. Supplemento al numero 13 di Stazione di Posta (Direttore Responsabile Franco Manescalchi). In 8vo (cm. 21,4); cop. originale illustrata con titoli al piatto e al dorso; pp. 49, (3). DEDICA autografa di Ubaldo Bardi. Ottima copia. Axg
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(GERBI Ernesto) -
L'altro Caruso.
Milano, Editrice Internazionale, 1961, 4to tutta tela editoriale con copertina illustrata ( strappi al dorso) pp. 163 completamente illustrato da caricature.
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(GIANNETTINI - MODENA) LUIN, E. J.
Antonio Giannettini e la musica a Modena alla fine del secolo XVII.
Modena, Società Tipografica Modenese Antica Tipografia Soliani, 1931. Studio presentato come tesi di dottorato nell’Università di Monaco di Baviera (3 Marzo 1930). Estratto dagli Atti e Memorie della R. Deputazione di Storia Patria per le Provincie Modenesi, Serie VII, Vol. VII. In 8vo (cm. 25); brossura originale con titoli al piatto; pp. 88, (2) a fogli chiusi. Buono stato di conservazione. Ax
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(GIGLI - CORALE ROSSINI - MODENA - LIRICA)
Concerto Beniamino Gigli. A beneficio della Corale G. Rossini di Modena. Città di Modena - Teatro Municipale - 20 Settembre 1953.
Modena, Teatro Comunale, 1953. Opuscolo pubblicato in occasione del concerto tenuto dal tenore Beniamino Gigli al Teatro Comunale di Modena il 20 Settembre del 1953. Presenti nel Comitato d’onore: il Prefetto di Modena S.E. Bracali Comm. Elmo, l’Arcivescovo di Modena S.E. Mons. Boccoleri Cesare; il Sindaco di Modena Corassori Alfeo, il Comandante dell’Accademia Militare di Modena Scarpa Generale Galliano. In 16mo a catalogo (cm. 18); brossura originale illustrata con titoli al piatto; pp. 11, (1). Con varie illustrazioni e pubblicità dell’epoca nel testo. Buono stato di conservazione. PAx
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(Gilels, Emil Grigoryevich; 1916-1985). Gara, Emmerich
A STUNNING BLACK & WHITE PORTRAIT OF THE GREAT RUSSIAN PIANIST EMIL GILELS SOULFULLY LOOKING UP FROM THE PIANO.
New York January 1958. 1958. Fine. - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the legendary pianist attired in a dark vest over a white shirt and tie. Photographed from the chest up against a dark background from the dark piano's lid which frames him at the front. As he plays Gilel appears to be looking up with soulful intensity. Another musician can be glimpsed in the background looking from over Gilel's left shoulder. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso. Signed by Gara in pencil on the verso. Fine. <p>In January of 1958 Gilels performed a cycle of the Beethoven piano concertos at Carnegie Hall. Alfred Wallenstein conducted the Symphony of the Air.<p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. (New York, January), (1958). unknown
書籍販売業者の参照番号
: 32984
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(GIRATI Luigi - VERDI Luigi) -
Le città della musica. Celibidache e Bologna.
Bologna, Arnaldo Forni, 2004, 4to brossura con copertina illustrata, pp. 217 con numerose tavole fotografiche in nero nel testo.
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(GONTCHAROVA) — Manuel de FALLA.
El Amor Brujo — L’Amour sorcier. (Danse rituelle du feu pour chasser les mauvais esprits).
Paris, Max Eschig, 1921. in 4°, en feuilles. 8 pp.,
書籍販売業者の参照番号
: AMA-298
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(Gruppo Liurario Pievese) -
La liuteria pievese una tradizione che continua. Scritti di: Gabriele Carletti, Sergio Caselli, Stefano Matteucci, Agostino Pinardi e Bruno Zobboli.
Pieve di Cento, Comune - La Famaja Piveisa, 1986, album in 8vo quadrato (cm. 20,5 x 21) brossura con copertina illustrata, pp. 45 con 16 illustrazioni in tavole fotografiche nel testo (Quaderni Pievesi, 2) . In ottimo stato.
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(GUADAGNOLO Pasquale) -
Un'idea dell'Opera. Spettacoli e interpreti al Teatro Comunale di Bologna. 1984 - 1989.
Bologna, Grafis, 1989, 4to tutta tela con sovraccopertina illustrata a colori, pp. 290 con ill.
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(Guimerà, Joan Brossa, Gimferrer)
SERRA D'OR. Setembre 1974, núm. 180 - Barcelona 1974
Barcelona, Edit. Abadia de Montserrat, 1974. Nombroses il·lustracions en b/n. 64 p. 4t. Rústica editorial il·lustrada una mica deslluïda. Bon exemplar. Catalans a l'Annapurna. Presència d'Àngel Guimerà amb textos de Pere Gimferrer, Joan Brossa, Marfany, etc.
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(HAGGARD, Sir H Rider) Glen H Putnam, words by, and Harley E Cash, music by
Sheet music: Moon of Israel
Rochester NY: Bernard Scheib & Co 1919. Softcover. Very Good. Presumably the first edition. Quarto. Single bifolium making four pages. Owner initials on the front cover soiling and rubbing to the exterior and some edgewear including a small tear along the fold still a very good and complete copy. For voice and piano. Plate imprint "M. Of I. 2." A song inspired by the novel of the same name by Sir H. Rider Haggard. The novel is a retelling of Exodus while the song reads more like a love poem "In Egypt or along the Nile/No maiden has your pretty winning smile/Deep in my heart I love you/Moon of Israel." OCLC locates only a single holding and it appears to be equally uncommon in the trade. Bernard, Scheib & Co unknown
書籍販売業者の参照番号
: 583171
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(HITCHCOCK Alfred) / EUGENE Jean-Pierre
la musique dans les films d'Alfred Hitchcock
Paris, Dreamland Editeur, 2000, 15 x 21, 188-XVI pages cousues sous couverture souple illustrée. Ouvrage enrichi d'un cahier de XVI pages de photographies noir & blanc. Préface de Patrice Lecomte.
書籍販売業者の参照番号
: CINEMAAAA000923
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(HORWITZ, Prof), Sigmund Mogulesko, music by, and Henry A Russotto, arranged by
Sheet music: King Solomon Complete Set
New York: The Hebrew Publishing Co 1900. Softcover. Very Good. Sheet music. Folio. Five nested bifolia making 20 pages. Minor edgewear including some nicking pages age toned and exterior rubbed still a complete and very good copy. Contains violin arrangements for 17 pieces no lyrics. The Hebrew Publishing Co unknown
書籍販売業者の参照番号
: 619797
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(HUGO, Victor), Meyer Lutz, music by
Sheet music: Ruy Blas Lancers
London: E. Ascherberg & Co 1889. Softcover. Very Good. Unknown edition. Folio. Three nested bifolia making 12 pages. Outer bifolium separated along the fold but both leaves are present middle bifolium with some separation at the top and bottom of the fold light edgewear some bumping to the corners and a name stamp on the front cover a complete and very good copy with the cover illustration bold and bright. An instrumental piece for piano. Plate imprint "E.A. & Co. 420." The music in this piece is from the production Ruy Blas and The Blasé Roué which was based off of Victor Hugo's play Ruy Blas. The musical opened in Birmingham and London in 1889 and was written by A.C. Toor and H.F. Clarke with music by Meyer Lutz. This piece has notes that correspond to scenes in the musical such as "Ladies Chorus 'Who ordered the sweeps'" and "Chorus 'Here's a jolly lark.'" OCLC locates only a single holding of this piece and it appears to be equally scarce in the trade. E. Ascherberg & Co unknown
書籍販売業者の参照番号
: 596042
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(HUGO, Victor), [Francesco Maria Piave], words by , and Giuseppi Verdi, music by
Sheet music: Infelice: Aria and Cabaletta in Ernani
Boston: Oliver Ditson 1855. Softcover. Very Good. Sheet music. Folio. Two nested bifolia with a single-sheet-insert making ten pages. Notched and worn along the fold from once being bound within an album as a result the bifolia and insert remain bound together with page numbers stamped in the top right corners light offsetting and light soiling throughout and music shop stamp on the front cover still a complete and very good copy. For voice and piano. Plate number 7807. OCLC locates only a single holding of this 1855 edition. From the operetta Ernani based on the 1830 play by Victor Hugo Hernani. Oliver Ditson unknown
書籍販売業者の参照番号
: 620621
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(Illustrated Sheet Music from 1920s - 1940s)
62 PIECES OF ILLUSTRATED SHEET MUSIC - 1920s - 1930s
1920 - 1939. first edition. 62 different songs. All 4to. wraps. All have bright colorful covers designed by Holley Im-Ho Starmer Barbelle Sydney Leff etc. About half have photo illustrations on cover of singer or performer. About one quarter neatly signed by previous owner on front. All piano scores most with Ukelele arrangement included and lyrics. All in VG condition with no splits no tears but all have some minor wear. All text clean. Includes: Let's Sail to Dreamland; Casablanca with photo illustration of Bogart and other stars; All of Me; Mary Ann; Mary Lou Here Comes Heaven Again; Linda; Was that the Human Thing to do ; I'm All Dressed up with a Broken Heart; and so on. Great Collection! Pictures available on request. . paperback
書籍販売業者の参照番号
: a89223
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(Including 11 Pieces By Charles Dickens, N P Willis, Washington Irving, Etc, And Review Of Mary Shelley Book)
The New-York Mirror A Weekly Journal Devoted To Literature And The Fine Arts Vol Xiv Complete July 1836 Through June 1837 Including First Printing Of "The Oak" Song By George P. Morris
New York: The New York Mirror Co 1836 1837 1836. 1st Edition . Hardcover. Very Good. Full Page Plates. 52 Issues Complete In Publisher's Binding Marbled Boards With Leather Spine Gilt. Full Page Plates And Musical Melodies In Some Issueswear Paper And Leather Worn At Edges Of Boards But Binding Solid Contents Clean Except For Light Foxing At Edges Of The Full Page Plates. P. 119/120 Has Upper Corner Torn Away Removing About 1/2 Of Text. Long Closed Tear Pp 303/304. Pp 215/216 Excised.Includes The First Appearance In America Of An Up-And-Coming Young British Writer Charles Dickens Writing As " Boz" Or As "Excerpts From Dickens": "The Fashionable Dancing Academy" P. 122; "Miss Evans And The Eagle" P. 134; "The Bloomsbury Christening" Pp. 146-47; "The Steam Excursion" Pp. 162-63; "Meditations In Monmouth Street" Pp. 177-178; "The Great Winglebury Duel" Pp. 186-87; "A Christmas Dinner" Pp. 202-203; "Excerpt From 'Pickwick;" P. 294; "Minns And His Cousin" Pp. 305-306; "Our Next Door Neighbors" Pp. 314-315; "The Parlour Orator" Pp. 322-323. P. 328 Has Short Review Of Mary Shelley's "Falkner" "By The Author Of Frankenstein. This Work Exhibits A Greater Range Of Her Powers Than The Book By Which Mrs. Shelley Is Best Known But It Must Not Be Denied That It Lacks All That Strange And Terrible Interest Which Give Its Particular Character To Frankenstein. <br/> <br/> The New York Mirror Co 1836 1837 hardcover
書籍販売業者の参照番号
: 041575
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(INDIGENOUS PEOPLES: MUSIC) LEHMER, Derrick Norman
Three Titles.
Berkeley: V.p. 1924-1932. Seven Indian Songs from the Yosemite Valley. Berkeley: National Society of Colonial Dames; 1924. First edition. Folio 9 x 12 inches. 18 2 pp. Publisher's printed tan wrappers.Five Songs from the Tundras: An Eskimo Song Cycle. Berkeley: D. N. Lehmer 1932. Folio 9 x 12 inches. 910 2 pp. Publisher's printed white wrappers.Indian Songs from the Mesas. Berkeley: D. N. Lehmer 1932. Folio 9 x 12 inches. 1314 2 pp. Publisher's printed white wrappers.Derrick Norman Lehman was a multifaceted man of great learning. Lehmer was awarded his Ph.D. in mathematics in 1900 from the University of Chicago for his thesis Asymptotic Evaluation of Certain Totient-Sums. He went on to publish a number of important papers in the field of advanced mathematics the most famous of which was his "Factor Stencils" that was published in 1929. But oddly and like many mathematicians he had a real penchant for writing music. Over a period of years he published many collections of songs which he composed including Seven Indian Songs from the Yosemite Valley 1924 Down the stream and other Indian songs 1927 Indian camp-fire songs 1930 Indian songs from the Northland 1931 Fingers of the sun and other Indian songs from the Sierra slopes 1931 Songs from the Mesas 1932 Songs from the Tundras 1932 The Ballad of San Francisco Bay 1937 and Five Little songs 1937. These are not transciptions of actual songs but Lehmer's interpretations. V.p. unknown
書籍販売業者の参照番号
: 76385
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(JANSEN, NIELS CARL SIGVARD).
I Sveitserhuset. Dramatisk Situation. Opført første Gang paa Frederiksberg Morskabstheater den 22de Juli 1870.
K., 1870. Orig. bogtrykt omsl., ubeskåret. Bagomsl. løsgået.
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(JANSEN, NIELS CARL SIGVARD).
I Sveitserhuset. Dramatisk Situation. Opført første Gang paa Frederiksberg Morskabstheater den 22de Juli 1870.
K., 1870. Orig. bogtrykt omsl., ubeskåret. Bagomsl. løsgået.
書籍販売業者の参照番号
: 26665
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(Jaume Sisa)
ORDINT LA TRAMA. Núm. 01 - Sabadell 2001 - Il·lustrat
Sabadell, Edit. Ordint la Trama, 2001 Nombroses il·lustracions b/n. 19 p. 4t. major. Rústica editorial il·lustrada. Molt bon exemplar. Entrevista amb Jaume Sisa.
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(JAZZ) BERENDT, Joachim Ernst
Il libro del jazz. Dal New Orleans al free jazz. Evoluzione, musicisti, elementi, complessi e definizione della musica jazz.
Milano, Aldo Garzanti Editore, 1973. Prima edizione nella Collana: I Garzanti. Traduzione dal tedesco di L. Luzzatto. Volume N. 411 della Collana: I Garzanti. Gli stili del jazz; I musicisti del jazz; Gli elementi del jazz; Gli strumenti del jazz; I cantanti del jazz; Le big bands del jazz; Le combo del jazz; La definizione del jazz; Il linguaggio del jazz (dizionario); Discografia. In 16mo (cm. 18,1); brossura originale illustrata a colori con titoli al piatto e al dorso; pp. 428, (4). Brossura illustrata al piatto anteriore da Fulvio Bianconi. Ottima copia. Axg
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(JAZZ) FAYENZ, Franco
Il Jazz dal mito all’avanguardia.
Milano, Sapere Edizioni, 1970. Prima edizione. Questo libro propone un’analisi storico-critica del fenomeno jazzistico attraverso una raccolta di monografie che abbracciano gli aspetti più significanti della musica nordamericana e inseriscono le personalità esaminate nel contesto socioeconomico che le ha condizionate. Volume completato da un’utile discografia. In 8vo (cm. 20,7); cop. originale illustrata in bianco e nero con titoli al piatto e al dorso; pp. 509, (1). Con numerose illustrazioni in bianco e nero su carta patinata fuori testo. Ottima copia. Axg
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(JAZZ) FRANCIS, André
Jazz.
Milano, Arnoldo Mondadori Editore, 1961. Prima edizione italiana. Traduzione di Augusto Castellaneta. Volume della Collana: Enciclopedia Popolare Mondadori. Preistoria del Jazz; Nascita del Jazz; Louis Armstrong; Duke Ellington; Count Basie; I maestri dell’era swing; Lo stile bop; Lo stile cool. In 16mo (cm. 18,1); cop. originale illustrata a colori con titoli al piatto e al dorso, con tela editoriale al dorso; pp. 191, (1). Con 29 illustrazioni in bianco e nero nel testo. Pagine di guardia illustrate. Ottima copia. Axg
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(JAZZ) LANG, Iain
Il Jazz.
Milano, Arnoldo Mondadori Editore, 1960. A cura di Roberto Leydi. Volume N. 138 della Collana: Biblioteca Moderna Mondadori - Sezione critica saggistica. New Orleans; Blues bianchi e negri; Musica sul Mississippi; Chicago; Boogie-Woogie; Il suonatore pazzo; Harlem; I Riffs di Kansas City; I blues; Note discografiche. In 16mo (cm. 18,7); cop. originale rigida con titoli al piatto entro cornice e al dorso; pp. 167, (7). Firma di appartenenza. Ottima copia. Axg
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(JAZZ) TESTONI, Gian Carlo - POLILLO, Arrigo - BARAZZETTA, Giuseppe
Enciclopedia del Jazz.
Milano, Edizioni Messaggerie Musicali, 1954. Seconda edizione riveduta e aggiornata. Con la collaborazione di: Roberto Leydi e Pino Maffei. L’opera si divide in 5 parti: Estetica del jazz; Storia del jazz; Gli uomini del jazz; Discografia italiana; Bibliografia. Questa Enciclopedia del Jazz, prima opera di grande impegno della nuova scuola critica e storica, rappresenta il punto di partenza d’ogni lavoro futuro e vuole essere un’opera assai completa. I compilatori di questo volume sono fra i rappresentanti più vivi e attivi della nuova scuola italiana. In 8vo (cm. 24,5); cop. originale rigida in tutta tela editoriale di colore blu con titoli in giallo al piatto e al dorso più sovraccoperta illustrata a colori, con titoli al piatto e al dorso; pp. 518, (2). Con 63 tavole con numerose illustrazioni fotografiche in bianco e nero su carta patinata fuori testo. Sovraccoperta di Max Huber. In allegato: opuscolo di 12 pagine con il programma di un concerto tenuto in Italia dall’Orchestra Americana di Bill Colemann e Albert Nicholas con Benny Waters, Rafi Luderitz, Jack Starling, Gilbert Fanfant e la voce d’oro di Trinidad Cecily Forde. Sovraccoperta sciupata con mancanze, per il resto buono stato di conservazione. PAx
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(JAZZ) ULANOV, Barry
Manuale del jazz.
Milano, Giangiacomo Feltrinelli Editore, 1959. Prima edizione italiana. Traduzione di Tilde Arcelli. Consulenza di Daniele Prevignano Jonio. Volume N. 264 della Collana: Universale Economica - Serie Saggi, Vol. VII. Il jazz ieri e oggi: sintesi storica; Gli strumenti del jazz; Le scuole del jazz; Gli elementi del jazz; Una storia del jazz in tredici centimetri; Una storia del jazz in trentotto centimetri; Nello scaffale; La lingua del jazz; La moralità del jazz; Il jazz come professione; Come giudicare il jazz; Il posto del jazz; I musicisti del jazz; Cosa leggere dopo questo libro; Cronologia comparata del jazz e delle altre arti nel XX secolo. In 16mo (cm. 18,5); cop. originale illustrata con titoli al piatto e al dorso; pp. 295, (5). In copertina: fotografia di Gian Greguoli. Ottima copia. Axg
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(Joan Brossa)
SERRA D'OR. Agost 1975, núm. 191 - Barcelona 1975
Barcelona, Edit. Abadia de Montserrat, 1975. Nombroses il·lustracions en b/n. 64 p. 4t. Rústica editorial il·lustrada una mica deslluïda. Bon exemplar. Cinema català, una altra arrencada. Entrevista de Montserrat Roig a Joan Brossa.
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(Joan Oliver - Francesc Trabal - Chopin)
NEXUS 22 - Barcelona 1999 - Il·lustrat
Barcelona, Edit. Fundació Caixa Catalunya, 1999. Nombroses il·lustracions en color i b/n. 112 p. Gran 4t. Rústica editorial il·lustrada. Molt bon exemplar. Centenaris de Joan Oliver i Francesc Trabal. Chopin, 150 anys després de la seva mort.
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(Joan Salvat Papasseit)
SERRA D'OR. Juliol 1976, núm. 202 - Barcelona 1976
Barcelona, Edit. Abadia de Montserrat, 1976. Nombroses il·lustracions en b/n. 64 p. 4t. Rústica editorial il·lustrada una mica deslluïda. Bon exemplar. Pau Vila, Premi d'Honor. Cartes inèdites de Joan Salvat Papasseit. El llarg viatge de Miquel Martí Pol per Francesc Vallverdú.
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(Joaquim Molas, Josep Escobar, etc.)
BARCELONA Metròpolis Mediterrània . Núm. 11 - Barcelona 1989 - Molt il·lustrada
Barcelona, Edit. Ajunt. Barcelona, 1989. Quadern central: Crònica i crítica de la música a Barcelona. Nombroses fotografies en color i negre. 223p. Foli. Rústica editorial il·lustrada. Edició en català i anglès. Book in English. Molt bon exemplar. Llibres el plaer perdurable de la forma, El "look" particular dels barcelonins, Entrevista Joaquim Molas. Còmic: Josep Escobar.
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(Johnstone, Fawcett, Emery, Matthews, &c).
A COLLECTION OF THE MOST FAVORITE COMIC SONGS SUNG AT THE THEATRES ROYAL AND PUBLIC MEETINGS BY MESSRS. JOHNSTONE FAWCETT EMERY MATTHEWS &C. 3 books in one volume.
London: Printed for C. Wheatstone circa 1812. 1812. Fair. - Octavo 9-1/4 inches high by 6-1/4 inches wide. Bound in marbled boards backed with a brown calf spine with a leather title label and gilt rules on the spine. The covers are heavily rubbed with substantial wear to the corners. The leather is splitting at the top and bottom of the front joint and the gilt title has rubbed away. Title pages 1-40 1 title pages 41-80 1 title and pages 1-36. The second book is lacking pages 55-58 "The Bottle". Illustrated with 3 engraved title pages and engraved music with lyrics. The front hinge is cracked. An early owners name is penned at the top of the front pastedown with another owner's name penned at the top of each title page. Remnants of a red wax seal adhere to the front endpaper. Early annotations are penned in ink on the verso of the front endpaper and lyrics are penciled on the rear blank. Tears and damage to the first title page show evidence of early repair with paper & paste. An annotation on the second title page has been crudely crossed out with ink and there is a long tear to the bottom inner edge of the third title. There is some occasional soiling throughout with occasional short tears to the edges which do not affect the contents. <p>Three books in one volume as issued each with its own title page. The pagination is continuous through books one and two.<p>The work includes 59 of 60 songs with engraved music & lyrics lacking the one entitled "The Bottle".<p>Included among the songs are "A Tight Irish Boy" "Kittle of Coleraine" "Murphy Delany" "Sprig of Shillelah" "The Bold Dragoon" "The Corsican Fairy" "Fiddle dum dee" "Love sick Frog" "Lundun is the Devil" etc.<p>RARE. WorldCat locates only the British Library copy. London: Printed for C. Wheatstone, circa [1812]. hardcover
書籍販売業者の参照番号
: 34438
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