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[Wagner, Richard]. - Slg. Marcel Hébert.
Sammlung von 66 meist eigenh. Briefen und einigen Karten an Hébert. Verschiedene Orte, 1893 bis 1898.
Zusammen 220¾ SS. auf 129 Bll. Verschiedene Formate. Mit einigen Beilagen (s. u.). Inhaltsreiche Korrespondenz von u. a. Houston Stewart Chamberlain, Marcel Proust und Cosima Wagner mit dem katholischen Priester, Philosophen und Wagner-Forscher Marcel Hébert (1851-1916), die sich im Wesentlichen um die Themen Philosophie, Religion und Politik in Wagners Werk dreht, aber auch so manch anderes Thema anspricht, so etwa die Korrespondenz zwischen Wagners Assistenten Carl August Roeckel und Wagner (so Houston Stewart Chamberlain in seinem Brief vom 11. VIII. 1893), einen Besuch Chamberlains bei Cosima Wagner (Br. v. 5. I. 1894 und vom 15. III. desselben Jahres), Wagner und Hegel (16. V. 1894), den Plan einer Übersetzung von Héberts "Sentiment religieux dans l'œuvre de Richard Wagner" ins Deutsche (das Buch erschien dann 1895 im Verlag von August Schupp unter dem Titel "Das religiöse Gefühl im Werke Richard Wagners"), Chamberlains Arbeit an seinem Buch "Richard Wagner" (1895 im Bruckmann Verlag erschienen), eine neue Übersetzung Alfred Ernsts von Wagners "Walküre" (Br. v. 20. IX. 1893), Héberts Broschüre "Platon und Darwin" (Br. A. Ernsts vom 4. X. 1893), Ernsts Schrift "Richard Wagner et le drame contemporain" (Calmann Lévy, Paris, 1884), Héberts "Platon et Darwin. Dialogue philosophique" und Wagners "Religion und Kunst" (so Édouard Schuré in seinem Brief vom 17. VII. 1893) und zahlreiche weitere Veröffentlichungen Héberts und seiner Korrespondenzpartner. Cosima Wagner dankt Hébert in ihrem Brief vom 28. X. 1894 für die Zusendung von einer seiner Schriften über Wagner (wohl "Trois moments de la pensée de Richard Wagner") und auch Cosimas Tochter Blandine Gravina dankt für die Zusendung eines Buches, dürfte sich allerdings, wenn auch höchst elegant, darüber hinwegschummeln, daß sie es nicht gelesen hat ("Malheureusement, je n'ai pas le don de parler des choses profondes, même quand je les comprends, et puis je ne voudrais pas vous ennuyer […]", Br. v. 27. XI. 1894). Ein sehr ausführlicher Brief der Sprachwissenschaftlerin, Schriftstellerin und Übersetzerin (so auch Héberts) Anna Brunnemann bespricht die "Edda" und ihren Einfluß auf Wagner (18. VI. 1893), und der Initiator des ersten Wagner-Zirkels in Paris, der Untersuchungsrichter Antoine Lascoux, berichtet von einem Gespräch mit Engelbert Humperdinck, der bezüglich der Frage, ob Wagner Englisch beherrscht hätte, antwortete, daß dem wohl so gewesen sein müsse: "Je n'en suis pas sûr, mais sans doute il a bien compris cette langue, puisqu'il lisait souvent Shakespeare en originale" (Br. v. 18. IX. 1893). Hans von Wolzogen, der von 1878 bis 1938 die Bayreuther Blätter redigierte und herausgab, den Allgemeinen Richard Wagner-Verein leitete und eng mit Cosima Wagner befreundet war, bespricht u. a. eine Meinungsverschiedenheit über sein Verständnis des Parsifalcharakters ("Parsifal est l'esprit enfantin de l'Evangile", 5. XI. 1894) und den Einfluß Schopenhauers auf Wagner ("Zu bedauern bleibt es, daß Sie nicht mehr die jüngst erschienenen Briefe Wagners an Röckel benützen konnten […] weil sie am deutlichsten den Umschwung in Wagners Geiste wiedergeben", Übers.). - Héberts Korrespondenzpartner sind im einzelnen: 1) Alfred Bovet: EBmU. 19. XII. 1895. - 2) Louis-Pilate Brinn'Gaubast: EBmU. 31. III. 1897. 1 S. 8vo. - 3) Anna Brunnemann: EBmU. 18. VI. 1893. 6 SS. auf 3 Bll. 8vo. - 4) Houston Stewart Chamberlain: 15 Briefe (davon 9 eh., 2 hs. 3 ms. und einer von seiner Gattin Anna). 1893 bis 1896. Zusammen 73½ SS. auf 41 Bll. Meist 8vo. Beiliegend ein eh. Blatt mit einer Lektürenotiz Chamberlains (2 SS., qu.-8vo.). - 5) Richard de Chelus: EBmU. 5. XI. 1895. 6 SS. auf 3 Bll. 8vo. - 6) Paul Desjardins: EBmU. Aix en Savoie, 17. IX. o. J. 5¼ SS. auf 3 Bll. 8vo. - 7) Hugo Dinger: EBmU. 10. XII. 1894. 3 SS. auf Doppelblatt. 8vo. - 8) Auguste Ehrhard: EBmU. 9. VI. 1893. 2 SS. auf 1 Bl. 8vo. - 9) Balduin Elle: EBmU. 2½ SS. auf Doppelblatt. 8vo. - 10) Alfred Ernst: 3 eBmU. 1893. Zusammen 6 SS. auf 4 Bll. 8vo. - 11) Émile Gallé: EBmU. 24. X. 1895. 1 S. auf 1 Bl. 8vo. - 12) Blandine Gravina: EBmU. 27. XI. 1894. 3 SS. auf Doppelblatt. 8vo. - 13) Maurice Kufferath: 2 eBmU. 1894 und 1895. Zusammen 6 SS. auf 3 Bll. (Qu.-)8vo. - 14) Antoine Lascoux: 3 eBmU. Juli 1893. Zusammen 8½ SS. auf 6 Bll. 8vo. - 15) Henri Lichtenberger: 3 eBmU. 1897. Zusammen 7½ SS. auf 5 Bll. (Kl.-)8vo. - 16) Jaime Montero y de Madrazo: EBmU. 6. I. 1896. 1 S. 4to. - 17) Raoul Mercier: EBmU. März 1895. Zusammen 7 SS. auf 4 Bll. 8vo. - 18) Eudoxe-Irénée Mignot, évêque de Fréjus: EBmU. 27. X. 1892. 1 S. auf 1 Bl. 8vo. - 19) Arthur Mugnier: 2 eBmU. 1894 und 1895. Zusammen 7 SS. auf 4 Bll. 8vo. - 20) Georges Noufflard: 2 eBmU. 1893 und 1894. Zusammen 4 SS. auf 4 Bll. 8vo. - 21) Nicolaus Oesterlein: E. Postkarte mit U. 29. XI. 1894. 1 S. Qu.-8vo. - 22) Marcel Proust: Ms. Abschrift eines Briefes. O. O. u. D. 2 SS. auf 2 Bll. 4to. - 23) René de Récy: EBmU. 27. X. 1893. 1 S. auf 1 Bl. 8vo. - 24) Edward Sapier: EBmU. 10. VIII. 1901. - 25) Édouard Schuré: 4 eBmU. 1893 und 1894. Zusammen 16 SS. auf 8 Bll. 8vo. - 26) Franz Servais: EBmU. 10. I. 1896. 4 SS. auf Doppelblatt. 8vo. - 27) Jean Thorel: EBmU. Colombes (Seine), o. D. 2 SS. auf 1 Bl. Kl.-8vo. - 28) Cosima Wagner: EBmU. 28. X. 1894. 2 SS. Kl.-4to. Mit eh. adr. Kuvert. - 29) Hans von Wolzogen: 12 eBmU. 1893 bis 1898. Zusammen 23 SS. auf 14 Bll. - Die vorliegende Korrespondenzsammlung wurde in den 1920er Jahren von dem Musikwissenschaftler André Cœuroy (1891-1976) zusammengetragen und aufbewahrt. Von ihm, der selbst ein Standardwerk über Wagner verfaßte ("Wagner et l'esprit romantique", Gallimard, 1965), finden sich hier weiters zwei eh. Manuskripte. 1) "3 moments de la pensée de R. Wagner: Tétralogie - Tristan - Parsifal". 1894. 1 S. 8vo. 2) "L'évolution sentimentale de R. W.". 1896. 14½ SS. auf 9 Bll. 8vo.
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[Wagner, Richard]. - Wagner, Albert, Schauspieler, Regisseur und Sänger (1799-1874), Richard Wagners älterer Bruder.
"Andenken". Eigenh. Musikmanuskript mit Namenszug am Titel. Würzburg, 8. X. 1839.
(21) Bll. mit sechs Kompositionen für Klavier und Singstimme mit unterlegtem Text. Brauner Lederband der Zeit mit goldgepr. Mäander-Bordüre, Vorderdeckel mit einer Stickerei auf Stramin ("Andenken") mit Schmuckbordüre und Goldperlchen, vorderer Spiegel mit Wagners auf Stramin gesticktem Monogramm in Goldrahmen. Kl.-qu.-Folio (295:231 mm). Im vorliegenden Album finden sich die sorgfältigen Abschriften der Lieder 1) "Glockentöne von Proch" (op. 21 von Heinrich Proch); 2) "Mein' Hütten von A. Müller" ("Mein Hütten laß i nit […]" von Anton Müller); 3) "Im Thale von Proch"; 4) "C' est une larme. Romance de P. Lafont" (Charles Philippe Lafont, französ. Violinspieler, 1781-1839); 5) "Wach auf! von Loewe" (Carl Loewe, 1796-1869, "Der Hahn hat gekräht, die Lerche singt [...]"); 6) "Lied von Paul Fleming aus Oehlenschlägers Inseln im Südmeer" ("Laß Dich nur Nichts nicht dauern mit Trauern [...]"). - "Zur freundlichen Erinnerung", wie es am Titel heißt, "gesammelt von Albert Wagner / Würzburg den 8ten October 1839". Albert Wagner, der ältere Bruder von Richard Wagner, war nach Stationen in Leipzig, Breslau, Hamburg und Augsburg seit 1829 in Würzburg tätig. In den 1840er Jahren gab er seine Sängerlaufbahn infolge eines zunehmend stärker werdenden Halsleidens auf; von 1852 bis 1865 wirkte er als Regisseur an der Berliner Hofoper. - Die ersten und letzten Bll. stellenweise etwas fleckig; der Einband stellenweise etwas beschabt und berieben, gleichmäßig gebräunt und teils leicht fleckig; die Stickerei am Vorderdeckel leicht stockfleckig.
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[Wagner, Richard]. - Wesendonck, Mathilde, German poet and author, best known as the friend and possibly mistress of Richard Wagner (1828-1902).
Notebook with some autogr. excerpts. Villa Traunblick (Altmünster), August 6 ff., 1893.
5¼ pp. Gilt spined contemp. vellum. 8vo. An elegant notebook with some extracts from a newspaper article on critic, a speech of Rudolf von Virchow and from Goethe's "Bei Betrachtung von Schillers Schädel" ("In consideration of Schiller's skull".
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[Wagner-Kreis] - Groß, Adolf von, Bankier, enger Freund Wagners und langjähriger Finanzverwalter der Bayreuther Festspiele (1833-1894).
Eigenh. Brief mit U. Bayreuth, 25. IV. 1886.
2½ SS. auf Doppelblatt. 8vo. Mit hs. adr. Kuvert. An den Bankier Baron Felix von Kaskel (1833-94) mit der Bitte um Überlassung eines "Glocken"-Musikinstruments zwecks Vergleichs mit dem "Gralsglockenklavier" sowie zu dessen Verbesserung und Weiterentwicklung: "Metallplatten und Glocken in gewünschter Tiefe besitzen wir bereits ebenso ein hier construirtes Glockeninstrument [...] Durch Herrn Professor Wüllner [d. i. der Opernsänger Ludwig Wüllner] erfuhr ich vor kurzem, dass Ihre in der Societa del Quartetto benutzten Glocken schon die nöthige Tiefe hätten, es wäre uns deshalb erwünscht gewesen sie mit unseren Instrumenten zu vergleichen und eventuell zu erwerben, während wir schon der Kosten wegen absehen würden weiter zu experimentiren [...]". - Adolf Groß, der nach dem Ableben Richard Wagners auf dessen Wunsch hin zum Vormund von Wagners Kindern bestimmt wurde, stand der Witwe Cosima in allen finanziellen und administrativen Fragen zur Seite. Er trug die schwierigen und vielseitigen geschäftlichen Aufgaben des gesamten Festspielunternehmens ganz allein und führte die Bayreuther Festspiele zu außergewöhnlichen Erfolgen. Die erste Version des "Glockenklaviers", eines Klaviaturglockenspiels, wurde 1881 speziell für Richard Wagner für die Oper "Parsifal" von der Klaviermanufaktur Steingraeber & Söhne konstruiert; es sollte tiefere Klänge als die Glocken des Wiener Stephansdoms erzeugen. - Mit gedr. Briefkopf "Verwaltungsrath der Bühnenfestspiele". Leicht fingerfleckig.
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[WAGNER]
Richard Wagner.
Gr. In-8, 302p. Rassemble une importante iconographie en noir et en couleurs. A l'état de neuf.
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[WAGNER]
Wagner.
Gr. In-8, 302p. Rassemble une importante iconographie en noir et en couleurs.
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[WAGNER] - LICHTENBERGER (Henri)
Richard Wagner, poète et penseur.
Gr. In-8, 451p. Nouvelle édition.
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[WAGNER] - POURTALES (Guy de)
Wagner. Histoire d'un artiste.
In-8, 446p.
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[Warhol, Andy] - Victor Bockris
Up-tight. Die Velvet-Underground-Story.
Augsburg., Sonnentanz-Verlag., 1989. 27 x 20 cm. 144 S. OKarton., 52111AB 2. Auflage. Sehr gutes Exemplar.
Referentie van de boekhandelaar : 52111AB
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[Wiener Hofkapelle]. Johann Nepomuk Fuchs, Komponist und Kapellmeister (1842-1899).
"Ehrfurchtsvoller Glückwunsch". [Wien, um 1890].
1 S. auf gefalt. Doppelbogen. Goldgehöhter Vordruck. Gr.-Folio. Direktor J. N. Fuchs und zahlreiche Mitglieder der Wiener Hofmusikkapelle statten zu einem nicht ermittelten Anlass einen "ehrfurchtsvollen Glückwunsch" ab. Unter den insgesamt 34 Zeichnenden finden sich neben dem Kapellmeister selbst Richard Baumgärtel, Carl Bruckner, Julius Egghard, Ferdinand Hellmesberger, Rudolf Siebert, Franz Weber, Johann Nepomuk Zoczek etc.
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[Wiener Künstler des frühen 20. Jhdts.].
Albumblatt mit 25 eigenh. U. von namhaften Musikern, Malern und Schriftstellern. [Österreich, um 1920].
1 S. Gr.-4to. Hochkarätig besetztes Albumblatt mit den eh. U. von John Quincy Adams, Heinrich von Angeli, Raoul Auernheimer, Hermann Bahr, Anna Bahr-Mildenburg, Julius Bittner, Hugo Darnaut, Edmund Eysler, Selma Halban-Kurz, Hugo von Hofmannsthal, Maria Jeritza, Emmerich Kalman, Wilhelm Kienzl, Erich Wolfgang Korngold, Franz Lehár, Joseph Marx, Alfred Piccaver, Franz Schalk, Ferdinand Schmutzer, Arthur Schnitzler, Arnold Schönberg, Leo Slezak, Karl Hans Strobl, Felix Weingartner und Anton Wildgans. - Leicht gebräunt und verso stellenweise gering fleckig; von geringfügigen Randläsuren abgesehen gut erhalten.
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[Wiener Stadttheater]. -
Hs. Rundschreiben der Direktion des Wr. Stadttheaters betr. einer Terminänderung. [Wien], o. D. [1883 oder Anfang 1884].
1 S. Folio. Setzt die Damen und Herrn Schauspieler von einer Vorstellungsänderung in Kenntnis. Am Donnerstag den 24. werde Anzengrubers "Pfarrer von Kirchfeld" und tags darauf Franz von Schönthans "Der Schwabenstreich" gegeben. - Das Wiener Stadttheater, 1870 nach Plänen von Ferdinand Fellner sen. und jun. errichtet, war von Max Friedländer und Heinrich Laube als bürgerliches Theater für klassische Stücke, moderne Tragödien und Lustspiele und in Konkurrenz zum k. k. Hofburgtheater konzipiert worden. 1884 brannte es völlig aus, wurde als Ruine von Anton Ronacher erworben, von den Architekten Ferdinand Fellner d. J. und Hermann Helmer zu einem Varietétheater umgestaltet und in dieser Verbindung von Theater, Ballsaal, Hotel, Restaurant und Kaffeehaus fortan unter dem Namen "Etablissement Ronacher" betrieben. - Auf dem Rundschreiben zeichnen tls. wiederholt Hugo Ranzenberg, Rudolf Tyrolt, Gustav Kober, Eugen Witte, Leo Hellwig und Wilhelm Heinrich sowie die Damen und Herrn Schönfeld, Berg, Groß, Stahl, Lenau, Relly, Schäffel, Bank, Roth, Albrecht, Köck, Weber, Spatzer, Pinal und Koch. - In den Fälzen mit gr. Einr.
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[Will Fyffe (1885-1947), Scottish comedian and music hall entertainer] W Macqueen-Pope (1888-1960), theatre historian:
Will Fyffe Scottish comedian and music hall entertainer. Two drafts of Typed Obituary of Fyffe by theatre historian W. Macqueen-Pope.
No date or place. 1947. London. From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published but it was probably the London magazine ‘Everybody’s’ for which MP contributed a weekly column. ONE: 4pp 4to double-spaced on four leaves. Autograph corrections to first sentence and an altogether more untidy effect including an additional passage on the last page which is correctly positioned in the second draft below suggest that this is an earlier draft. Begins: ‘It was a freak of fortune that made Will Fyffe into a music hall star instead of remaining on the legitimate stage where he had made his beginning as a small boy.’ Contains information not present in the second version including several astute assessments. For example: ‘Unlike Sir Harry Lauder the other great Scot of the Halls Will Fyffe was a realist. He could create a character and be it. It was not Will Fyffe at whom you gazed it was a gamekeeper a centenarian a Scots engineer on a steamship a guard on the Highland Railway - finding a report of the Battle of Waterloo in the lining of his ill fitting cap a country doctor a real country bumpkin the blacksmith at Gretna Green or the inebriated gentleman to whom Glasgow belonged on a Saturday night. He studied his types and he reproduced them magnificently. They were real people.’ Other topics include his mastery of make-up international popularity and ‘magnificent service’ in the First World War. TWO: 3pp 4to single-spaced on three leaves. More polished than One and with emendations deletions and recasting. Ends: ‘Our stage has lost one of its greatest artists and finest men. How fine an actor he was few knew although one celebrated critic glimpsed it when he wrote “Mr Fyffe has a sob here of which Garrick had bee proud.’ No date or place. [1947. London.] unknown
Referentie van de boekhandelaar : 24581
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[Williams, Andy]; Barry, John; Van Heusen, James; Cory, George; Munson, Eddie; Lee, Kuiokalani; Young, Victor; et al
Andy Williams - Popular Hits from Award Winning Albums: Songbook With Piano Sheet Music Lyrics and Guitar Chords
USA: Hansen Publications. Fair. 1967. First Edition. Paperback. Includes piano sheet music lyrics and guitar chords for these wonderful songs popularized by Andy Williams: Born Free; Call Me Irresponsible; This Is All I Ask; Wives And Lovers; Never On Sunday; Sunshine Lollipops and Rainbows; I Left My Heart in San Francisco; And Roses and Roses; I'll Remember You; Moon River; and many others. Undated but appears to be circa 1967. Center pages loose but present. While this copy does include two full-page black and white reproductions of photos of Andy it appears that more pages of photos may have been removed and are not included. Fortunately all the sheet music is still present. Unmarked with average wear. A worthy example of this wonderful Andy Williams memento. ; 4to . Hansen Publications paperback
Referentie van de boekhandelaar : 848j1715
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[Winnipeg Music Competition Festival Inc]
75th Anniversary Celebration: Winnipeg Music Competition Festival 1919 -1993 Program Book
Winnipeg Manitoba: Winnipeg Music Competition Festival Inc. 1993. Spiral Bound. pp. 98. 8vo. Card covers bound in white plastic spiral binding. Black and white illustrations. Features a listing of description of events and prices. No detectable flaws; near fine. Rare. Companion to Book #28532. [Winnipeg Music Competition Festival Inc.] unknown
Referentie van de boekhandelaar : 028592
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[Wittgenstein, Paul, Pianist (1887-1961)]. - Louis Spohr (Komponist, 1784-1859).
38 Musikdrucke aus dem Besitz Paul Wittgensteins. Verschiedene Orte, ca. 1815 bis 1842.
Zusammen 1794 SS. Notendrucke. Meist gr.-4to. - Beiliegend 5 Notendrucke von Werken Johann Nepomuk Hummels, Simon Sechters, Heinrich Marschners, Johann Rt. von Herbecks und Carl Perfettas. Zusammen 196 SS. Meist gr.-4to. Weiters beiliegend Spohrs "Selbstbiographie". 2 Bde. Mit 15 Tafeln. XV, (1), 350, (2) SS. (2), 412, (2) SS. Marmorierte Halbleinenbände der Zeit mit Rückentitel und -vergoldung. 8vo. "Paul Wittgenstein hat vor allem Bach und Beethoven geliebt. Beethoven war seine Nummer eins. Ich würde sagen, Beethoven war seine große Liebe, alles andere war schön und akzeptabel, aber geliebt hat er nur Beethoven und Bach", erzählt Erna Otten-Attermann in einem Interview aus dem Jahr 2004/2005 mit Irene Suchy über ihren Lehrer Paul Wittgenstein ("Der Musiker im wunderschönen Schloß". In: Empty Sleeve. Der Musiker und Mäzen Paul Wittgenstein. Innsbruck u. a., Studien Verlag, 2006, SS. 37-43, 41). Es ist auch bekannt, daß Wittgenstein - um im Bild zu bleiben - zeitlebens einige Geliebte unterhielt; daß auch Louis Spohr zu diesen hinzuzuzählen ist, ist jedoch - von einem kleinen Hinweis abgesehen - bislang nicht bekannt gewesen. E. Findell erwähnt in einem Aufsatz in der Music Review (32/1971), daß Richard Strauss mit Paul Wittgenstein gewöhnlich Duette gespielt hätte und daß sie beide dieselbe Leidenschaft für Spohrs Kammermusik entwickelt hätten, und auch an anderer, etwas entlegenerer Stelle gibt es vereinzelt Hinweise aus Wittgensteins Vorliebe für Spohr. In zwei bislang unpublizierten Briefen Wittgensteins an Erich Wolfgang Korngold aus den 1920er Jahren - feilgeboten vom Wiener Antiquariat Inlibris Gilhofer Nfg. - ist wiederholt von Spohr die Rede. In einem Brief vom 25. V. 1923 bedauert er, einer Einladung zu einem Hauskonzert nicht die genaue Adresse hinzugefügt zu haben: "Verzeihen Sie diese Gedankenlosigkeit und die daraus für Sie entstandenen Unannehmlichkeiten. Mir war es doppelt leid, da die beiden Spohr'schen Stücke recht brav gespielt worden sind. Wunderer [d. i. der Oboist Alexander Wunderer, 1877-1955] hat sie seinen Schülern ordentlich einstudiert; er hat, so wie ich, eine Vorliebe für diesen jetzt ganz vernachlässigten Meister. Und ein Meister ist er, das verrät jede Note [...]". Wenig später folgt eine zweite, diesmal mit allen notwendigen Daten versehene Einladung: "Donnerstag den 1. November, nachmittags 4 Uhr, führt Wunderer mit seinen Schülern zwei Doppelquartette von Spohr bei mir in der Alleegasse auf. Hätten Sie Lust es anzuhören? [...]" (Br. v. 22. X. 1923). Diese keineswegs beiläufige Beschäftigung mit Spohr wird besonders an Hand des vorliegenden Bestands deutlich, der 39 (davon mehr als 24 in Erster Ausgabe) von Spohrs rund 300 Werken umfaßt. Keine flüchtige Geliebte also, sondern eine ernsthafte Beschäftigung mit dem Komponisten und Geigenvirtuosen. - Detaillierte Verlistung auf Anfrage.
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[Women – Music – Celebrity – 1848 Revolutions] Montez, Lola; Dumas, Alexandre; Ludwig I of Bavaria (attrib)
Der Liebe Warnun / Les “Girondins†“Mourir pour la Patrie.â€
New York: Atwill 201 Broadway 1848. Folio. Complete at 9 pages. Two songs with lithographic portrait of Lola Montez by Sarony & Major. Soft rag paper. Light foxing else very good. A likely very early American printing of two pieces tied directly to the upheavals of 1848 issued just as news and personalities of the European revolutions were electrifying American audiences. The first “Der Lieben Warnun†Love’s Warning is attributed to Ludwig I King of Bavaria whose abdication in March 1848 followed the political scandal surrounding his relationship with Lola Montez. The second “Les Girondins: Mourir pour la Patrie†with text by Alexandre Dumas and music by Alphonse Varney is one of the most popular revolutionary hymns of the period here presented in English and French. At center is the finely printed lithographic portrait of Lola Montez born Eliza Rosanna Gilbert 1821–1861 identified as “Countess of Landsfeld.†Produced by Sarony & Major the image reflects her brief but consequential position in Bavaria where Ludwig elevated her to the nobility and granted her influence at court. Her presence became politically explosive; student unrest and ministerial crisis forced both her exile and the King’s abdication making her a widely discussed celebrity at the time. <br /> <br /> Montez arrived in the United States in late 1848 quickly converting this notoriety into a touring career. She performed her “Spanish dances†including the sensational “Spider Dance†on stages from New York to New Orleans and later turned to lecturing advertising appearances on “Heroines of History†beauty and personal independence. During the early 1850s she followed the western circuit appearing in San Francisco during the Gold Rush where she commanded high fees and played to packed houses of miners and merchants. She toured through Australia in 1855–56 before returning to the United States where she settled in New York and shifted increasingly toward writing and reform-minded lectures before her death in 1861 possibly of syphilis. The piece was published by Joseph Atwill at his 201 Broadway location which he would abandon soon after to board the steamer Crescent City to Chagres eventually making his way to San Francisco and opening Atwill’s Music Store on Washington St. possibly San Francisco’s first music store before heading off to the mines and then returning to San Francisco a year later to open another music store. OCLC #904564957 locating a single copy at Goucher College. Atwill, 201 Broadway unknown
Referentie van de boekhandelaar : Cat360
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[WOMENS' HISTORY & LITERATURE] HANNA, Phil (words & music)
The Anti-Suffrage Rose
Boston: Women's Anti-Suffrage Association 1915. First Edition. Quarto 35.75cm; original pictorial wrappers; 6pp. Modest wear and handling some dust-soil and faint foxing to wrappers with several small tears and attendant creases to extremities and a faint tide mark affecting lower right corners; complete but just Very Good. <br /> <br /> A key piece of anti-suffrage sheet music - a strident response to the wave of feminist songs proliferating the marketplace in the years prior to the passage of the 19th amendment in 1920. The lyrics encapsulate some of the many reasons that men and women were against women gaining the right to vote:<br /> <br /> "Work for the "cause" No time to pause Tell all the men that you know<br /> Why should a few Rule over you Suffrage is ev'ry man's foe<br /> Beautiful flower Sign of the hour If the Jonquil wants to fight <br /> You cannot fall You're the Queen of them all Emblem of Truth and Right"<br /> <br /> Anti-suffrage organizations like the Women's Anti-Suffrage Association of Boston cited many reasons for their position including that women did not want the burden of the vote that women were already busy with caring for homes and families and that women were not capable of making astute political decisions. Uncommon with no examples found in the marketplace and 11 holdings in OCLC institutions. CREW S-1915-1. 84102. Women's Anti-Suffrage Association unknown
Referentie van de boekhandelaar : 84102
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[WOMENS' HISTORY & LITERATURE] [SUFFRAGE] TOBY, Charles H Mrs (words & music); DOUGLASS, KB (design) K B
What's The Matter With Uncle Sam
Dover NH: Mrs. Charles H. Toby 1913. First Edition. Quarto 34cm; illustrated wrappers; 8pp. Light wear and handling some minor dust-soil to wrappers; Near Fine. Suffrage-themed sheet music featuring a large caricature of Uncle Sam next to a pick-axe shovel and suitcase labeled "Women's Votes" while holding a scroll stating "Miss Liberty Will Sing This Popular Song." The figure is surrounded by circular vignettes featuring booze graft and a suffragette. Scarce; OCLC notes 4 holdings UC Davis U.Georgia Dartmouth U.South Carolina. CREW S-1913-15. Mrs. Charles H. Toby unknown
Referentie van de boekhandelaar : 63362
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[WOMENS' HISTORY & LITERATURE] [SUFFRAGE] GRAY, Thomas J (words); WALKER, Raymond (music)
Your Mother's Gone Away To Join The Army
New York: Broadway Music Corporation 1913. First Edition. Quarto 35cm; original pictorial wrappers; 6pp. Old horizontal fold at center some creasing to wrappers a few splits along the spine-fold and several small tears and attendant creases to edges and margins of the inner leaf; Good to Very Good.<br /> <br /> Attractive piece of suffrage-themed sheet music the lyrics told from the perspective of a father and his little boy whose mother was absent due to her involvement in the women's rights movement. "A little lad with curly hair stood by his father's knee / Could see that he was crying he was sad as he could be / He sobbed and said "I feel so blue" as tears ran down his cheeks / "Oh father where is mother she has not been home for weeks" / His Pa said "Lad the tale is sad She's down at Suffrage Hall / She's gone to fight for women's rights why there's their bugle call." In comparison to the denigrating tone of other suffrage songs from the period the chorus here conveys familial pride: "Hear the tramp of their feet - as they come down the street / Gee those girlies look sweet They're all dressed up so neat / Your dear old ma just took a fighter's place / She likes the smell of powder 'cause it's always on her face / There's no rats in her hair - you can see she don't care / Holds her head in the air Gee your mother's a bear / Tramp Tramp Tramp the girls are marching Your Mother's gone away to join the army." OCLC notes 3 holdings LC Baylor British Library. CREW S-1913-18. 83995. Broadway Music Corporation unknown
Referentie van de boekhandelaar : 83995
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[ÉCOLE D'APPLICATION DE L'ARTILLERIE]
Recueil de chansons
S. l. : 1958. CHANTS MILITAIRES DANS L'APRÈS-GUERRE
Referentie van de boekhandelaar : 1282
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[ÉCOLE ROYALE DE MUSIQUE] - GARAUDÉ (Alexis de).
Lettre autographe signée d’1 page in-4, adressée à Alfred Dubois de Beauchesne.
, 1829 ; Lettre de protestation contre sa mise à l’écart de l’École Royale de Musique. La date du 4 août 1829 est notée d’une autre main au dos de la lettre.Alexis de Garaudé (Nancy 1779 - Paris 1852) est le fils d’un conseiller au parlement de Nancy. Il reçut une bonne éducation où la musique n’entrait que comme divertissement. Ruiné lors de la Révolution il partit à Paris pour se consacrer entièrement à la musique. Il entre comme professeur à l’École Royale en 1816 et y enseigne selon Fétis III p. 402 jusqu’en 1841, ce qui laisse penser que cette lettre aura convaincu son destinataire. Il est l’auteur de nombreux ouvrages d’enseignement musical. Le destinataire n’est pas nommé autrement que M. le vicomte, il s’agirait donc du vicomte a. Dubois de Beauchesne, alors directeur de cet établissement. “Quelque péniblement froissé que je puisse être par la décision que vous me faîtes l’honneur de m’annoncer, je la reçois avec respect, persuadé que vous l’avez jugée être dans les intérêts de l’École Royale d’après quelques renseignements qui vous auront été transmis sur moi (...) par des personnes qui jamais n’ont assisté à une seule de mes leçons, depuis 13 ans (...) Si la preuve contraire à leur assertion hazardée résulte des prix nombreux obtenus aux concours par mes élèves ; si 8 ou 10 d’entre eux jouent avec succès les premiers rôles en province (...) si ces renseignements erronés (...) étaient formellement contredits par MM. Rossini et Banderali qui peuvent vous affirmer que je suis l’un des professeurs le plus utile à l’école (...) comment présumer que l’auteur d’une Méthode complète de chant reconnue pour être rédigée avec beaucoup de clarté soit incapable de la démontrer avec clarté ! ... et si ma clientèle de leçons payantes se compose en partie d’élèves des diverses classes de l’école et des épouses et filles d’artistes musiciens célèbres (tels que Bohrer, Drouet, Pacini &c) qui viennent m’apporter leur argent, comment croire que je suis un mauvais professeur (...) Je confie à votre esprit de justice le soin de vous bien éclairer sur une erreur qui blesse profondément un artiste auquel les malheurs de la Révolution n’ont laissé que son dévouement passionné à une carrière qu’il parcourt avec quelques succès (...)”Les archives de M. de Beauchesne, qui contenaient un grand nombre de lettres d’A. de Garaudé, ont été vendues à l’Hôtel Drouot le 3 avril 1877.
Referentie van de boekhandelaar : 46404906
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[ÉVREUX].-
Graduel noté à l'usage du diocèse d'Évreux pour tous les dimanches et fêtes de l'année.-
Publié par Mgr Charles-Louis de Salmon de Chatellier et réimprimé avec l'autorisation de Mgr Nicolas-Théodore Olivier. Évreux. Cornemillot. 1847. In-8 (107 x 180mm) pleine basane brune à dos lisse entièrement orné or, gardes marbrées, tranches mouchetées de bleu, 1f., 524 et CLXXIX pages. Partitions de notes carrées à toutes les pages. Petits défauts mais bon exemplaire.
Referentie van de boekhandelaar : ORD-3711
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FESTIVAL INTERNAZIONALE DEL BALLETTO
Vol. in -8 quadr. (21,5 x 21 cm.), brossura editoriale verde con disegni in bianco e nero sulla copertina, pp. 150, (16 pubbl.) con num. ill. in b.n. e colori nel testo e a p.pagina. Leggeri segni d'uso ma nel complesso in buone condizioni. Catalgo della Manifestazione svoltasi a Nervi, Teatro ai parchi nel luglio 1983.
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JOHANN SEBASTIAN BACH
Vol. in -8 (17 x 21 cm.), brossura editoriale illustrata a colori, pp. 157, (3) con molte illustr. a colori nel testo e a piena e doppia pagina. In ottime condizioni. Collana: I CLASSICI DELLA MUSICA (N. 1) a cura di Eduardo Rescigno.
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TRENTA E PIU' SERATE MUSICALI
Vol. in -8 (18 x 21,5 cm.), legatura originale cartonata ed ill. ad 1 solo colore (rosso)., titolo applicato sul piatto, pp. 66. In buone condizioni Volume stampato in poche copie numerate ad personam (la NS. è la N. 19 appartenente a Angiolino Molinari).
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_
Circle One - Suicidal Tendencies Flyer: At The Basement on Alvarado 1981
1981. Softcover. 8x11 flyer for a Circle One/S-T show at The Bsement at 1226 N. Alvarado a venue in the basement of the Echo Park United Methodist Church that opened around 1980. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Inventory No: 047182. unknown
Referentie van de boekhandelaar : 047182
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A A Milne; H Fraser-Simson [music]
The King's Breakfast
London: Methuen & Co. Ltd. 1925. First edition. Cloth. Very Good Indeed/Very Good Indeed. 10.5" by 7.5". Ernest H. Shepard. The first edition of this illustrated poem by A. A. Milne with music by H. Fraser-Simson and illustrations by Ernest H. Shepard. The first edition of this work in the publisher's original quarter cloth and pictorial boards with the original unclipped dust wrapper. The King's Breakfast is a poem by A. A. Milne first published in When We Were Very Young 1924. It concerns a cow which refuses to provide milk causing the King to sulk. The poem was made into a film in 1963.In this work the poem has been set to music by H. Fraser-Simson with accompanying illustrations by Ernest H. Shepard. In the publisher's original quarter cloth and pictorial boards with the original unclipped dust wrapper. Externally smart with the odd spot to the boards and a touch of sunning to the lower extremity of the front board. Internally firmly bound. Pages are generally bright and clean with some spotting to the first and last couple of pages and to the fore edge affecting the occasional page. Dust wrapper is smart with a scattering of spots. Small tear to the front of the wrap. Very Good Indeed Methuen & Co. Ltd. hardcover
Referentie van de boekhandelaar : 947M13
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A A Milne; H Fraser-Simon [music]
The King's Breakfast
London: Methuen & Co 1925 . First edition. Cloth. Very Good/Good. 10.5" by 7.5". E. H. Shepard. The first separate edition of Milne's poem 'The King's Breakfast' with original score by H. Fraser-Simson decorations by E. H. Shepard and the original unclipped dust wrapper. The first separate edition of this work in the original unclipped dust wrapper. The King's Breakfast is a poem by A. A. Milne first published in When We Were Very Young 1924. It concerns a cow who refuses to provide milk causing the King to sulk. The poem was made into a film in 1963.In this work the poem has been set to music by H. Fraser-Simson with accompanying vignette illustrations throughout by Ernest H. Shepard.Bookseller's blind stamp to front free endpaper with inscription 'John & Brian Pippard June 1926' to verso of front wrap. In the publisher's original cloth backed paper covered boards with unclipped dust wrapper. Externally excellent. Front hinge strained with text block just a touch tender. Blind stamp to front free endpaper with inscription to front free endpaper. Dust wrapper lightly age toned with handling marks. Entirety of dust wrapper laid down with losses to back strip - most concentrated to head and tail - and to centre of front wrap. Closed tear to head of front wrap. Internally firmly bound. Pages clean and bright. Very Good Methuen & Co hardcover
Referentie van de boekhandelaar : 996F5
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A A. V V.
Jimi Hendrix live
Brossura tascabile, I edizione, copertina plastificata e flessibile, illustrata da una fotografia a colori di Hendrix al centro del piatto, indebolita nei toni, velata da ombre di polvere e segnata da comuni imperfezioni da scaffale alle punte e alla costa, da tracce d'uso e da abrasioni da contatto, alcune illustrazioni coredano le carte, imbrunite dal tempo, con maggior forza ai margini, tuttavia prive di imperfezioni e perfettamente fruibili. N. pag. 148. USATO
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A A. V V.
Le Capitali della Musica - Milano
Volume rilegato, copertina rigida telata monocolore, dotata di sovraccoperta plastificata, decorata da una foto a colori in cornice al centro del piatto, indebolita nei toni e segnata da sgualciture alle punte e ai bordi, da abrasioni al piatto e da imperfezioni da scaffale alla costa, le carte, lievemente ingiallite e arricchite da centinaia di illustrazioni, risultano in ottime condizioni di conservazione. N. pag. 216. USATO
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A A. V V.
Per Piero Dorazio Ricordi e testimonianze di tanti amici, una intervista video, una composizione Jazz
Legatura editoriale, munito di custodia cartonata muta in buone condizioni che si presenta sporca, copertina rinforzata, decorata a tutta pagina da una foto in nero priva di imperfezioni, altrettanto buono risulta lo stato delle carte, ricche di illustrazioni, immacolate e come nuove, pubblicazione impreziosita da un DVD con un intervista a Piero Dorazio e da un CD musicale, in custodie in II e III di copertina, libro fuori commercio donato agli amici del Dorazio da Margaret Boberek, tiratura limitata a n. 1000 esemplari. N. pag. 237. USATO
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A A. V V.
Per una Storia de Il Nuovo Canzoniere Italiano
Brossura tascabile, copertina in tricromia flessibile, segnata da comuni sgualciture da scaffale, tuttavia integra e priva di imperfezioni, le carte risultano in buone condizioni di conservazione e di fruibilità, malgrado la modesta brunitura omogenea, volume numero 3, terza serie de " Il Nuovo Canzoniere Italiano " di aprile 1976. N. pag. 96. USATO
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A Boieldieu [musique] ; M. Saint Just [texte],
Duo de Jean de Paris - Partition gravée pour piano ou harpe.
Paris, Boieldieu, ca.1814. 8p in-folio (env. 32*24.5). Signature (tampon) de Boieldieu et cachet de Sauzeau, luthier à Nantes. Rare
Referentie van de boekhandelaar : 005634
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A Boieldieu [musique] ; M. Saint Just [texte],
Jean de Paris, romance - Partition gravée pour piano ou harpe.
Paris, Boieldieu, ca.1814. 5p in-folio (env. 32*24.5). Signature (tampon) de Boieldieu. Rare
Referentie van de boekhandelaar : 005635
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A Collection of New Music, Consisting of Duets, Qu
Emerson's Royal Singer
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0243432038.G ISBN : 0243432038 9780243432035
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A Collection of New Music for the Sabbath School,
Golden Sunbeams
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 025946354X.G ISBN : 025946354X 9780259463542
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A COLLECTION OF VICTORIAN SHEET MUSIC
Including "No. 1 Lucy Neal" of "The Celebrated Negro Songs sung by the Ethiopian Serenaders" etc.
London: c.1850. Folio 35 x 24 cm. 160 leaves each numbered by hand to top left of verso. A collection of 44 songs most with separate title-page bound together in a contemporary binding of half maroon morocco over marbled boards ownership label to upper cover the spine ruled and decorated in gilt decorative patterned endpapers. With a leaf of manuscript index bound in at front. 6 lithographic title-vignettes. Ex libris John Webb his ownership label to upper cover and initials appearing throughout. Extremities rubbed some occasional toning and spotting generally a very good sound collection of Victorian songs. The Ethiopian Serenaders was an American blackface minstrel troupe successful in the 1840s and 1850s. Through various line-ups they were managed and directed by James A. Dumbolton c.1808– and are sometimes mentioned as the Boston Minstrels Dumbolton Company or Dumbolton's Serenaders. In late 1845 with line-up changes but retaining Germon and Stanwood the Serenaders left for a tour in England and possibly Ireland. An advertisement in The Times referred to their first concert to be held at the Hanover Square Rooms on 21 January 1846. The performers were Francis Carr Germon Moody G. Stanwood Gilbert Pelham or Pell; the younger brother of Dick Pelham with whom he had previously performed George Alfred Harrington and George Warren White. Pelham played bones and was the lead clown; Harrington bass and White baritone sang and played banjo a newly introduced instrument at the time; Stanwood tenor played accordion; and Germon alto played tambourine and sang comic ballads.9 Their songs included "Buffalo Gals" "Lucy Neal" and "Old Dan Tucker". For most of 1846 they performed regularly at the St James's Theatre in London. They played in taverns and theatres as well as private concerts for the aristocracy; they appeared before the Duke of Devonshire and by special command played before Queen Victoria and the Duke of Wellington at Arundel Castle. Music hall historian Harold Scott wrote of them: "They charmed principally by their gentility and this impression was heightened by the fact that they appeared in conventional tail coats and white waistcoats." The Era reported that "their songs are of a melodious and artistic nature. Several of the company possess quite good voices and the comedians manage to get the utmost fun out of their business without resorting to vulgarity in any form". In England they were frequently mistaken for real black men a misconception they always denied asserting that they had not the "least drop of black blood in their veins"; accordingly "they lost no time in published portraits of themselves with the white faces bestowed upon them by nature." The troupe's performances represented "the high point of minstrelsy's success in early Victorian Britain". However in their absence abroad rivals such as the Christy Minstrels gained a following in the United States. Upon their return from England in 1847 the Spirit of the Times wrote that the Serenaders' formal style in music and dress was too refined for audiences accustomed to the ribald humour of the Christys. Of a Serenaders' performance the article said ". we listen and are pleased but leave with little desire to return." At Christys "we listen and laugh and desire to go again and again." 1. "I'm Afloat I'm Afloat". 2. "O Give to me Those Early Flowers". 3. "The Fountain and the Flower". 4. "Faith I Must be in Love! An Irish Song". 5. "Here's to Woman an Admired Convivial Song". 6. "Mother He's Going Away A Characteristic Irish Ballad". 7. "The Eternal Polka Buffa Song". 8. "The Celebrated Negro Songs Sung by The Ethiopian Serenaders / No. 1 Lucy Neal". 9. "The Birth of St. Patrick". 10. "The Widow Malone A Favourite Song". 11. "As I View These Scenes So Charming". 12. "I am a Friar of the Orders Gray". 13 "Some Love to Roam". 14. "Rule Britannia". 15. "Come Oer the Moonlit Sea" 16. What are the Wild Waves Saying.respectfully inscribed to Charles Dickens Esq.". 17. "List! Dearest List!" 18. "Moonlight Music Love & Flowers". 19. "Love & War". 20. "The Minute Gun at Sea". 21. "See Our Oars with Feathered Spray Celebrated Boat-Glee". 22. "Turn On Old Time Thine Hour-Glass". 23. "Oh Bold Robin Hood". 24. "The Red Cross Knight". 25. "Care thou Canker". 26. The Bells of St. Michael's Tower A Favourite Glee". 27. "Here's a Health to All Good Lasses". 28. "Drink to me only with thine Eyes". 29. "God Save the Queen.With New Accompaniments and Words adapted to the present Reign". 30. "Non Nobis Domine". 31. "Hark the Lark". 32. "The Laughing Catch". 33. "La Poste Quadrille". 34. "Impressions de Voyage". 35. "Les Papillons A Fourth Set of Original Quadrilles". 36. Les Deux Soeurs A First Set of Original Quadrilles". 37. "The Holiday Quadrilles". 38. "No. 1 / The Three Sisters Twelve Rondinos". 39. "No. 2 / The Three Sisters. Twelve Rondinos". 40. Vive Tu Te Ne Scongiuro". 41. "Dio Di Guida". 42. "The English Quadrille". 43. "Norma Quadrille". 44. "The Original Polka". London: [c.1850]. hardcover
Referentie van de boekhandelaar : 60198
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A Collection of New Church Music, for Choirs, Sing
The Choral Tribute
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 024339425X.G ISBN : 024339425X 9780243394258
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A Collection of New Music for Singing Classes, Mus
The Glory
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0259462349.G ISBN : 0259462349 9780259462347
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A Collection of New Music, for Choirs, Singing Sch
The Morning Star
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1527857557.G ISBN : 1527857557 9781527857551
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A Collection of Music for Choirs, Musical Associat
The Sabbath Bell
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0243434561.G ISBN : 0243434561 9780243434565
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A Collection of Music for Choirs, Musical Associat
The Sabbath Bell
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0259316180.G ISBN : 0259316180 9780259316183
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A Collection of New Music for Sunday Schools
The Shining River
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1333889836.G ISBN : 1333889836 9781333889838
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A Comprehensive Library of Information for Music L
The Art of Music Vol. 14
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1330251814.G ISBN : 1330251814 9781330251812
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A Comprehensive Library of Information for Music L
The Art of Music Vol. 3 of 14
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1333087039.G ISBN : 1333087039 9781333087036
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a cura del Comitato Onoranze
Pietro Mascagni. Contributi alla conoscenza della sua opera nel 1° centenario della nascita Livorno - Dicembre 1963
a cura del Comitato Onoranze Pietro Mascagni. Contributi alla conoscenza della sua opera nel 1° centenario della nascita Livorno - Dicembre 1963. , Il Telegrafo Livorno 1963, Copertina in millerighe lievemente sporca, tassello con titolo in oro al dorso, e fregio con titolo in oro al piatto ant. Tagli sporchi di polvere e ingialliti in modo lievissimo. Pagine integre. Buono (Good) . <br> <br> <br> <br>
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a cura del Diagram Group
Gli strumenti musicali di ogni epoca e di ogni paese
a cura del Diagram Group Gli strumenti musicali di ogni epoca e di ogni paese. Milano, Fratelli Fabbri 1977, ristampa 1988, Illustrato. Con sovracopertina. 320 p. Molto buono (Very Good) bordi della sovracopertina sciupati, interno in ottime condizioni. <br> <br> <br> <br>
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A cura dell'Ufficio Stampa del Teatro Regio di Torino
TEATRO REGIO TORINO - IL REGIO 1973 e nel Regio Torino attiva
N. 2 volumi apribili a libro in -4 (21,5 x 29,5 cm.), legatura tela grigia con scritte in oro sul piatto e al dorso. Riccamente illustrato di fotog. in b.n. nel testo. In ottimo stato di conservazione. 1° volume con la storia del Regio (direttori d'orchestra, scenografi, cantanti, ballerini ecc.) e la descrizione di alcune opere importanti rappresentate. 2° volume di pubblicità relativa alla città di Torino.
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A cura della Sezione Ligure dell'ASSOCIAZIONE NAZIONALE ALPINI
CANZONIERE
Vol. in -16 (11,5 x 17 cm.), brossura editoriale verde chiara con illustr. in nero sul piatto ant., velina trasparente di protezione, pp. 163, (1) con molte fig. in nero nel testo. Leggeri segni d'uso ma nel complesso in abb. buone condizioni (integro e ben legato). Omaggio della S.p.A. VITTORIO CAUVIN - Genova
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