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DE CNODDER Remi
Ludo Huys.
Knokke, Ludo Huys, 1993. 25 x 34, 205 pp., très nombreuses planches et illustrations entièrement en couleurs, reliure d'édition et étui carton glacé illustré, très bon état.
Référence libraire : 93509
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DE LESCOËT Henri.
MA VOIX.
Cahiers de l'Ecole de Rochefort (4è. série, n° 2). René Debresse, éditeur. 1942. Grand in-8° en feuilles. 8 pages. E.O.
Référence libraire : 1097
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DE BOURRIENNE
Mémoires de M de BOURRIENNE.
Dix tomes en 10 volumes in 8 brochés. Tomes 1 : 7 pages d’annonces et condition de la souscription. Faux-titre, titre IV, avertissement de l’éditeur, 396 pages. Tomes 2 : faux-titre, tire. Un cahier de 8 pages de format in 16 souscriptions aux œuvres littéraires de M. Le Vicomte de Chateaubriand en 30 volumes- titre-393 pages. Tome 3 : Faux-titre, titre, 4 pages avis de l’éditeur- 389 pages. Tome 4 : faux-titre, titre, 4 pages sur papier rose, ouvrages en souscription à la librairie de LADVOCAT premier mai 1829. 434 pages. Tome 5 : faux-titre, titre, 8 pages de catalogue LADVOCAT premier juin 1829 -402 pages. Tome 6 : Faux-titre, titre, IV, avis du libraire éditeur- 426 pages. Tome 7 : faux-titre-titre- 2 pages de catalogue-432 pages. Tome 8 : faux-titre, titre, 424 pages. Tome 9 : faux-titre, titre 428 pages. Tome 10 : faux-titre, titre 468 pages, (petits défauts, sans gravité, au dos réparés). Paris LADVOCAT Libraire éditeur 1829. Complet grandes marges, tel que paru. Les 8 premiers volumes, en couvertures jaunes, sont en édition originale
Référence libraire : 10227
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DE RYCKER-DANDOY Nicole
Nous de la maternelle, ou la passion d'apprendre.
Bruxelles, Le Livre, 1995. 14 x 21, 206 pp., nombreux dessins, broché, très bon état.
Référence libraire : 47459
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De Nerval Gerard Illouz Jean-Nicolas Buron Emmanuel
Oeuvres complètes: Choix des poésies de Ronsard Du Bellay Baïf Belleau Du Bartas Chassignet Desportes Régnier (Tome I)
Classiques Garnier 2011 450 pages 14 86x21 41x1 85cm. 2011. Broché. 450 pages.
Référence libraire : 100146748
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De Prins Pieter et alii
Orientations de la gravure contemporaine. Collection : Cahiers de Belgique.
Bruxelles, Institut Belge d'Information et de Documentation, 1971. 19 x 19, 116 pp., nombreuses illustrations en N/B, broché, bon état (couverture défraîchie).
Référence libraire : 62580
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DE RYNCK Patrick, MINNEBO Key, EYKENS Hilde, et alii
Redécouvrez P.P.Rubens à Anvers. Guide de promenade.
Anvers, Tourisme, 2004. 16 x 21, 144 pp., nombreuses illustrations en couleurs, broché, très bon état.
Référence libraire : 46574
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DE GASPARIN Agénor (Valérie Boissier comtesse)
Souvenirs.
Genève, Imp. W. Kündig & Fils, 1895, 126 p., broché, couverture insolée, haut et bas du dos un peu émoussés, intérieur propre, pages non coupées (jamais lu).
Référence libraire : 93789
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DE BOER Erik
The genevan school of the prophets : the congregations of the Company of Pastors and their influence in 16th century Europe.
Droz Droz, Travaux d'Humanisme et Renaissance, 2012, 330 p., cartonnage éditeur, bon état.
Référence libraire : 101272
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DE GEEST Georges, PUTTEMAN Gilbert, DE HENAU Guido
Walter Philips, Laken/Laques.
Van Artes, 2003. 18 x 23, sans pagination, quelques illustrations en couleurs, reliure d'édition carton imprimé, très bon état.
Référence libraire : 94484
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De Caevel Henri
Échappées de divan
Erès 1998 202 pages 2x16x12cm. 1998. Broché. 202 pages.
Référence libraire : 100119403
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DE AMICIS, E.
GRANDS COEURS. Livre de lecture pour toutes les écoles.- Illustrations de R. DE LA NEZIERE.
Hardcover in-12, 316 pp., cartonnage décoré éd., dos percale, pièce de titre. Bon exemplaire. [FP-1]
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
Il lavoro
Xilografia a due legni, 1923, siglata sul legno in basso a sinistra. Firmata a matita in basso a destra. Numerata a matita in basso a sinistra: 132/154. misure: mm 170 x 245. Timbro a secco in basso al centro. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Pittore, incisore e illustratore italiano. Si forma inizialmente a Bologna all’Accademia di Belle Arti e una volta ottenuto il diploma, nel 1892 si trasferisce a Roma. Qui conosce il poeta Nino Costa fondatore del cenacolo In arte libertas che proponeva un rinnovamento dell’arte attraverso la riscoperta dei grandi del Quattrocento sull’esempio dei Preraffaelliti. De Carolis inizia così a frequentare questo gruppo e ne diventa membro iniziando a realizzare dipinti di impronta preraffaellita. Nel 1900 conosce il poeta Giovanni Pascoli per il quale disegna ed esegue un pomo in argento e la targhetta per il bastone dono degli amici della rivista fiorentina Marzocco, inizia quindi ad occuparsi della decorazione grafica di alcune pubblicazioni del poeta. Tale collaborazione si rivela importante nella produzione artistica tra il 1892 e il 1928, perché le opere di questo periodo trattano paesaggi agresti e marini che risentono dell’intonazione pascoliana. Nel 1901 De Carolis lascia Roma per Firenze, dove insegna ornato all’Accademia di Belle Arti dedicandosi alla xilografia. Questa tecnica sarà a lui molto cara e primo in Italia riprenderà l’antica tecnica della xilografia policroma a più legni. Numerose saranno i fogli singoli o le illustrazioni per varie riviste e per le opere dell’amico D’Annunzio. Bibliografia Bardazzi/Carli/Djokic, 50. Amadio/Papetti, 78-79. Conti, 29. Woodcut from two block, 1923, signed at lower left. igned in pencil at lower right. Numbered in pencil lower left: 132/154. Sice: 170 x 245 mm. Dry stamp at bottom center. Excellent impression on smooth ivory paper, wide margins. Size: mm 170 x 245. Adolfo de Carolis (1874 - 1926), was born in Montefiore dell’Aso on the 6th of January 1874. He moved to Rome and was accepted as a member of the exclusive society ‘In Arte Libertas’ (Freedom in Art’) which had been founded by his close friend Giovanni (‘Nino’) Costa. This society opposed official styles promoted by the academies and influential art critics of the day and espoused the politics, philosophy and aesthetics of the British Pre-Raphaelite movement. The main figures in the British movement were William Morris, Dante Gabriel Rossetti, Edward Burne-Jones and Walter Crane. These groups were also almost certainly involved with the Freemasons, and much of the symbolism in their work have been identified as Masonic. De Carolis exhibited work at the In Arte Libertas annual exhibition right up to 1901. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. He was commissioned to produce murals for the Villa Brancadoro in San Benedetto del Tronto, and the ballroom of the Palazzo della Provincia (both in Ascoli Piceno). He also decorated the great hall of the Palazzo del Podestà in Bologna with murals. He designed the Baptismal Font at the Cathedral of Ajaccio, and contributed decoration and murals in many other illustrious edifices around Italy, as well as supervising restoration work in the Borgia apartments in the Vatican. He is also known for his stained glass and mosaics at the Villa Puccini in Torre del Lago. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In 1908 his work was described by a panel of judges in Bologna as ‘magnificent, full of evocative fervour, rich in imagination, and secure in the unity of the whole work’. In the backgrounds of many of his paintings it is possible to recognise the typical landscape of le Marche, which he loved so much. As well as his major works, in his later years he also designed bank notes, theatrical sets, posters, calendars, postcards, advertisements and even product labels. He also wrote essays on art and, from 1922, worked as a teacher at the Academy of Fine Arts in Rome. After world war 1 he was employed by the Ministry of War to design medals and certificates for war heroes. He died in Rome on the 7th of February 1928, but, in 1950, his mortal remains were returned to Montefiore by the then mayor, Francesco Egidi, and re-interred in a marble tomb in the church of San Francesco. And ten years later Egidi donated a series De Carolis’ oil sketches for the ‘Salone del Podestà’ in Bologna (the most prestigious public building in the city) which he worked on for over twenty years, between 1908 and 1928. The De Carolis family also donated the complete collection of engravings on wood (xylography) in 1976.
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
Il timone
Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut, 1908, printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini. Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
La sera, ritorno dalla pesca
Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini. Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.
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De Grauwe, Paul (John Paulson Chair in European Political Economy, London School of Economics)
Economics of Monetary Union
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In the only textbook to focus on both the costs and benefits of monetary unions Paul De Grauwe explores current issues surrounding the Eurozone and critically analyses the theories and policies relating to monetary union. paperback
Référence libraire : ria9780192849779_inp ISBN : 0192849778 9780192849779
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De Grauwe, Paul (Professor, London School of Economics)
Limits of the Market
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Paul De Grauwe examines why a healthy mix of market and state seems so difficult and analyses the internal and external limits of the market and the government and the swing between these two points. hardcover
Référence libraire : ria9780198784289_inp ISBN : 0198784287 9780198784289
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DE GROOT H. Jacoba
Kleurhamonie
In 8, cm 15,5 x 21,5, pp. 52. Brossura editoriale in pergamino con mancanze marginali.
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De Haagse School: De collectie van het Haags Gemeentemuseum (Dutch Edition) John Sillevis Sillevis
De Haagse School: De collectie van het Haags Gemeentemuseum Dutch Edition John
Very Good. The pages are clean and unmarked. The binding is tight. unknown
Référence libraire : n01dhs ISBN : 9067300527 9789067300520
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De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),
Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark
Nova Science Publishers 1995. 1ST. Hardcover. New/New. Nova Science Publishers hardcover
Référence libraire : AME_9781560721680 ISBN : 1560721685 9781560721680
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De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),
Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark
new. unknown
Référence libraire : 5643761-n ISBN : 1560721685 9781560721680
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De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),
Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark
like new. unknown
Référence libraire : 5643761 ISBN : 1560721685 9781560721680
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
new. unknown
Référence libraire : 40973454-n ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
like new. unknown
Référence libraire : 40973454 ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
Fortress Academic 2022-03-14. hardcover. New. 6.29x0.86x9.40. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : DADAX1978711379 ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
Fortress Academic 2022-03-14. hardcover. Used: Good. 6.29x0.86x9.40. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : SONG1978711379 ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
The Colonial Compromise: The Threat of the Gospel to the Indigenous Worldview
Fortress Academic 2020-12-04. hardcover. New. 6.31x0.81x9.66. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : DADAX1978703724 ISBN : 1978703724 9781978703728
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De La Torre Iliff School of Theology, Miguel A
The Colonial Compromise: The Threat of the Gospel to the Indigenous Worldview
Fortress Academic 2020-12-04. hardcover. Used: Good. 6.31x0.81x9.66. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : SONG1978703724 ISBN : 1978703724 9781978703728
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. paperback. Good. 6x0x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Rowman & Littlefield Publishers paperback
Référence libraire : SKU0570859 ISBN : 1442250364 9781442250369
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. paperback. New. 6x0x8. New Textbook Ships with Tracking Rowman & Littlefield Publishers paperback
Référence libraire : SKU0618366 ISBN : 1442250364 9781442250369
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. paperback. New. 6.09x0.56x8.96. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers paperback
Référence libraire : DADAX1442250364 ISBN : 1442250364 9781442250369
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. hardcover. New. 6.31x0.79x9.27. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
Référence libraire : DADAX1442250356 ISBN : 1442250356 9781442250352
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. hardcover. Used: Good. 6.31x0.79x9.27. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
Référence libraire : SONG1442250356 ISBN : 1442250356 9781442250352
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De Paris, Ecole D'Anthropologie
L'ecole D'anthropologie De Paris 1876-1906 French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 1023889609.G ISBN : 1023889609 9781023889605
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De Paris, Ecole D'Anthropologie
L'ecole D'anthropologie De Paris 1876-1906 French Edition
like new. unknown
Référence libraire : 50653785 ISBN : 1023889609 9781023889605
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de Rome, Ecole Francaise
Bibliothèque des Écoles françaises d'Athènes et de Rome; Volume 75 French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 027452404X.G ISBN : 027452404X 9780274524044
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de Rome, Ecole Francaise
Fouilles Dans La Nécropole De Vulci: Exécutées Et Publiées Aux Frais De S. E. Le Prince Torlonia French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 101956363X.G ISBN : 101956363X 9781019563632
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de Rome, Ecole Francaise
Mélanges G.B. de Rossi; recueil de travaux publiés par l'Ecole française de Rome en l'honneur de Giovanni Battista de Rossi French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1178061884.G ISBN : 1178061884 9781178061888
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de Saint-Cyr, Ecole Speciale Militaire
Souvenirs De Saint-Cyr French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 1019162953.G ISBN : 1019162953 9781019162958
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de Salerne, Ecole
L'art De Conserver Sa Santé Multilingual Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 1020009314.G ISBN : 1020009314 9781020009310
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De Sanctis Giuseppe (Napoli 1858 - 1924)
Tentazione di S. Antonio
Acquaforte, 1882, firmata in lastra in basso a destra. Da un soggetto di Domenico Morelli. Magnifica prova, impressa su carta coeva, con ampi margini, in eccellente stato di conservazione. A destra S. Antonio Abate, a figura intera; a sinistra figura femminile distesa e semicoperta da panno chiaro. Sul fondo paesaggio ombroso. L'opera riprende la seconda versione del dipinto del Morelli, realizzato nel 1879, in cui il Santo è raffigurato in una differente posizione. Il De Sanctis rivela la sua adesione alla formula morelliana ("rappresentare figure e cose, non viste, ma immaginate e vere ad un tempo") nell'approfondimento, attraverso la tecnica incisoria, del contrasto luce-ombra, che evidenzia il tono drammaticamente teatrale della composizione (cfr. Comanducci A. M., Milano, 1962, Vol. II, p. 608). Giuseppe De Sanctis si formò artisticamente proprio sotto Domenico Morelli, titolare all'epoca della scuola di pittura dell'accademia di belle arti di Napoli, dove si trovò a studiare, attorno al 1872. Si esercitò a lungo nello studio dal vero, assimilando allo stesso tempo l'interesse per i soggetti di storia e le ricostruzioni di ambienti esotici, genere di pittura il cui mercato si era andato sviluppando a Napoli per la presenza di pittori come Mariano Fortuny e le operazioni commerciali del mercante d'arte parigino J.-A. Goupil, con il quale era in contatto lo stesso Morelli. Varie fonti documentano la sua produzione di incisioni all'acquaforte, attività che gli procurò, nel 1920, la cattedra di incisione all'accademia di belle arti di Napoli. Avviato a questa tecnica fin dai primi insegnamenti morelliani; La tentazione di S. Antonio fu l’opera con cui esordi alla Promotrice di Napoli del 1882. Etching, 1882, signed in plate at lower right. After a subject by Domenico Morelli. Magnificent proof, printed on coeval paper, with wide margins, in excellent condition. On right S. Antonio Abate, full-length; on left a female figure lying and half-covered by light-colored cloth. In the background a shady landscape. The work reflects the second version of Morelli's painting, made in 1879, in which the Saint is depicted in a different position. De Sanctis reveals his adherence to Morelli's formula ("representing figures and things, not actually seen, but imagined and real at the same time") in the deepening, through the engraving technique, of the light-shadow contrast, which highlights the dramatically theatrical tone of the composition (cf. Comanducci A. M., Milano, 1962, Vol. II, p. 608).
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De Son Nicolas (Reims, attivo 1625-1637)
La Cattedrale di Reims
Acquaforte, 1625, firmata in basso al centro N. Deson Rem. In. Sculp. Et ex. Magnifica prova, nel secondo stato di tre con l’imprint dell’artista; esiste un terzo stato con l'excudit di Edmé Moreau, che apparentemente acquistò la lastra dopo la morte dell'artista. Impressa su carta vergata coeva e rifilata al rame, piega di stampa nella parte inferiore sinistra, minime abrasioni al verso, per il resto in ottimo stato di conservazione. Rara acquaforte della facciata della cattedrale di Reims dell'artista locale Nicolas de Son (attivo dal 1625 al 37), che fece parte di una breve stagione della stampa autoctona nella provincia di Champagne dagli anni 1620 agli anni 1640 insieme ad artisti come Edmé Moreau, Jean Colin e Nicolas Regnesson. La grande stampa rappresenta la facciata ovest della cattedrale in grande dettaglio, mostrando non solo le composizioni più ampie dei principali programmi scultorei chiaramente delineati, ma anche diversi passaggi architettonici e scultorei secondari, come i doccioni dell'edificio e i trafori delle sue rinomate finestre in vetro dipinto. La tavola sembra aver seguito il successo dell'acquaforte di Moreau del 1623 dello stesso soggetto, ma l'ha superato per qualità tecnica e sfumature storiche ("Quella eseguita da Nicolas de Son è migliore"; "In questa stampa, Nicolas de Son dimostra la sua sorprendente comprensione dell'arte gotica, rara all'epoca" [Age of the Musketeers, p. 124]). De Son, le cui prime opere mostrano l'influenza di Jacques Callot (c. 1592-1635), dimostra molta della maestria tecnica del famoso incisore lorenese: egli contrappone gli attori di pietra della storia sacra raffigurata nell'architettura con i variegati abitanti della città del XVII secolo, minuziosamente resi, che interagiscono con la cattedrale medievale, una gamma di personaggi dai mendicanti al portale principale, ai negozianti nelle loro bancarelle, ai cittadini di classe superiore con i loro cavalli e carrozze. De Son rende magistralmente il paesaggio urbano mentre si allontana, mostrando i recinti del palazzo arcivescovile (il Palais du Tau) sulla destra e i tetti di paglia (uno riparato dagli operai) delle abitazioni sulla sinistra. Le prime incisioni in pendant di De Son, Cristo e la donna di Samaria e La cena di Emmaus, mostrano ancora una notevole aderenza a Callot, ma le sue scene di genere un po' più tardive (per esempio La fiera del villaggio) e il suo capolavoro, Suite di dodici paesaggi, dimostrano scelte di disegno più originali. La presente acquaforte e un'opera simile che raffigura la chiesa abbaziale di Saint Nicaise, ora distrutta, sono le uniche due opere datate dell'artista, entrambe del 1625. Poco è noto della vita di Nicolas de Son, che lavorò come disegnatore e incisore a Reims, a parte alcune incisioni firmate e un riferimento alla sua morte nel 1637. De Son produsse un piccolo corpus di incisioni di Callot, Vignon e Jan Lys, così come due vedute della Cattedrale di Reims di sua invenzione, entrambe datate 1625. Bibliografia S. Reed, French Prints from the Age of the Musketeers, p. 124-5, no. 55; LeBlanc 15; M. Sutaine, Nicolas de Son Graveur, Travaux de l’Académie Impériale de Reims, vol. 35, no. 4 (1862), pp. 122-9. Etching, 1625, signed at the bottom center N. Deson Rem. In. Sculp. Et ex. Magnificent proof, rich in tones, of the second state of three with the artist's imprint, printed on contemporary laid paper, trimmed to the copperplate, printing crease in the lower left corner, minimal abrasions on the verso, otherwise in excellent condition. Rare etching of the façade of Reims Cathedral by the local artist Nicolas de Son (active 1625-37), who was part of a brief flourishing of native printmaking in the province of Champagne from the 1620s through the 1640s along with such artists as Edmé Moreau, Jean Colin, and Nicolas Regnesson. The large print represents the cathedral’s west front in great detail, with not only the broader compositions of the major sculptural programs clearly delineated, but also several ancillary architectural and sculptural passages, such as the building’s gargoyle waterspouts and the tracery of its renowned painted glass windows. Le somptueux frontispiece seems to have followed upon the success of Moreau’s 1623 etching of the same subject, but surpassed it in technical quality and historical nuance (“The one executed by Nicolas de Son is better”; “In this print, Nicolas de Son demonstrates his astonishing understanding of gothic art, rare at the time” [Age of the Musketeers, p. 124]). De Son, whose early works show the influence of Jacques Callot (c. 1592-1635), demonstrates much of the technical mastery of the famous Lorraine etcher: He contrasts the stony actors of sacred history depicted in the architecture with the varied, minutely rendered inhabitants of the seventeenth-century town interacting with the medieval cathedral, a range of characters from beggars at the main portal, to shopkeepers in their stalls, to upper-class citizens with their horses and carriages. De Son masterfully renders the townscape as it recedes in the distance, showing the precincts of the archbishop’s palace (the Palais du Tau) at the right and the thatched roofs (one being repaired by workmen) of dwellings at the left. De Son’s early pendant etchings, Christ and the Woman of Samaria and The Supper of Emmaus, still show considerable adherence to Callot, but his somewhat later genre scenes (e.g. The Village Fair) and his masterpiece, Suite of Twelve Landscapes, demonstrate more original design choices. The present etching and a similar piece depicting the now destroyed abbey church of Saint Nicaise are the artist’s only two dated works, both 1625. This impression of Le somptueux frontispiece carries De Son’s signature and his excudit, indicating that it is from the print’s second state; a third state exists with the excudit of Edmé Moreau, who apparently acquired the plate after the artist’s death. Virtually nothing is known about the life of Nicolas de Son, who worked as a draughtsman and etcher in Reims, apart from a few signed etchings and a source reference to his death in 1637. De Son produced a small corpus of etchings after Callot, Vignon and Jan Lys as well as two views of the Cathedral of Reims after his own invention, both of which are dated 1625. Bibliografia S. Reed, French Prints from the Age of the Musketeers, p. 124-5, no. 55; LeBlanc 15; M. Sutaine, Nicolas de Son Graveur, Travaux de l’Académie Impériale de Reims, vol. 35, no. 4 (1862), pp. 122-9.
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De Tena, Andrea Bardon (Editor)/ Tulane School of Architecture (Corporate Author)
The Review: How and What for
Actar 2023. Paperback. New. 400 pages. 9.20x7.30x1.10 inches. Actar paperback
Référence libraire : x-1638400709 ISBN : 1638400709 9781638400707
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de Theologie, Ecole
Revue Thomiste; Volume 9 French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0274182661.G ISBN : 0274182661 9780274182664
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de Theologie, Ecole
Revue Thomiste; Volume 9 French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0274182653.G ISBN : 0274182653 9780274182657
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De Winton And District Historical Society
Sodbusting to Subdivision
587 p. Index. Glossary. Hundreds of black and white reproductions of archival photos, maps and illustrations. A collection of histories of the early pioneers of De Winton, Alberta and nine surrounding school districts just south of Caltary. "We hope their descendants will treasure the spirit of adventure, and the courage that they displayed and the hardships that they endured, in order that we should have a better future for ourselves and the generations that will follow." - dedication page. Unmarked with moderate wear. A quality copy of this excellent local history and genealogical reference. 28 x 22 cm. Strathern 2966, Krotki [2] 258. Book
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DEACON James (attivo a Londra intorno al 1770)
Tre studi di uomo che lotta con un leone
Silografia stampata in bruno, 1763, firmata e datata in tavola in basso a destra.Da un disegno di Luca Cambiaso, prima nella collezione Fawkener (come indicato nell'opera in basso al centro), ora al British Museum.Magnifica prova, impressa su due grandi fogli di carta vergata coeva, con margini, in perfetto stato di conservazione.L'opera è parte della raccolta di Charles Rogers, 'A Collection of Prints in Imitation of Drawings. To which are annexed lives of their authors', edita a Londra da John Boydell e altri nel 1778. Le tavole che sono contenute nell'opera riproducono a grandezza naturale e con gli stessi colori, una serie di disegni antichi nella collezione del Rogers. Woodcut printed in brown, 1763, signed at lower right.After a drawing by Luca Cambiaso, at that time in the Fawkener's collection and now at the British Museum.A fine impression, printed on two large sheet of contemporary laid paper, with margins, perfect condition.The work is part of Charles Rogers, 'A Collection of Prints in Imitation of Drawings. To which are annexed lives of their authors'. London: printed by J. Nichols, and sold by John Boydell, Benjamin White, and Peter Molini, 1778.The plates, which use a wide variety of techniques, show some old master drawings in Rogers's own collection. His preface states: 'That these prints may be faithful imitations, they are engraved the same way as, as well as the same size, as the Originals are drawn; and printed, as nearly as possible, in the same colours'
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Deaf and Blind California School
Thirty-Fifth Biennial Report of the California Schools for the Deaf and the Blind for the Twenty-Four Months Ending June 30 1922
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0260084956.G ISBN : 0260084956 9780260084958
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Deaf and Blind California School
Thirty-Fifth Biennial Report of the California Schools for the Deaf and the Blind for the Twenty-Four Months Ending June 30 1922
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0331165422.G ISBN : 0331165422 9780331165425
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Deaf and Blind California School
Thirty-Fourth Biennial Report of the California School for the Deaf and the Blind for the Twenty-Four Months Ending June 30 1920
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0331166127.G ISBN : 0331166127 9780331166125
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