709 Ergebnisse
1966Best.-Nr. 112218Cannes 1966. Unpublished and heavily corrected manuscript of Brassai's account of his visit to Picasso A superb unpublished and heavily corrected manuscript in French in which Brassaï recounts a visit to Picasso a long-standing friend at his home near Cannes. Brassaï who photographed much of Picasso's work in the 1940s published Conversations with Picasso in 1964 creating an intimate portrait of the artist through an account of their friendship and artistic collaboration and recording each of their meetings in minute detail. Picasso said of the volume "Read this book if you want to understand me." Written in a similar style this account records an afternoon during which Picasso speaks about his nostalgia for his former studios his health his enthusiasm for the recently invented felt-tip pen his opinion of his own writings his relationship with his wife Jacqueline and his views on feminism. Though unmarked as such the manuscript comes from the collection of Brassaï's close friend and colleague the photographer Stefan Lorant founder of Picture Post the pioneering pictorial magazine. Quarto 285 x 233. 20 typed sheets in French rectos only legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album with each sheet in a separate clear plastic file. In excellent condition the final page a little creased and with minor loss to right-hand side affecting one letter. Overall fresh and clean. hardcover
Best.-Nr. 002510Paris: Paris-Publications This is a near fine copy of the rarest of Brassai's books which has been bound into a hardcover binding from the period in handsome red and black marbled paper-covered boards and a linen cloth spine with red leather label gilt title. The original binding of this book was a spiral plastic ring type. The spiral binding was taken off and the book with its original red-orange covers with the title printed in large white letters was bound in whole. Covers are bright and clean in very good condition small closed tear to bottom corner of back cover inside completely clean. There is no date on the colophon page inside back cover and there apparently were two editions. The first edition was published in 1930 but Brassai was reportedly unhappy with the selection of images and because he was not credited. In our copy he is credited as the photographer and so we assume this is the second edition from ca.1934. It is unpaginated. There are 40 pages with 38 black and white photographs of ladies of the night strippers models night clubs and balls like the Bal Tabarin shots of tough streetwalkers in Les Halles many shots of men and women in costume sometimes drag also a lesbian couple in a club "strictement Feminine" shots of lovers in parks on streets playful shots of men looking into a lingerie shop window with elaborately garbed mannequins at night 1 shot of Kiki in a Montparnasse night club an amazing shot in " La Cage a Femmes d'un Grand Music-Hall Parisien" which shows a cage or pit viewed from above with women on stools like lions in various states of undress and performing "acrobatic" feats. Finally tipped in at the very end on the collophon page a half-page size shot in color of a nude woman in profile we assume not by Brassai. Large 4to 11" high X 8" wide. The original book was not cut down when re-bound it is in its' intended size and because of the re-binding it has been kept in near fine condition. A beautiful copy of a true rarity. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Near Fine. Paris-Publications Hardcover
1949Best.-Nr. 002659Paris: Paris K Editeur 1949. This is a very good softcover copy in stiff printed card covers with a scene of very sculptural perhaps French architecture with figures in black printed over the sepia background. Inside the text is in French and is illustrated with 8 photographs by Brassai of graffiti accompanied by short works in prose and poetry. Edited by Camille Bryan & A.Gheerbrant. Cover illustration of fantasy architecture with victorian figures. 8vo 8" high X 7" wide 170 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Original Wraps. Very Good. Paris K Editeur Paperback
1976Best.-Nr. mon0000507556Thames & Hudson Ltd 08/11/1976 00:00:01. hardcover. Very Good. 2.0305 in x 27.1574 in x 21.5736 in. Thames & Hudson Ltd hardcover
2025Best.-Nr. x-2080482394Flammarion 2025. Hardcover. New. 96 pages. 12.50x10.75x12.72 inches. Flammarion hardcover
Best.-Nr. 104764Feldafing/Obb 1954 Buchheim 1954. 4° 152 S. 140 Kupfertiefdriuck-Abb. OLwd. m. OU: Einleitung von Henry de Montherlant Text von Dominique Aubier. 010 Feldafing/Obb 1954, Buchheim, 1954 unknown
Best.-Nr. 23842Paris : Gallimard 1975. First trade edition. Octavo stiff card covers in dust wrapper with portrait of Miller by Brassaï 1932 boldly inscribed by Brassaï on the half title 'Pour Baby et Marion Sulzberger bien amicalement Brassaï. Paris le 29 dec 1975'; pp 264 1 with 16 crisp photogravures of people and places from Miller’s life in Paris; wrapper with a few short edge tears two with discreet tape repairs and some wear along the spine contents clean and bright; a very good inscribed copy. Photographer sculptor writer and filmmaker Brassaï's tribute to his friend American writer Henry Miller 1891-1980. It was Miller who first called Brassaï 'the eye of Paris' alluding to his supreme talent as a photographer. The first edition of this work appeared in a limited edition of 25 copies. unknown
1979Best.-Nr. 326916London: Marlborough Gallery Inc 1979. Illus. 12pp. 4to. Printed wrappers somewhat soiled with a pencil eraser-sized scuff on the verso. Illus. 12pp. 4to. Inscribed: "Pour Penny Ottor - amicalement Brassaï New York le 5 Octobre 1979. Marlborough Gallery Inc unknown
1976Best.-Nr. 28606AB1976. First American Edition. New York Pantheon Books 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May 1977. hardcover
Best.-Nr. GOR010068113Hardback. Very Good. hardcover
Best.-Nr. 74855Paris Pierre Tisné 1946. 4° 11 S. Text. 27 Taf. m. montierten Abb. Mappe mit Pergamin-OU m losen Blättern OU mit kleinen Fehlstellen und gebräunt Nr. 68 von 600 Exemplaren. - Mit Widmung des Malers und Photographen auf dem Titelblatt.Abgebildet sind überwiegend weibliche Akte. 010 Paris, Pierre Tisné, 1946 unknown
Best.-Nr. 75677Paris Hachette 1964. 4° 255 S. zahlr. oft farb. Abb. mist a. Taf. OLwd. m. OU OU rissig Lwd. tlw. unfrisch innen tadellos Auswahl aus der Schweizer Zeitschrift. Dieses Buch befindet sich in unserem Aussenlager; sollten Sie dieses im Laden abholen wollen bitten wir Sie um vorgängige Nachricht. 010 Paris, Hachette, 1964 unknown
2000Best.-Nr. 43203Thames & Hudson 2000. 1st edition. Hardback. Cloth dj F/VG. 319pp 14 colour & 294 b/w illustrations index a fine copy in spine sunned but otherwise fine dustjacket. Well illustrated account of the life & work of the French photographer Brassaï 1899 - 1984 who was famous for his images of the demi monde in Paris in the 1930s. The book is the definitive summary of Brassaï's career which includes extracts from his writings and those of his friends an interview with his widow & her biography of his life a bibliography & list of exhibitions. Thames & Hudson hardcover
Best.-Nr. 64464081University of Chicago Press . Hardback. New. pp. 176 University of Chicago Press hardcover
1952Best.-Nr. 5820Paris: Editions Neuf 1952. First edition. A very nice copy of this hardback work dedicated to Brassaï Red cloth with a tipped in titled photograph to the front board. One of the most popular books of his work including several of his "Paris by night" photographs as well as photographs of Picasso etc. With essays in French "L'oeil de Paris" by Henry Miller and "Souvenirs de mon Enfance" by Brassaï. Edited by Robert Delpire and Pierre Faucheux. Very slight rubbing to the boards and a little staining to the rear panel and some rubbing with loss to the head of the spine. Internally in very good condition with slight darkening to the page edges only. Unpaginated by 42 pages with 55 black and white plates. . Première édition. Très bel exemplaire de cet ouvrage relié dédié à Brassaï en toile rouge avec une photographie intitulée collée sur la couverture avant. L'un des livres les plus populaires consacrés à son œuvre comprenant plusieurs de ses photographies de la série « Paris by night » ainsi que des clichés de Picasso etc. Avec des essais en français : « L'œil de Paris » d'Henry Miller et « Souvenirs de mon enfance » de Brassaï. Édité par Robert Delpire et Pierre Faucheux. Très légères traces d'usure sur les plats quelques taches sur le dos arrière et quelques traces d'usure avec perte au niveau de la tête du dos. Intérieur en très bon état avec un léger noircissement des bords de page uniquement. 42 pages non paginées comprenant 55 planches en noir et blanc. Editions Neuf hardcover
2001Best.-Nr. 116339Paris : Flammarion 2001. reliure d'éditeur sous jaquette. BRASSAI. - MORAND Paul.Paris de nuit. Texte Paul Morand. Paris Flammarion2001 320x275mm 62 photos n/b reliure d'éditeur sous jaquette. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Flammarion unknown
1999Best.-Nr. 84001Chicago & London: University of Chicago Press 1999. First US edition. xx 392 pp w/index. Fine in very near fine dust jacket. Translated from the original French by Jane Marie Todd. Preface by Henry Miller from 1966. Introduction by Pierre Daix. Illustrated with photographs. Chicago & London: University of Chicago Press unknown
1982Best.-Nr. 63508Paris : Denoël 1982. reliure d'éditeur sous jaquette. BRASSAÃ.Les artistes de ma vie. Paris Denoël1982 295x240mm 223 pages 131 photos n/b reliure d'éditeur sous jaquette. Petits accrocs sur le haut et le bas du dos et sur les coins de la jaquette et inscriptions manusctrites sur le haut de page de garde supérieure autremnet bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Denoël unknown
1987Best.-Nr. 030311Paris: Flammaron 1987. Book. Illus. by Brassaï. Fine. Hardcover. Quarto. Black cloth silver gilt. The pictorial dust jacket shows a small bump to the top front corner and is price clipped. Includes the original introduction written by Paul Morand. This photobook was meant to accompany Paris in the 30s published in 1933. Most of the original heliographic plates were used to create it except a few that had disappeared over the intervening decades. . Flammaron Hardcover
1976Best.-Nr. 66262Paris : Gallimard 1976. reliure d'éditeur sous jaquette. BRASSAÃ.Le Paris secret des années 30. Paris Gallimard1976 280x215mm 192 pages photos n/b reliure d'éditeur sous jaquette. Déchirures à la jaquette. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Gallimard unknown
Best.-Nr. 69266Paris Arts et métiers graphiques 1933. . Erste Ausgabe des ersten Fotobuchs Brassais. - BrassaÄ d.i. Gyula Halász 1899-1984 französischer Fotograf ungarischer Herkunft kam nach Studien in Ungarn und Deutschland 1924 nach Paris. Sein Freund der ungar. Fotograf André Kertész überredete ihn die Faszination des Pariser Nachtlebens in Fotos einzufangen. 1933 erschien sein Bildband "Paris de Nuit" der ihn sofort berühmt machte: "Brassai der Pariser aus Transsylvanien erscheint als Engel der Dunkelheit. Seine Sensibilität genießt das Ursprüngliche das Fantastische das Zweideutige und sogar das Bizarre" John Szarkowski Museum of Modern Art New York. - Deckelkanten gering berieben Paris, Arts et métiers graphiques, [1933]. unknown
1933Best.-Nr. 2311Paris: Arts et Métiers Graphiques 1933. First Edition. Near fine. Spiral-bound Quarto 9 7/8 x 7 1/2 inches 248 x 191 mm 12 pp 62 photogravure plates after photographs by Brassaï each numbered in lower outer corner. Spiral bound stiff card covers without jacket as issued; housed in a custom clamshell case lined in red felt covered in red cloth with morocco spine gilt title. Two-notch chip at bottom of spiral extending into first leaf and one notch at top of spiral; pages lightly toned at the edges but photogravures in excellent condition. 8 pages of text in French by Paul Morand plus a 4 page index with detailed captions for each of the photographs. As beautifully stated in the first line of Paul Morand's introduction to this exceptional collection of photographs: Paris at night is not the negative of the day; the surfaces not not stop being white to become black: in reality they are not even the same images." The 62 photographs by Hungarian-born photographer Brassaï Gyula Halász capture nocturnal scenes throughout Paris - from glowing wet pavement and empty streets to bars cafés and the denizens of Paris at night. This was Brassaï's first published photo book and the work that established his reputation as a master of night photography showcasing his ability to extract light and atmosphere from darkness. A collector's treasure scarce in good condition this is one of the most influential photo books ever produced and is admired not just for its content but for the its productions values: the deep and velvety gravure printing and the evocative layout make it an object of intense tactile and visual appeal. The photogravures are in exceptional condition-richly inked with deep velvety blacks luminous highlights and a striking tonal range that preserves the full atmospheric subtlety of Brassaï's nocturnal vision. The plates retain remarkable clarity and contrast with a vividness and depth seldom found testifying to both the high production standards of Arts et Métiers Graphiques and the care with which this copy has been preserved. Arts et Métiers Graphiques unknown
1949Best.-Nr. 2310London / New York: The Focal Press 1949. First Edition. Fine/Very good . 8vo 10 x 6 7/8 inches 248 x 175 mm 98 pp. including a fold-out page with technical data for each photo. Text in English. Cream cloth with orange lettering on cover and spine. Pictorial dust jacket unclipped with a little wear to the seams chips to top folds and some soiling protected in a mylar dj cover. Contents are clean and pages unmarked. An important work on Paris by the Hungarian-French photographer sculptor writer and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars. This volume appeared in "Masters of the Camera" a series of "pictorial monographs. A library of the world's best camera work by the world's best cameramen." Dust jacket At the rear is a folding page with technical data of the equipment used by Brassaï for each of the photographs. The Focal Press unknown
1933Best.-Nr. 48496Neuilly-sur-Seine. 1933. Original publisher's printed white glossy wrappers reproduction of a Man Ray photograph to front cover of each issue with titles and contributors in red against a white background taking the form of a lighthouse with revolving light later cream morocco-backed black card board chemise with title in red to spine and matching slipcase. 4 vols. in 3. Small 4to. 252 x 182 mm. 4to. 284 x 194 mm. Printed text in French with reproductions of monochrome photographs throughout nos. 1 & 2 with printed 'Bulletin d'Abonnement' sheets on orange paper tipped-in issue with advertisements on various coloured stock see below. An excellent complete set of Lise Deharme's very scarce 'Le Phare de Neuilly' with the final number in the even scarcer large paper édition de tête format.The third number i.e. 'Numéro 3 - 4' is a large paper copy one of 20 nominatif examples issued on papier couché mat spécial printed for 'Monsieur et Madame Raoul Fernandez'; only the third volume was issued in this format.Although each title page of 'Le Phare de Neuilly' suggests that ten issues were to be published 'Dix numéros par an' only these four were achieved. A mixture of the literary and artistic the illustration is of monochrome photographs throughout with Lee Miller contributing to each issue; Man Ray's work also features - the covers are his work - as well as Nadar Dora Maar Brassaï Pierre Keffer Eli Lotar Lloyd Sloane and others.The literary contributors - all listed on the covers of each issue - are extremely varied and include Georges Ribemont-Dessaignes who also wrote the record reviews in the first two numbers Robert Desnos two poems in no. 1 Céline Arnauld Jacques Baron Hans Arp as a poet translated from the German by Georges Hugnet Paul Dermée Lise Hertz i.e. Lise Deharme Nathalie Barney Stendhal the unpublished 'Le lac de Genève' writen under Stendhal's pseudonym 'Henri Martineau' James Joyce see below Thérèse Aubray Jacques Lacan the poem 'Hiatus Irrationalis' Marcel Jouhandeau Ilarie Voronca the poem 'Foules' translated from the Romanian by M. de Boully D. H. Lawrence a translation of 'The Man Who Died' Claire Goll Eugène Jolas 'Gyroscope' Raymond Queneau 'Fragments d'un Roman' and many others.Of particular note in terms of content not to mention innovation are the following: - Alejo Carpentier's 'Images et Prières Nègres' illustrated with a series of photographs - the negatives were burnt in the presence of the Cuban sorceror 'Taita José' - of ritualistic objects shrines and saints; - Le Phare de Neuilly's presumably Deharme herself writing under the eponymous psudonym 'Manifeste du Désarmement Psychique'; - James Joyce's poem 'Ecce Puer' written on the birth of his grandson Stephen in 1932 translated into French by Yvan Goll and printed on the right of a sheet of transparent crystal paper; beneath on a sheet of glossy paper is a photographic reproduction of Joyce's manuscript for the poem and at left is a portrait of both Joyce and his grandson by Robert H. Davis; - Lloyd Sloane's extraordinary 'Monsieur Sépulcre Agent d'Assurances Présente . ' a Surrealist photographic collage novella; - no. 1 with the advertisements at the front of the issue printed in black on monochrome sheets of burgundy blue and pink paper that on pink with text reproducing Deharme's manuscript those at rear on cream newsprint paper advertising Jose Corti''s publishing house 'Corti / 6 Rue de Clichy' and announcing Deharme's own 'Cahier de Curieuse Personne / Poèmes / par / Lise Hirtz' to be published by Corti as appearing 'dans trois mois' this advertisement also reproducing Deharme's manuscript and Roger Vitrac's 'Le Coup de Trafalgar'.Lise Deharme the editor of 'Le Phare de Neuilly' published in the Paris suburb of Neuilly was a salonnière a prolific poetess and a novelist. A muse and patron to the Surrealists - she encountered them as a group in the 1920s - her first published work was 'Images dans le Dos de Cocher' of 1922 although her collaboration with Miró 'Il était une petite pie' of 1928 is cited more usually as her first publication both were issued under her maiden name Ilse Hirtz. Deharme was immortalised by Breton in Nadja as 'la dame au gant' and she can be regarded in many ways as being 'Le Phare de Neuilly' herself.'Page de couverture identique pour les trois fascicules : photographie de Man Ray contient de nombreuses reproductions photographiques de Man Ray Lee Miller Nadar Brassaï Pierre Keffer Dora Maar'. Destribats. Le Fonds Paul Destribats 339; not in Ades. unknown
Best.-Nr. 0821227386.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover