709 Ergebnisse
1949Best.-Nr. 22760Paris.: Editions du Point du Jour. 1949. Original publisher's terracotta printed wrappers with reproduction of Brassai's manuscript title in black as titles to front cover and spine. 12mo. 165 x 128 mm. Leaf with publisher's device verso leaf with calligraphic title recto and justification verso six leaves with Henry Miller's 'Introduction' and Brassaï's verse three leaves with 'Répertoire des Mots-Clés de Marie' two leaves with 'Table' and final leaf with achevé d'imprimer recto and 'Printed in France' verso. André Breton's copy with a presentation from Brassaï.From the first edition limited to 2626 copies with this unnumbered copy on vélin des Papeteries de France.From the library of André Breton with a presentation from Brassaï to Breton on the colophon: 'Pour André Breton / Ces annonces faites par / Marie / Souvenir amical de / Brassai / Paris vendredi treize mois de / Marie 1949'; the achevé d'imprimer gives the date of publication as 'le 30 Avril 1949'.Also included loosely inserted is the original invitation to the signing of the book by Brassai: 'Brassai signera / L'Histoire de Marie / à la Librairie de / l'Arc en Ciel / 17 rue de Sèvres / Samedi le 18 Juin de 17-19h'.Brassai born Gyula Halasz in what is now Romania was a prolific photographer who documented the seamier side of Parisian life. This collection of Brassai's poetry introduced by his friend Henry Miller demonstrates that he was more than that. Divided into three sections 'Propos de Marie' 'Le Procès de Marie' and 'Repertoire des Mots-Clés de Marie' the poetry is decidedly surreal in tone. Editions du Point du Jour. unknown
1960Best.-Nr. 11Stuttgart: Chr. Belser Verlag 1960. First Edition First Printing. Fine/Near fine. Quarto 11 1/8 x 9 in. 283 x 229 mm; pp. 47 text 2 conversations with Picasso printed on brown laid paper in black ink ; 105 full-page reproductions of b/w photos divided into 9 chapters. Black-stamped white clothfine prior owner's name in ink on half-title page. Photo-pictorial dust jacket near fine minor wear along the edges crease to inner front flap. This is the first printing of the book and preceded the more commonly available French edition of 1961 Editions du Temps. Chr. Belser Verlag unknown
Best.-Nr. GOR002106868Paperback. Very Good. paperback
Best.-Nr. 486898like new. unknown
1937Best.-Nr. 87781Paris: Gallimard 1937. Fine. ""Convulsive beauty will be veiled-erotic fixed-explosive magic-circumstantial or it will not be"" Gallimard Paris 1937 14.50 x 19.50 cm Relié First edition one of 9 numbered copies on japon only deluxe issue aside from 35 copies on pur fil and a few on coloured paper. Full black morocco binding flat spine authors name palladium-stamped title stamped lengthwise in palladium and blind grey long-grain shagreen inlays to boards with author and title stamped lengthwise in palladium and in blind turn-ins framed in morocco light plum suede pastedowns and flyleaves three palladium decorated deckled edges outstanding custom binding by Thomas Boichot. Illustrated with 20 photographs including 7 photographs by Man Ray 4 by Brassaï one each by Dora Maar Henri Cartier-Bresson and Rogi André as well as artworks by Max Ernst and the statue of a female character by Giacometti in which the writer saw the very emanation of the desire to love and to be loved in search of its real human object in its painful ignorance. André Breton offers a meditation on love at first sight and passion drawn from his fateful first encounter in 1934 with his future wife Jacqueline Lamba this woman was scandalously beautiful. Recalling the beginnings of their romantic relationship he reflects on chance and embarks on a rereading of their love story detecting all sorts of phantasmagoric signs analysing his experiences and feelings. He concludes with an open letter to their daughter Aube born in December 1935 which ends with these words: I want you to be madly loved. A masterpiece of Surrealist literature both an extension and opposite of Nadja which was published nine years earlier also considered an objectbook in the classic surrealist style interleaved with photographs by Cartier-Bresson Brassaï and Man Ray . It proves its own startling kind of existence in the real world being not just a book not just the record of an extraordinary love that between André Breton and the artist with whom he shared his life but an object inserted madly and really now in our world Mary Ann Caws Translators note Mad Love University of Nebraska Press 1987. Gallimard hardcover
1946Best.-Nr. 87665Paris: Gallimard 1946. Fine. Gallimard Paris 1946 17.50 x 22 cm broché sous étui First edition one of 324 numbered copies on laid paper the only deluxe copies after 10 on madagascar. Folded cover decorated with a graffiti photograph by Brassaï. Handsome copy complete with its slipcase also illustrated with a photograph by Brassaï. Gallimard unknown
1949Best.-Nr. 84586Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.90 x 16.50 cm broché First edition one of 2500 copies on vélin alfa. Foreword by Henry Miller. Precious copy signed and inscribed by Brassaï to André Malraux : ""Pour André Malraux cordial hommage de Brassaï Paris le 13 mai 1949"". Les éditions du point du jour unknown
1968Best.-Nr. 20878Museum of Modern Art New York 1968. Cloth. Near Fine/Very Good . SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright price-clipped VG dustjacket with light creasing and one small closed tear along the spine crown. Octavo Introductory essay by the redoubtable Lawrence Durrell. 80 pgs. 61 crisp beautifully-reproduced black-and-white photos throughout. Museum of Modern Art, New York unknown
1951Best.-Nr. 80254Paris: Gallimard 1951. Fine. Gallimard Paris 1951 11 x 16.50 cm broché First edition in paperback format. Handsome copy considering the poor quality of this fragile paper a small good-luck charm from the dedicatee at the head of the endpaper. Covers illustrated by Brassaï and Jacques Prévert. Autograph inscription dated summer 1969 in Antibes and signed by Jacques Prévert to Jean Folliet on pages 160-161 enhanced on the title page with a small drawing in black ink representing a puppet theater whose canopy encircles the title of the work and within which two characters can be distinguished. On the verso of the back cover appears an autograph inscription signed by Brassaï: ""Comme co-auteur de la couverture bien amicalement pour Jean Folliet le 10/10/63. Brassaï."" ""As co-author of the cover very cordially for Jean Folliet 10/10/63. Brassaï."" Gallimard paperback
1949Best.-Nr. 71809Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of the numbered copies on alfa vellum. Introduction by Henri Miller. Handsome copy. Autograph inscription dated and signed by Brassaï to Alex and Nadia Bloch. Les éditions du point du jour hardcover
1949Best.-Nr. 69445Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on Alfa paper with the original etching by Brassaï which he signed ours one of the 26 lettered copies reserved for the friends of the author deluxe copies ""tirage de tête"". Foreword by Henry Miller. Beautiful copy. Rare autograph dated and signed by Brassaï to Janine and Raymond Queneau: "". these alms sic made by Marie . very little Claudelian. With Brassaï's friendship."" Les éditions du point du jour unknown
1949Best.-Nr. 41928Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of 126 numbered copies on alfa complete with the original signed etching by Brassaï the tirage de tête. Autograph inscription by Brassaï. Additionally this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: ""Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais les mules des piqûres aux perroquets mal laqués."" Introduction by Henry Miller. A very good copy with exceptional additions. Les éditions du point du jour unknown
1949Best.-Nr. 42648Paris: K éditeur 1949. Fine. K éditeur Paris 1949 16.50 x 21 cm broché First edition one of 175 numbered copies on pure rag laid paper the only deluxe copies. Work illustrated with 8 photographs by Brassaï. Spine sunned and creased handsome interior condition. K éditeur unknown
1949Best.-Nr. 40216Paris: Editions du point du jour 1949. Fine. Editions du point du jour Paris 1949 13 x 16.50 cm broché First edition one of the numbered copies on alfa. Introduction by Henry Miller. A good copy. Editions du point du jour unknown
1949Best.-Nr. 34623Paris: Le Point du Jour 1949. Fine. Le Point du Jour Paris 1949 13 x 16.50 cm broché First edition one of the numbered copies on vélin alfa. Le Point du Jour unknown
1949Best.-Nr. BRASSAI008210The Focal Press London. 1949. First U.K. edition. Royal octavo. Eleven page introductory text followed by sixty-two photographs. Fold-out technical chart at end.Gift inscription on front free endpaper. Gilt lettering on spine slightly chipped. Very good indeed in good creased and chipped dustwrapper with long closed tears repaired on the reverse. The Focal Press, London. unknown
Best.-Nr. DADAX0394408411Pantheon Books 0000-00-00. First Edition. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Pantheon Books hardcover
1976Best.-Nr. 142641976. Brassaï Gyula Halász. Letter discussing the publication of The Secret Paris of the Thirties written by the Hungarian born photographer whose images of Paris nightlife helped define twentieth century documentary photography. Brassaï gained international recognition through his photographs of nocturnal Paris produced during the early 1930s images that documented the city's bars cabarets streets and marginalized social spaces with unusual candor and atmospheric lighting. His 1933 book Paris de Nuit established his reputation and led writer Henry Miller to describe him as "the eye of Paris." This 1976 letter was written during the release of The Secret Paris of the Thirties a publication that expanded the photographic record of Parisian nightlife by presenting images from the same early period that had remained unpublished or excluded from earlier editions. Brassaï Gyula Halász. Typed Letter Signed "Brassai". Paris September 9 1976. One page on personal stationery measuring approximately 11 3/4 x 8 1/4 inches. Writing in French Brassaï discusses the simultaneous publication of his new photography book and his upcoming exhibition in New York. In the letter he notes: "My book the Secret Paris of the Thirties Pantheon Books is due out at the same time." He continues by mentioning travel plans connected with the exhibition writing that he will be in New York from September 12 to September 28 in order to attend the opening of his show at the Marlborough Gallery. Brassaï also remarks on the date of the letter noting that it coincides with his seventy seventh birthday. The letter is signed in large purple marker "Brassai" with an underline and includes a handwritten postscript in green marker reading "venir nous soutenir" translated as "come support us." The Secret Paris of the Thirties published in 1976 more than four decades after the photographs were first taken completed Brassaï's long project of documenting the hidden nightlife of interwar Paris. Many of the photographs originated from the same period as those reproduced in Paris de Nuit but had remained unpublished because they were considered too provocative for earlier editions. The images depict bars nightclubs one night hotels bordellos and other locations associated with the city's nocturnal culture. Brassaï later wrote of his motivation for photographing the city at night: "I was inspired to become a photographer by my desire to translate all things that enchanted me in the nocturnal Paris I was experiencing." The Marlborough Gallery exhibition in New York was organized in conjunction with the publication of the book and introduced many of these photographs to a wider audience for the first time. Folded twice through the center as mailed; otherwise clean and well preserved. Overall very good condition. A content rich letter documenting the publication and exhibition history of one of Brassaï's most significant photographic projects. unknown
2002Best.-Nr. SONG2080107135FLAMMARION 2002-05-03. hardcover. Used: Good. 10.98x0.87x12.41. Buy with confidence. Excellent Customer Service & Return policy. FLAMMARION hardcover
1960Best.-Nr. 83136New York: Viking / Studio 1960. Hardcover. Near Fine/Very Good. First edition. Octavo. Fine in a moderately rubbed very good or better dustwrapper with a few short tears. Many Brassai photographs accompany the text. Viking / Studio hardcover
Best.-Nr. 524673Thames and Hudson 1982. Geb. met stofomslag i.z.g.st. 224 pagina's. Thames and Hudson 1982 unknown
1949Best.-Nr. 793A15London: The Focal Press 1949. First edition. Cloth. Good. 10" by 7 " . Brassai. The first edition of this photobook charmingly depicting the city of Paris with Brassai's pictures. A charming photobook of Paris compiled from a series of photographs by the popular twentieth century photographer Brassai. With an introduction followed by a series of impressive photographs in black and white with descriptions. The first edition of this work. From the library at Julian Park Hertfordshire belonging to Audrey Pleydell-Bouverie. Audrey was the youngest daughter of an Anglo-American lumber and steel millionaire sister to Edward James a key figure in the Surrealist movement and the illegitimate granddaughter of King Edward VII. She was an English socialite known for her beauty and for charming various wealthy men she was included in The Book of Beauty by Cecil Beaton. A patron of the arts she assisted Viscount Carlow financially in the publication of limited editions of numerous works by leading literary figures such as T E Lawrence James Joyce Wyndham Lewis and others. A hedonistic pursuer she was recognised as one of the 'Bright Young Things'. In the original publisher's full cloth binding. Externally sound with some shelf wear and bumping to the extremities a complete loss of the spine. Inscribed by a previous owner to the front free endpaper dated 1949. Internally firmly bound. With some minor spotting to the endpapers otherwise the pages are bright and clean. Illustrated with numerous full page plates of photographs in black and white. Good The Focal Press hardcover
Best.-Nr. 0226071480.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 104609Paris Denoël 1982. . First French edition; 4to; 38 black & white photographic illustrations slightly shaken; publisher's cloth pictorial dust jacket nicked along the edges torn with some loss on the top edge at the rear lower edge at the front small chip to the spine. A presentation copy inscribed in ink on the half title page 'Pour notre chere Juliette en toute amitie Brassai Paris. le 4 decembre 1982' Paris, Denoël, 1982. hardcover
Best.-Nr. 105010Paris Gallimard 1975. . First trade edition first printing; presentation copy inscribed by Brassai. 8vo. 53 photographic illustrations. Publisher's cream wrappers printed in black and red. With the photographic dust jacket. A superb copy in the very slightly tanned dust jacket. With the author/photographer's signed presentation inscription to the half title page 'Pour Monsieur Michel Moine en amical hommage de Brassai le 18 Nov 1975'. The recipient was a French journalist and writer on parapsychology. A service de press copy with the discrete 'S.P.' perforated stamp to the lower wrappers and last two leaves. Paris, Gallimard, 1975. unknown