1 152 résultats
2023réf. 1-1335428623Inkyard Pr 2023. Hardcover. New. original edition. 352 pages. 8.50x5.62x1.19 inches. Inkyard Pr hardcover
2005réf. USD_9780825420061KregePublications 2005. N/A. Paperback. Used - Like New/Used - Like New. KregePublications paperback
2018réf. 1-1611638569Carolina Academic Press 2018. Paperback. New. 264 pages. 8.75x5.75x0.75 inches. Carolina Academic Press paperback
2019réf. 1-1531002250Carolina Academic Press 2019. Paperback. New. 2nd edition. 806 pages. 10.00x7.00x1.25 inches. Carolina Academic Press paperback
2014réf. 1-1611632528Carolina Academic Press 2014. Paperback. New. 371 pages. 9.75x7.00x1.00 inches. Carolina Academic Press paperback
2018réf. 1-1982523115Blackstone Audio Inc 2018. Audio CD. New. mp3 una edition. 6.75x5.50x0.50 inches. Blackstone Audio Inc unknown
1986réf. AME_9780884165132Mosby 1986. 1st. Hardcover. New/New. Mosby hardcover
1984réf. 008438Picador 1984. Hardcover. Good. 412pp; Edges sunned throughout and in a worn unclipped d/w with some shelf wear and small closed tears to edges of d/w in protecive sleeving; First hardcover edition of this book originally published in the United States as a softcover original. Also includes the novella's 'Great Expectations' and 'My Death My Life' by Pier Paolo Pasolini. Size: 12mo Picador hardcover
2005réf. AME_9780825420061KregePublications 2005. N/A. Paperback. New/New. KregePublications paperback
2012réf. __1461362903Springer 2012. Paperback. New. 454 pages. 9.61x6.14x1.07 inches. Springer paperback
réf. 43804New York: Various 1991. Very good overall. Collection of five different versions of Acker's first critically acclaimed work - including a pre-publication copy of her own corrected typescript. The pre-publication copy gives key insight not only into Acker's writing methods but also raises interesting questions about the intended structure of the finished story and highlights the mutable interpretations regarding the published presentation of her prose writing via four different versions included herein. This copy was sent by Acker in late 1979 to friend and fellow experimental writer Paul Buck. The pages have clearly been xeroxed on several different machines with different paper stock and print qualities evident in different sections and pp. 29 is an original typescript passage with visible typed corrections and numbered in holograph in Acker's distinctive hand which has been taped onto the verso of a sheet of letterhead for "Performing Artservices Inc. 463 West St NY" an organization that provided management and administrative services to avant-garde artists. Included with this document are four published editions of the story. The first although not always credited thus was in International Times vol. 5 no 5. January/February 1980. Run as "New York City '79" over the centerspread this version is closest to the typescript form. There is persuasive evidence that the editors of I.T. were working from a similar photocopy and whether instructed thus by Acker or not they took the cut-up style of the piece at face value and ran it as a series of fragments differentiated from one another by the use of typefaces and with no cohesive order. Probably due to space constraints this version is also heavily abridged however the notable omissions of the three statements about lesbians suggests that there was also a degree of selective censorship at work. The first publication of the complete text followed in July 1980 in the pages of San Diego magazine Crawl Out Your Window Issue 7. Here the sentences - which run over multiple pages in the typescript - are conventionalized into standard lines. There are also slight textual differences with a couple of additional sentences added. The first stand-alone publication came in Top Stories 9 1981 which incorporated photographs by Anne Turyn. These images again mutate the text and raise further questions about Acker's editorial intention; the typescript title-page bears the uncompleted subheading "Photographs by" but gives no further allusions to this content. The final example is the 1991 Semiotexte collection HANNIBAL LECTOR MT FATHER which shows still further textual edits. In terms of form the most marked difference between the typescript copy and the published editions that followed is the way in which the text is divided into a series of passages or episodes numbered at the head of the page. These can be full paragraphs or single sentences or for example the word "syphilis" which has an entire page to itself. This deliberate distribution of white space surrounding the single word which in later editions is returned to the conventional layout of a sentence adds nuance and valence to the story which is arguably altered in transcription. In the key collection of Acker Papers at Duke University there is a comparable copy described thus in their catalogue: "60-page photocopied typescript corrected in the photocopy with original note on the title page My Copy by Acker". We have not been able to locate an original typescript suggesting that this format with Acker's holograph corrections in the copy is as primary a resource for this text as is currently known. A revealing collection about Acker's Pushcart Prize-winning work showing both her working methods and intentions while simultaneously demonstrating their editorial undoing across numerous editions. Photocopy of typescript with one page original typescript bearing top-copy typed corrections and holograph number that page taped to verso of letterhead. 60pp. printed on recto only stapled at top right corner with neat tape reinforcement over staple on title page. Light wear to title page and final sheet tail edge of two oversized sheets rubbed. Taped revision loose from browned tape mounts. With four published appearances featuring the story also provided. [Various] unknown
2010réf. DADAX116685955XKessinger Publishing 2010-09-10. hardcover. New. 6.00x0.94x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
2010réf. DADAX116676950XKessinger Publishing 2010-09-10. paperback. New. 6.00x0.74x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
réf. 18498Lier: Drukkerij Antilope 2012. . Folio 34x24.5cm. 304 blz. zeer talr. foto's e.a. historische illustraties vele in kleur 14 grote gevouwen kaarten en facsimilés in map. Hoofdwerk in linnen band met leeslint kaarten in flexibele kartonnen omslag het geheel in kartonnen kassette met wit linnen bekleed. Kassette met spoortje van gebruik inhoud in nieuwstaat. Lier: Drukkerij Antilope, 2012. unknown
réf. 45233036like new. unknown
réf. 44437047-nnew. unknown
2011réf. DADAX3639380460VDM Verlag 2011-09-02. paperback. New. 5.91x0.23x8.66. Buy with confidence. Excellent Customer Service & Return policy. VDM Verlag paperback
2010réf. DADAX3640713184Grin Publishing 2010-09-30. paperback. New. 5.83x0.11x8.27. Buy with confidence. Excellent Customer Service & Return policy. Grin Publishing paperback
2011réf. DADAX3834929212Gabler Verlag 2011-04-05. 2011. paperback. New. 5.83x0.76x8.27. Buy with confidence. Excellent Customer Service & Return policy. Gabler Verlag paperback
1983réf. 50895New York: Grove Press 1983. First printing. Fine in a fine jacket. First edition of Acker's rewriting and reinterpretation of Charles Dickens's famed coming-of-age novel. Told with Acker's typical sense of experimentation appropriation and brutal honesty. Oddly uncommon and a beautiful copy. 8'' x 5''. Publisher's quarter black cloth over black boards. In original unclipped $14.95 color pictorial jacket designed by Roy Colmer after art by Sue Coe. 128 pages. Bright and sharp overall. Grove Press unknown
réf. 96962Big Nickel 1980. 4° 115 S. durchgehend illustriert Broschur Tadell. Texte Photos Noten Zeichnungen usw. 010 Big Nickel, 1980 unknown
réf. 35441Turnhout Brepols 1972. Hardback CLXX246 p. 155 x 245 mm. ISBN 9782503032511. Languages: Latin. Turnhout Brepols 1972 hardcover
réf. 36079Turnhout Brepols 2008. Hardback 296 p. 155 x 245 mm. ISBN 9782503529073. L'objectif principal de ce recueil est de proposer des pistes pour reintegrer dans le domaine de la transition latin / langues romanes les notions de continuite et de variabilite. Caracteristiques fondamentales de notre conception moderne de la langue celles-ci n'ont pas toujours ete presentes dans les attitudes envers la langue en diachronie d'ou une tendance a la dichotomisation toujours reelle. Afin d'inviter chacun a prendre conscience de la multiplicite des aspects a prendre en consideration lorsqu'on traite de l'histoire d'une langue qui n'est plus accessible sous sa forme premiere c.-a-d. sous sa forme parlee nous avons regroupe ici differents regards poses sur le rapport oral/ecrit dans l'emergence des langues romanes. Languages: French Latin Spanish. Turnhout Brepols 2008 hardcover
2021réf. SONG19510461962021-01-16. 1. hardcover. Used: Good. 8.50x0.25x8.50. Buy with confidence. Excellent Customer Service & Return policy. hardcover