Acker, Kathy; and Blake, NaylandBiblio.com
1113 resultados
1990ref. 67179Printed in Germany: Petersburg Gallery 1990. First edition. Cloth over boards. Fine. Hardcover cloth rust over boards. 12mo. 6 39 pp. Illustrated throughout in b/w and full colour with full-page plate photographs and engravings. An exhibition catalogue for a show entitled "Nayland Blake - Low -Recent Works" that occurred at Petersburg Gallery NYC from September to October of 1990. An unnumbered copy out of a limited print run of 2000. Blind tooled short title on front board along with author artist and publisher stamped in gilt. Spine the same as front board. Text block is clean unmarked and square with a strong binding. Small crease in spine. Very lightly bumped upper right corner. This copy seems to have never been read. Included with this copy is an original order form from Petersburg Gallery folded a one page CV of Nayland Blake from Petersburg Gallery folded and a photocopied article from Artforum magazine November 1990 entitled "You're History Pal. Reading Nayland Blake" by Maria Porges. Petersburg Gallery unknown
ref. 5422761983. Unbound. Very Good. Manuscript. Four lined octavo sheets holograph rectos only. Very good with creases from being mailed small stain on the first page and typical ragged edge from being removed from a spiral bound notebook. Signed and date on the last page along with a word count: "Kathy Acker 1983. app. 950 words." Accompanied by the mailing envelope and a one-page Autograph Note Signed to editor Malcolm Imrie apologizing for her handwriting and how she is looking forward to seeing him. An essay about embracing nihilism as a means of escape - along with a move to London - ending with a sexually brutal metaphor that takes place inside the hallway of a tenement building in New York. Not for the weary though typical stuff for Acker. A short work intended for an unstated English literary magazine which we could not identify suggesting this is possibly unpublished. unknown
1993ref. Q-0679403493Pantheon 1993-07-20. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Pantheon hardcover
1994ref. Q-0802134033Grove Press 1994-09-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
1993ref. 305766NY: PANTHEON. Fine in Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0679403493 . First edition. REVIEW COPY. Publisher's publicity release & printed slip laid-in Fine in fine dust jacketj. Tiny spot of mild erasure at front end-paper. . PANTHEON. hardcover
ref. 43804New York: Various 1991. Very good overall. Collection of five different versions of Acker's first critically acclaimed work - including a pre-publication copy of her own corrected typescript. The pre-publication copy gives key insight not only into Acker's writing methods but also raises interesting questions about the intended structure of the finished story and highlights the mutable interpretations regarding the published presentation of her prose writing via four different versions included herein. This copy was sent by Acker in late 1979 to friend and fellow experimental writer Paul Buck. The pages have clearly been xeroxed on several different machines with different paper stock and print qualities evident in different sections and pp. 29 is an original typescript passage with visible typed corrections and numbered in holograph in Acker's distinctive hand which has been taped onto the verso of a sheet of letterhead for "Performing Artservices Inc. 463 West St NY" an organization that provided management and administrative services to avant-garde artists. Included with this document are four published editions of the story. The first although not always credited thus was in International Times vol. 5 no 5. January/February 1980. Run as "New York City '79" over the centerspread this version is closest to the typescript form. There is persuasive evidence that the editors of I.T. were working from a similar photocopy and whether instructed thus by Acker or not they took the cut-up style of the piece at face value and ran it as a series of fragments differentiated from one another by the use of typefaces and with no cohesive order. Probably due to space constraints this version is also heavily abridged however the notable omissions of the three statements about lesbians suggests that there was also a degree of selective censorship at work. The first publication of the complete text followed in July 1980 in the pages of San Diego magazine Crawl Out Your Window Issue 7. Here the sentences - which run over multiple pages in the typescript - are conventionalized into standard lines. There are also slight textual differences with a couple of additional sentences added. The first stand-alone publication came in Top Stories 9 1981 which incorporated photographs by Anne Turyn. These images again mutate the text and raise further questions about Acker's editorial intention; the typescript title-page bears the uncompleted subheading "Photographs by" but gives no further allusions to this content. The final example is the 1991 Semiotexte collection HANNIBAL LECTOR MT FATHER which shows still further textual edits. In terms of form the most marked difference between the typescript copy and the published editions that followed is the way in which the text is divided into a series of passages or episodes numbered at the head of the page. These can be full paragraphs or single sentences or for example the word "syphilis" which has an entire page to itself. This deliberate distribution of white space surrounding the single word which in later editions is returned to the conventional layout of a sentence adds nuance and valence to the story which is arguably altered in transcription. In the key collection of Acker Papers at Duke University there is a comparable copy described thus in their catalogue: "60-page photocopied typescript corrected in the photocopy with original note on the title page My Copy by Acker". We have not been able to locate an original typescript suggesting that this format with Acker's holograph corrections in the copy is as primary a resource for this text as is currently known. A revealing collection about Acker's Pushcart Prize-winning work showing both her working methods and intentions while simultaneously demonstrating their editorial undoing across numerous editions. Photocopy of typescript with one page original typescript bearing top-copy typed corrections and holograph number that page taped to verso of letterhead. 60pp. printed on recto only stapled at top right corner with neat tape reinforcement over staple on title page. Light wear to title page and final sheet tail edge of two oversized sheets rubbed. Taped revision loose from browned tape mounts. With four published appearances featuring the story also provided. [Various] unknown
ref. 43804New York: Various 1991. Very good overall. Collection of five different versions of Acker's first critically acclaimed work - including a pre-publication copy of her own corrected typescript. The pre-publication copy gives key insight not only into Acker's writing methods but also raises interesting questions about the intended structure of the finished story and highlights the mutable interpretations regarding the published presentation of her prose writing via four different versions included herein. This copy was sent by Acker in late 1979 to friend and fellow experimental writer Paul Buck. The pages have clearly been xeroxed on several different machines with different paper stock and print qualities evident in different sections and pp. 29 is an original typescript passage with visible typed corrections and numbered in holograph in Acker's distinctive hand which has been taped onto the verso of a sheet of letterhead for "Performing Artservices Inc. 463 West St NY" an organization that provided management and administrative services to avant-garde artists. Included with this document are four published editions of the story. The first although not always credited thus was in International Times vol. 5 no 5. January/February 1980. Run as "New York City '79" over the centerspread this version is closest to the typescript form. There is persuasive evidence that the editors of I.T. were working from a similar photocopy and whether instructed thus by Acker or not they took the cut-up style of the piece at face value and ran it as a series of fragments differentiated from one another by the use of typefaces and with no cohesive order. Probably due to space constraints this version is also heavily abridged however the notable omissions of the three statements about lesbians suggests that there was also a degree of selective censorship at work. The first publication of the complete text followed in July 1980 in the pages of San Diego magazine Crawl Out Your Window Issue 7. Here the sentences - which run over multiple pages in the typescript - are conventionalized into standard lines. There are also slight textual differences with a couple of additional sentences added. The first stand-alone publication came in Top Stories 9 1981 which incorporated photographs by Anne Turyn. These images again mutate the text and raise further questions about Acker's editorial intention; the typescript title-page bears the uncompleted subheading "Photographs by" but gives no further allusions to this content. The final example is the 1991 Semiotexte collection HANNIBAL LECTOR MT FATHER which shows still further textual edits. In terms of form the most marked difference between the typescript copy and the published editions that followed is the way in which the text is divided into a series of passages or episodes numbered at the head of the page. These can be full paragraphs or single sentences or for example the word "syphilis" which has an entire page to itself. This deliberate distribution of white space surrounding the single word which in later editions is returned to the conventional layout of a sentence adds nuance and valence to the story which is arguably altered in transcription. In the key collection of Acker Papers at Duke University there is a comparable copy described thus in their catalogue: "60-page photocopied typescript corrected in the photocopy with original note on the title page My Copy by Acker". We have not been able to locate an original typescript suggesting that this format with Acker's holograph corrections in the copy is as primary a resource for this text as is currently known. A revealing collection about Acker's Pushcart Prize-winning work showing both her working methods and intentions while simultaneously demonstrating their editorial undoing across numerous editions. Photocopy of typescript with one page original typescript bearing top-copy typed corrections and holograph number that page taped to verso of letterhead. 60pp. printed on recto only stapled at top right corner with neat tape reinforcement over staple on title page. Light wear to title page and final sheet tail edge of two oversized sheets rubbed. Taped revision loose from browned tape mounts. With four published appearances featuring the story also provided. [Various] unknown
ref. 3040No place Bay Area: Papyrus Press 1972. Very Good. Kathy Acker's first book certainly the rarest and one that already clearly presages the energy & portent of her later writings. Breathless prose. Printed card-covers with thick tape covering staples 8-5/8" x 7-1/8" in Very Good condition but for some water staining to front cover. The present copy is from the library of another great radical literary figure Jill Johnston 1929-2010 cultural critic memoirist lesbian feminist and champion of the avant-garde and it bears her distinctive stamp in blue ink on the title page which reads "Write first. then live." J.J. While the edges of the covers are a tad softened there are no other mentionable flaws to this piece. Papyrus Press unknown
ref. Z1-R-010-02383Grove Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Grove Press unknown
ref. 0802135439.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992ref. 400032New York: Pantheon Books 1992. Softcover. Fine. Uncorrected proof. Printed wrappers. Fine. A collection of Acker's three multipart novels: The Childlike Life of the Black Tarantula I Dreamt I Became a Nymphomaniac!: Imagining and The Adult Life of Toulouse Lautrec. The proof is uncommon. Pantheon Books unknown
1996ref. 001007New York: Grove Press 1996. Book. Near Fine. Hardcover. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. 279pp. Squre clean unmarked copy of Acker's slim novel in a crisp unclipped jacket. Signed by Acker in green on title page. Crisp tight copy of Acker's 1996 novel signed by the author. Grove Press Hardcover
1996ref. 583461New York: Grove Press 1996. Softcover. Near Fine. Uncorrected proof. Glossy illustrated wrappers. Slight edgewear else near fine. Grove Press unknown
1996ref. 508293New York: Grove Press 1996. Softcover. Fine. Uncorrected proof. Octavo. Glossy printed wrappers. Fine. Grove Press unknown
1996ref. Q-0802115780Grove Pr 1996-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Grove Pr hardcover
1996ref. Q-080213484XGrove Press 1996-12-05. Paperback. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
1996ref. 7079GROVE PRESS. NY 1996. Fine with no dust jacket. 1996. First Edition; First Printing. Softcover. 0330358413 . ADVANCE READING COPY. Fine in glossy pictorial printed wrappers. . GROVE PRESS. NY 1996 paperback
ref. 1873176635.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. Q09U-02616Grove Press. Used - Like New. Like New condition. A near perfect copy that may have very minor cosmetic defects. Grove Press unknown
ref. 0802139205.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1998ref. 13430Trans>Arts.Cultures.Media and Thread Waxing Space 1998. First Edition. paperback. Very Good. 8x5x0. Paperback exhibition catalog for a show of videos started at Thread Waxing Space in NY travelled to the Museum of Contemporary Art in No Miami and concluded at University of Colorado at Boulder. There is a library stamp on the front and edge/surface wear on the cover and spine paperclip bend on first page press release clipped to page is included. Upper right corner is bent through the whole book. 79 pages color plates in the front black and white illustrations in text.SPECTACULAR OPTICAL is a book published by TRANS> arts.cultures.media to accompany the exhibition bt the same name held at Thread Waxing Space. The book takes as a point of departure the cultural fascination with violence atrocity mutation and the ways that they are depicted some would say gentrified as entertainment. The essays examine the ways in which opticality has become so spectacular how this bedazzlement with entertainment is engineered in the larger sphere of cultural production. From feminism to fetishism from simulation to stimulation the book takes as an example David Cronenberg's work which deals with corporeality aggravated biology technology spectacle media and violence. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Trans>Arts.Cultures.Media and Thread Waxing Space paperback
1972ref. 539752San Francisco or Berkeley: Papyrus Press 1972. Softcover. Near Fine. Photocopy. Octavo sheets printed rectos only. 62pp. Uneven sheets side stapled. Light wear still fine. Accompanied by original mailing envelope stamped with The Black Tarantula return address and hand addressed by Acker to Robert Bertholf the influential poetry professor and former curator of The Poetry Collection at Buffalo along with a Autograph Note on the rear flap: "As promised. Please excuse lousy quality of xerox. Love." A photocopy of the pages of Acker's first solely authored work sent to Bertholf in lieu of an original copy; the mailing cancel date read "May 16 1974" two years after the book's publication. Interestingly the first page of the photocopy shows not the all-black front cover which would been impossible to reproduce but the title page showing Acker's note "Myself A" likely indicating the copy was made using her own personal copy. While not an original copy a unique artifact produced by the author using her own copy of her rare first book and sent by her through the mail like several of her earliest works. Papyrus Press unknown
1978ref. 3543New York City: TVRT Press & Printed Matter 1978. Paperback. VG. Softcover 8vo 201 pages. Very Good condition just light wear to covers. Cover design by Laurie Jewell Wegman and drawings by William Wegman. TVRT Press & Printed Matter paperback
1978ref. 13838New York: TVRT Press & Printed Matter 1978. First Edition. Softcover. Very Good. 16mo. Pp. 201. Illustrated wraps. Cover design by Laurie Jewell Wegman and drawings by William Wegman. Some rubbing to wraps sticker shadow over price on rear cover. Experimental novel first published in six parts in 1975. A well preserved copy. TVRT Press & Printed Matter unknown
1978ref. 3117555New York: Tvrt Press. Near Fine with no dust jacket. 1978. First Edition; First Printing. Softcover. 0931106214 . First complete commercial edition. issued first in 6 separate stapled parts privately by the author in 1975 Close to fine in pictorial perfect-bound printed wrappers. 201 4 1/2" X 6 1/2" 2 mild corner creases at bottom edge of text. Neat sticker ghost on rear cover. Uncommon. ; 4 1/2" X 6 1/2"; 201 pages . Tvrt Press paperback
