Man RayBiblio.com
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1995ref. Q-0810942771Harry N Abrams Inc 1995-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Harry N Abrams Inc hardcover
1998ref. 74076Paris: Centre Georges Pompidou/Seuil 1998. First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket. Paris: Centre Georges Pompidou/Seuil unknown
1998ref. 74076Paris: Centre Georges Pompidou/Seuil 1998. First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket. Paris: Centre Georges Pompidou/Seuil unknown books
1937ref. 19377SSParis: GLM Guy Lévis Mano 1937. First Edition. wrappers. Very Good /Very Good . Man Ray photos. Man Ray / André Breton Photography is not art. Paris: GLM 1937. Portfolio In-8 9.7" x 6.5" 24.5x16.1cm Issued unbound with twelve halftone photo reproduction plates and with five sheets of text by Andre Breton in blue wrappers. Unspecified print run but in small quantities on cream vellum paper. --- --- Original edition of a charming surrealist work published by Guy Lévis Mano with a preface by André Breton under a poem titled Convulsionnaires and complemented by 12 photographs by Man Ray 1890-1976 reproduced in black on beige glossy paper. Beautiful copy. In sheets with a double black and blue cover the first with a window. In excellent condition. Blue cover with no scratches. Impeccable interior. Slightly browned pages. ---- ---- ---- Emmanuel Radnitsky or Rudzitsky known as Man Ray born August 27 1890 in Philadelphia United States and died November 18 1976 in Paris 6th arrondissement was an American painter photographer and filmmaker who became a naturalized French citizen. A figure of Dadaism in New York then of Surrealism in Paris Man Ray perfected Christian Schad's photogram technique and alongside photographer Lee Miller rediscovered the so-called solarization process. GLM (Guy Lévis Mano) unknown
1991ref. 152645N Y: Thames & Hudson 1991. Oversize Paperback. Near Fine. A clean unmarked book with a tight binding. Slight edge wear to cover. 8 1/4""w x 11 3/4""h. 256 pages. Based on an exhibition held at the Centre National d'Art et de Culture Georges Pompidou Paris from December 1981 to April 1982. Essays by Philippe Sers Herbert Molderings and Janus three texts by Man Ray including an interview of him. Keywords: Photography Man Ray Adre Breton Marcel Duchamp Erik Satie ARonold Schonberg TS Eliot Gertrude Stein Light Effects Rayographs Solarizations Portraits Nudes Pompidou Center Classic Images Thames & Hudson paperback
1937ref. 18881Paris: GLM 1937. Paperback. First edition first printing. One of Man Ray's most influential works "La Photographie n'est pas l'Art" marked a turning point in his artistic career. In 1937 the year the book was published he decided to give up photography altogether. "La Photographie" not only tied a ribbon on the artist's photographic career and experimental photography but also summed up his earlier Dada tendencies with its Duchampian puns for the photographs' titles. From then on Man Ray devoted himself to painting. Photographs by Man Ray; text by Andre Breton. 17 unpaginated 6.25- x 9.75-inch leaves printed recto only: title page three leaves with Breton's text a leaf with a list of Man Ray's published works and colophon 12 full-page b&w plates on yellow coated stock with captions beneath all on the same paper stock. Loose as issued in original publisher's blue wrappers with title in black and additional black paper dust-jacket with rectangular die-cut to expose title. Condition: Seventeen loose leaves in original printed flexible blue cloth portfolio and original black die-cut wrapper. The leaves are fine with only a hint of soiling at the outer edges and a touch of blunting to the outer tips; the title page has a small crease at one corner now flattened. The portfolio is Near Fine with sunning to the front through the aperture in the wrapper which is Very Good with a tiny tear light stress marks at the spine and back flap fold and a touch of shelf wear. A nice copy. Ref: Parr & Badger Photobook Vol. 1 p.108-109; Fotografia Publica Photography in Print 1919-1939 p.166-167; 802 Photo Books from the M. M. Auer Collection p.242. Ships the next business day wrapped in padding in a box. GLM paperback
1974ref. H25634Torino: Gallerio Il Fauno 1974. First Printing. Wraps. Very good. Edition of 1000 copies. 8.5 x 8.25 inches wraps very good light wear. 147 pp well illustrated in b/w. Gallerio Il Fauno unknown
1931ref. 54654Paris: Compagnie Parisienne de Distribution d'Électricité 1931. First edition. Ray Man. Folio two unbound folded sheets to make 6 pp. text with 10 photogravure plates 8 1/16 x 10 1/4 inches 20.48 x 26.03 cm tipped to a stiff art paper mount 10 7/8 x14 3/4 inches 27.62 x 37.46 each with a titled protective vellum wrapper. The text and prints are laid-in a blank vellum folder which is mildly creased and laid-in the four-point printed paper portfolio. This copy has the complimentary slip from the CPDE which is seldom included. Each plate bears the signature of Man Ray which was signed in the original negative. This is copy number 409 from a total edition of 500 copies. A fine near new copy. Aside from a slight bit of toning to the printed four-point paper folder this is a fine near new copy contained in a custom-made gilt titled leather-backed cloth over boards chemise with matching cloth slipcase. In 1931 the Paris electric company CPDE commissioned Man Ray to produce a series of images promoting the various uses of electricity. The resulting portfolio of ten Rayogrammes was issued in 500 copies which were distributed to the CPDE's best and prospective clients and not commercially offered for sale. The photogravure prints made from original Rayograms are titled: Electricité La Ville Salle de Bain La Maison Lingerie Salle a Manger Cuisine Le Souffle Electricité Le Monde. In 2014 the Metropolitan Museum of Art Curator in Charge Department of Photographs Jeff R. Rosenheim stated: "This remarkably seductive album of photogravures is an exquisite example of his legacy as America's greatest Surrealist photographer." "Man Ray's ÉLECTRICITÉ is not only one of the most ravishing and sought-after of company photobooks but it contains a cogent suite of photographs that the leading American Dadaist and commercial photographer himself never bettered." Parr and Badger The Photobook: A History. Volume II p.183. Compagnie Parisienne de Distribution d'Électricité unknown
1972ref. 198680Paris: Galerie Francoise Tournie 1972. Paperback. Good Wraps have general edgewear/scuffing/foxing/toning; interior is very clean but lightly toned; binding is solid. B&W illustrated stapled wraps; 30 unnumbered pp.; richly illustrated. [Galerie Francoise Tournie] paperback books
1988ref. 13838Paris: Galerie 1900-2000 1988. Softcover. VG. White color pictorial wraps. 72 pp. 15 color numerous bw plates. Three-page introduction by Marcel Fleiss essays 'Man Ray et la Désinvolpeinture' by Edouard Jaguer 'Manrayography' by Timothy Baum and 'Man Ray' by G. Ribemont-Dessaignes catalogue of 92 works many of them illustrated. All text in French except for the essay 'Manrayography.'. Galerie 1900-2000 paperback books
ref. 1840137630.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996ref. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown
1996ref. 35981Tokyo: Tokyo Station Gallery 1996. Very Good . Tokyo: Tokyo Station Gallery 1996. First Edition. Quarto 26cm; 226pp. Publisher’s stiff black wraps; light grey endsheets. Photographs throughout several in color. Wraps rather bumped and smudged. Binding sound. Textblock endsheets and interior pages clean. Very Good or better. Published in conjunction with a series of posthumous retrospective exhibitions throughout Japan. Interior text in Japanese and French. Tokyo Station Gallery unknown books
ref. 0810942771.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1937ref. 001889HHParis France: GLM 1937. First Edition. Fine. A fine copy issued originally unbound now stapled in it's original outer black wrapper. 12 half tone plates in excellent condition and five sheets of text by Andre Brenton. A Nice Copy. GLM unknown
1991ref. 320909New York: Thames & Hudson 1991. Reprint. paperback. near fine. Man Ray. Introduction by Martin with 3 texts by Man Ray. Illustrated with 347 duotone plates. 256 pages. 4to glossy pictorial wrappers spine rubbed and slightly toned. New York: Thames and Hudson 1991. Third printing. A near fine copy. Thames & Hudson unknown
1991ref. 320909New York: Thames & Hudson 1991. Reprint. paperback. near fine. Man Ray. Introduction by Martin with 3 texts by Man Ray. Illustrated with 347 duotone plates. 256 pages. 4to glossy pictorial wrappers spine rubbed and slightly toned. New York: Thames and Hudson 1991. Third printing. A near fine copy. Thames & Hudson unknown books
1925ref. 542699Newark New Jersey: L. Bamberger & Co 1925. Hardcover. Near Fine. Volume III Number 1-Volume III Number 6. Six issues bound without wrappers and preliminary and possibly terminal leaves into two-tone cloth gilt. Quarto. 9-96 9-96 9-96 11-96 9-96 9-96 pp. Articles and ads heavily illustrated in black and white from photographs and drawings; includes eight fashion portraits by Man Ray. Small owner label on front pastedown binding lightly worn with a bit of rubbing on the lower board one leaf with a tiny tear near fine. Six bound issues of Charm magazine a New Jersey women's magazine with a general focus on beauty style cooking and hosting and the finer things of New Jersey society but with forays into literature politics and art. Volume III Number 3 April 1925 is especially notable for featuring the first appearance of Mina Loy's "Modern Poetry" considered a minor modernist classic "often cited and regularly studied" Sophie Oliver in The Journal of Modern Periodical Studies 2020. The magazine was published by Bamberger's Department Store. Issues are charming and uncommon; OCLC locates only seven serial listings but we note only three that possess Volume III NYPL Rutgers Newark Public Library. L. Bamberger & Co hardcover
1925ref. 542699Newark New Jersey: L. Bamberger & Co 1925. Hardcover. Near Fine. Volume III Number 1-Volume III Number 6. Six issues bound without wrappers and preliminary and possibly terminal leaves into two-tone cloth gilt. Quarto. 9-96 9-96 9-96 11-96 9-96 9-96 pp. Articles and ads heavily illustrated in black and white from photographs and drawings; includes eight fashion portraits by Man Ray. Small owner label on front pastedown binding lightly worn with a bit of rubbing on the lower board one leaf with a tiny tear near fine. Six bound issues of Charm magazine a New Jersey women's magazine with a general focus on beauty style cooking and hosting and the finer things of New Jersey society but with forays into literature politics and art. Volume III Number 3 April 1925 is especially notable for featuring the first appearance of Mina Loy's "Modern Poetry" considered a minor modernist classic "often cited and regularly studied" Sophie Oliver in The Journal of Modern Periodical Studies 2020. The magazine was published by Bamberger's Department Store. Issues are charming and uncommon; OCLC locates only seven serial listings but we note only three that possess Volume III NYPL Rutgers Newark Public Library. L. Bamberger & Co hardcover books
1995ref. 002394Milan: Gio Marconi Gallery 1995. Book. Near Fine. No Binding. Cardboard box 13x9x3 cm. containing a booklet with 35 reproductions of photographs and a collection of 9 facsimile copies taken from photographic contact prints carried out by Man Ray in 1937 from the original negatives. The prints measure approx. 86 x 66 cm. and are individually stored in transparent paper sachets. The box set was issued in a limited edition of 1000 on the occasion of the exhibition 'La Mode au Congo" held in the Gio Marconi Gallery in 1995. This is number 822. The box has light wear and a bit of soiling contents are fine. Rare object. . Gio Marconi Gallery unknown
ref. 2914171056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004ref. mon00039060622004. Hardcover. Good. . Ex-library book with stamps/ stickers throughout. hardcover
1988ref. 000656Little Brown and Company 1988. Hardcover. Near Fine/Near Fine. In unread condition jacket price clipped. Very interesting and well written Autobiography. Little Brown and Company hardcover
1990ref. 27266new oversize pb International Center of Photography paperback
1963ref. 00535299Atlantic Monthly / Little Brown 1963. First Edition. Hardcover. Very Good/Very Good. Signed and inscribed by Man Ray with an original drawing of his trademark floating eye and face. This copy is inscribed on the half title to Frank Goodman 'one of the last of the old-time Broadway press agents a star handler and headline hustler' New York Times. The drawing and inscription are on the half title. The inscription which is bordered by and incorporates the drawing reads 'For Mr. Frank Goodman Man Ray April 2 1963'. The floating eye is above Ray's signature and the nose and mouth extend beneath the inscription. CONDITION: Nice copy in the original black cloth in gilt and copper in first issue jacket complete with $7.95 price slight surface wear to jacket with wrinkle at top; book has been recased with new endpapers; some light staining to top and bottom edges of text. Man Ray born Emmanuel Radnitzky 1890-1976 American painter photographer and conceptual artist active in France a leading light of the Dada and Surrealist movement. Jess McKinley's obituary in the New York Times offers a brilliant look back at Goodman's career: 'In an era when movies like 'Sweet Smell of Success' made Broadway seem like the most glamorous and gritty terrain in entertainment Mr. Goodman was as reliable a presence as broken hearts and dreams come true. From 1939 when he started his career to 1961 Mr. Goodman represented more than 50 Broadway productions including eight shows in 1960 alone. Over the years Mr. Goodman would act as a booster and sometimes as a baby sitter for every type of show person and show personality from the volatile genius Jerome Robbins of 'Gypsy' to the delicate ingénue Audrey Hepburn in 'Gigi' in 1951 to the predictably haunted playwrights William Inge and Clifford Odets among others. Summing up his career in his unpublished memoir Mr. Goodman started with an adage about the publicity game: 'You don't get paid for the work you do; you get paid for the grief you take.' Mr. Goodman seemed to believe that but only to a point. 'Still and all' he wrote 'there's worse ways to make a living'.'B/w Illustrations. Atlantic Monthly / Little Brown hardcover
