560 resultados
2011ref. 95374Merrell Publishers. New. 2011. Hardcover. 1858945577 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. ; 110 illus. 46 in color. -- with a bonus offer-- . Merrell Publishers hardcover
ref. 32865Hartford Conn: James Thrall Soby. First edition. Man Ray. 104 pp plastic spiral binding. Second issue with the false "second edition" statement. A few small rubs and creases to covers; very good. James Thrall Soby unknown books
ref. 32865Hartford Conn: James Thrall Soby. First edition. Man Ray. 104 pp plastic spiral binding. Second issue with the false "second edition" statement. A few small rubs and creases to covers; very good. James Thrall Soby unknown
1988ref. MK-4CLO-3TSTNew York Graphic Society 1988-09-01. Hardcover. Very Good. original 1963 Atlantic Little Brown hard cover - 1st edition 1st printing - minor wear to edge of dust jacket now in mylar cover some staining to closed page edge and end papers - otherwise cover fine binding strong contents clean - enjoy New York Graphic Society hardcover
1995ref. 6L-BZ3J-XMBVHarry N Abrams Inc 1995-09-01. Hardcover. New. or ding to dust jacket at top binding - otherwise a clean brand new excellent copy - enjoy Harry N Abrams Inc hardcover
1937ref. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM books
1937ref. 2467Paris Éditions GLM 1937. MAN RAY. La Photographie n'est pas L'Art. Paris: Éditions GLM 1937. Slim octavo 17 loose leaves in original flexible blue cloth portfolio original black die-cut wrapper. First edition of this landmark treatise with 12 full-page halftones of Man Ray's distinctive photographs 'regarded by some as amongst the greatest of the 20th century' Parr & Badger. Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921 when Dada was at its height that photographic experimentation temporarily leaderless after the disastrous war took a decisive new direction' Frizot 442. 'Man Ray's work introduced a particular note to Dadaism since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' Icons of Photography 26. 'Although he incorporated photography into his Dadaist practice much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography and might be said to be his photographic swansong' Parr & Badger 108-09. With text by André Breton. See Roth 80-81 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. Bauman quote In a contemporary clam shell box in blue cloth. GLM
ref. A-71923-2Accordion fold artist's book featuring one multiple by Man Ray a blue baguette bread on the front cover held by a green ribbon to close the book. Also included on the book ten silkscreen after the artist Revolving Doors installation in colors three reproductions in colors and a three folded poster in colors. This artist's book was published by Galerie Alexandre Iolas in Paris as an exhibition catalogue for the exhibition Man Ray in 1973-1974. The blue baguette depicted on the cover was an original piece that Man Ray made in 1958 using stale bread painted blue. He later replaced it with a plaster version as the original was eaten by mice. Galerie Alexandre Iolas books
ref. A-71923-2Accordion fold artist's book featuring one multiple by Man Ray a blue baguette bread on the front cover held by a green ribbon to close the book. Also included on the book ten silkscreen after the artist Revolving Doors installation in colors three reproductions in colors and a three folded poster in colors. This artist's book was published by Galerie Alexandre Iolas in Paris as an exhibition catalogue for the exhibition Man Ray in 1973-1974. The blue baguette depicted on the cover was an original piece that Man Ray made in 1958 using stale bread painted blue. He later replaced it with a plaster version as the original was eaten by mice. Galerie Alexandre Iolas
ref. 3038Paris. Vintage photo. Stamp on the back. 2 the. corners are restored. Vintage photo. Stamp on the back. 10 x 15 cm. Vintage print of the iconic image. unknown
ref. 26678new oversize pb 32 photographs Galerie Alain Paviot paperback
1975ref. 112482Ediions S. 1975. Hardcover. Very good/No jacket. #12/75cc signed by Squatriti on the colophon page. With 10 serigraphs each signed and numbered on the back by the artist with a very light hand in pencil. In a damaged box. Ediions S. hardcover
1988ref. 029107New York Graphic Society Boston MA 1988. Book. Near Fine. Cloth. 319 pages with 240 illustrations 35 in color. Minor rubbing and wear to the cover and edges. Jacket has been price clipped. Foreword by Merry A. Foresta. Afterword by Juliet Man Ray. Index. New York Graphic Society, Boston MA Hardcover
1995ref. 513135West Palm Beach Florida: Norton Museum of Art 1995. Softcover. Fine. First edition. Quarto. Spiral-bound illustrated wrappers. Illustrated. A remainder stamp on the front free endpaper and slight edgewear else fine. Norton Museum of Art unknown books
1989ref. 560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown books
1989ref. 560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown
2015ref. 49320Ostfildern: Hatje Cantz 2015. First edition. Hardcover. New in publisher's shrink wrap. Quarto. 236pp. Illustrated paper boards with white lettering on the spine. Published in conjunction with an exhibition organized by The Phillips Collection Washington D.C. and The Israel Museum Jerusalem and held at The Phillips Collection Washington D.C. February 7-May 10 2015; Ny Carlsberg Glyptotek Copenhagen June 11-September 20 2015; and at The Israel Museum Jerusalem October 20 2015-January 23 2016. "How does one make sense of a purported link between mathematics William Shakespeare and art The answer lies within the oeuvre of Man Ray 1890-1976. The publication sets out to unravel the Surrealist puzzle beginning with his photographs of mathematical models he encountered at the Institut Henri Poincaré in Paris in the thirties. Moreover it charts a path culminating in his Shakespearean Equations 1947-1954 series of oil paintings which were inspired by the photographs and painted in Hollywood over a decade later. The arc the images strike from painting back to photography reveals the ease with which Man Ray moved between various disciplines and forged his own path. An inveterate experimenter he pioneered artistic activities in the realms of painting object making film and photography challenging conventional boundaries and blurring established aesthetic categories." - The Publisher. Hatje Cantz hardcover books
ref. 46643Framed. #53 of 75 copies. Matted in silver frame with glass. Signed and numbered by the artist in pencil below. Lithograph measures 19 3/4 x 25 3/4". Frame measures 21 1/2 x 28 unknown books
2015ref. 49320Ostfildern: Hatje Cantz 2015. First edition. Hardcover. New in publisher's shrink wrap. Quarto. 236pp. Illustrated paper boards with white lettering on the spine. Published in conjunction with an exhibition organized by The Phillips Collection Washington D.C. and The Israel Museum Jerusalem and held at The Phillips Collection Washington D.C. February 7-May 10 2015; Ny Carlsberg Glyptotek Copenhagen June 11-September 20 2015; and at The Israel Museum Jerusalem October 20 2015-January 23 2016. "How does one make sense of a purported link between mathematics William Shakespeare and art The answer lies within the oeuvre of Man Ray 1890-1976. The publication sets out to unravel the Surrealist puzzle beginning with his photographs of mathematical models he encountered at the Institut Henri Poincaré in Paris in the thirties. Moreover it charts a path culminating in his Shakespearean Equations 1947-1954 series of oil paintings which were inspired by the photographs and painted in Hollywood over a decade later. The arc the images strike from painting back to photography reveals the ease with which Man Ray moved between various disciplines and forged his own path. An inveterate experimenter he pioneered artistic activities in the realms of painting object making film and photography challenging conventional boundaries and blurring established aesthetic categories." - The Publisher. Hatje Cantz hardcover
ref. 46643Framed. #53 of 75 copies. Matted in silver frame with glass. Signed and numbered by the artist in pencil below. Lithograph measures 19 3/4 x 25 3/4". Frame measures 21 1/2 x 28 unknown
1968ref. 18989Letter Edged in Black Press Inc. Wiliam Copley and Dmitri Petrov 1968. 1st. Loose items in printed paper folder. vg with minor wear only. Limited edition artist assemblage / portfolio. All inserts included with the exception of a reel-to-reel tape which was included in only a handful of copies. Letter Edged in Black Press Inc. (Wiliam Copley and Dmitri Petrov) unknown
1990ref. 2050991Galerie Marion Meyer 1990. Hard cover. Good/No jacket. In French. The cover is slightly shelf worn and rubbed with the front and back cover being slightly worn and rubbed. Binding is tight and inside is clean and unmarked. Galerie Marion Meyer unknown
1956ref. 106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956. Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956. In excellent condition. unknown books
1956ref. 106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956. Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956. In excellent condition. unknown
2009ref. 014580Edition Steidl Göttingen 2009. Book. New. Cloth. 368 pages with 283 photographs and 22 drawings classified according to following themes: trees flowers insects animals; landscapes monuments churches castles etc. Still in the publisher's shrinkwrap. Text is in French. Edited by John P. Jacob and Merry A. Foresta . Biography. Edition Steidl, Göttingen Hardcover
