22.740 resultados
1984ref. 2090502113703998Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1986ref. 2090502113706415Not Available 1986. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1968Paperback in plastic protected sleeve, good condition. This copy has obvious signs of being used by an automobile enthusiast in a practical setting. Thumb marks along page block and edges. Spine is sound and internally the pages are clear and intact. AD Used
1971Hardcover (no jacket; illustrated front board). Boards, page block and some pages are slightly marked, including some occasional foxing. Page block is detaching from inner spine, though covers remain firmly attached to whole; no practical effect on contents. Upper page edges in first half are a little warped. All text and illustrations are clear. TS Used
ref. 58178London: Bradbury Agnew & Co nd. Many hand colored plates mostly by John Leech and many illustrations in text. 9 vols. Royal 8vo. Bound in original two toned red cloth t.e.g. other edges uncut. Bookplate of Walter Rutherford Peterson. Fine. Many hand colored plates mostly by John Leech and many illustrations in text. 9 vols. Royal 8vo. Bradbury, Agnew, & Co unknown books
ref. 58178London: Bradbury Agnew & Co nd. Many hand colored plates mostly by John Leech and many illustrations in text. 9 vols. Royal 8vo. Bound in original two toned red cloth t.e.g. other edges uncut. Bookplate of Walter Rutherford Peterson. Fine. Many hand colored plates mostly by John Leech and many illustrations in text. 9 vols. Royal 8vo. Bradbury, Agnew, & Co unknown
1993Excellent clean copy, pages clean, bright and tight. Minor wear to cover. Used
1999A clean, unmarked book with a tight binding. 324 pages.
1996ref. 029318Boulder Colorado: Paladin Press 1996. BRAND NEW in PERFECT CONDITION. Flat uncreased spine. NO chips tears creases rubbing or fading. Sharp corners. Square and tight. NOT a library discard. NOT a remainder. NO owner's name or bookplate. Pages are fresh crisp clean and unmarked. Well illustrated with step-by-step how-to-do-it photographs. Bound in the original pictorial wraps. From the publisher: "Here is a slew of new and interesting improvised silencer designs featuring innovative couplings plus variations on aluminum cans oil filters PVC pipe plumbing devices water sprinkler pieces and other unique materials. Warning: It is illegal to possess or make firearm silencers without BATF registration. For academic study only.". 1st ed No additional printings listed. Softcover. New. xi 65pp. Great Packaging Fast Shipping. Paladin Press Paperback
ref. KNY10058280Malopus. 216 pp. Language: Ukrainian. Condition: not graded in detail, please see the photos. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1982ref. KNY10045081Moscow: Fizkultura i sport, 1982. 144 pp. Language: Russian. Condition: not graded in detail, please see the photos. Original title: Match na pervenstvo mira: Merano-81. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1995ref. 085516Orange Frazer Pr Inc 1995. Hardcover. Collectible: Like New/Like New. 7x1x10. Signed. Flat signed by author and illustrator with whimsical drawing on blank front endpage. Loosely laid in is the publisher's news release. Like new hardback and jacket. Appears unread. Binding is tight and square. No owners' names/labels. Dust jacket is enclosed in a clear protective cover. Text is clean unmarked. First edition 1st printing. Full number line with "1". Shelf: I4 Books are carefully sealed in waterproof poly and boxed to prevent damage during transit. Orange Frazer Pr Inc hardcover
1965ref. 228782Barre MA: Barre Publishers 1965. First edition number 95 of 200 copies. 89 3 pp. Printed at the Stinehour Press in Bembo type. 1 vols. 8vo. Decorated paper over boards tan calf spine gilt lettered t.e.g. Book label of Jeffrey Norton. Fine in original publisher's slipcase. First edition number 95 of 200 copies. 89 3 pp. Printed at the Stinehour Press in Bembo type. 1 vols. 8vo. An engaging collection of sporting anecdotes and reminiscences by the beloved angling writer. Bruns L17 Barre Publishers unknown books
1965ref. 228782Barre MA: Barre Publishers 1965. First edition number 95 of 200 copies. 89 3 pp. Printed at the Stinehour Press in Bembo type. 1 vols. 8vo. Decorated paper over boards tan calf spine gilt lettered t.e.g. Book label of Jeffrey Norton. Fine in original publisher's slipcase. First edition number 95 of 200 copies. 89 3 pp. Printed at the Stinehour Press in Bembo type. 1 vols. 8vo. An engaging collection of sporting anecdotes and reminiscences by the beloved angling writer. Bruns L17 Barre Publishers unknown
1944ref. 56888New York: Alfred A. Knopf 1944. First edition No. 145 of 275 copies on Rives Liampre All-Rag Paper signed containing an extra color plate. Frontispiece and 4 color plates from paintings by Dr. Edgar Burke 10 photographic plates in black & white. 161 ii pp. 1 vols. 8vo. Original green boards gilt tan cloth spine with lettering piece very fine in slightly worn board slipcase. First edition No. 145 of 275 copies on Rives Liampre All-Rag Paper signed containing an extra color plate. Frontispiece and 4 color plates from paintings by Dr. Edgar Burke 10 photographic plates in black & white. 161 ii pp. 1 vols. 8vo. A beautiful copy of a handsome book signed by author and illustrator on limitation page. Biscotti p. 242; Heller 2:693 Alfred A. Knopf unknown
1944ref. 56888New York: Alfred A. Knopf 1944. First edition No. 145 of 275 copies on Rives Liampre All-Rag Paper signed containing an extra color plate. Frontispiece and 4 color plates from paintings by Dr. Edgar Burke 10 photographic plates in black & white. 161 ii pp. 1 vols. 8vo. Original green boards gilt tan cloth spine with lettering piece very fine in slightly worn board slipcase. First edition No. 145 of 275 copies on Rives Liampre All-Rag Paper signed containing an extra color plate. Frontispiece and 4 color plates from paintings by Dr. Edgar Burke 10 photographic plates in black & white. 161 ii pp. 1 vols. 8vo. A beautiful copy of a handsome book signed by author and illustrator on limitation page. Biscotti p. 242; Heller 2:693 Alfred A. Knopf unknown books
19364to., First Edition, with a frontispiece, and numerous photographs and illustrations throughout; cloth, upper board and backstrip lettered in blue, a very good, bright, clean copy in unclipped dustwrapper.
1995ref. RO20069348Non indiqué.. 1995. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 152 pages. Nombreuses illustrations en couleurs dans le texte et hors texte.. . . . Classification Dewey : 797-Sports nautiques
2006ref. KNY10044135Rostov-on-Don: Vladis, 2006. 512 pp. Language: Russian. Condition: not graded in detail, please see the photos. Original title: Rezba po derevu. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1910ref. 219051910. Archive of original photographs documenting women's participation in athletics and organized physical culture during the early twentieth century when women's sports and exercise programs increasingly became accepted within schools colleges camps and recreational organizations. The photographs show women engaged in archery synchronized gymnastics calisthenics and cheer leading during a period when female athletic participation expanded alongside broader debates concerning women's health education public visibility and social independence. The photographs provide visual evidence of the physical culture movement as it shaped women's recreational and educational environments in the United States and abroad preserving both formal athletic training and communal performance activities that contributed to changing expectations surrounding women's physical activity and public presence. Collection consists of seven original silver gelatin photographs dating approximately from the 1910s through the 1930s. The archive includes several photographs of women participating in organized physical education exercises and athletic activities while dressed in period sporting attire. One image dated July 5 1928 documents uniformed women performing synchronized gymnastic drills during a Sokol Festival dress rehearsal in Prague capturing rows of participants in coordinated motion during a major international physical culture gathering influenced by Central European nationalist and athletic traditions. Another photograph from the 1910s-1920s shows a group of young women posed with medicine balls Indian clubs and batons while wearing sailor-inspired gymnasium uniforms associated with school or collegiate athletic programs. A separate 1930s image depicts a cheerleading squad in matching lettered "S" sweaters posed in formation within a school auditorium. Archery appears prominently throughout the archive. One press photograph portrays Olympic diver and sportswoman Helen Meany Balfe standing with a bow on the grounds of White Sulphur Springs West Virginia as identified by a typed caption on the verso. Another image depicts Stella M. Ives identified in manuscript drawing a bow while dressed in full sporting attire. A vernacular photograph portrays four young women practicing archery in the hills above Troy New York including one identified as Louise Hatch of Troy with a handwritten verso inscription linking the group to Bridgewater Massachusetts. The final photograph shows a large assembly of young women gathered on outdoor steps beside a prominent archery target possibly at a camp or collegiate event emphasizing organized recreation and group participation. The archive documents the increasing visibility of women's athletic participation during the early twentieth century when organized exercise and sports became associated with women's education health reform and public modernity. Physical culture programs in schools colleges camps and civic organizations promoted athletics as both disciplined recreation and social training while sports such as archery and gymnastics offered women expanded opportunities for public competition and physical expression. Particularly notable is the range of activities represented from regimented calisthenic performance to recreational archery and cheerleading illustrating the broad spectrum of athletic environments available to women before the widespread professionalization of women's sports. Light wear and occasional handling marks consistent with age; photographs remain well-preserved overall in very good condition. A visually engaging archive documenting the growth of women's athletics and physical culture in the early twentieth century. unknown books
1900ref. 224351900. Archive of six original photographs depicting women in athletics and physical culture circa 1900s-1956 documents women participating in swimming bullfighting mass calisthenics weight training and flexibility exercises across more than five decades. The principal image is a May 7 1956 press photograph of Colombian bullfighter Bertha Trujillo immediately after leaving the ring her clothing visibly bloodstained and her physical exhaustion apparent in her posture. A Hamilton Wright press caption on the verso identifies Trujillo as a "girl bullfighter" providing contemporary documentation of a woman participating professionally in the corrida an arena in which women encountered longstanding restrictions and opposition. The remaining photographs record women diving competitive swimming organized group exercise and individual strength training showing the widening range of athletic activities in which women appeared during the first half of the twentieth century. Six photographs comprising five silver gelatin photographs and one stereoview circa 1900s-1956. The earliest image is a stereoview showing a woman diving from a boat into open water while still wearing a long dress her body captured in midair above the water. A sepia-toned postcard depicts a large formation of women in uniform skirts performing synchronized physical exercises apparently in a stadium or other large athletic ground; the location is unidentified. A circa 1920s-30s photograph shows a young woman swimmer in a one-piece bathing suit standing beside a trophy although neither the swimmer nor the competition is identified. Two circa 1930s-40s silver gelatin prints record individual exercise: one woman throws a medicine ball outdoors beneath a clouded sky while another stretches a resistance band beside a pond. The final and most historically specific image depicts Bertha Trujillo after a bullfight and retains the Hamilton Wright press caption dated May 7 1956. The photographs record changing forms of women's physical activity from the restrictive clothing visible in the early diving stereoview through organized calisthenics competitive swimming individualized strength training and Trujillo's participation in professional bullfighting. The images do not document a single organization or athletic program; instead each records a distinct setting in which women participated in strenuous exercise organized sport or public competition during the first half of the twentieth century. Trujillo's identified press photograph supplies the archive's strongest connection to professional sport and contemporary news circulation while the earlier images preserve evidence of clothing exercise equipment training practices and athletic presentation across several decades. Minor edge wear and surface rubbing to a few prints; overall very good condition. unknown books
1918ref. 185121918. Women's basketball photograph archive 1918-1929 documents the early institutionalization of women's competitive athletics in the United States recording team organization uniform development and player identification in the decades following the sport's introduction to women's education. Basketball adapted for women in the 1890s under the direction of physical educator Senda Berenson at Smith College expanded into intercollegiate and regional competition by the early twentieth century despite ongoing debate over women's participation in organized sport. These images provide direct visual evidence of that expansion with named players and structured teams indicating the normalization of women's basketball within school and community settings during the interwar period. Archive of 15 silver gelatin photographs ranging in size from approximately 3.5 x 5.5 inches to 11 x 13 inches dating between 1918 and 1929. All images are formal team portraits with groups of six to twelve players in some cases accompanied by coaches. Many photographs include handwritten identifications on versos naming players or teams. Several compositions feature a central player holding a basketball marked with team initials and year. The photographs document changes in athletic dress including high top sneakers short skirts sailor style tops and later variations incorporating shorts reflecting evolving standards of movement and athletic practicality. Produced during a period when women's athletics expanded within educational institutions while remaining subject to cultural scrutiny the archive provides material for the study of gender norms physical education and the development of organized sport prior to formal Olympic inclusion of women's basketball in 1976. The progression of uniforms and team structures across the decade offers evidence of shifting expectations regarding women's physical activity and public visibility in competitive environments. Light edge wear and minor foxing to some prints; images remain sharp and fully legible. Overall very good condition. unknown books
1956ref. 156391956. Cuthbert Betty signed Pix magazine cover 1956 documents the public image of the Australian sprinter during the year she became one of the defining athletes of the Melbourne Olympic Games. Cuthbert won gold medals in the 100 meters 200 meters and 4 x 100 meter relay at Melbourne in 1956 and the Australian Olympic Committee identifies her as Australia's "Golden Girl" of those Games. The cover belongs to the documentary history of women's sport and Olympic celebrity capturing how an eighteen-year-old female sprinter was presented to a national mass readership at a moment when Australian women's athletics commanded international attention. Pix magazine cover featuring Betty Cuthbert. Australia: Pix 1956. Original signed magazine cover boldly signed by Cuthbert across her white shirt. The cover image shows Cuthbert running emphasizing forward motion athletic form and the visual identity that made her instantly recognizable to Australian audiences during the Melbourne Games. Her Olympic performances in 1956 made her the first Australian to win three gold medals at a single Games and her later victory in the 400 meters at Tokyo in 1964 gave her four Olympic gold medals in total. The autograph transforms a period press image into a directly signed artifact of women's Olympic history. The cover's value rests in its timing and format: popular magazines helped turn Olympic achievement into national memory and Cuthbert's image circulated as evidence of women's speed discipline and public sporting excellence in mid-century Australia. Her career also spanned a major expansion in women's sprinting from the short sprints of Melbourne to her 1964 Olympic 400 meter title making this 1956 signed cover an especially evocative survival from the beginning of that trajectory. Light handling wear; image and signature remain strong very good. A compelling signed magazine cover documenting Betty Cuthbert's transformation from young sprinter to Australian Olympic icon in 1956. unknown books
1970ref. 201881970. Women's boxing photograph archive 1974 to 1983 documents women as fighters trainers judges and sanctioned competitors during a period when boxing remained one of the most heavily gendered professional sports. The archive provides primary visual evidence of women's participation in combative athletics before women's boxing received Olympic recognition as a medal sport in 2012 and it records several forms of ring authority: women entering the ring as athletes women training male and female boxers and Eva Shain appearing as a pioneering judge. Shain became the first woman to judge a world heavyweight championship bout when she scored the 1977 Muhammad Ali and Earnie Shavers fight at Madison Square Garden placing one image in this group within the broader history of women claiming official authority in professional boxing. The archive consists of eight black-and-white silver gelatin photographs of women boxers and women in combat-sport settings circa 1970s to 1980s measuring from approximately 5 x 7 inches to 8 x 10 inches. One press photograph shows a co-ed boxing match between Sheila McGuire and Buddy DiBenedetto in a ring with a referee watching closely behind them. Another press photograph shows Eva Shain at age seventy-one wearing boxing gloves presenting her public identity through the equipment of the sport she judged. A 1983 photograph shows boxing coach Butch Fohndan training a young woman at Palmer Boxing Club in Alaska. A 1974 photograph from Japan shows Masako Takatsuki training a young male boxer; the attached press information identifies Takatsuki as a twenty-seven-year-old cosmetician and the only female boxing trainer-manager then licensed by the Japan Boxing Commission to spar and act as a second. Another action photograph shows an outdoor wrestling match between Gisa Pipa and Aggi Tillman with Tillman holding Pipa from behind. Two photographs show an unidentified woman near a boxing ring in a crouched stance with a direct combative expression suggesting training or promotional posing. The final 1975 photograph shows Sharon Allbery charging toward Zinda Foster at Seattle Center Arena in what contemporary women's boxing history sources identify as the first sanctioned female prizefight in Seattle Washington and the Pacific Northwest. The photographs are significant because they show women's boxing as a developing practice rather than a single symbolic breakthrough: fighters in sanctioned and mixed bouts a female judge associated with a heavyweight title fight a Japanese woman trainer-manager local gym instruction and women using combat poses to claim athletic presence. Their strongest research value lies in the way they document the infrastructure around women's boxing including referees licenses gyms press captions arenas and training relationships alongside images of women's physical force. Light handling wear and minor edge wear; press details present on several images; photographs remain crisp with clear ring gym and figure detail; overall very good. Concentrated women's sports photography archive documenting the contested expansion of women's boxing and combat-sport authority in the 1970s and early 1980s. unknown books
1880ref. 206021880. Unidentified photographers female tennis player photograph archive ca. 1880s-1910s documents women's participation in organized sport and recreational culture during the late nineteenth and early twentieth centuries supporting research into gender roles physical activity and educational environments for women in the Victorian and Edwardian periods. The group captures tennis as one of the few socially sanctioned athletic pursuits for women showing both formal portraiture and active play. The inclusion of seminary-based stereoviews alongside studio cartes-de-visite and outdoor scenes establishes a transatlantic visual record of how tennis intersected with women's education leisure and identity formation during a period of restricted physical and social mobility. Eight original photographs including five albumen prints and three stereoviews sepia toned ranging from approximately 2.5 x 4 inches to 3 x 4.5 inches. Two cartes-de-visite depict waist-length portraits of women holding tennis rackets dressed in late nineteenth-century attire including fitted bodices and high collars; versos bear photographer imprints for Hellis & Sons of London and George Goodman of Margate. Additional images show women engaged in doubles matches on grass courts including one action-oriented scene with players mid-swing wearing wide-brimmed hats and layered dresses. One photograph shows two young women in matching outfits possibly school uniforms standing in a yard holding rackets. The three stereoviews dated 1905 and issued by C.H. Graves of Philadelphia are captioned "A Masquerade at the Seminary Confidences" "Trying on the Costumes" and "Planning to Scare the Freshies" each depicting groups of young women in a dormitory interior; tennis rackets are visible mounted on the wall in the background linking athletic culture to residential school life. Based on the photographer and setting the images may relate to a women's seminary such as Darlington Seminary in West Chester Pennsylvania. Produced during the decades following the introduction of lawn tennis to the United States in 1874 the archive situates women's participation in sport within broader developments in leisure education and shifting norms of female physicality. The imagery documents the persistence of restrictive dress including corseted garments and long skirts even in athletic contexts underscoring the negotiation between mobility and propriety. Minor surface wear consistent with age with strong image clarity and tonal stability across prints. Overall in very good condition. unknown books