Hare, Julius Charles et alBiblio.com
OPERATOR ALGEBRAS OPERATOR THEORY AND APPLICATIONS OPERATOR THEORY: ADVANCES AND APPLICATIONS
2008ref. Adhya-9783764386832SPRINGER 2008. HB. New. SPRINGER hardcover
Sanctum Books · India$549.96≈ €490.38
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ref. a63623Cambridge 1832-1833 J.Smith Printer to the University for Deightons. Beautiful set of two matching volumes - Volume One and Second Volume. Hardcovers. Octavos. Finely bound in 3/4 leather with raised bands and two mounted black spine labels on each volume. A major work of Classical scholarship. Includes: On the Names of the Days of the Week On the Number of Dramas Ascribed to Sophocles Iliadis Codex AegyptiacusThe Accession of Darius Xenophon's Hellenica Certain Passages of Vitruvius English Orthography Spartan Constitution Position of Susa Attic Dionysia Early Kings of Attica Ancient Greek Music Irony in Sophocles Hannibal's Passage over the Alps and much more. VG with just slight board edge rubbing. Text clean and bright. Hinges not cracked in or out. No ownership marks; not ex-library. No notations or underlinings. Quite scarce especially in this lovely condition - gift quality. Pictures available on request. . hardcover
2008ref. Adhya-9783764386832SPRINGER 2008. HB. New. SPRINGER hardcover
2008ref. Adhya-9783764386832SPRINGER 2008. HB. New. SPRINGER hardcover
ref. 06657London: Eyre and Spottiswoode. One of Only Fifty Signed - Cecil Aldin at His Most Characteristic Handsomely Bound by Sangorski & Sutcliffe ALDIN Cecil Aldin illustrator. HARE Kenneth. Roads and Vagabonds. London: Eyre and Spottiswoode 1930. Signed Limited Edition. One of only 50 numbered copies this being no. 42 signed by both Cecil Aldin and Kenneth Hare. Large quarto 10 3/4 x 7 3/4 inches; 273 x 187 mm. viii 189 1 blank pp. Two inserted full-color plates and numerous color-tinted illustrations throughout the text. Handsomely bound ca. 1960 by Sangorski & Sutcliffe in full maroon crushed morocco covers ruled in gilt spine with five raised bands elaborately tooled and lettered in gilt in compartments gilt-ruled board edges and turn-ins marbled endpapers top edge gilt. A fine elegant copy. A particularly charming example of Cecil Aldin's mature work Roads and Vagabonds captures the artist's enduring fascination with the English countryside - its inns lanes sporting life and gently comic rural characters. Aldin's illustrations at once affectionate and keenly observed helped define the visual language of early 20th-century British sporting and travel books. The limitation of just fifty signed copies places this among the scarcest of Aldin's illustrated books seldom encountered on the market and almost always in lesser bindings. The present example is significantly enhanced by its later binding by Sangorski & Sutcliffe the great London firm associated with some of the finest decorative bindings of the modern era here executed in a restrained but luxurious style that complements the work beautifully. London: Eyre and Spottiswoode, unknown
ref. 06657London: Eyre and Spottiswoode. One of Only Fifty Signed - Cecil Aldin at His Most Characteristic Handsomely Bound by Sangorski & Sutcliffe ALDIN Cecil Aldin illustrator. HARE Kenneth. Roads and Vagabonds. London: Eyre and Spottiswoode 1930. Signed Limited Edition. One of only 50 numbered copies this being no. 42 signed by both Cecil Aldin and Kenneth Hare. Large quarto 10 3/4 x 7 3/4 inches; 273 x 187 mm. viii 189 1 blank pp. Two inserted full-color plates and numerous color-tinted illustrations throughout the text. Handsomely bound ca. 1960 by Sangorski & Sutcliffe in full maroon crushed morocco covers ruled in gilt spine with five raised bands elaborately tooled and lettered in gilt in compartments gilt-ruled board edges and turn-ins marbled endpapers top edge gilt. A fine elegant copy. A particularly charming example of Cecil Aldin's mature work Roads and Vagabonds captures the artist's enduring fascination with the English countryside - its inns lanes sporting life and gently comic rural characters. Aldin's illustrations at once affectionate and keenly observed helped define the visual language of early 20th-century British sporting and travel books. The limitation of just fifty signed copies places this among the scarcest of Aldin's illustrated books seldom encountered on the market and almost always in lesser bindings. The present example is significantly enhanced by its later binding by Sangorski & Sutcliffe the great London firm associated with some of the finest decorative bindings of the modern era here executed in a restrained but luxurious style that complements the work beautifully. London: Eyre and Spottiswoode, unknown books
ref. Bloomsbury-9781859736579Berg Publishers. Hardback. New. 256 pages Berg Publishers hardcover
ref. Bloomsbury-9781859736579Berg Publishers. Hardback. New. 256 pages Berg Publishers hardcover
ref. 9781626183742NOVA SCIENCE PUBLISHERS INC
2001ref. SONG0415274702Routledge 2001-12-06. 1. hardcover. Used: Good. 5.75x0.75x8.50. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
ref. DADAX1884718590Brand: Oak Knoll Pr 0000-00-00. hardcover. New. 9.00x1.75x11.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Oak Knoll Pr hardcover
1984ref. 160850London: Greenpoint Films 1984. Draft script for the 1985 British film INSCRIBED by director/screenwriter David Hare on the title page "For Steve with thanks - / David Hare / 15.5.85" with the manuscript ink annotation of copy number "63" on the top of the title page and manuscript ink annotations striking scene 71B on page 51. Laid in is an eight page transcript of a PublicTheater interview with Hare dated May 15 1985 with manuscript pencil and marker annotations throughout in what appears to be Hare's hand a sixteen page program for the film with two modest ink annotations on two pages a thirteen page "Preliminary Production Notes" and a one page clipping of "Stanley Kauffmann On Films: Against the Darkness" a review of the film from the August 12 1985 issue of The New Republic. A middle-age spinster schoolteacher played by Vanessa Redgrave is forced to reevaluate her life after witnessing the suicide of a recently arrived enigmatic stranger. Set in Wetherby England shot on location in West Yorkshire North Yorkshire Middlesex and London. Black untitled wrappers with a die-cut window in the British style. Title page present dated May 4 1984 noted as "This Draft" with credits for screenwriter David Hare. 89 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Interview transcript 8.5 x 11 inches. Very Good plus with light toning overall bound with two staples to the top left corner. Program 8.25 x 11.75 inches. Very Good plus with light edgewear and creasing. Preliminary Production Notes 8.5 x 11 inches. Light toning at the extremities else Near Fine. Article Clipping 8.25 x 11. Very Good with light dampstaining creasing and edgewear. Greenpoint Films unknown
1984ref. 160850London: Greenpoint Films 1984. Draft script for the 1985 British film INSCRIBED by director/screenwriter David Hare on the title page "For Steve with thanks - / David Hare / 15.5.85" with the manuscript ink annotation of copy number "63" on the top of the title page and manuscript ink annotations striking scene 71B on page 51. Laid in is an eight page transcript of a PublicTheater interview with Hare dated May 15 1985 with manuscript pencil and marker annotations throughout in what appears to be Hare's hand a sixteen page program for the film with two modest ink annotations on two pages a thirteen page "Preliminary Production Notes" and a one page clipping of "Stanley Kauffmann On Films: Against the Darkness" a review of the film from the August 12 1985 issue of The New Republic. A middle-age spinster schoolteacher played by Vanessa Redgrave is forced to reevaluate her life after witnessing the suicide of a recently arrived enigmatic stranger. Set in Wetherby England shot on location in West Yorkshire North Yorkshire Middlesex and London. Black untitled wrappers with a die-cut window in the British style. Title page present dated May 4 1984 noted as "This Draft" with credits for screenwriter David Hare. 89 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Interview transcript 8.5 x 11 inches. Very Good plus with light toning overall bound with two staples to the top left corner. Program 8.25 x 11.75 inches. Very Good plus with light edgewear and creasing. Preliminary Production Notes 8.5 x 11 inches. Light toning at the extremities else Near Fine. Article Clipping 8.25 x 11. Very Good with light dampstaining creasing and edgewear. Greenpoint Films unknown books
2015ref. 003411London: Faber & Faber. A fine first edition and first printing slipcased numbered limited edition hardback - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched within 2-3 days - SIGNED BY THE AUTHOR this is copy 1/100 - Pictures available upon request. . Fine. Hardcover. 1st Edition. 1st Printing. 2015. Faber & Faber hardcover
1984ref. 167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards. Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation." Set in and shot on location in London Brusels Belgium France and Tunisia. Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown
1984ref. 167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards. Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation." Set in and shot on location in London Brusels Belgium France and Tunisia. Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown books
1923ref. 0036128Paris: Le Livre du Bibliophile G. & R. Briffaut 1923. First Thus. Hardcover Hardcover. Near Fine Condition. 27.5cm x 21.5cm. 204 pages 23 colour etchings. Half red leather marbled papered boards gilt lettering and decoration marbled endpapers original wrappers bound in. Text is in French. The Art of Love by Ovid a new translation into French by Pierre Lievre and with illustrations by Andre Lambert. One of 404 numbered copies on Arches vellum from a total edition of 500 this copy for Maurice de Smet de Naeyer bound in half leather signed Weckesser. Text is in French. Minor discolouration to spine. Category: Poetry; Sexuality::Sex Guides; 20th Century: 1920s; French Language; Fine Bindings. Inventory No: 0036128. BZDB407 Poetry; Sexuality::Sex Guides; 20th Century: 1920s; French Language; Fine Bindings. Unbranded Ovide; Pierre Lievre; Andre Lambert Ars Amandi. L'Art D'Aimer Le Livre du Bibliophile, G. & R. Briffaut hardcover
1873ref. 124992London England: Henry Sotheran Joseph Baer and Co 1873. Hardcover. Blue leather with gilt decoration; Raised bands and gilt decoration at spine; All edges gilt; Color marbled endpapers; Approx. 200 pp.; 30 plates. Wonderful engravings of works by Andrea del Sarto Tissot Hans Holbein Gerome da Vinci Rembrandt Ingres and others; Each work accompanied by annotations; Oversized; Nice plates. Henry, Sotheran, Joseph Baer and Co hardcover
1873ref. 124992London England: Henry Sotheran Joseph Baer and Co 1873. Hardcover. Blue leather with gilt decoration; Raised bands and gilt decoration at spine; All edges gilt; Color marbled endpapers; Approx. 200 pp.; 30 plates. Wonderful engravings of works by Andrea del Sarto Tissot Hans Holbein Gerome da Vinci Rembrandt Ingres and others; Each work accompanied by annotations; Oversized; Nice plates. Henry, Sotheran, Joseph Baer and Co hardcover books
2024ref. __0414124847Sweet & Maxwell 2024. Hardcover. New. 0.00x0.00x0.00 inches. Sweet & Maxwell hardcover
ref. DADAX0060805552HarperCollins 0000-00-00. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. HarperCollins paperback
1848ref. 935T47London: John W. Parker 1848. First edition. Leather. Near Fine. 8" by 5". None. A smartly bound first edition of this collection of short pieces by John Sterling complete in two volumes. Complete in two volumes. First edition. With a frontispiece to each volume. A collection of essays and short stories collected from papers given to the joint care of Thomas Carlyle and Julius Charles Hare on the event of the authors death. Volume one contains: Shades of the Dead a collection of essays on important figures in history; Critical essays on various subjects; and a lecture on the worth of knowledge. Volume two contains: Fragments from the Travels of Theodore Elbert Thoughts and Tales and Apologues. Written by John Sterling a Scottish author. Collected and edited with a memoir of his life by Julius Charles Hare an English theological writer. Bound in half crushed morocco with marbled boards. Externally excellent. Internally firmly bound. Pages are very bright and clean with light spotting to the endpapers. Previous owners' bookplates to the front pastedown and endpaper. Near Fine John W. Parker hardcover
1711ref. 308174London: A. Baldwin 1711. First edition. 43 1 pp. 8vo. Modern buff wrappers with manuscript title label. Textblock separated from covers. First edition. 43 1 pp. 8vo. On the siege of Bouchain during the War of Spanish Succession the last major victory of John Churchill 1st Duke of Marlborough. Hare places the Whig Medley in dialogue with the Tory Examiner whose editor for much of 1711 was Jonathan Swift. Mrs. Manley who worked for Swift at this time when he was the chief political writer for the Earl of Oxford's ministry replies here with a pamphlet satirizing Marlborough and protesting Hare's unfair ventriloquizing for Swift. Bound with: MANLEY Delarivier. The D. of M-h's Vindication in Answer to a Pamphlet Lately Publish'd Call'd Bouchain . 16 pp. London: John Morphew 1711. First edition. ESTC T32029; Goldsmiths' 4955; Teerink 852. ESTC T29567; Goldsmiths' 4827; Teerink 1034A. Provenance: T.A. Hollick pencil attribution sold Sotheby's London 19-20 May 1980 part of lot 24 A. Baldwin unknown
1711ref. 308174London: A. Baldwin 1711. First edition. 43 1 pp. 8vo. Modern buff wrappers with manuscript title label. Textblock separated from covers. First edition. 43 1 pp. 8vo. On the siege of Bouchain during the War of Spanish Succession the last major victory of John Churchill 1st Duke of Marlborough. Hare places the Whig Medley in dialogue with the Tory Examiner whose editor for much of 1711 was Jonathan Swift. Mrs. Manley who worked for Swift at this time when he was the chief political writer for the Earl of Oxford's ministry replies here with a pamphlet satirizing Marlborough and protesting Hare's unfair ventriloquizing for Swift. Bound with: MANLEY Delarivier. The D. of M-h's Vindication in Answer to a Pamphlet Lately Publish'd Call'd Bouchain . 16 pp. London: John Morphew 1711. First edition. ESTC T32029; Goldsmiths' 4955; Teerink 852. ESTC T29567; Goldsmiths' 4827; Teerink 1034A. Provenance: T.A. Hollick pencil attribution sold Sotheby's London 19-20 May 1980 part of lot 24 A. Baldwin unknown books
1930ref. 23692Gaylordsville CT: The Slide Mountain Press 1930. Limited edition. Folio. 104pp. Black cloth gilt spine title. Finely printed by James and Hilda Wells at the Slide Mountain Press on Bishopstoke handmade paper in a numbered edition of 450 copies. This is number 352 signed by the author and the illustrator. Light wear to the hinges and edges a trace of offsetting mainly from the illustrations and a short crease at the bottom of the front free endpaper else in very good condition. Illustrated with 10 woodblock prints by Esherick a noted illustrator of fine press books as well as other endeavors. This copy inscribed by Hare on the front free endpaper to A. Conger Goodyear in 1935 the industrialist and philanthropist who became the first director of the Metropolitan Museum of Art. The story of Tristram and Isolde or Iseult is generally considered of Irish origin though only retellings of the story--sometimes with varying details--have reached us in the later manuscript writings of Béroul Thomas of Britain Gottfried of Strasburg and others. By the 13th century Tristram has become one of the outstanding knight of the Round Table. Hare's dramatic rendering relies on Joseph Bédier's version which was translated by Belloc into English. THree acts with a total of 10 scenes complete with stage directions. Surprising scarce in commerce. . The Slide Mountain Press unknown
1930ref. 23692Gaylordsville CT: The Slide Mountain Press 1930. Limited edition. Folio. 104pp. Black cloth gilt spine title. Finely printed by James and Hilda Wells at the Slide Mountain Press on Bishopstoke handmade paper in a numbered edition of 450 copies. This is number 352 signed by the author and the illustrator. Light wear to the hinges and edges a trace of offsetting mainly from the illustrations and a short crease at the bottom of the front free endpaper else in very good condition. Illustrated with 10 woodblock prints by Esherick a noted illustrator of fine press books as well as other endeavors. This copy inscribed by Hare on the front free endpaper to A. Conger Goodyear in 1935 the industrialist and philanthropist who became the first director of the Metropolitan Museum of Art. The story of Tristram and Isolde or Iseult is generally considered of Irish origin though only retellings of the story--sometimes with varying details--have reached us in the later manuscript writings of Béroul Thomas of Britain Gottfried of Strasburg and others. By the 13th century Tristram has become one of the outstanding knight of the Round Table. Hare's dramatic rendering relies on Joseph Bédier's version which was translated by Belloc into English. THree acts with a total of 10 scenes complete with stage directions. Surprising scarce in commerce. . The Slide Mountain Press unknown books
