3,095 results
1848ref. W1799London: John W. Parker 1848. 2 volumes: frontispiece 4 ccxxxii 504 pages; and frontispiece 4 649 1 pages. 12mo. First editions. Bound in full tan leather by 19th century Glasgow bookbinders Carss & Co.; marbled edges and endpapers. Published 3 years after the death of British writer John Sterling 1806-1844 at age 38 these two volumes contain much of his output as well as a memoir of his life by Charles Hare. Included are most of his fantasy tales among which are the novella The Onyx Ring five of the fantasy tales that were imbedded in the novel Arthur Coningsby and the longer short story "A Chronicle of England" which Murray Ewing describes as "a delightful fairy-haunted picture of England in the days before it received its first human inhabitants." John Sterling had long languished in obscurity but today he is hailed by many as an important progenitor of fantastical literature. In the Encyclopedia of Fantasy John Clute and John Grant argue that Sterling has to be considered "the most significant UK pioneer of fantasy." In The Dedalus Book of British Fantasy: The 19th Century Brian Stableford states: Sterling would surely have become one of the leading writers of his day had he not died so young and he might well have become the most important nineteenth century fantasy writer; his prose fantasies are more various and more adventurous than any other contemporary work. Very good condition: both volumes are clean and tight with some rubbing along edges of covers and spine. There is a Bloomingdales price sticker affixed to the verso of the front free endpaper in each volume. Rare: WorldCat locates only 5 copies in libraries worldwide. First Edition. Hardcover. Collectible-Very Good. 12mo - over 6¾" - 7¾" tall. Book. John W. Parker Hardcover
19136 vols., 8vo., First Edition, with portrait frontispieces (one in colour), very numerous plates (a number in colour) and many maps (several folding), preliminaries and half-titles lightly spotted; original green cloth, upper boards with regimental crest blocked in gilt, gilt backs, a remarkably bright, fresh, clean set. With folding maps in pocket at end of Vol. II and errata slip facing title of Vol. V. The set comprises Vol. I: 'The Royal Americans' (1913); Vol. II: The Green Jacket (1923); Vol. III: The 60th. The K.R.R.C. (1926); Vol. IV: The 60th. The K.R.R.C. (1929); Vol. V: The Great War (1932); Vol. VI: Appendix dealing with Uniform, Armament and Equipment (S.M. Milne and Major-General Astley Terry, 1913). COMPLETE SETS IN THIS CONDITION ARE VERY SCARCE. [Two later volumes, complete in themselves, cover the post-WWI, WWII and subsequent periods]. Sutcliffe, p.334; White p.110
1917ref. 333n.p. England 1917. Very good internally but vellum heavily soiled and toned boards bowed contents clean with some light finger-soiling. Attractive manuscript children's book filled with watercolor illustrations. A whimsical story in verse about a carefree itinerant fellow and his dog set in the early twentieth century wandering the towns of southern England before finding and then losing untold riches in Canterbury - and learning that time and leisure are more valuable than money. This book appears to be unpublished as we trace no printed version of any variation of this title by this author or illustrators. Oblong 4to. 7 leaves. Clearly a work of love as it is bound in full vellum with gilt lettering and marbled endpapers.
1917ref. 333n.p. England 1917. Very good internally but vellum heavily soiled and toned boards bowed contents clean with some light finger-soiling. Attractive manuscript children's book filled with watercolor illustrations. A whimsical story in verse about a carefree itinerant fellow and his dog set in the early twentieth century wandering the towns of southern England before finding and then losing untold riches in Canterbury - and learning that time and leisure are more valuable than money. This book appears to be unpublished as we trace no printed version of any variation of this title by this author or illustrators. Oblong 4to. 7 leaves. Clearly a work of love as it is bound in full vellum with gilt lettering and marbled endpapers. books
1998ref. 21657New Castle Delaware: Oak Knoll Press 1998. Limited Edition of 50 Copies in Leather. Full-Leather. AN/NA. Bethany Tudor and Nell Dorr. 560pp. This edition of the Tasha Tudor bibliography has a limitation page tipped in and signed by Tasha Tudor Wm John Hare Priscilla T. Hare Bethany Tudor Efner Tudor Holmes Dorothy Haas and Patricia Lee Gauch. The book is bound in dark green goat skin with marbled endpapers. The limitation colophon page is added as the last sheet in the book. A separate publication PRICE GUIDE TO ACCOMPANY TASHA TUDOR: THE DIRECTION OF HER DREAMS. is laid in. Haas and Gauch were two of Tudor's editors. Each wrote a section for the book. Haas died about 2005. Signed by 6 Authors and Tasha Tudor. Oak Knoll Press unknown
ref. elala4449London: Printed for A.Baldwin 1711 & London: Printed for E.Sanger 1712. First Editions of the complete four Parts. A defence of the War of the Spanish Succession written in response to Jonathan Swiftís Conduct of the Allies. European Americana notes references to the attempted recovery of Hudsonís Bay during the war the proposed restitution of Spain and the Indies English ships sent to Brazil and put under Portuguese command and the weakness of the Portuguese dominions in America. European Americana 711/90 711/92 & 712/104. Sabin 915. Parts I-IV. 4 Volumes in 1. 8vo. pp. 1 p.l. 46; 2 p.l. 71; 2 p.l. 74 blank leaf; 2 p.l. 84. Parts II-IV with half-titles. contemporary paneled calf rebacked London: Printed for A.Baldwin, 1711 & London: Printed for E.Sanger, 1712 unknown
ref. 1211Book. Philadelphia: Clark & Raser 1827. 8vo original stiff wrappers printed title label. Pp. 178. Folding frontispiece and 3 plates of 4. Spine worn some browning but a nice copy in original uncut state. Sole edition very scarce. A compilation from original and published sources both English and American almost entirely devoted to short-horn cattle and sheep and their food crops. The large folding engraved frontispiece showing "Matilda one of Mr. Whitake r's Improved Short Horn Cows" in a rural setting with sheep and agricultural implements in the foreground is a handsome piece of work by the noted en graver Francis Kearny after the original work of Philadelphia landscape and still-life painter John Woodside. Rink 1333; Imprints 30185. unknown books
ref. 06505Paris: Viginet 1860. A Jewel of French Decorative Lithography Édouard Lièvre's Vision of the Twelve Months LIÈVRE Édouard Lièvre. Les Douze Mois. Paris: Vignet n.d. ca. 1860s. First edition. Oblong quarto 8 15/16 x 12 1/8 inches; 227 x 308 mm. Title-page printed in gold black and green. With twelve fine hand-colored lithograph plates each accompanied by a protective leaf. Publisher's green pebbled boards front cover elaborately decorated and lettered in gilt. Binding bright gilt crisp with only minor wear at extremities; an unusually well-preserved example in original boards. A beautifully conceived decorative suite representing the twelve months. The twelve hand-colored lithographs are conceived as intimate seasonal vignettes each centered on young children engaged in quiet domestic or outdoor activities appropriate to the month. Rather than formal allegorical figures Lièvre presents scenes of childhood observation and gentle narrative - reading tending resting or playing - imbued with a sense of calm order and refinement. The children are depicted in elegant period costume their gestures natural and unforced often set within carefully rendered interiors or garden settings. Each composition balances figure and environment with subtle attention to furnishings textiles and seasonal detail reflecting Lièvre's background as a designer in the decorative arts. The coloring is delicate and restrained favoring soft tonal washes over bold saturation lending the series a unified atmospheric quality. The result is less overtly didactic than traditional "months" iconography and instead offers a poetic vision of childhood framed by the passage of the year. The elaborate publisher's binding with its gilt decoration echoing the sophistication of the plates within makes this an especially appealing survival in original form. Paris: Viginet, 1860 unknown
ref. 06505Paris: Viginet 1860. A Jewel of French Decorative Lithography Édouard Lièvre's Vision of the Twelve Months LIÈVRE Édouard Lièvre. Les Douze Mois. Paris: Vignet n.d. ca. 1860s. First edition. Oblong quarto 8 15/16 x 12 1/8 inches; 227 x 308 mm. Title-page printed in gold black and green. With twelve fine hand-colored lithograph plates each accompanied by a protective leaf. Publisher's green pebbled boards front cover elaborately decorated and lettered in gilt. Binding bright gilt crisp with only minor wear at extremities; an unusually well-preserved example in original boards. A beautifully conceived decorative suite representing the twelve months. The twelve hand-colored lithographs are conceived as intimate seasonal vignettes each centered on young children engaged in quiet domestic or outdoor activities appropriate to the month. Rather than formal allegorical figures Lièvre presents scenes of childhood observation and gentle narrative - reading tending resting or playing - imbued with a sense of calm order and refinement. The children are depicted in elegant period costume their gestures natural and unforced often set within carefully rendered interiors or garden settings. Each composition balances figure and environment with subtle attention to furnishings textiles and seasonal detail reflecting Lièvre's background as a designer in the decorative arts. The coloring is delicate and restrained favoring soft tonal washes over bold saturation lending the series a unified atmospheric quality. The result is less overtly didactic than traditional "months" iconography and instead offers a poetic vision of childhood framed by the passage of the year. The elaborate publisher's binding with its gilt decoration echoing the sophistication of the plates within makes this an especially appealing survival in original form. Paris: Viginet, 1860 unknown books
ref. 038081942 New York HARE David editor. 28 x 215 cm - 72 pgs - original cover soft cover cover illustration by Max Ernst - articles by Callois Masson Péret Ernst BretonCh.H. Ford Séligmann PenroseMotherwell Jarry ao - ills by de Chirico Ernst Masson Matta Picasso Tanguy eo - spine a litte bit faded name in handwriting on tittle-page otherwise very fine copy - see Bolliger III 241 with illustration: n° 1 W. S. Rubin: Dada and Surrealistic Art pg 343 470 1942 New York HARE David editor paperback
ref. Z1-M-008-02055Macmillan. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Macmillan unknown
1840ref. 5847Philadelphia ca1840. First Separate Edition. Original blue paste paper boards. Fine; occasional spotting; untrimmed. 8vo 2 1 - 37 1 1 - 11 1 pp. The volume collates: A - F4 H2. There are several text illustrations. A scarce tract. Appended to the main text are two other papers by Hare : A Brief Account of the Theory of Ampere; An Examination of the Question . of Mechanical Electricity. Hare also included a preface: To the Students Drop title not noted by Gartrell that is a most interesting account of the development of electrical studies as an adjunct to chemistry and chemical instruction at the Univ. of Penn. See Gartrell #767; absent from Cole. hardcover books
1978ref. 3725New York: Aperture 1978. First edition of this classic work. Oblong quarto original cloth illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" Parr & Badger. Aperture hardcover
1827ref. 17049Philadelphia: J G Auner 1827. First Edition. Full contemporary calf. Good; spine restored and hinges strengthened in amateurish manner; internally bright and clean. 8vo xx 310 48 40 pp. 19 plates. This according to Cole is the first issue of the textbook that replaced the inadequate syllabus Minutes of the Course of Chemical Instruction.The entire book was re-written by Hare and originally issued in parts. The main text 310 pages was ready in October of 1827; the Appendix bound in this copy and Essay on Electricity also present appeared in Nov. 1828. The work is important and notable for its many illustrations and plates that include apparatus specifically designed or modified by Hare; description of the use of the apparatus is given in some detail. An important book. Cole # 590. J G Auner unknown books
1923ref. 009512Paris: Le Livre du Bibliophile G & R. Briffaut Editeurs 1923. Hardcover. Good. André Lambert. Special limited edition of Ovid's Art of Love with the Latin text and a French translation by Lievre. With 23 tissue guarded engraved plates and frontisplates in colour by Andre Lambert. Limited to 500 copies in total this being one of 50 that contain the illustrations in two states b/w in addition to colour. No. 82. Printed on special watermarked Velin d'Arches paper. Rebound in red cloth with original DJ bound in to rear. 4to. Fore edge rough cut. Offsetting from plates light spotting to rear of plates. Very good. Le Livre du Bibliophile, G & R. Briffaut Editeurs hardcover
1947ref. 0015431947 Paris, Plume & Presse (Thiébaud), 1947-1948. Quatre volumes in-quarto (231 X 283) brochés, couverture rempliée, titre imprimé en noir au dos et sur le premier plat ; les volumes sont regroupés dans deux étuis et chemises éditeurs. Tome I : XXV-164 pages. Tome II : 182 pages. Tome III : 164 pages. Tome IV : 159 pages.
2013ref. Manohar-9780415591126Routledge 2013. Hardcover. New. Routledge hardcover
2013ref. Manohar-9780415591126Routledge 2013. Hardcover. New. Routledge hardcover
2002ref. x-0415274702Routledge 2002. Hardcover. New. 1st edition. 168 pages. 8.50x5.75x0.75 inches. Routledge hardcover
ref. 49562In-8 demi-relié. Avec 3 éditions dans une même reliure. I: Texte de "La Chasse Royale composée par le Roy Charles IX et dédiée à Louis XIII.A Paris.Veuve Bouchard-Huzard.1858.Frontispice.136 p./ II: René de Maricourt.Traicté et Abrégé de la Chasse du Lièvre et du Chevreuil.Chez Veuve Bouchard-Huzard en 1858.143 p.3 blasons.III: Hardouin,Seigneur de Fontaines-Guérin.Rousseau-Pallez en 1856.134 p.Gravures à l'eau-forte.TBE.Rares.
1832ref. 46422Cambridge: printed by J. Smith . for Deightons Cambridge; Rivingtons London; and Parker Oxford 1832. First edition volumes I and II all published; pp. 2 iv iii-iv 706; iv 706; light spotting else a fine set in original green cloth and unusual thus gilt-lettered spine; engraved bookplates of Alexander Thomson of Banchory 1798-1868 the 19th-century Scottish advocate agriculturalist antiquary author philanthropist and traveler. "Most members of the Etymological Society wrote for the Philological Museum and in our effort to get at the community of background outlook and philological interest shared by the influential Cambridge scholars we may briefly consider that publication. Hare who shared the editorship with Thirwell explained in the Preface to the first of the only two volumes that were published that English scholars in the 1820's had contributed little more than a 'mite' to the knowledge of classical antiquity . it became the purpose of the Museum to foster the 'spirit of philological criticism' . Actually the majority of the articles were on classical subjects with Thirwell the most prolific contributor. But the Museum also contained several articles on English and the new philology of which Kemble's 'On English Praeterites and Genitives' was the most important being the first exposition in English of Grimm's analysis of the forms of the verb in Germanic" Aarsleff The Study of Language in England 1780-1860 pp. 219-20. Also with articles on 'On English Orthography' and 'On English Diminutives.'. printed by J. Smith ... for Deightons, Cambridge; Rivingtons, London; and Parker, Oxford unknown
1832ref. 46422Cambridge: printed by J. Smith . for Deightons Cambridge; Rivingtons London; and Parker Oxford 1832. First edition volumes I and II all published; pp. 2 iv iii-iv 706; iv 706; light spotting else a fine set in original green cloth and unusual thus gilt-lettered spine; engraved bookplates of Alexander Thomson of Banchory 1798-1868 the 19th-century Scottish advocate agriculturalist antiquary author philanthropist and traveler. "Most members of the Etymological Society wrote for the Philological Museum and in our effort to get at the community of background outlook and philological interest shared by the influential Cambridge scholars we may briefly consider that publication. Hare who shared the editorship with Thirwell explained in the Preface to the first of the only two volumes that were published that English scholars in the 1820's had contributed little more than a 'mite' to the knowledge of classical antiquity . it became the purpose of the Museum to foster the 'spirit of philological criticism' . Actually the majority of the articles were on classical subjects with Thirwell the most prolific contributor. But the Museum also contained several articles on English and the new philology of which Kemble's 'On English Praeterites and Genitives' was the most important being the first exposition in English of Grimm's analysis of the forms of the verb in Germanic" Aarsleff The Study of Language in England 1780-1860 pp. 219-20. Also with articles on 'On English Orthography' and 'On English Diminutives.'. printed by J. Smith ... for Deightons, Cambridge; Rivingtons, London; and Parker, Oxford unknown books
ref. 51-7172London: Carington Bowles December 1786. Engraved broadside with various images of the attempted assassination and of female representatives of the various virtues with ornate calligraphy by David Hare. Very rare. 45.5 x 35cm.Missing part of blank lower margin' tears in other blank margins. .On August 2 1786 Margaret Nicholson attempted to assassinate King George III with a dessert knife at St. James's Palace but the blade broke on her second thrust. The king escaped unharmed reportedly stating "The poor creature is mad; do not hurt her!". Nicholson was declared insane and confined to Bedlam. The Incident: Nicholson 36 approached King George III as he arrived at the palace pretending to present a petition before lunging with an ivory-handled knife. The "Guardian": The "guardian angel" was effectively the King's own composure and physically the immediate action of the palace attendants who tackled Nicholson before she could cause injury. Aftermath: The attack a major news event led to depictions of the scene by artists like Robert Dighton. Margaret Nicholson: She was committed to Bethlehem Hospital Bedlam where she remained until her death in 1828 becoming a figure in literature. London: Carington Bowles, December, 1786. unknown
ref. 04399London: Holloway and Son 1873. One of a Very Few Copies Specially Bound by Holloway LIÈVRE Édouard. Works of Art in the Collections of England. Drawn by Édouard Lièvre author of: "Collections Célébres D' Oeuvres D'Art en France" and engraved by Bracquemond Courtry Flameng Greux Le Rat Lhermitte J. Lièvre Muzelle Rajon Randall and Valentin. London: Holloway and Son 1873. One of 100 Proof Copies printed on fine paper. Large folio 19 15/16 x 13 5/8 inches; 507 x 345 mm. i half-title ii limitation leaf iii title-page printed in red and black with India Paper portrait affixed iv photograph of lady on horseback affixed to page v-viii list of subscribers printed in red and black ix-x contents leaf printed in red and black 1-50 text leaves printed in red and black. Fifty proof plates on India Paper each one interleaved with a blank. Some very light intermittent foxing to a few leaves otherwise fine. Publisher's Deluxe Binding of full green morocco stamp-signed in black on front turn-in "Bound by Holloway". Covers very elaborately decorated in gilt spine with five raised bands also elaborately decorated and lettered in gilt in compartments. Double-ruled gilt board edges elaborate gilt tooled wide turn-ins all edges gilt. Armorial Shield "Advance With Courage" stamped in gilt on front paste-down. Slight fading to front cover edges and spine still a very fine example. "The objects of art selected for representation are from many of our most famous collections including those of Her Majesty Sir Richard Wallace Sir Dudley Marjoribanks Barons Lionel and Anthony de Rothschild and the British and South Kensington Museums. The examples have been chosen with judgment and what with the exquisite beauty of the original objects and the wondrous accuracy and art of their reproduction on paper this rare portfolio is well worthy of a place among the chief treasures of any art library public or private." "This very beautiful book was issued for Subscribers only; a few copies were printed in excessof which there remains a limited number. The objects suitable for reproduction have been carefully selected from the celebrated Collections several of the most distinguished Amateurs having placed their treasures at the disposal of the artists and publishers." Published 1873 @ £15.15.00. Bernard Quaritch's October 1883 Catalogue of Works on the Fine Arts the Galleries etc. This copy was a sometime purchased from Bernard Quaritch of London their collation marks in pencil at back. London: Holloway and Son, 1873 unknown
ref. 04399London: Holloway and Son 1873. One of a Very Few Copies Specially Bound by Holloway LIÈVRE Édouard. Works of Art in the Collections of England. Drawn by Édouard Lièvre author of: "Collections Célébres D' Oeuvres D'Art en France" and engraved by Bracquemond Courtry Flameng Greux Le Rat Lhermitte J. Lièvre Muzelle Rajon Randall and Valentin. London: Holloway and Son 1873. One of 100 Proof Copies printed on fine paper. Large folio 19 15/16 x 13 5/8 inches; 507 x 345 mm. i half-title ii limitation leaf iii title-page printed in red and black with India Paper portrait affixed iv photograph of lady on horseback affixed to page v-viii list of subscribers printed in red and black ix-x contents leaf printed in red and black 1-50 text leaves printed in red and black. Fifty proof plates on India Paper each one interleaved with a blank. Some very light intermittent foxing to a few leaves otherwise fine. Publisher's Deluxe Binding of full green morocco stamp-signed in black on front turn-in "Bound by Holloway". Covers very elaborately decorated in gilt spine with five raised bands also elaborately decorated and lettered in gilt in compartments. Double-ruled gilt board edges elaborate gilt tooled wide turn-ins all edges gilt. Armorial Shield "Advance With Courage" stamped in gilt on front paste-down. Slight fading to front cover edges and spine still a very fine example. "The objects of art selected for representation are from many of our most famous collections including those of Her Majesty Sir Richard Wallace Sir Dudley Marjoribanks Barons Lionel and Anthony de Rothschild and the British and South Kensington Museums. The examples have been chosen with judgment and what with the exquisite beauty of the original objects and the wondrous accuracy and art of their reproduction on paper this rare portfolio is well worthy of a place among the chief treasures of any art library public or private." "This very beautiful book was issued for Subscribers only; a few copies were printed in excessof which there remains a limited number. The objects suitable for reproduction have been carefully selected from the celebrated Collections several of the most distinguished Amateurs having placed their treasures at the disposal of the artists and publishers." Published 1873 @ £15.15.00. Bernard Quaritch's October 1883 Catalogue of Works on the Fine Arts the Galleries etc. This copy was a sometime purchased from Bernard Quaritch of London their collation marks in pencil at back. London: Holloway and Son, 1873 unknown books