John Brophy; Eric PartridgeBiblio.com
1931réf. mon0000970385Eric Partridge LTD at the Schola 1931. Hardcover. Very Good. in x in x in. Pages clean and bright no markings light wear to edges. Dust Jacket unclipped. Eric Partridge LTD at the Schola hardcover
1976réf. 8610877Praeger Publishers Inc 1976. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item200grams ISBN:0837186625 Praeger Publishers Inc hardcover
1933réf. mon0000152943Methuen & Co Ltd 1933T. hardcover. Good. in x in x in. 1933 first Methuen edition on Blue Cloth Methuen & Co Ltd hardcover
réf. A9780190459116Hardback. New. Humans have always been fascinated by drugs and altered states. Despite the risk of addiction many have used drugs as technologies to induce moments of meaning-making transcendence. Beginning at the close of the eighteenth century this book traces the quest for transcendence and meaning through drugs in the West through the modern period. hardcover
réf. 0365334243.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781165036806Hardback. New. hardcover
1996réf. SBBI-mon0000135927Cambridge University Press 1996. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Cambridge University Press paperback
2022réf. x-0520333667Univ of California Pr 2022. Paperback. New. 214 pages. 8.00x5.00x0.49 inches. Univ of California Pr paperback
1976réf. 8999849Greenwood Press 1976. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:0837186625 Greenwood Press hardcover
réf. 1406735329.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1983réf. B10283bBoston Mills Press 1983. 1st Edition. Hardcover. Very Good/Very Good. 0x0x0. In Very Good Condition The Dust Jacket Is Creased Hardcover In A Very Good Dust Jacket. This Book Is Not Signed. 120 Pages No Index. In Very Good Condition.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Boston Mills Press hardcover
réf. B9780415263245Paperback / softback. New. UFO Religions critically examines some of the fascinating issues surrounding UFO worship and gives a clear profile of modern UFO controversies and beliefs. paperback
2009réf. 94966Londond and New York : Routledge Taylor & Francis Group 2009. broché. PARTRIDGE Eric.Origins. An Etymological Dictionary of Moderne English. Londond and New York Routledge Taylor & Francis Group2009 235x155mmXIX - 972 pages text in two columns paperback. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Routledge, Taylor & Francis Group unknown
réf. 0880992867.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0260846430.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781398628977Hardback. New. Take control of your investments and achieve success with this plain-language guide. hardcover
réf. 033275376X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1911réf. 007095London: Punch 1911. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. This cartoon titled "'All in Due Course. appeared thus on p.101 of the 8 February 1911 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Catesby Mr. Churchill. 'My liege The Dukes etcetera have been taken.' Richard the Third Mr. Asquith. 'Off with their heads! So much for Dukes etcetera.' Catesby. 'My liege e'en now they prate of self-reform.' Richard the Third. 'Off with their heads! We will reform 'em later.' "Richard The Third" Colley Cibber - "French" version Act IV. Scene 4." Prime Minister Herbert Asquith's Liberal government introduced the Parliament Act to curb the powers of the House of Lords following the clash between the Commons and Lords over the 1909 People's Budget. Churchill was at 'point' for much of the attack on the Lords. Here the message is: show them no mercy. In Shakespeare's Richard III Catesby is one of the King's ardent supporters. Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. Punch unknown
1931réf. 007155London: Punch 1931. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. This cartoon titled "CONVERSATION FOR TWO." appeared thus on p.239 of the 4 March 1931 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Mr. Winston Churchill. 'I HOPE I INTRUDE.'" The First Round Table Conference November 1930-January 1931 convened to consider government reform in India included Mohandas Gandhi and Secretary of State for India William Wedgwood Benn both depicted in this cartoon. Churchill is the only one not in contemporary garb dressed instead in old-fashioned riding clothes perhaps suggesting antiquated views. Clearly he is not an invited or welcome guest to the conversation. In 1931 Churchill had begun what would become a decade spent out of power and out of favor frequently at odds with both his own Conservative Party and prevailing public sentiment. In early 1931 Churchill broke with his Party over the India Bill. Churchill spent formative time as a young 19th century cavalry officer fighting on the northwest Indian frontier about which he would write his first published book. He certainly did not adopt an early progressive attitude toward relinquishing control over the crown jewel of Britain's colonial empire. Nonetheless it is instructive to remember that many of Churchill's dire warnings about Indian independence proved prophetic. Churchill had warned that too swift a British withdrawal from India would lead to bloody civil war and sectarian strife between Hindus and Muslims Hindu domination and destabilizing political balkanization of the subcontinent. All these predictions came to pass and to a considerable extent persist today. Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. Punch hardcover
1926réf. 007145London: Punch 1926. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. This cartoon titled "THE PASSER-BY." appeared thus on p.71 of the 21 July 1926 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Mr. Churchill to M. Caillaux. 'JUMP UP MATE; THE OLD MOKE'LL MANAGE SOMEHOW.' Uncle Sam a realist. 'VERY TOUCHING. I'VE HEARD THAT THIS KIND OF FELLOW-FEELING MAY OFTEN BE FOUND AMONG THE POOR.'" Joseph Caillaux was a French politician who led the Free Radical Party and in this cartoon represents his countrymen traveling on foot. Churchill - then Britain's Chancellor of the Exchequer - is riding a cart pulled by a beleaguered donkey "Old Moke" labeled "BRITISH TAXPAYER. In he background representing the United States Uncle Sam whizzes by in a motor car puffing on a cigar supercilious and making a snide comment. Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. Punch unknown
1925réf. 007141London: Punch 1925. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. This cartoon titled "WORK FOR THE AXE." appeared thus on p.703 of the 1 July 1925 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Mr. Churchill. 'SO FAR SO GOOD. NOW FOR THE REGIONS OF ETERNAL ICE.'" In the image Winston dressed as a circa 1920s mountaineer stands leaning on a pickaxe labeled "FINANCE BILL 3RD READING" while regarding a distant high peak labeled "STATE EXTRAVAGANCE". Churchill as Chancellor of the Exchequer was seeing his first budget through Parliament. Issues being hotly debated ranged from war debt payments to the U.S. the cost of social programs such as unemployment insurance health care payments new taxes and on whom industry versus individual consumer and the recent reintroduction of the Gold Standard. Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. Punch unknown
1976réf. 652862Partridge January 1976. Hardcover. Very Good - Cash/No Jacket. Revised Edition: Dark red and black marbled hardboards gold lettering face and spine. Clean light rubbing. Unmarked pages. Stock photos may not look exactly like the book. Partridge hardcover
1895réf. 143535Boston: Roberts Brothers 1895. Second. Hardcover. VG- interior but with sunning to spine and a small red stain to back cover. Spring green cloth over boards; gilt lettering and design. TEG. 192 pp. with no illustrations. Inscribed by Partridge on FEP. Contents include The True Education and the False; An American School of Sculpture; The Outlook for Sculpture in America; Manhood in Art; The Relation of the Drama to Education; and Goethe as a Dramatist. Partridge was a friend of both Rodin and Bouguereau having been born in Paris. Roberts Brothers hardcover
1940réf. 001978Parthenon Press 1940 232 pages. #35 of only 50 signed copies of the first edition. Illus. by Frontis. and Drawings. 8vo. Signed by Authors. 1st Edition. Hardcover. Very Good. Parthenon Press hardcover
