4 131 résultats
4to. (8), 200 pp. With 8 engraved plates (some with touches of colour, two folded). - (Bound with) II: Wenner, Adam. Türckisches Reisebuch von Prag aus biß gen Constantinopel [...]. Nuremberg, Johann Andreas Endter & Wolfgang Endter's heirs, 1665. (8), 135, (5) pp. Title printed in red and black. Contemporary full vellum with handwritten title to spine. Exceedingly rare Mediterranean travelogue: one of two German editions published in the same year (the other, an entirely different translation, by Cunradus in Amsterdam; the Nuremberg edition cited by several bibliographies is fictitious). Dutch editions had previously appeared in 1649 (the first) and in 1661. Although the Amsterdam-published German edition dates the journey to 1640-42, the Dutch first edition as well as the present translation make it clear that it had taken place as early as 1590-92! Somer's voyage began inauspiciously - he was captured by a Turkish galley in the harbour of Famagusta and briefly enslaved, but was soon set free after the French consul at Alexandria intervened for him. In spite of this episode, he travelled the Ottoman Empire at a time of relative peace (the Long Turkish War with the Habsburgs would not break out until 1593), spending several months in Egypt, Constantinople and Palestine. His colourful account includes a description of desert sandstorms and the trade in Egyptian mummies (not all of them ancient) as well as extensive chapters on Constantinople, the Ottoman court, the ubiquitous baths, Turkish customs and manners, the Muslim faith, curses and magic, etc. Somer returned via then-Ottoman Greece and Hungary, which he also describes. An appendix (pp. 170ff.) contains A. Stockram's topical account of the voyage of the Dutch ship Arnheim, which foundered off Mauritius on the return from Batavia. The translation is credited to "Philemerus Irenicus Elisius" (i.e., Martin Meyer). Rare; the last copy in auction records sold in 1983 (Erasmushaus, an incomplete reissue with only 5 views). - Bound after this is the second edition of A. Wenner's narrative of the Imperial embassy to the Porte in 1616-18, to ratify the Treaty of Zsitvatorok. Wenner served as secretary to the embassy; his "book is a day-to-day account of the journey to Constantinople from Prague, and includes a list of all the entourage from nobles to the apothecary, goldsmith, musicians, tailors, cooks, and so on. A list of presents for the sultan, with their values, is also given" (Atabey). The Treaty of Zsitvatorok "was a landmark in Turkish-European diplomatic relations, when the Turks first began to observe the general principles and courtesies of international law, and to exchange special ambassadors on an equal footing with European nations" (Blackmer). - Some browning throughout due to paper, more pronounced in Somer's work, the title-page of which shows an unobtrusive tear in the upper edge. Contemporary handwritten ownership "Bocken" to recto of flyleaf; verso has stamp and 1978 ownership of the Viennese collector Werner Habel (1939-2015). I: VD 17, 23:231760C. Tobler 86. Röhricht p. 217, no. 820. Paulitschke 532; Ternaux-Compans, Bibliothèque asiatique et africaine, 1977 (both have "Nuremberg" in error for Frankfurt). Cf. Weber II, 216 (Amsterdam German ed.); Kat d. Scheepvart Mus. I, 254f. (Dutch eds.). Not in Atabey, Blackmer, Aboussouan, Howgego, Henze, Cox, or Chauvin. - II: VD 17, 23:234557B. Cf. Atabey 1326; Blackmer 1783; Brunet VI.2, 435 (all for the 1622 first edition). Not in Röhricht, Tobler, Aboussouan or Brunet.
4to (235 x 325 mm). (1), 118 pp. Lithographed throughout; pp. 8-97 comprise a continuous genealogical tree. Contemporary plain black cloth-covered boards with black sheepskin spine. First edition: a rare and important work on the genealogy of the Arab tribes, also an early, graphically sophisticated lithographic effort from the Arab World. The "Book of Gold Bars" by the prominent Iraqi theologian and historian Suwaydi (1786-1831) is a revised and expanded interpretation of the "Dictionary of the Arab Genealogy" by the legendary Medieval Egyptian scholar Ahmad ibn Ali Qalqashandi; notably, Suwaydi continued the genealogical profile up to modern times. The book seeks to trace the genealogy of the Arab peoples, and the branches of their tribes, from Biblical times up to the age of Muhammad and then to the modern era. The introductory text (pp. 1-7) is followed by the grand, 90-page genealogical table and ultimately by an alphabetical reference section and analytical section (pp. 98-118). - Suwaydi is thought to have commenced preparation of the work as early as 1814, although he did not complete the treatise until 1830 or 1831, shortly before his death. Highly regarded in its time, for some years a small number of manuscript copies circulated in Islamic academic circles. The present publication represents the first printed edition of the work. The second edition was published in Bombay in 1877 (and is likewise rare), while several subsequent editions appeared during the 20th century. - Covers slightly stained. Last 3 leaves with light tide-marking to outer margins and some sporadic light stains elsewhere, but overall in a good clean condition, a few leaves with short marginal tears some closed with discreet old restoration. Very rare: we can trace only six institutional examples (British Library; University of Cambridge; Bibliothèque de Genève; Yale University Library; University of California at Berkeley; National Library of Israel). No examples have appeared on the market over the last generation. OCLC 708712572 & 32728624. British Library: Asia, Pacific & Africa 14548.c.5. Yale University Library: CS1129.A2 S8 1864. On early lithography in Iraq, cf. A. Al-Rawi, Media Practice in Iraq (2012), passim.
Folio (214 x 310 mm). 6 parts in one vol. (18), 264 pp. (2), 214 pp. (2), 66 pp, (2). (12), 14, (4), 15-46, (4), 47-87, (1) pp. (6), 113, (1) pp. 154, (2) pp. With 17 full-page engr. plates, 13 folding plates, and numerous text illustrations (including plates of Arabian coins, the great name of Allah, and other Arabian inscriptions). Contemporary calf, spine rebacked. Rare first collected edition of Tavernier's works, profusely illustrated with a fold-out map of the Arabian Gulf, an unusual, large map of Japan, and a fold-out map of the Great Moghul. Comprising: 1) The First Book of Monsieur Taverner's [!] Persian Travels; 2) The Six Trabels of John Baptista Tavernier [...] Through Turky and Persia to the Indies: 3) A Relation of Japon; 4) A New and Particular Relation of the Kingdom of Tunquin; 5) A New Relation of the Inner-Part of the Grand Seignor's Seraglio; 6) The History of the Late Revolution of the Dominions of the Great Mogol. A rare and interesting account of Turkey, Persia, India, Japan, Tonkin, and Formosa. "The Persian Gulf is the most dangerous Gulf I know, by reason of the shallowness and sharp promontories that point out into Sea [...] The Merchant would be glad to find a way through the Coast of Arabia to get to Mascate [...] Elcatif a Sea Town in Arabia, where there is a fishery for Pearls that belong to the Emir of Elcatif" (pt. I, p. 95; "Qatif" being an oasis in Saudi Arabia). Chapter XI (p. 49) of the first part deals with the breeding and nature of camels; chapter III (p. 64) mentions a voyage to Mecca; chapter XXIII (p. 255) deals with the island of Ormus (with the map of the Arabian Gulf). - The second part begins with a discussion of Arabian currency and is illustrated with plates of Arabian coinage. The most important story is perhaps that of “The Imam of Muscat Pearl - That Surpassed in Beauty All Other Pearls in the World”. In chapter XVIII of book II, "Of Pearles and the places where to find them" (p. 145), Tavernier states: "In the first place, there is a Fishery for Pearls in the Persian Gulf, round about the Island of Bakren. It belongs to the King of Persia, and there is a strong Fort in it, Garrison'd with three hundred men." Tavernier then narrates: "There is a wondrous Pearl in the possession of an Arabian Prince, that took Mascate from the Portugals. He then call'd himself Imenhect Prince of Masscaté; being known before only by the name of Aceph Ben-Ali Prince of Norennaé. It is but a small Province, but it is the best of all in the Happy Arabia. Therein grow all things necessary for the life of man; particularly, delicate fruits, but more especially most excellent Grapes, which would make most incomparable Wine. This Prince has the most wonderful Pearl in the world, not so much for its bigness, for it weighs not above twelve Carats and one sixteenth, nor for its perfect roundness, but because it is so clear and so transparent that you may almost see through it. The Great Mogul offer'd him by a Banian forty thousand Crowns for his Pearl, but he would not accept it." The use of the phrase "clear and lustrous as to appear translucent" seem to indicate a white or colorless pearl, the most sought-after color in pearls, with an optimum of lustre and orient caused by the reflection and refraction of light, respectively. The surface quality of the pearl must be exceptional and almost blemish-free in order to characterize it as a specimen surpassing in beauty all other pearls in the world, at that time. The fact that the pearl was in the possession of the Imam of Muscat in the mid-17th century indicates without any doubt that the pearl originated in the most ancient pearl fishing grounds in the world, the Arabian Gulf, most probably in the kingdom of Oman itself, at its very doorstep - on the pearl banks situated closer to the country's shoreline in the Gulf or the Strait of Hormuz. Oyster bearing reefs were well distributed throughout the Gulf, but were greater in abundance on the Arabian side of the Gulf than the Persian one. The pearls are depicted on a plate opposite page 150: "Figure one is of a Pearl which the King of Persia bought at the Fishery of Catifa in Arabia. It cost him 32,000 Tomans, or 1,400,000 Livres of our Money, at forty-six Livres and six Deneers to a Toman. It is the fairest and most perfect Pearl that ever was yet found to this hour, having no defect". Blackmer 1632. Wing T251A, T252, T253. Campbell (Japan) 28. Cox I, 275f. OCLC 6071990. Cf. Wilson 223. Howgego T14. Severin 104-113. Not in Atabey or Weber.
8vo. 90 pp. (without the final blank leaf). Small woodcut device on title, woodcut decorations and initials. Fine 19th century mottled calf by Lloyd, with gilt arms of Sebastião Pinto Leite, Conde de Penha Longa (motto "Superabo") to both covers, gilt fillets and faux raised bands to spine, compartments tooled in gilt, two red lettering pieces. Leading edges gilt; inner dentelle gilt. Marbled endpapers. First English edition of this rare work, containing an account of the failed invasion led by the young king of Portugal, Dom Sebastian, to the north of Africa, his defeat and death, and the political unrest that ensued. - Sebastian, the 24 year-old King of Portugal, invaded Morocco in 1578 with an army of 18,000 men. The army was crushed by the forces of Marwan Abd al-Malik I Saadi at the battle of Alcacer Quibir and King Sebastian was killed. The fact that he had left no successor paved the way for a series of impostors claiming the throne, only to be captured and executed (ultimately, the Spanish king would accede to the throne of Portugal). Teixeira's work narrates the machinations of the fourth such impostor, a Calabrian by the name of Marco Tullio. - Bound for the Portuguese politician and entrepreneur Sebastião Pinto Leite (1815-92), Conde de Penha Longa. Bookplate of the Fox Pointe Collection Library of Dr. & Mrs. Howard R. Knohl to pastedown. Joints of the fine binding slightly rubbed. Lightly browned throughout; title-page and verso of final leaf lightly dustsoiled. Overall in excellent condition. Rare at auction, the last copy being sold in 1991. BM-STC 23864. OCLC 32330439.
Folio. 4 vols. bound as 1. [20], 218, [12], [2 blank]; [4], 236, [12]; [4], 244, [13], [1 blank]; [6], 231, [17] pp. First title-page printed in red and black, each title-page with Widerholds's woodcut device (motto: "Gradatim ad sidera tollor"). With 31 engraved plates (1 folding), including frontispiece and portraits of the author and his wife, by Jean Jacques Thourneyser. Further with woodcut initials, head- and tailpieces, factotums and several small woodcuts in the text. Contemporary vellum, manuscript spine-title, blue sprinkled edges. First edition in German of Pietro della Valle's deservedly famous narrative of his travels in the Middle East, with an excellent account of Muscat and the Arabian Gulf and references to Dibba. Della Valle, an Italian nobleman, sailed from Venice in 1614 to Istanbul, where he arrived in August 1614, spending a year to explore the city. He continued to Rhodes, Alexandria, Rosetta, Cairo, crossing the Sinai desert to Jerusalem, Damascus and Aleppo. From there Della Valle proceeded to Isfahan (Iran) to meet the Safavid ruler Shah Abbas I. He sojourned in Persia until early 1623, witnessing and commenting on the escalating conflict between Shah Abbas and the Portuguese empire. In 1621 he decided to return to Europe and set off for the Persian Gulf, but the Persian and English blockade prevented his sailing. By way of India he finally sailed for Muscat in January 1623, from which he crossed the Arabian Gulf to Basra, continuing overland to Aleppo, arriving in Europe in 1626. During his travels he wrote regularly to his learned friend in Naples, Mario Schipano. These 54 letters formed the basis of an account of his travels that was first published in Rome as Viaggi di Pietro della Valle from 1650 to 1658. "Della Valle displayed excellent narrative and descriptive skills, powers of acute observation, and a genuinely scholarly breadth of learning. He refused to comment on what he had not witnessed himself or checked against the best authorities [...] Della Valle's eighteen letters from Persia provide one of the most detailed sources of information for most aspects of Persian life in the second half of Shah Abbas' reign" (Gurney). - Engraved armorial bookplate on paste-down. Evenly browned throughout, some spotting, few quires in volume 3 with wormholes in gutter margin, not affecting the text, otherwise in very good condition. VD 17, 39:135561Q. Tobler, p. 95. Cf. Atabey 1269-1271 (other eds.); Blackmer 1712 (French ed.); Gurney, "Della Valle, Pietro", in: Encyclopaedia Iranica (online ed.).
170 x 263 mm. With gilt rosette and numerous gilt floral ornaments between the letters and in the margins. Vocalisation marks (dots) in red. 5 lines. Illuminated leaf from a once-magnificent Quran manuscript with fine gilt flower and leaf illustrations as space fillers and ornamental border around the large Kufic script written in black ink (line height ca. 25-30 mm). The ornamentation mainly consists in leaf designs with the occasional blossom. Illumination of this type is exceedingly rarely encountered among the preserved Abbasid Kufic manuscripts pre-dating the year 1000. The script style belongs to subgroup D.I, according to Déroche's classification. Manuscripts in this style are normally dated to the 9th century CE (cf. François Déroche, The Abbasid Tradition, London 1992. The Nasser D. Khalili Collection of Islamic Art, Vol. I, nos. 19-23, pp. 67-71). The red dots are vocalisation marks: diacritic marks were not used until later. - Some browning and staining. Brittle in places due to ink corrosion (slight loss to individual letters). Verso rubbed, but still legible. Cf. Fingernagel (ÖNB 2010), p. 33.
4to. (24), 636, (8) pp. - (With:) [Dastan-i San Bidru]. Historia S. Petri Persice conscripta [...], Latine reddita [...] a L. de Dieu. Ibid., 1639. (8), 144 pp. - (And:) L. de Dieu. [`Ansarha-yi zaban-i Farsi]. Rudimenta linguae Persicae. Ibid., 1639. (8), 95, (1) pp. All titles printed in red and black. Contemporary brown full calf with gilt spine. First edition of the first Persian grammar ever printed, with two Persian texts edited for the first time from manuscripts. "De Dieu's most striking performance [...] De Dieu is well aware that he is the first to publish a grammar of Persian. [...] In the preface De Dieu relates how he studied Persian with the help of the Constantinople Polyglot borrowed from Gomarus, and mentions Elichmann as the supplier of the manuscript with the 'Historia Christi', which was owned by Golius. The latter also supplied a ms. dictionary of Persian. In the annotations to the 'Historia S. Petri' the original ms. is described: it contained two more Persian texts, and was once bought by the Rotterdam physician Johannes Romanus at Agra in 1626. The volume then passed into the hands of Elichmann, who lent it to the editor. The two chapters from Genesis are taken from a complete translation in Arabic characters [by Rabbi Jacob Tawus] at Istanbul in 1546" (Smitskamp). These are lives of Christ and St Peter, originally written in Portuguese by the Jesuit priest Jerome Xavier (1549-1617) and then translated into Persian at the command of the Mughal emperor Akbar. It was at the Elseviers' request that De Dieu composed, as an addition, the elementary grammar. The grammars of Ignazio di Gesù (Rome 1661) and of Labrosse (Amsterdam 1684) were largely based on his work. Willems notes that Raimondi, as early as 1614, produced a grammar in Rome for the use of missionaries which remained virtually unknown in the west, but this existed only in manuscript (cf. Smitskamp). - Occasional slight brownstaining, but a good, tight copy from the library of the Swedish antiquarian bookdealer Björn Löwendahl (1941-2013). Smitskamp, PO 310. Willems 490 & 477. Copinger 5255 & 1314. De Backer/S. VIII, 1339, 8 & 9. Rahir 473. Berghman 674. Schwab II, 727. OCLC 6445068, 6445039, 82252380.
Folio (204 x 309 mm). 6 parts in one vol. (24), 264 pp. (2), 214 pp. (6), 113, (1) pp. 154, (2) pp. 87, (1) pp. 66 pp. With 37 engr. plates (many folding). Period-style full panelled calf, elaborately gilt-decorated spine on raised bands with red morocco spine label. Marbled endpapers. The first collected edition in English, translated by John Phillips and Henry Oldenburg: an account of Tavernier's travels to Turkey, Persia, India, and Japan (with large map of Japan), containing reports about the Japanese persecution of the Christians and the Dutch settlements in the Far East. Book Two, chapter Nine of the Persian Travels is of particular interest, as it contains an account of Tavernier's voyage through the Arabian Gulf, mentioning Bahrain, Bandar Abbas, Qeshm, and Hormuz and making observations on the pearl-fishing, people and navigation of the Gulf. There is also a bird's-eye map of the Strait of Hormuz showing the Musandam Peninsula (peppered with palm trees and captioned "A promontorie of Arabia the happey"), Hormuz, Larak, and Qeshm island, as well as Bandar Abbas and Bandar Kong on the Persian side. Intruguingly, this engraved map also includes depth soundings throughout the Gulf, making it useful as an early "Persian Gulf Pilot". A separate, illustrated chapter discusses extensively the invaluable pearl in the collection of the Imam of Muscat. Another illustrated chapter discusses "The Money of Arabia". In general, the plates depict festivals, processions, costumes, views, and images of the Eastern flora and fauna as well as coins and gems. - Title-page rehinged, with ownership of Thomas Hardy, dated 1698. Repaired tear to first leaf of contents. Faint marginal dampstain along lower edge of first several leaves; occasional browning, final leaves of text cleaned with some minor marginal restoration, but well-preserved on the whole. Handsome period-style calf-gilt binding fine. Blackmer 1632. Wing T251A, T252, T253. Campbell (Japan) 28. Cox I, 275f. OCLC 6071990. Cf. Wilson 223. Howgego T14. Severin 104-113. Not in Atabey or Weber.
Large 4to (32 x 26). "XVIII" [= XX], (2), 243, (1) pp. With various passages including the original Arabic text. Also with a subscription leaf for the Marquess of Lansdowne ("this copy was printed for the most noble the Marquess of Lansdowne"), printed in black and blue, with wood-engraved illustration, in a cast floral border printed in red. Later half calf. Top edge gilt. First edition of the first substantial English translation of the travel account of Abu Abdullah Mohammed ibn Batuta (1304-68/69), known in the West as the Arabian Marco Polo, with extensive footnotes. "While on a pilgrimage to Mecca he made a decision to extend his travels throughout the whole of the Islamic world. Possibly the most remarkable of the Arab travellers, he is estimated to have covered 75,000 miles in forty years" (Howgego). His journeys included trips to North Africa, the Horn of Africa, West Africa and Eastern Europe in the West, and to the Middle East, South Asia, Central Asia, Southeast Asia and China. - The account, known as the Rihla, is esteemed for its lively descriptions of his travels, giving notable information on the history, geography and botany of the countries and cities Ibn Batuta visited. He describes, for example, the city of Aden as follows: "From this place I went to the city of Aden, which is situated on the sea-shore. This is a large city, but without either seed, water, or tree. They have, however, reservoirs, in which they collect the rain-water for drinking. Some rich merchants reside here: and vessels from India occasionally arrive here. The inhabitants are modest and religious" (p. 55). - Endpapers, half-title and subscription leaf foxed, some spots on the title-page, otherwise a very good copy, only slightly trimmed leaving generous margins. Binding very good as well. Howgego, to 1800, B47.
Large 4to (32 x 26 cm). "XVIII" [= XX], (2), 243, (1) pp. With various passages including the original Arabic text. Modern half morocco. First edition of the first substantial English translation of the travel account of Abu Abdullah Mohammed ibn Batuta (1304-68/69), known in the West as the Arabian Marco Polo, with extensive footnotes. "While on a pilgrimage to Mecca he made a decision to extend his travels throughout the whole of the Islamic world. Possibly the most remarkable of the Arab travellers, he is estimated to have covered 75,000 miles in forty years" (Howgego). His journeys included trips to North Africa, the Horn of Africa, West Africa and Eastern Europe in the West, and to the Middle East, South Asia, Central Asia, Southeast Asia and China. - The account known as the Rihla, is esteemed for its lively descriptions of his travels, giving notable information on the history, geography and botany of the countries and cities Ibn Batuta visited. He describes, for example, the city of Aden as follows: "From this place I went to the city of Aden, which is situated on the sea-shore. This is a large city, but without either seed, water, or tree. They have, however, reservoirs, in which they collect the rain-water for drinking. Some rich merchants reside here: and vessels from India occasionally arrive here. The inhabitants are modest and religious" (p. 55). - A very good copy, binding very good as well. Howgego, to 1800, B47.
Oblong album (445 x 315 mm) with 71 large albumen photographic prints, mostly ca. 22 x 28 cm, signed and captioned in the negative (in French and English), mounted on both sides of the album's leaves. Includes a three-part folding panorama of Jerusalem from Mount Olivet, measuring 82 x 21 cms. Ornamental endpapers printed in gilt. Original auburn morocco with gilt upper cover. All edges gilt. A rare and unusually massive Palestine souvenir album containing 71 photographs by the renowned studio of Félix Bonfils (1831-85), the French-born photographer who had come to the Levant with General d'Hautpoul in 1860 and remained active in the East. Based in Beirut, Bonfils produced thousands of photographs depicting Palestine, Egypt, Syria, Greece and other parts of the Ottoman Empire. In the early days of western tourism to the Middle East, his works soon became popular as souvenirs. The photographs were available both separately and as individually arranged albums, but sets of this scope were uncommon, very few exceeding fifty images. The sumptuous binding which the owner chose underlines that this was a luxury souvenir for a more than ordinarily wealthy traveller. It features landscapes and city views, famous sights such as Jaffa Gate (Bab el-Khalil), sites sacred to the three religions (Church of the Holy Sepulchre, Church of the Flagellation, Al-Aqsa Mosque, Mosque of Omar, Wailing Wall), but also sights outside Jerusalem, including Hebron, Bethlehem, the Dead Sea, the River Jordan, Jericho, Wadi el-Kelt, Khan-el-Ahmar, Bethany, Nazareth, and Emmaus. - The photographs occasionally show some insignificant loss of contrast, but are altogether in good condition. A few edge flaws to the cardboard leaves, including a chafe mark across the lower edge where the paper has buckled. Binding in good condition, with occasional scuffing (more obvious on lower cover). A fine album of photographs of Palestine.
A single hand-carved woodblock (ca. 170 by 110/92 by 220 mm) for use as printing block, together with a print on 18th century paper (165 x 105 mm). Woodblock in Ottoman Turkish for a Hebrew publication of the Song of Solomon, probably produced in the Ottoman regions of the Levant for a rural printing press. A rare survival of a printing tool, and also an important witness to cross-cultural printing for minority audiences in the Ottoman world. - Includes a print of the text reading "Safr Nishd al-Nishad li-Suleyman wa'ighal ba-l'Abraniyat Sir Hashirim", printed on a piece of 18th-century paper pasted to a cutting from a Croatian printed book ("Pasha Duhovna", on Spirituality and the Passover). - Some small wormholes in the wood, post-dating the print; carved side stained black from ink used for printing. Printing devices such as this are often discarded or recycled and rarely survive in such condition as the present example.
Folio. 368 pp. With 149 large woodcuts. Contemporary paper wrappers. Rare first edition of the Gospels in Arabic; the first work to be issued from the Medicean Press, directed by G. B. Raimondi. Printed in Granjon's famous large fount, generally considered the first satisfactory Arabic printing type and appears here for the first time. Apart from the Latin title and colophon, the book is in Arabic throughout. Also in 1591 an Arabic-Latin edition was issued, more common than the present one and reprinted in 1619 and 1774. Illustrated with 149 large woodcuts from 67 blocks by Leonardo Parasole after Antonio Tempesta. - Some browning and waterstaining throughout; a few marginal tears. Untrimmed in the original temporary wrappers as issued. The Hauck copy commanded $75,000 at Sotheby's in 2006. Adams B 1822. Mortimer 64. Darlow/Moule 1636. Fück 54. Schnurrer 318. Smitskamp 374.
Folio (260 x 366 mm). (4), 9-462, (2) pp. Title-page printed in red and black, with the Medici arms. With 149 text woodcuts by L. N. Parassole after Antonio Tempesta. Contemporary Italian flexible boards with ms. title to spine. The rare first re-issue, with new preliminary matter only, of the first Gospel printing in the interlinear Arabic and Latin version, prepared at the same time and printed by the same press as the first Arabic-only Gospel. These were the first works ever produced by Ferdinando de' Medici's "Medicea" press, founded by Pope Gregory XIII to spread the word of Christ in the Orient. Supervised by the able scholar Giovambattista Raimondi (1536-1614), its strength lay in oriental, especially Arabic, printing. After Raimondi's death, the press relocated to Florence. - The Arabic text is printed in Robert Granjon's famous large fount, generally considered the first satisfactory Arabic printing type; as all early printed editions of the Arabic Gospels, it is based on the Alexandrian Vulgate (cf. Darlow/M. 1636). The Latin version is by Leonardo Sionita. As issued in 1591, the work began with page 9, without a title page or any preliminary matter at all: "the intended prefatory matter was apparently never published" (Darlow/M.). The 1619 re-issue contains 4 pages of preliminary matter (title page and a note "typographus lectori"); there exist copies with two additional leaves of dedications not present here. Another re-issue, much more common, was released in 1774. - Occasional browning; a good, untrimmed and hence wide-margined copy in its original temporary binding. Darlow/Moule 1643. Mortimer 64 (note). Streit XVI, p. 866, no. 5138.
8vo (101 x 171 mm). (16), 286 pp., final blank leaf. Near-contemporary full red morocco binding, flat spine with gilt title and elaborate ornamentation, both covers bordered with triple rules, leading edges gilt, inner dentelle gilt. Marbled endpapers. All edges gilt. Extremely rare first French edition of the oriental tales known as "Kalila wa-Dimna" or "Anvari Suhaili", being the Persian version of the Fables of Bidpai (here comprising the prologue and the first four chapters). Translated by the great French linguist Gilbert Gaulmin (1585-1665) and his student and collaborator David Sahid d'Ispahan (whose is the only name given on the title). Bidpai (or "Pilpay") is the name of the Indian philosopher to whom the Arabic and Persian tradition attributes this famous collection, known in the Sanskrit tradition as "Panchatantra". It was translated into Latin as early as the 13th century. - This first French edition is of particular importance for popularising the fables in France and providing Jean de La Fontaine with themes for many of his later and most beautiful stories in his own fable collection, first published in 1678-79 (cf. Le Roux). - Volume ends with the note "Fin de la premiere partie", but all published. Provenance: old ink ownership "Bouhon or. de S. Sac" to title-page. Later in the library of the Lebanese-born entrepreneur Charles Kettaneh (1904-85) with his etched bookplate to the front flyleaf. Together with his brothers, Charles Kettaneh developed the export business of cars and other American luxury goods to the Middle East, where he established licenced dealerships. Passionate about travel, a fine scholar and knowledgeable about art, Kettaneh was a great collector and bibliophile; his library was remarkable for the rarity of the books rather than for their number. - Binding very slightly rubbed in places, but finely preserved. Contemporary bibliographical notes and the odd penstroke to the margin. A superb copy, not in trade records. Chauvin II, p. 33, no. 55A. Brunet I, 937. Graesse I, 421f. Barbier II, 1329. Le Roux de Lincy, Essai sur les fables indiennes et sur leur introduction en Europe (1838), p. 23f. OCLC 457066815.
French bronze reliefs gilt, both preserved in their original frame. Each 43 x 39 x 4.5 cm. Showing two horses facing each other. Both bronze reliefs are very intricately detailed and mounted on a base of red velvet in two strictly contemporary frames of the French Empire period.
Small folio (232 x 280 mm). 36 ff. Contemporary marbled wrappers. All edges gilt. The Regulating Act of 1773, published in Persian and English on opposite pages. - British interest in Persia and the Arabian Gulf originated in the 16th century and steadily increased as British India’s importance rose in the 18th century. In the beginning, the agenda was primarily of a commercial character: realizing the region's significance, the British fleet supported Shah Abbas in expelling the Portuguese from Hormuz in 1622. In return, the British East India Company was permitted to establish a trading post in the coastal city of Bandar 'Abbas, which became their principal port in the Gulf. The Company became responsible for conducting British foreign policy in the region, and concluded various treaties, agreements and engagements with Gulf states. In 1763 the EIC established a permanent residency at Bushehr, on the Persian side of the Gulf. By the early 1770s, the East India Company was in severe financial straights due both to corruption and nepotism as well as from steeply declining tea sales to America and heavy annual payments made to maintain the trading monopoly. When approached for assistance, the government enacted legislation to supervise ("regulate") the activities of the Company. This "Act for establishing certain Regulations for the better Management of the Affairs of the East India Company" constituted the first step toward eventual British government control of India, thus radically limiting the role of EIC in the administration of India. In 1784, little more than a decade later, Pitt's India Act would take reforms even further. - Another issue in the same year is known, with identical typesetting, but in which each page of text is enclosed within an engraved frame (these copies are printed in a taller folio format ). Slight edge repairs; spine restored. From the library of William Aldersey, president of the board of trade in Bengal, with his ownership (dated 1774) to recto of f. 1. ESTC T145421. OCLC 560572771.
Engraved map of the Indian Ocean, Indian subcontinent and most of the Gulf region (28 x 39 cm; margins extended to 50 x 66.5 cm), at a scale of about 1:13,500,000 with north at the foot, with the equator reticulated with longitudes based on a prime meridian through Cape Verde, reticulated scales of latitude in the left and right borders, the Tropic of Cancer not reticulated; 3 sea monsters, a spouting whale and 3 ships in the ocean; and on the land elephants, lions and 2 people on horseback carrying spears. Rare very early engraved map showing the Indian subcontinent, the Strait of Hormuz, the eastern half of the Gulf, and the Indian Ocean, including the islands of Ceylon (Sri Lanka), the Maldives, Seychelles, the western tip of Sumatra and what must be the eastern tip of Somalia. The island Diego Garcia (7° S), labelled "Isole de Don Garzia", touches the southern edge of the map image. The map's own scales indicate that it covers 35°N to 9°S and 60 to 120°E (labelled 85 to 145°E following the Cape Verde prime meridian), but in fact it covers about 60 to 96°E. It is double trapezoidal projection, but tapers only slightly from its widest point at the equator. Many topographic names appear in forms used in early Portuguese accounts of voyages, but most can be identified. In India and Ceylon we find Goa, Mangalor (Mangalore), Cochin (Kochi), Calinapata (Calcutta?), Besinagar (Bangalore), Colmucho (Colombo) and many others; in the Gulf region Cor. Dulfar (Dhofar), the island Macira (Masirah), C. Resalgate (Ras el Had?), Galatia (the ancient site Qalhat), Mazcate (Muscat), the island Quexumo (Qeshm) and Ormus (Hormuz). There is even an unlabelled city close to present-day Abu Dhabi. Two of the ships are labelled with their destinations: Calicut (Kozhikode) on the Malabar Coast and Molucche (the Moluccas) in the East Indies. - Gastaldi first published a similar map as one of a set of three woodcut maps in the first volume of the second edition of Giovanni Battista Ramusio,Navagationi et viaggi, Venice, 1554: the "Prima tavola" shows Africa, the "Seconda tavola" shows the regions in the present map and the "Terza tavola" shows Southeast Asia and the East Indies. These were a great advance on earlier maps, including even Gastaldi's own, taking account of new information from Portuguese explorers. - The woodblocks and whatever copies of the printed edition had not yet been sold were destroyed by a fire in 1557, so for the 1563 edition the publisher had the three maps engraved on copperplates by Niccolo Nelli. Bertelli published the three maps without Ramusio's text, and his maps are usually supposed to have been printed from the 1563 plates, but Karrow describes them as close copies, with his name and the date 1565 added in each map, and Bertelli was an engraver as well as a publisher. Although the first map also has a longer note referring to all three maps, they were probably issued separately as well. Although printed from a single copper plate, the present map image is divided into two parts, with a 7 mm gap between the right and left halves, so that nothing would be lost if the map were bound as a double-page plate. No later state is noted in the literature, so there may have been multiple printings with the unrevised plate. - The present copy is printed on a whole sheet of paper, watermarked: coat of arms (77 x 44 mm) bearing a tree on the central and highest of three hills = --, with about 38.5 mm between chainlines except that the mark is centred on a chainline only 25 mm from the adjacent ones. The tree clearly matches the style of the oak tree in the arms of the family Delle Rovère, including the Popes Sixtus IV and Julius II (who served 1471-1484 and 1503-1513), but their arms does not include the hills. The present mark is very close to Briquet 969 (Lucca 1573-1582) and Zonghi 1737 (Fabriano 1571). Likhachev 3636 (an Italian manuscript f ca. 1570) is not as close. All similar marks noted in the literature date from the period 1569 to 1582, so the present map seems unlikely to have been printed in 1565, but very likely to have been printed ca. 1570 (Bertelli remained active to ca. 1580 or perhaps even later). Bifolco & Ronca lists copies of the 1563 (84a) and the present 1565 (84b) state or edition together, but their separate lists of references suggest the present 1565 version is much rarer. - The margins have been cut down close to the plate edge and in places to the outer edge of the border, and the margins then greatly extended (10-14 cm) with blank paper, but this paper is also contemporary, watermarked: coat of arms bearing a ladder and topped with a 6-point star (90 x 27 mm) = --, similar to Likachev 3524 (Loreto 1564). The map is very slightly browned at the edges (where the pieces of paper used to extend the margins were pasted together) and in the gap between the right and left halves (where the old fold has been reinforced on the back), but the map is otherwise in fine condition. A milestone in the cartography of India and the Gulf States, remarkably well preserved. Bifolco & Ronca, Cartografia topografia Italiana, 84b. Gole, Early printed maps of India, 2. Karrow 30/74.2.
Folio (212 x 333 mm). Publisher's original blue printed boards, black cloth spine hand-lettered. Appendices to the annual "Administration Report" on the Gulf region which the British Political Residents submitted to the Indian Viceroy and Governor. The bland official title belies the true value of the series, which has been called "a mine of information on the development of the modern Gulf" (Cambridge Archive Editions). Regularly the reports contain political details of the local sheikhdoms as well as trade information. - The present appendix volume contains the meteorological tables for the year 1896/97 as well as, crucially, the year's trade reports for the entire Gulf region. The issue notes widespread lower trade revenues, which it diagnoses as due to an Indian plague and subsequent quarantines of port cities, as well as ongoing political unrest in Qajar Iran following the assassination of the Shah, Naser al-Din Shah Qajar, the previous year. The volume provides carefully detailed charts of imports and exports for Bushire, Lingah, Bunder Abbas, Bahrain, the Arab Coast of the Gulf, and Shiraz. Though most exports dropped, the value of Bahrain's in fact had gone up since the previous year, with its most valuable exports being coffee, rice, and printed cottons to Turkey and the especially valuable export of pearls to India. On the Arabian Gulf Coast, principal exports were, again, pearls, though these were largely bound to "Persian ports". Those on the Arab Coast also benefitted from the mother o' pearl shell trade, one of the least impacted by the upheavals of India and Qajar Iran. - The "Administration Report on the Persian Gulf" was published under various titles annually between 1875 and 1957. Original specimens are almost unobtainable in the trade. - Provenance: removed from the London Library, with their printed label on the upper cover and their stamps (in blind and printed) on title-page and final leaf, accompanied by cancel stamps. Macro, p. xii (s.v. "RAPA": Report on the Administration of the Persian Gulf Political Residency and Muscat Political Agency). OCLC 224558510. ZDB-ID 768652-3. Cf. the 1989 Cambridge Archive Editions reprint.
Oblong 4to. [70] gray, white and blue album ff., containing 67 sketches with accompanying manuscript captions and descriptions. 66 sketches in pen & ink and pencil, mostly signed by Blackwell, depicting Swiss, Burmese and Indian panoramas and domestic scenes, buildings, events, animals and inhabitants, mounted and bound in, most accompanied by manuscript captions and descriptions by Blackwell and sometimes by a later hand. There is also 1 print (ca. 1795/1800?) showing a "rhahan" (priest) drawn by Singey Bey and engraved by Thomas Medland. Half black morocco, black decorated paper sides, gold-tooled ornaments on spine. Sketchbook by the English lieutenant Thomas Eden Blackwell (1803?-45), showing views of India, Burma, and Switzerland, made in the years 1826-30, when India, which is the subject of about 30 of the sketches, and parts of Burma (now Myanmar) were British colonies. The sketches, mostly signed and dated by Blackwell, are mounted on album leaves and accompanied by manuscript captions and descriptions, also by Blackwell and sometimes by a later hand. Some of these remarks are general or contain interesting facts, while others are very personal or describe an event that happened during Blackwell's time as officer. - Blackwell drew some panoramic views and buildings (for example an Indian mosque or a narrow street in Calcutta), but he pays particular attention to Indian culture in his sketches of India and the accompanying explanations. He sketches the Indian population, animals, and scenes representing the everyday life of Indian people. Several animal sketches are exceptionally beautiful, including that of a horse (with notes about Arabian horses). He also draws a camel, compares camels to dromedaries, and outlines the habitat of both species in India. Also included are many sketches of Indian cattle, such as bullocks, which were used as water-carriers, and Bengal cows (whose milk is said to be "inferior" to that of English cows). - Blackwell also drew the inhabitants of the Indian places he visited, including a priest ("rhahan") and an Indian watchman ("chokedar"), but also a "Musselman" and an Indian woman, with remarks concerning the attitude of Indian men towards women. Of particular interest are the Indian "sceneries", as Blackwell calls them, showing the everyday life of Indian people: native cooking, but also how Indian people bathe in Hooghly river, how they wash their clothes, and men smoking a so-called "hubble bubble" (a hookah or water pipe). Blackwell annotatioins to nearly all these sketches provide the reader with rare insights into Indian culture. - of Burma (now Myanmar) fewer sketches were made, and they focus mostly on the coasts and the city of Rangoon's wharfs. These include the royal wharf at Rangoon, with a whole page of explanatory text on the facing page, and a sketch showing a stockade in Burma, where, according to Blackwell's caption, the British killed the Burman general Maha Bundoola (1782-1825) in the First Anglo-Burmese War. Yet there is also a sketch of the so-called Great Bell in Rangoon, which is representative of Burmese bells, which are often located near celestial buildings. The album also includes two views of Tobago in the West Indies: a large two-page panoramic view and a sketch of the government house in Tobago with a garrison in the background; Blackwell's note states that his daughter Eliza was born there on 25 January 1833. - Another part of the sketchbook comprises sketches of Swiss landscapes and panoramas, especially of the region surrounding Basel (of which Blackwell also includes a two-page panoramic view). - With owner's inscription on the front pastedown: "Lieut. Blackwell 13th Light Infantry. Indian, Burmese and Swiss Sketches". Binding a little worn, one quire loose, some occasional spots and somewhat browned, but not affecting the drawings. In good condition.
Oblong quarto. 371 photographs in 3 albums: 1) 121 original photographs ranging from small (70 x 100 mm) to medium (111 x 170 mm) and large (170 x 235 mm), mounted on 18 leaves (230 x 315 mm); 2) 178 original photographs ranging from small (70 x 50 mm) to medium (95 x 140 mm) and large (160 x 220 mm), mounted on 24 leaves (195 x 280 mm); 3) 72 original photographs ranging from small (65 x 90 mm) to medium (120 x 185 mm) and large (160 x 220 mm), mounted on 14 leaves (220 x 315 mm). Most photographs with manuscript captions beneath in white chinagraph pencil. With 6 additional photographs and a swimming certificate loosely inserted. Contemporary card covers with cord ties. Large collection of important photographs depicting RAF activity in Iraq during the late 1930s, demonstrating British imperial power by use of "Air Control": a policy designed to maintain the RAF as the independent third service of the British armed forces and enforce British imperial rule economically through the use of air power. - The current collection of photographs centres around the activities of 70 Squadron, providing heavy transport facilities and air ambulances and operating airmail routes between Cairo and Baghdad. Images include an armoured car with a mounted machine gun at Hinaidi; air-conditioned desert buses belonging to Nairn Transport Co going from Baghdad to Damascus, and the Flying Boat "Ceres" on Lake Habaniyah. The dangers of the operations are evident in the photos of a crash of the Flying Boat "Calpurnia" in Lake Habaniyah with the loss of five lives, the crash of Jonah Kyte No. 3 while landing, and the "Vincent" of 55 Squadron going up up in flames in Simel. The album captures well the cultural and military diversity of Iraq at the time. Not only are there bombers from the French Air Force on visit in both Dhibban and Habbaniya, but there are also photos of Iraqi "Gladiator" aircraft, Jewish women in Baghdad, and the Kurdish population spread across central Iraq. A 500-year-old church in Haiz is complemented by the photo of a priest with a 700-year-old Bible. As a foreigner abroad, the photographer gives the albums their healthy dose of tourist sites such as Alexandria (Egypt), the landscapes of Ser Amadia (while in a Summer Training Camp) and Ctesiphon Arch (530 CE). Aerial shots add bird's-eye views of the Golden Mosque of Khadimain (Baghdad), the crossing of the Suez Canal, and the Maude Bridge over the Tigris. The international and geopolitical importance of the photographs is further underscored in their documentation of the first Hinaidi-Singapore flight on 18 January 1937. - Extremities of albums slightly rubbed. 1 loose photograph creased at edge. A well preserved ensemble.
Folio (288 x 351 mm). 192 pp., profusely illustrated throughout, with 48 full-page Woodburytype plates mounted within printed borders on sturdy cardboard, 24 mounted Woodburytype plates in the text, and 2 plates printed in red. Bound in sumptuous red morocco for Ismail Pasha, Khedive of Egypt, elaborately giltstamped on spine and both covers. Leading edges gilt, inner dentelle gilt, marbled endpapers. All edges gilt. A striking collection of 72 woodburytype portraits of great artists and reproductions of their art, with accompanying biographical sketches, issued in undated instalments, then bound for and dedicated to Ismail Pasha, Khedive of Egypt and Sudan from 1863 to 1879. The portraits include famous authors and officers such as Victor Hugo, Thiers, Georges Sand, Sarah Bernhardt, Alexander Dumas fils, Gounod, Daudet, Erckmann-Chatrian, Mac-Mahon, Coppée, Jules Janin, Velpeau etc. - but also Ferdinand de Lesseps, the French engineer whose Suez Canal was constructed and opened under Ismail's khedivate. The photographs are by Mulnier, Nadar, Carjat, Petit, and others, and printed by Goupil. The woodburytype is a photomechanical process capable of reproducing the continuous tones of photography with pigmented gelatin molded to a varying thickness. The speed and economy of woodburytypes, as well as their permanence (unlike traditional photographic processes that were subject to fading), made them a highly practical substitute for albumen silver prints in book publication or other situations where mass production was desirable. - Occasional slight foxing, but very well preserved altogether. The upper cover of the luxuriant red morocco binding bears the dedication: "A Son Altesse Ismaïl Pacha Khédive d'Égypte". Sharing the ambitious outlook of his grandfather, Muhammad Ali Pasha, Ismail greatly modernized Egypt and Sudan during his reign, investing heavily in industrial and economic development, urbanisation, and the expansion of the country's boundaries in Africa. OCLC 17984963. Cf. Lucien Goldschmidt and Weston J. Naef, The Truthful Lens (1980).
40 volumes, mainly 4to. Mostly printed in the second half of the 18th century, the present collection includes the works of the principal Swedish orientalists of their time, mainly teaching and publishing at the universities of Uppsala and Lund, many by the great Matthias Norberg (1747-1826). Among the topics covered are medicine in the Middle East, history, linguistics and literature, education, and the learnedness of Middle Eastern rulers. - Detailed list of all titles available upon request.
8vo (148 x 90 mm). Illuminated Arabic manuscript on paper, 243 leaves plus 2 fly-leaves, complete. 19 lines per page, written in a neat Naskhi script in black ink with diacritics in red, margins ruled in gold and colours. Gold discs or florets between verses, sura headings written in white within gilt cartouches flanked by panels with alternating floral motifs in gold and various colours. Brown morocco with flap and giltstamped borders and central ornaments. Splendid pocket-size Qur'an. Marginal section markers in white naskh on gold ground within polychrome flower blossom, opening double-page frontispiece richly illuminated in lapis lazuli blue, green, red, pink, and gold, the text within cloud bands in gold. - Hinge tender between the first two pages, some light marginal fingering, otherwise in perfect condition. From the library of the scientists and collectors Crawford Fairbanks Failey (1900-81) and Gertrude Van Wagenen (1893-1978), who performed research at Yale and Johns Hopkins in the fields of medical chemistry and biology.
187 x 276 mm. With a rosette gilt and in gouache colour. Diacritical marks added later in black ink, vocalization marks in red (as well as one in green and one in blue). 5 lines. Well-preserved leaf in monumental Kufic script (line height c. 30 mm), written in dark brown ink. The text is from the middle part of verse 109 of the second Quran sura. The script style belongs to group D (according to Déroche's classification, subtype D.III). Similar examples are usually dated to the 9th century C.E. (cf. François Déroche, The Abbasid Tradition, London 1992. The Nasser D. Khalili Collection of Islamic Art, Vol. I, nos. 25 [p. 76] and 34/35 [p. 84]). The polychromatic rosette shows an inscribed number: The red dots are vocalisation marks; the diacritics (in the form of small slashes) were added later in black ink. - Some browning and staining. Brittle in places due to ink corrosion (minor defects to vellum). Verso rubbed, but still legible. Cf. Fingernagel (ÖNB 2010), p. 33.