4.131 Ergebnisse
Folio (420 x 280 mm). (4), 101, (1) ff. Later calf with gold- and blind-tooling. First edition of a work on poisons, compiled by Sante Arduino (or Ardoini) of Pesaro. "[T]he elaborate compendium on poisons in eight books which Sante Ardoini of Pesaro compiled in the years, 1424-1426, from Greek, Arabic and Latin works on medicine and nature, and which was printed at Venice in 1492, and at Basel in 1518 and 1562 [...] Although Ardoini quotes previous authors at great length, his work is no mere compilation, since he does not hesitate to disagree with such medical authorities of Peter of Abano and Gentile da Foligno, and refers to his own medical experience or observation of nature at Venice and to what fisherman or collectors of herbs have told him. He also seems to have known Arabic, and his occasional practice of giving the names of herbs in several Italian dialects is of some linguistic value" (Thorndike). Arduino makes extensive use of the works by Avicenna (Ibn Sina), who "held a high place in Western European medical studies, ranking together with Hippocrates and Galen as an acknowledged authority" (Weisser). Among the numerous other sources he used are Galen, Avenzoar (Ibn Zuhr), Rasis (al-Razi), Andromachus, Albucasis (Al-Zahrawi), Serapion the Younger and Dioscorides. - A very good copy, with only a few marginal waterstains. Binding slightly rubbed along the extremities and with a few scratches on boards. Hain-Copinger 1554. Goff A-950. Ohly-Sack 233. Walsh 2186. Proctor 4963. BMC V, 403. GW 2318. Thorndike III, 545. ISTC ia00950000.
Large 8vo (146 x 238 mm). Arabic manuscript on polished oriental paper. 865 pp. (paginated in a later hand), 25 lines, per extensum. Black ink with red underlinings and emphases. With numerous diagrams in the text. Contemporary blindstamped full calf, restored and spine rebacked. A rare, complete, and well-preserved late 16th century manuscript of Al-Birjandi's "Sharh al-Tadhkirah", a commentary on the "Tadhkira", the memoir of the Persian polymath at-Tusi (1201-74). As consistent with the Islamic tradition of commentary, Al-Birjandi provides explanations for the reader and provides alternative views while assessing the viewpoints of predecessors. - Abd Ali ibn Muhammad ibn Husayn Birjandi (d. 1528) was a prominent Persian astronomer, mathematician and physicist from Birjand. A pupil of Mansur ibn Muin al-Din al-Kashi, of the Ulugh Beg Observatory, he anticipated notions later developed by Galileo Galilei in the West. - Copied by the scribe Abd al-Wahhab bin Mawlana Baha al-Din. Somewhat browned throughout; some waterstaining to lower half, more pronounced near the end of the volume. The text illustrations show sections, celestial spheres and other astronomical and mathematical diagrams. Old waqf stamp to first leaf. Restored binding uses original cover material.
60 photographs on albumen paper, measuring 28 x 22 cm each, signed and captioned in the plate, numbered 1 through 68. Contemporary green half calf with gilt spine and title "Égypte & Nubie", initialed "B.C.D." on first plate. Large and beautiful photographs by Bechard: excellent vintage prints, mostly in superior condition. They represent the popular Egyptian and Nubian types, frequently in close-ups. Nissan N. Perez states that this part of the work of a photographer specializing in views of sites and monuments "has escaped general attention" (cf. Focus East, p. 123, reproducing the photograph of water carriers resting). Includes: a scribe; a sheikh reading the Qur'an, merchants and grocers, a group of ulemas (religious scholars) reading the Qur'an, an Arab drawing water, whirling dervishes, Arab peasants (a fellah carrying water), a sheikh going to the mosque, a game of Mangala, water carriers, mat manufacturers, Sheikh Sadad, a descendant of Mohammed, a falconer, washerwomen, an Arabic singer, a young fellah, a Darabouka player, labourers, a public fountain, a beggar, Arabs at prayer, Arabic coffee, etc. - Béchard was active between 1869 and ca. 1890. "His work is distinguished by the superb quality of his prints and the generally spectacular presentation of even the most common sites, such as the pyramids. His studies of people and costumes are even more interesting and point to a very personal involvement of the photographer in the life and customs of the country. His cityscapes and urban scenes were mostly taken from unusual angles in an attempt to cope with the narrow and confined spaces" (Nissan N. Perez). - Binding repaired in places.
Large folio. 12 leaves (22 x 16 inches), each containing a large mounted albumen photograph (ca. 12 x 10 inches) with descriptive letterpress beneath. Original leather-backed marbled boards with gilt-lettered roan label on front cover and leaf of printed introductory text mounted to inside front board. Skilfully rebacked and recornered. Small, unobtrusive 19th century embossed library stamp at lower right blank corner of each mount, minor wear at board extremities and chipping at edge of front endpaper, else an unusually clean and nice copy, with the photographic plates in perfect condition. An extremely rare photographic work, unrecorded in the major scholarly studies of early photography in the Holy Land. - According to the introductory text, "In the winter of 1859 the King of Prussia sent an artist to the Holy Land to procure views for his portfolio. Having reached Jerusalem, whilst the Royal commission was being executed, I was so fortunate as to secure (through the courtesy of Right Reverend Samuel Gobat, of the Anglican and Prussian mission) fine impressions from the most valuable of these negatives [...] they are now published, at the request of many persons [...]". Eccleston was an Anglican minister in Newark, New Jersey. - A gilt frame surrounds each photograph, beneath which is the title of the plate and two columns of letterpress text within a decorative type-ornament border. The titles of the plates are: Garden of Gethsemane; Damascus Gate; Jew's Waling Place; Church of Holy Sepulchre; Mosk El-Aksa / Solomon's Bridge; Valley of the Son of Hinnom; St. Stephen's Gate; Golden Gate; Top View of Jerusalem; Bethany; Via Dolorosa and Ecce Homo Arch; Mount Moriah and the Mosque of Omar. - We have been unable to identify the photographer, as the work is unrecorded by the leading authorities on early photography in the Holy Land, and the photographs themselves do not appear in any of the other known photographic albums of the period. Both Eyal Onne, "Photographic Heritage of the Holy Land 1839-1914" (Manchester 1980), and Yeshayahu Nir, "The Bible and the Image" (Philadelphia 1985), record in considerable detail the early missions to the Holy Land and the photographers who either accompanied these missions or who were living in the Holy Land and were retained by the missions. In neither work is the king of Prussia's mission recorded, nor is "Jerusalem Photographic Album" recorded in either bibliography of early photographic works on the Holy Land. Similarly, the recent book, "Revealing the Holy Land: The Photographic Exploration of Palestine" by Kathleen Stewart Howe (1997) records neither Eccleston's book nor these photographs. - Though seemingly unknown to scholars working in the field, two copies of Eccleston's book are indeed known: the NUC and RLIN both record one copy, at Yale, and OCLC locates a second copy at the University of Texas. Our copy was given by Eccleston, probably soon after publication, to his local library company; in the 1880s the library company was absorbed by a newly-created public library, from which it was purchased.
Engraved map on two sheets, joined. 440 x 600 mm. Framed (84:67,5 cm). Rare. Based on the large mural map of Giacomo Gastaldi in the Palazzo Ducale in Venice, in 1550, considered the culmination of his work on the cartography of Africa through the 1540s. (The mural was subsequently lost to overpainting.) Shows the continent with southern Europe and Arabia; large strapwork dedication cartouche to Thomaso Ravenna at lower left; compass rose centre right. Trimmed to the outer neat lines; some wear and repairs to old folds, with loss of a few letters of the dedication. Two small areas of sea supplied in pen facsimile. Faint spotting, a pale uneven wash. Tibbetts p. 47, 31. Not in Sultan bin M. Al-Qasimi, The Gulf in Historic Maps (1st or 2nd ed.).
Oblong large folio (570 x 419 mm). Lithographed illustrated title, 2 ff. of text, 16 mostly coloured lithogr. plates showing horses (c. 33 x 45 cm, paper dimensions c. 40 x 55 cm; some with borders), 5 (instead of 6) ff. of descriptive letterpress text (the missing page supplied in ink). Contemporary half calf with giltstamped spine label. Extremely rare and early series of lithographs. The large and appealingly coloured plates depict important stallions and mares from the famous Danish Royal Stud at Frederiksborg (Pegasus, Flink, Zephir, Palnatoke, and Velskat, among others). All horses are branded with a monogram and often also with the crown. The publication was originally planned to comprise 12 issues of 4 plates each but no more than the first four were produced. - Two plates are trimmed and mounted on different backing paper (one with a repaired tear). Text shows foxing, but plates are generally clean. Binding somewhat rubbed and bumped at extremeties, with damage to spine. Nissen 1499. Not in Schwerdt or Mennessier de la Lance.
Folio (310 x 220 mm). (46) ff., one final blank. Rubricated in red throughout and about half of the spaces left for initials filled in red by hand. 19th century red sheepskin, marbled sides. First edition of the popular "Imago mundi" of Honorius Augustodunensis (1080-1154), an incunabular encyclopaedia of popular cosmology and geography combined with a chronicle of world history, containing references to Arabia, Syria, Palestine, and the Saracens and thus providing one of the earliest mentions of Arabia ever printed. The monk Honorius takes the river Nile as the boundary between Africa and Asia (naming the latter continent in its entirety "India"). Arabia is described in the subsection on Mesopotamia. The description of this country, found along the Tigris and the Euphrates, also includes an account of the Kingdom of Sheba, home of the Queen of Sheba, and is said to be inhabited by the Moabites, Syrians, Saracens and others. After Mesopotamia we find Syria, including Phoenicia, which is followed by sections on Palestine and Egypt. - The "Imago mundi", which by scholarly consent was not published after 5 February 1473, exemplified the picture of Africa and the Orient prevalent in the West ca. 1100, which were perceived as lands full of marvels. It is one of the five earliest books printed by the great and prolific Nuremberg printer Anton Koberger. - Binding slightly rubbed; a few early manuscript annotations by a near-contemporary humanist in the margins. From the library of the Frankfurt physician Georg Franz Burkhard Kloß (1787-1854), also a noted historian of freemasonry, with his bookplate on pastedown; additional bookplate of Jean R. Perrette. Lacking the second of the two last blank leaves. A few wormholes, a couple of leaves attached to stubs, but otherwise in very good condition. Hain 8800. Goff H-323. GW 12942. BMC II, 411. Proctor 1974. Panzer II, 234.342. ISTC IH00323000. Not in Atabey or Blackmer.
8vo (145 x 204 mm). Two treatises bound together: the first in Persian with occasional captions in Arabic, the second in Arabic. Manuscript on polished paper. 45 ff., 18-22 lines. Nastaliq and naskh script in black and red, written space ruled in red and blue, with numerous charts in red, blue, and black and chart headers in blue woodblock print. Folio 10 features moveable slips to complement a chart. 19th century full leather over wooden boards, covers decorated with lacquered gold leaf and illustrated with an astrolabe quadrant; top edge of upper cover recessed at the centre; a flower-shaped inlay to the upper cover is lost. Finely rendered and beautifully bound work on astronomy and timekeeping by Haji Mirza Muhammad Karim Khan-i-Kirmani (1810-73). Karmani was a Shaykhi-Shia scholar, a distant cousin to Fath 'Ali Shah Qajar (1769-1834), and a 19th century polymath with mastery of a whole field of Islamic and philosophical sciences, including alchemy, medicine, optics and music. - The first treatise presented here is "Khulasa al-taqwim", a calendar summary in the form of tables for ikhtiyarat, or selections: it thus guides the reader through the selection of auspicious moments in a given day, the station of the moon and the zodiac in the heavens, and describes the solar and lunar calendars, the hours of the day and night, and knowledge of horoscopes. - The second is "Risala al-Mizan", which focuses on the use and construction of astrolabes. Karmani had a particularly keen interest in the engineering behind the astrolabe, a distinctly Muslim invention which is perhaps the greatest technical triumph of the mediaeval world. Indeed, Karmani went on to invent his own version of the astrolabe. Both calendrical knowledge and astrolabe engineering require keen mathematical and geometric knowledge, the study of which is aided by the numerous and often complex charts made available to the reader throughout. One such chart features two movable slips, still fully intact and functional, which practitioners may slide up and down to match up with the chart and aid their calculations. The binding on this volume is particularly striking, as it is illustrated with diagrams of astrolabe quadrants on a field of glittering copper leaf. - Light wear to covers, slightly delicate binding. A well-preserved and uncommonly early copy of Kirmani's astronomical writings. The only comparable manuscript copy to have appeared on the market is a later specimen in a very similar binding, dating from 1312 H/1895 CE, which sold at Christie's (Art of the Islamic and Indian Worlds Sale, 27 April 2017, lot 16), commanding £21,250.
Large folio. 2 vols. in one. (26), VIII, 132 pp. (4), XX, 144 pp. With coloured engraved title-page (dated 1754), large engraved vignette by Andreas Hoffer after Gottfried Eichler, and 91 (1 folding) coloured or colour-printed engravings by Knorr, J. A. Eisenmann, A. Hoffer and others. Contemporary calfskin binding gilt. First edition of this monumental work of natural history, one of the most splendid zoological works ever produced in Nuremberg. Begun by Knorr as early as 1751, it was continued by his heirs after his death in 1761. The book describes items from the great contemporary natural history collections, including the magnificent white falcon (with hood) from the collection of the famous physician and botanist Christoph Jakob Trew. The illustrations, occasionally printed in colours but mostly hand-coloured in radiant hues, depict birds, exotic mammals, fishes, corals, butterflies and other insects. - Occasional insignificant waterstaining to the wide blank margins of the text; a few plates show unobtrusive fingerstaining. A beautiful, very wide-margined copy in excellent state of preservation, printed on good, strong paper. Plates show clean, distinct colours and superior contrast. Nissen, ZBI 2227. Horn/Schenkling 12038. Hagen I, 426. Dean I, 696. Graesse IV, 35.
Imperial folio (420 x 596 mm). (8), 87, (1) pp. With large lithographed title vignette and coat of arms of Wilhelm II on dedication leaf. 69 lithographed plates, maps and plans after Laborde and Linant de Bellefonds, mostly mounted on India paper (3 of which folding or double-page and 1 coloured). Period-style half calf with gilt title to spine. First edition of "an important work" (Blackmer), complete with all the magnificent views in large folio format. All subsequent editions, including the English one, were published in octavo and retained only a few plates of the original edition, all in considerably reduced format. Laborde made the journey to Petra with the engineer Linant de Bellefonds in 1828, travelling from Suez via St. Catherine's and through Wadi al-Araba to Akabah. Although Burckhardt, Irby and Mangles had explored Petra before Laborde, he was the first to make detailed drawings of the area. Dedicated to the Elector Wilhelm II of Hesse (1777-1847). - Slight browning and foxing, occasional waterstaining and tears to folds; a small tear in the map repaired, but in all a good, wide-margined copy. Rare: the last complete copy came up for auction in 2009 (Christie's, 3 June, lot 120: £23,750). Blackmer 929. Gay 929. Henze III, 101. Brunet III, 714. Vicaire IV, 758f. Nissen ZBI, 2335. Not in Atabey. Cf. Macro, Bibliography of the Arabian Peninsula, 1386 (2nd ed. only). Howgego 335, L2 (1830-33 ed.).
4to (145 x 198 mm). (34) ff. Half calf over marbled overs (ca. 1900) with gold-tooled red label to gilt spine. All edges sprinkled red. Almost unobtainably rare first edition of this digest of medical prescriptions, taken from the works of the highly-regarded Arabic physician Mesue the Younger (also known as Masawaih al-Mardini), including "a kind of general manual for apothecaries and perfumers" (Duveen). All recipes are in Italian, while the main title and the headings are in Latin. Bibliographers are not agreed on the book's place or date of publication: GW locates it merely in Italy, ca. 1495, whereas Copinger believes it was printed in Venice, by an unidentified printer, in or around 1500. The British Museum Short-Title Catalogue suggests Sigismund Mayr in Naples as the printer and 1510 as possible year of publication, while the British Library's catalogue now appears to prefer Venice and 1505 as tentative place and year. Klebs notes that the collection constitutes a "rifacimento" of the Italian edition of Mesue's "Opera medicinalia", published in Venice on 12 December 1493. - Contemporary ink ownership to title-page. A restored tear in the final leaf (not affecting the text), some brown specks on the title-page and an insignificant waterstain along the lower edge of the final gathering, but altogether in excellent condition. Rebound in a pretty half-calf binding around the turn of the century. Only two copies in libraries internationally (British Library and Univ. of Wisconsin, formerly the Duveen copy). That in the British Library is incomplete, lacking the final leaf (falsely described by Copinger as having a final blank leaf, which is in fact the endpaper). Copinger 4011. GW M23031. Klebs 228 (note). Proctor 7427. ISTC im00521400. USTC 842290. BM-STC Italian 739. Duveen 651. Edit 16, CNCE 50479.
Double Crown folio (48 x 36.5 cm). [37] ff. including title-leaf and 7 blanks, plus 16 loosely inserted ff. Album containing 42 pencil and other drawings (a few partly coloured) and 3 squeezes, some on the album leaves and some loosely inserted, mostly of ancient Egyptian and Nubian architecture, sculpture, bas-reliefs and hieroglyphic inscriptions, but also with a few botanical drawings and landscapes with buildings. Most have English-language captions in brown ink and are signed and dated 1838 to 1839. New black half morocco, on recessed cords, title and double fillets in gold on spine, using mid-19th-century marbled paper for the sides (blue-green Spanish-marble with black and white veins). An album of drawings (and squeezes of bas reliefs) made by William Robertson on a journey from Cairo in December 1838 down the Nile into Nubia, reaching as far south as the present-day Egyptian-Sudanese border region, including the temples of Abu Simbel, in January 1839, then returning via Philae, Karnak and other sites to Thebes in February 1839. They give very detailed views of numerous buildings, sculptures, bas-reliefs and hieroglyphic inscriptions, as well as more distant views of landscapes with buildings and three botanical drawings. While Robertson made most of his drawings on site, he drew the Temple at Luxor after a drawing by Achille Émile Prisse d'Avennes (1807-1879) who began exploring and drawing the ancient Egyptian sites in 1836 and published many of his drawings in 1847. The squeezes of bas-reliefs are of special interest, for they preserve a very precise record of the original with little influence from personal interpretation: the paper was wetted, pressed into the relief and allowed to dry. In addition to the three clear squeezes, a couple of the drawings also seem to have been made on flattened squeezes (some of those that survive as squeezes also have some lines drawn over them them). Since many of the ancient Egyptian sites have been looted and damaged over the years, these early drawings and squeezes provide an important record of what was there in 1838/39 and how it was situated, before the first photographs were made. The building of the old Aswan dam in 1902 caused frequent flooding and damage at the site of Philae, now an island, and most of its treasures were removed before completion of the new Aswan dam in 1970. The album has no true title-page, but the leaf before the first drawing has a slip pasted to it giving the name of the artist, dated from Cairo, December 1838. We have not identified the artist. The clergyman and historian William Robertson and his son of the same name died before 1838 and the archaeologist William Robertson Smith was not born until 1846. Thieme & Becker notes two artists named William Robertson, active two or three decades before and after the present drawings, but provides so little information that we cannot link them to either. He may possibly be the Irish-born London architect William Robertson (1770-1850), who took an early interest in Egyptian revival, but he would have been nearly seventy when these drawings were made. The loosely inserted drawings and squeezes are made on at least 8 different paper stocks, wove and laid, one of the wove stocks machine-made (the "watermark" left by the papermaking machine's belt seam appears in one sheet). A few of the original album leaves are now detached and may have been removed by the artist himself. The squeezes have inevitably been flattened in the album, but they still show the contours of the original bas-reliefs very clearly. One inserted drawing is severely foxed and one inserted floor plan is rather dirty, but in general the drawings are in very good condition. A detailed graphic record of ancient Egyptian art, architecture and hieroglyphic inscriptions, made before many of the worst depredations.
Folio (335 x 432 mm). 3 ff. of letterpress matter (half-title, title and list of plates). With 40 mounted calotypes. Contemporary marbled half morocco on five raised bands with giltstamped spine title; marbled endpapers. Second, "better known" (Parr/Badger) edition of this pioneering work, first published in 1854: only the plate volume with the 40 magnificent calotypes, wanting the separately published 90 pages of text. - Wishing to support L. F. J. Caignant de Saulcy in the controversy concerning the dating of the wall of Jerusalem that followed his journey to the Dead Sea, Auguste Salzmann set out for the Holy Land on 12 December 1853. With the help of his assistant Durheim, he prepared some two hundred waxed-paper negatives of the Jerusalem monuments during his four-month stay. While his findings were first published in a monumental volume in 1854 (the copy of the Duke de Luynes commanded 463,500 Euros at Sotheby's Paris in 2013), the present reduced edition, with prints by Blanquart-Evrard, is better known. "It was an expensive book, a livraison, or fasicle of three prints costing 24 gold francs. A single print was 10 francs [...] Salzmann was acutely attentive to both patina and pattern in attempting to define the architectural strata of a city in which building was built upon building, thus leaving a vertical record of the various cultures that had occupied the city and left their remains on the foundations built by earlier conquerors [...] Salzmann himself described his pictures as having 'a conclusive brutality', but to modern eyes their poetic aspect seems paramount. It would appear that Salzmann was at one and the same time both expert and layman, dispassionate observer and enthusiast. His pictures have this dual quality, flickering rapidly between documentary and poetry. This, one might suggest, is the ideal goal for any photographer". - Binding slightly rubbed and chafed in places. Marginal foxing throughout, affecting only a few photographs; insignificant waterstain to edge; old ownerships erased from title, leaving slight traces. Parr/Badger, The Photobook I, 25. Tobler 181f. Röhricht 440f. Baier, Geschichte der Fotografie 452f. Gernsheim, History of Photography 186. Witkin/London, Photograph Collector's Guide 86f.
2 vols. of text (4to) and one volume of plates (folio, 284 x 378 mm). Text: XXIII, (1), 228, (2) pp. With 3 genealogical tables and 2 folding maps. XVIII, 397, (1) pp. Half calf with gilt-stamped morocco label to spine. Atlas: 4 chromolithogr. plates (conjoined as 2), 6 (1 double-sized) toned lithogr. plates, and 65 mounted photographs on a total of 40 plates; 1 letterpress leaf of contents. Cloth portfolio with gilt cover title. Remarkable set, rarely encountered complete with the plates volume. The Dutch orientalist Snouck spent a year in Mecca and Jeddah during 1884/85 and was married to a Mecca woman. He was the first non-Muslim to visit the city outside the annual pilgrimage. The photographs, taken by himself and an Arabic physician, are among the earliest to show Mecca and its pilgrims. - Very nicely rebound, in matching period style portfolio and half calf. An unusually crisp and clean copy throughout: text volumes spotless; the plates with the vintage photographs, much sought after as the earliest photographic documents of the city, its dignitaries and its pilgrims, are backed on thin linen and preserved in perfect condition. Macro 1239 (omitting mention of the Atlas). Henze V, 177. Dinse 443.
8vo. 15 black and white photographs captioned in white, plus one repeat in a smaller print. Original board album, acquired from "M. Arthur, Beyrouth". Paper label to upper cover: "Arab Types. Syria". Small but fascinating collection of portrait photographs showing Arabian nobles as well as commoners, all captioned and the subject often identified by name and tribe. The photos, many of which are executed as highly expressive profile studies, were taken and assembled by Lt. Col. Walter Francis Stirling (1880-1958), Chief of Staff to T. E. Lawrence. While the present photographs were taken during his time with Lawrence, whom Stirling revered, it is not his British comrades but rather the striking features of the sheikhs and bedouins on which this collection is focused. Among the images are "Sheik Gawaileh of Nejd, one of Lawrence's Bodyguard", and "Sheikh Hamondi, Friend of Lawrence"; others are more ominously identified as "Yezidi Shepherd, Devil worshipper" or "Bad type of Hadadiyim Tribesman". Of many noble tribesmen here depicted, such as Fauraz ibn Sha'laan, Emir of the Ruwalla, or Sheikh Daham al-Hadi, Paramount Sheikh of the Shammar tribe, these probably constitute the only photographic record. - Stirling was trained at Sandhurst and served in the Transvaal operation during the Boer War before being seconded to the Egyptian Army in 1906. He spent five years patrolling with an Arab battalion on the Eritrean and Abyssinian borders. Throughout WWI he served at Gallipoli and the Palestinian campaign until he was appointed chief staff officer to Lawrence of Arabia, who called him "Stirling the imperturbable". In 1937, Stirling would reflect on his famous wartime comrade: "From then [early 1918] throughout the final phase of the Arab revolt on till the capture of Damascus, I worked, travelled, and fought alongside Lawrence [...] We sensed that we were serving with a man immeasurably our superior [...] In my considered opinion, Lawrence was the greatest genius whom England has produced in the last two centuries [...] If ever a genius, a scholar, an artist, and an imp of Shaitan were rolled into one personality, it was Lawrence." In 1919 Stirling became advisor to Emir Feisal and Deputy Political Officer in Cairo, then acting governor of Sinai and Governor of the Jaffa district in Palestine before moving to Albania in 1923 to take up a position advising and assisting in the reorganisation of the Albanian Ministry of the Interior.
8vo. (8), 384, (8), 115 [but: 215], (17) pp. With a woodcut on title-page, a woodcut initial and some woodcut tailpieces. 17th century marbled calf with gilt label to richly gilt spine, red edges. First edition of a "history of the kings of Persia compiled from the Persian histories of Mir Khwand and Turan Shah" (Howgego), in the original Spanish, by the Portuguese merchant and adventurer Pedro Teixeira (1563-1645?). It is one of the earliest European sources to mention Qatar, relating to the pearl fishery in the region: "The pearl fishery at Bahren begins some years in June, but generally in July, an lasts all that month and August … They generally go a fishing to Katar, a port on the coast of Arabia, 10 leagues to the southward of the Island Bahren. As soon an oyster is brought up, they open it, and take out the pearl. The pearls of this sea surpass all others in goodness and weight…" (English translation). The work is divided into three parts. The first, which is the largest, deals with the kings of Persia. It is a summarized translation of the voluminous Rawzat al-Safa by the Persian historian Mir Khwand (ca. 1434-1498), and is probably the first translation of the text into an European language. The second part is a translation of the Ayyibud emir Turan Shah's (d. 1180) chronicle of the kings of Hormuz, a text which is today only extant in translations. Though Teixeira's adventures started in 1586, he reached Hormuz in 1593, where he resided for several years to study its history. Both parts contain a chronological account of the kings, but also provide a more general history of the area. The last and third part contains an account of Teixeira's later travels from India to Italy in 1600-01 and 1604-05, visiting China, Mexico and the Middle East. In his preface Teixeira states that he originally wrote the work in Portuguese, but that it was translated into Spanish to appeal to a wider audience. The work appeared in a French translation in 1681, and extracts appeared in an English translation appeared in 1711, followed by a translation of the full text in 1715. - Binding slightly rubbed and with a small defect to upper spine. Slightly browned, otherwise immaculate copy in its first binding. Howgego, to 1800, T19. Maggs Bros., Spanish books 1014a. Not in Blackmer.
Large hand-coloured four-sheet plan. Pen and ink, graphite and watercolour on paper laid on canvas. Framed and glazed. Dimensions: app. 90 x 170 cm (sheet); 105 x 205 cm (frame). Large manuscript plan in beautiful colour; a unique witness to Vanderbilt's passion and ambitions. A member of the prominent American Vanderbilt family, William Kissam (1849-1920) managed railroads and was also a horse breeder. He was one of the founders of The Jockey Club and the owner of a successful racing stable. In 1896, Vanderbilt built the American Horse Exchange at 50th Street (Manhattan). In World War II, the United States liberty ship SS William K. Vanderbilt was named in his honour. - This impressive plan represents the horse-racing stable and track at the chateau, which Vanderbilt built in 1906, with the help of Henri Guillaume and Pierre Sardou, architects. He purchased in 1903 the land in an area of Poissy called Les Gresillons, 20 miles outside Paris. At the time, he ran a breeding operation in Deauville, making the location, also called "Carrieres-sous-Poissy", particularly convenient since it is on the way from Paris to Deauville. The hippodrome comprised three oval tracks, the outer of which measured 2400 metres, as well as a straight track. A long wall separated the racing areas from the Chateau St-Louis where the Vanderbilts lived, called the Chemin Plat, now known as Avenue Vanderbilt. With the beginning of World War I, the racing stables were shut down and eventually sold. The Chateau St. Louis is now the corporate headquarters for a local quarry, which spreads over the land previously occupied by the hippodrome. As of today, only the residential building known as "Chateau Grésillons" still stands and is currently being restored. - Provenance: Ralph Esmerian (New York jeweler).
Folio (binding 250 x 335 mm, inner book 236 x 327 mm). 200 leaves, complete. Title printed in red and black within woodcut arabesque border, printer's device on final leaf. With parallel text in Hebrew, Latin, Greek, Arabic and Chaldaean (in their respective types), 4 columns to a page, 41 lines. 13 woodcut floriated initials (5 Latin, 4 Hebrew, 2 Greek and 2 Arabic). Rebound in near contemporary brown calf, carefully restored, edges and corners repaired, spine fully rebacked in seven compartments with modern gilt title and date. First edition. - The first polyglot edition of any part of the Bible, and also the first polyglot work ever published. It is of the utmost importance in several further respects, constituting the second book printed in Arabic from movable type (following Gregorio de Gregorii's "Kitab salat as-sawa'i", a Horologion for the Lebanese Melchites, printed in 1514), as well as the earliest Arabic printing of any portion of the Bible. It also contains the first edition of the Aramaic text of the Psalter and offers for the first time Kabbalistic texts from the Zohar. Furthermore, Giustiniani’s commentary provides the first substantial biographical reference to Columbus, and is thus noted as an Americanum. - The learned Dominican Agostino Giustiniani (1470-1536) was Bishop of Nebbio in Corsica from 1514 and later became the first Professor of Arabic and Hebrew at Paris. On his death he bequeathed his extensive library to the state of Genoa. He edited, supervised and financed the present edition and also wrote the commentary. - His book is the first multilingual edition of any part of the Bible. Aldus Manutius had planned a Psalter in three languages as early as the late 15th century, but his project was not realised. Printed in eight parallel columns on double pages, Giustiniani’s work comprises the text in Hebrew, a literal Latin translation thereof, the Latin Vulgate, the Greek Septuagint, Arabic, Aramaic (Chaldee), a literal Latin translation from the Aramaic, and scholia in the same languages. While Giustiniani aimed to edit the entire Bibel in this form, no further sections were published. He described his difficulties in selling the edition in his History of Genoa (1537), recording an edition size of 2,000 paper copies and 50 copies on vellum. - Giustiniani’s extensive commentary includes a long note to Ps. 19:4 ("et in fines orbis omnia verba eorum"; C7r-D1r), about the Genoese Christopher Columbus, who had died in 1506, containing previously unpublished information on his second voyage: "In this interesting sketch of the life and voyages of his fellow-townsman, Bishop Giustiniani gives an interesting account of the discovery of the new world, and states some facts not mentioned elsewhere" (Sabin). - This edition is also the only book printed at Genoa in the 16th century. The Milanese printer Pietro Paulo Porro maintained a press at Turin with his brother Galeazzo. Giustiniani summoned Porro to Genoa especially for the production of this edition, and had set up a press in the house of his brother Nicolo Giustiniani Paulo. The types were designed and cut for this edition under Porro’s direction. - Mild browning throughout, with some occasional waterstaining (more pronounced near beginning). Adams B 1370. Darlow/Moule 1411, 1634 & 2401. Smitskamp, PO, 236. Alden-Landis 516/4. Harrisse, BAV no. 88 (pp. 154-158). Sabin 66468. Sander 5957. G. Roper, Early Arabic Printing in Europe, in: Middle Eastern Languages and the Print Revolution. A Cross-Cultural Encounter (Westhofen 2002), pp. 129-150, at p. 132, with colour ill. IV. StCB 25. Vinograd Genoa 1.
Engraved map in outline colour, 119 x 53.4 cm. Backed with cloth. One of the earliest monuments of Islamic cartography, of outstanding rarity: published at roughly the same time as the famous "Cedid Atlas", also by the Imperial Engineering School in Scutari (Istanbul), this large-scale engraved wall map shows the "Northern Territories of the Ottoman Empire". This hitherto practically unknown map is clearly to be viewed in connection with the atlas which has long been considered the first and most important achievement of modern Muslim cartography. Like the Cedid Atlas, this outstanding publishing venture was commissioned under the authority of Sultan Sultan Selim III. A pioneering attempt at mapping a substantial part of the far-flung Empire, the map reaches from southern Italy and the Balkans to the Caucasus and the Caspian Sea. The most detailed map of the Empire's Northern Territories available at the time and one of the first wall maps printed in Constantinople. - Occasional unobtrusive professional repairs, well preserved altogether. Esat Efendi no. 2049. Özdemir, Ottoman Cartography, p. 190f. (illustrated).
4to (165 x 213 mm). (20), 373 (but: 371), (5) pp. With 16 woodcut illustrations in the text. Contemporary full vellum with handwritten spine title. The rare first edition of this extremely important and early collection of alchemical writings, which unites several first printings of works previously circulated only as manuscripts. This is first edition to call Geber an "Arab", the first to use "Summa perfectionis magisterii" on the title-page, and also the first printing of the famous "Smaragdine Table" of Hermes Trismegistus. - "De Alchemia and the other works of the Geber corpus were of the greatest influence on Western chemistry, and whether they be translations or elaborations, they represent the amount of Arabic chemical knowledge made available to Latin reading people toward the end of the thirteenth century [...] they represent the best Latin knowledge on chemistry in that period" (Sarton). - The present collection, arranged by Chrysogonus Polydorus, contains four treatises by Geber: 1. Summa perfectionis; 2. Liber de investigatione perfectionis (the earliest description of the preparation of nitric acid and aqua regia); 3. Liber de inventione veritatis sive perfectionis; 4. Liber fornacum (a practical text on chemical operations). It also contains the following texts, of which at least four are printed for the first time: 5. Roger Bacon's Speculum Alchemiae (the original text from which the 1597 English "Mirror of Alchemy" edition was made); 6. Richard of Wendover's Correctorium Alchemiae; 7. Rosarius minor, de Alchemia, by an unknown author; 8. Khalid ibn Yazid's Liber Secretorum Alchemiae; 9. Hermes Trismegistus' Tabula Smaragdina; 10. Hortolanus' commentary on the Tabula. Illustrated with 16 fine woodcuts of alchemical apparatus and alchemists at work. - A complete copy in good condition showing light browning to paper, with wide margins containing extremely extensive early marginal annotations throughout. Stains to outer margin of last several leaves. A tear to the gutter of leaf c2 professionally repaired; old vellum repair to upper cover. A good copy. While the second edition of 1545, also very rare, has made a few appearances on the market, this first edition is extremely scarce. VD 16, J 15. Ferguson I, 18 & 301. Sarton II, 1044. Lamoen, Hermes Trismegistus (Amsterdam 1990), no. 70. Brüning I, 220. Darmstaedter, Geber 7. Duveen 11. Mellon Collection (Alchemy and the Occult, Yale 1968) I, 10 (note). Cf. Hoover 445 (1545 edition only). Not in Caillet or Rosenthal.
Oblong folio (550 x 635 mm). Issues I and II (of 3). With 12 (out of 18) tinted chalk lithographs by L. Ekeman-Allesson after R. Kuntz. Wants text and table of subscribers. Stored loosely in 2 original wrappers with title label and green original half calf portfolio with gilt-lettered title and borders. Traces of ties. First and only edition. Commissioned by the Board of the Württemberg Stud, the first Arabian stud in Europe, this almost unobtainable series of large format plates shows the Stud's full-blooded Arabian horses with decorative oriental backgrounds. The plates constitute extremely early examples of chalk lithographs (listed individually by Winkler, Frühzeit der dt. Lithographie, 180, 57). Kuntz (1797-1848) was known for his "excellent depictions of horses" (cf. Thieme/B.); throughout his brief career he studied thoroughbreds in England, Hungary, and Paris as well as in Germany. In 1832 he became Painter to the Court of Karlsruhe, Baden; he suffered a stroke in 1846 and died in the newly-founded Illenau mental hospital. - Very slightly stained in places, three plates slightly browned. Of the utmost rarity. This copy removed from the collection of the House of Hanover, dispersed from 2005 (largely through Sotheby's). Includes a publisher's ad (by L. Harrison, Strand) for "A Series of Lithographic Drawings of Celebrated Horses" after James Ward, dedicated to George IV. Nissen 2327. Thieme/B. X, 444 & XXII, 116. Winkler, Die Frühzeit der dt. Lithographie 180.57.
Oblong folio (405 x 310 mm). 106 plates after photographs mounted on 50 card mounts with captions, numbered 1-100 and 16a, 59b, 60a, 72a (2 photos) and 95a, one map (numbered 63a), the images of varying sizes. Includes text booklet (2 ff., 16 pp.). Loose as issued in publisher's cloth-backed decorative portfolio boards, gilt lettered "Nord-Arabien und Sinai" on upper cover. A rare photographic record of the major sites and geographic features in Saudi Arabia, Jordan, Syria, Egypt and Palestine. The images - taken for the most part by Moritz but some by Turkish friends in areas where he was prohibited from going - depict pilgrims on the Hajj to Mecca, Bedouins, the building of the Hejaz railway between Damascus and the holy cities of Mecca and Medina, Jiddah, Petra, and Mt. Sinai. Moritz (1859-1939) was an Arabist and archaeologist who from 1896 to 1911 headed the Khedival Library and Archive in Cairo. It was from there that he made numerous research trips to the Sinai and Hejaz, taking the present photographs between 1905 and 1915. - Plates and text are well preserved, with only a few occasional minor chips to the edges of the mounts. Portfolio uncommonly well preserved and only a little rubbed at the extremeties. NDB XVIII, 149. OCLC 2889101.
Royal folio (375 x 488 mm). VII, (1), 204, VIII pp. With 64 plates (46 full-page, 17 half-page and 1 folding), mostly engraved after Ludwig Christian Fuhrmann, some after drawings by the author; 8 engraved text vignettes, 1 engraved tughra as headpiece; lithographed dedication. Modern half calf over contemporary marbled boards with printed title label on spine. First edition. - The very rare original edition of this important account of a journey through Turkey and Asia Minor. According to Brunet the finest publication ever to leave a Polish press, it was soon translated into German as "Malerische Reise in einigen Provinzen des Osmanischen Reichs" (last sold for £20,400 at Sotheby's 2004 Natural History and Travel Sale; no copy of the present original edition has appeared at German auctions during the last decades). - The Polish statesman Count Edward Raczynski (1786-1845), a patron of the arts and founder of the Raczynski Library in Poznan, travelled to Constantinople by way of Odessa during the months of July through November 1814. He was accompanied by the artist Ludwig Christian Fuhrmann (1783-1829), and most of the plates are engraved after his drawings. Raczynski also visited the Troad, the peninsula containing the ruins of Troy, of which a detailed description is given. This beautifully illustrated work is highly sought after for its many detailed engravings, including a folding map of Istanbul, illustrations of the ruins of Troy and Assos, the bay of Lesbos, a portrait of Sultan Muhammad IV, the mosque of the Sultan, etc. - In the present set, most of the plates are early or proofs prints, still lacking numbers and/or captions, which are frequently supplied in meticulous pencil calligraphy (in Polish and English). Leaves of pp. 1/2 and 3/4 transposed; the former bound showing page 2 before 1. Interior severely browned throughout as common. Tears to title and dedication repaired; a few edge flaws due to brittleness of paper. Only 5 copies of this original edition listed in library catalogues internationally (BL, BnF, LoC, Stabi Berlin, NL Sweden). Brunet IV, 20412. Weber 133 (note). Not in Atabey. Cf. Blackmer 1375 (1824 German edition).
Oblong folio (560 x 370 mm). 101 plates (72 lithophotographs "Procedé Poitevin", 2 lithographs, and 27 plans, of which 10 folding) and 4 leaves of letterpress text. Stored loosely in contemporary marbled boards with original printed cover label; cloth spine professionally renewed. Cloth ties. Rare, early photobook on the archaeological excavations in Turkey and the Levant during the 1850s, a work which assured the architect-explorer Pierre Tremaux (1818-95) an eminent place in the history of photography. Includes views of Aphrodisias, Corycus, Ephesus, Hierapolis, Jerusalem, Magnesia, Milet, Perga, Priene, Seleucia, Smyrna, Tarsus, etc. - The calotypes here reproduced are among the earliest photographs taken in Asia Minor and are thus of great documentary interest. They were lithographed using the process discovered in 1855 by Alphonse Poitevin (1811-82), later awarded the Grand Prix du Duc de Luynes; Trémaux's work was one of the first to use this method. - "Pierre Trémaux was an architect who trained at the Ecole des Beaux Arts. He was also interested in travel, ethnology, architecture and geography. He is known for one epic series of voyages to Asia Minor, Egypt, Libya and Tunisia. The fruits of these travels were published in a series of books" (Jacobson). Having set out in 1847, Trémaux began taking photographs around 1853-54. While the results of his efforts were technically uneven, obliging him to substitute his salt prints with lithographs, the rare images that survive have ensured the photographer's lasting reputation. The entire subscription was announced for a series of 215 plates provisionally titled "Atlas de vues pittoresques, scenes des moeurs, types de vegetation remarquable", but the publication was interrupted in 1864, never to be completed. - Some edge flaws and duststaining to margins. Scattered foxing, more pronounced in some examples, others nearly flawless. Exceptionally rare: the work has appeared at auction only three times in 25 years; it was missing from the two great orientalist collections of Atabey and Blackmer. Provenance: from the collection of the French engineer and archaeologist Paul Gaudin (1858-1921), a major patron of the Asia Minor collections in the Louvre, the Istanbul Museum, British Museum, and other institutions. Ken Jacobson, Odalisques & Arabesques: Orientalist Photography 1839-1925 (Quaritch, 2007), p. 273. Goldschmidt & Naef, The Truthful Lens: A Survey of the Photographically Illustrated Book 1844-1914 (New York, 1980), p. 225. Andre Jammes & Eugenia Parry Janis, The Art of French Calotype (Princeton, 1983), p. 251.
Watercolour on paper, some on 2 sheets, mounted (sizes approximately from 155 x 230 to 300 x 480 mm), some with inscription or sketches on verso, most with captions either mounted, laid down or written directly on image. James Weir (d. 1820) was Captain of Marines on HMS Audacious from 1795 to 1800, and was also an accomplished watercolourist. Some of the earliest watercolours in this group were produced when the Audacious was on patrol off the Portuguese coast in 1796. Others were painted in the months leading up to the Battle of the Nile, when the Audacious was part of Nelson's squadron searching for the French fleet off the Italian coast after it had escaped from Toulon. Others were painted in the months leading up to the Battle of the Nile, when the Audacious was part of Nelson's squadron searching for the French fleet off the Italian coast after it had escaped from Toulon. He also depicted Nelson's flagship, HMS Vanguard, anchored at Naples Bay for repairs in October 1798, when he first met Emma Hamilton. Also shown are views of Syracuse and surrounding area, the Valley of Temples at Agrigento, Catania and Mount Etna, the Temple of Venus at Baia, the ruins of the Temple of Jupiter Olympus, the interior of the Temple of Concord, Mount Nuovo and Pozzuoli near Naples, the Temple of Ceres at Segesta, Convent of St. Nicolo Argentum, the Iron Mine of Elba. The fleet at Palermo is also depicted, where Nelson had accompanied the royal court of the Two Sicilies after they fled Naples. - Very minor scattered tears or repairs, a few restored or trimmed, light staining or spotting.