4 409 résultats
2012réf. Q-0600623432Hamlyn 2012-03-07. Paperback. New. New. In shrink wrap. Looks like an interesting title! Hamlyn paperback
2017réf. Gyan-9789353201944Facsimile Publisher 2017. Hardcover. New. 25.13 x 18.78 x 2.17 cm. English Facsimile Publisher hardcover
2017réf. Gyan-9789353201944Facsimile Publisher 2017. Hardcover. New. 25.13 x 18.78 x 2.17 cm. English Facsimile Publisher hardcover
réf. 0265607906.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1330268369.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0484690035.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1333673809.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9781020180033Hardback. New. hardcover
réf. 60-02955United States Golf Association. Pamphlet. Good. Good condition with wear. United States Golf Association unknown
1916réf. 4898New York: Willis McDonald & Co Printers. Very Good with no dust jacket. 1916. Hardcover. June 1916. Organized December 22d 1894. Orange cloth over boards gilt USGA emblem to front cover gilt lettering to front cover and spine marbled endpapers includes detailed results of Championships 1894-1915 with several fold-outs lists of members By-Laws Rules of Golf etc. This was the copy of Vincent Whitney with his name in gilt on the front cover. ; 6" x 8-1/2"; 203 pp; Vincent Whitney helped to create the Lincoln Park Golf Course in San Francisco working with Jack Neville to design the first three holes in 1902. See the San Francisco Public Golf Alliance web site for additional details. ; Front board with some soiled areas rear board lightly sunned paper lightly toned no inscriptions pages are clean and unmarked. . Willis McDonald & Co Printers hardcover
1929réf. BOOKS024092INew York: USGA. Fine bright copy in the original red cloth. 1929. 1st. hardcover. 8vo 200 pp. Photograph of Robert T. Jones Jr. & Findlay S. Douglas "Two Amateur Champions" Hole drilled through upper left corner probably as issued for tethering . USGA hardcover
1928réf. BOOKS024093INew York: USGA. Fine bright copy in the original red cloth. 1928. 1st. hardcover. 8vo 207 pp. . USGA hardcover
réf. PrakashN-9780600632078Hamlyn; Ill edition. PAPER BACK. New. ENGLISH Hamlyn; Ill edition unknown
réf. PrakashN-9780600632078Hamlyn; Ill edition. PAPER BACK. New. ENGLISH Hamlyn; Ill edition unknown
réf. 0265807301.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1900réf. 664unknown: unknown 1900. 9 1/2 x 8 inches 8 x 8 inches 8 x 8 inches. Very good condition. This is a set of three very rare etchings of golf. The first is a layout of the first tee and closing hole at St. Andrews Old Course. The second is of a golfer finishing his swing with. golfers in the background. The third is a golfer loonig at a difficult shoe if not impossible. These are very old and quite rare. They have been in my possession for 40 years and are new to the market. At one time I had the name of the artist but have misplaced my fact sheet. See pics. unknown unknown
Folio (212 x 324 mm). Persian manuscript on faintly ruled paper. 1 blank leaf, 336 pp. (168 ff.), 1 blank leaf. Text is complete, but last leaf is missing. 1 illuminated headpiece and 49 illustrations in ink and bright watercolour wash. Text in black, ruled in black, with important words and phrases picked out in purple. 19th century leather ruled and stamped in blind. Lavishly illuminated Persian manuscript depicting the romance which came to define the love story in Western literature. Composed by Abu al-Qasim Hasan Unsuri (ca. 961-1039), the original Persian was in fact lost, and preserved in a Turkish translation. Unsuri's version was itself based on what was already an ancient love story in his own time, the Ancient Greek novel "Metiochus and Parthenope", which also survives only in fragments. Though certainly derived from the Greek, like many Persian romances with Greek origins, "the nature of the relationship is not [...] the simple one of the earlier (Greek) material influencing the later (Persian) material, as the Greek novels contain a number of motifs and topoi which are identified within the narratives themselves as Persian in origin. The relationship between the love narratives of the two cultures appear, therefore, to have been one of mutual reciprocity over a considerable stretch of time" (Davis). - Some fragments of the original Persian do survive: Sa'id Nafisi collected 141 verses of "Wameq o 'Adra" that were used as evidence in Persian dictionaries, and 372 more verses were discovered by Mohammad Šafi' in the binding of an old manuscript in 1950 (Blois, 201). Unsuri's version was translated in the 16th century into Turkish by Shaikh Mahmud Lame'i, though in comparison with the earlier fragments, this is considered a loose translation of the original. However, it provides the source of most subsequent translations and most of what we know of "Vamiq va 'Azra", as a romance which underpins the genre. In literature both medieval and modern, the narratives of the original persist: lovers separated by a kidnapping, a virgin who must use a range of tricks to elude unworthy attempts on her chastity, an interrupted wedding, and a seemingly final separation with the (supposed) death of one of the lovers. In this way, "Vamiq va 'Azra" echoes down the literary ages. - Covers somewhat worn but professionally repaired; still tightly bound. Light soiling, otherwise a beautifully illustrated and uncommon manuscript. Richard Davis, "Greece IX. Greek and Persian Romances", in: Encyclopaedia Iranica XI, 339-342. Francois de Blois, Persian Literature: A Bio-Bibliographical Survey. Vol. V: Poetry of the Pre-Mongol Period (London: Royal Asiatic Society, 2004), pp. 201-204.
1996201p. Hardcover Very good condition good
Watercolour over traces of pencil. 708 x 490 mm. Signed and dated by the artist. Matted.
1974Watercolour heightened with white. 681 x 520 mm. Signed and dated by the artist. Matted.
Watercolour over pencil, matted. Signed and dated by the artist lower left. 460 x 363 mm. An impressive watercolour of the famous Arabian mare, dedicated by the artist "to Rachel".
1987Ballpoint, heightened with white. 378 x 278 mm. A sheet of annotated preliminary sketches for Upton's watercolour portrait of the three Arab mares Gold Roseifa, Russallka, and Roxiralot. - Matted.
1987Watercolour over pencil. 780 x 525 mm. Signed and dated by the artist. Matted.
1987Ballpoint, heightened with white. 373 x 276 mm. Matted. A sheet of annotated preliminary sketches (one on recto, two on verso) for Upton's watercolour portrait of the three Arab mares Gold Roseifa, Russallka, and Roxiralot.
8vo. XI, (1), 211, (1) pp. With a hand-coloured wood-engraved frontispiece and 4 large folding lithographed pedigree tables. Original burnt red cloth binding with giltstamped title to spine and upper cover. First edition. - Upton was one of the early experts on the bloodlines of British thoroughbreds. His book describes both the influence of the Arabian horse on the development of the English thoroughbred as well as many interesting aspects of the Arabian horse. Shortly after the publication of this work - intended to "point out errors that have been committed in the breeding of our horse" (p. iii) - he travelled in Arabia to obtain purebred horses and so improve the quality of British cavalry remounts. Upton served with the 9th Lancers. - Binding somewhat bumped and rubbed with traces of moisture to covers. Lightly browned throughout, paper brittle with occasional edge or corner flaws, frontispiece and title-page rather foxed. Rare. Boyd/P. 130. Huth 273. OCLC 12795478.