4 355 résultats
4to (150 x 210 mm). 137 ff. Arabic manuscript on polished laid paper. 17 lines per extensum, text in black ink with marks in red. Text in black ink in a neat commentary naskh style, influenced by the widespread Persian nastaliq hand. Limp tan goatskin binding with red goatskin spine. Late 18th century Arabic manuscript apparently written in Western Persia, containing a commentary on several theological propositions taken from various parts of Ibn Sina's encyclopedical Kitab al-Shifa’, the author's major work on science and philosophy, intended to "cure" or "heal" ignorance of the soul. Thus, despite its title, it is not concerned with medicine, in contrast to his earlier "Qanun". The book is divided into four parts: logic, natural sciences, mathematics (a quadrivium of arithmetic, geometry, astronomy, and music), and metaphysics. It was influenced by ancient Greek philosophers such as Aristotle, Hellenistic thinkers such as Ptolemy, and earlier Muslim scientists and philosophers such as Al-Kindi, Al-Farabi, and Al-Biruni. - The author of this commentary was the Shiite Iranian polymath and scholar Mohammed Mahdi ibn Abi Zarr Naraqi (1716-95). Praised by Henry Corbin in his "Histoire de la philosophie islamique", Naraqi was a significant figure on the verge of the early Qagar era of Shiite philosophy. Here, each Avicennian proposition is highlighted by the rubrication of the Arabic expression "qawl-hu" ("his saying [is … etc.]"). In some contrast to Ibn Sina's own Neo-Platonically informed interpretation of Islam, Naraqi's commentary belongs to a deeply Shiite mystical tradition. - Some paper repairs. With a Persian bequest statement (waqfiya), elegantly penned in tawqi hand, stating: "This [leather-]bound (mugallad) manuscript had been donated for the study of the religious sciences (ulum diniya) on the part of the residents of the Dar as-Saltanat in Esfahan, Persia, at the month of Rabi at-Tani 1292 H (= May 1875 CE)". Cf. GAL I, 454, 18.
Folio (227 x 317 mm). (18), 191 ff. (without final blank). Printer's device on title page and, in a different version, on the last page. Contemporary vellum. Traces of ties. First issue under this title, previously released as "Expositio in primam fen quarti canonis Avicennae" (1506). A commentary (with the text, in the version of Gerardus Cremonensis) of book four, part (fen) one of Avicenna's systematic "Canon of Medicine", written in Arabic but widely translated throughout the Middle Ages and the basis of medical training in the West as late as the mid-17th century. It continues in use to this day in parts of the Arab world. Through this encyclopedic work, the author exerted "perhaps a wider influence in the eastern and western hemispheres than any other Islamic thinker" (PMM). "The 'Qanun' [...] contains some of the most illuminating thoughts pertaining to distinction of mediastinitis from pleurisy; contagious nature of phthisis; distribution of diseases by water and soil; careful description of skin troubles; of sexual diseases and perversions; of nervous ailments" (Sarton, Introduction to the History of Science). The present part is dedicated to a discussion of feverish illnesses. - 17th century ownership "Bernardinus Statius Phys." on flyleaf. Some brownstaining throughout, as common; some worming to spine. Still a good copy. Edit 16, CNCE 2345. Adams A 1541. Durling 245. Cf. Wellcome I, 387 (only the Venice reprint). PMM 11.
Large 8vo (170 x 274 mm). Arabic manuscript on polished Indian laid paper. 328 leaves, 19 lines per extensum. Naskh script in black and occasional red ink; a few leaves of commentary loosely inserted. Contemporary full leather, spine rebacked, with oriental medaillon stamps to both covers. Expansive Arabic commentary on the "Qanunchah" ("Qanunceh", "Small Canon") of Mahmud al-Jaghmini, the important Persian medical compendium based on Ibn Sina's famous Arabic "Qanun". Al-Jaghmini's handbook of medicine was widely used at Eastern Persian schools as an introductory medical instruction manual for at least three centuries, but also found favour in India early. "One of the first works of medicine compiled in the Indian subcontinent was 'Sharh ul Qanunchah'. It was authored by Syed Abul Fath bin Syed Ismail al-Husaini al-Lahori during the sixteenth century and was a commentary of the well-known 'Qanunchah' of Chaghmini" (Alam, p. 369). The present manuscript was copied by Muhammad Kayyal (?) in Dhul-Qidah 1198 H. - Frequent, early remarginings to edges; some brownstaining and a few waterstains. Binding rubbed and rather bumped at extremeties. 19th century waqf stamps. A prettily written 18th century manuscript specimen of this important 16th century Indian commentary on a principal medical text. Cf. Mumtaz Alam, "Shift to Arabic? Medical Literature and Writing During Medieval India", in: Proceedings of the Indian History Congress 71 (2010/11), pp. 365-376.
Tall 8vo (150 x 265 mm). Persian manuscript on polished oriental paper. (340) ff., 23 lines, per extensum. Black ink with red emphases. Modern red blindstamped full calf, bound to style. Expansive commentary on the "Qanunchah" ("Qanunceh", "Small Canon") of Mahmud al-Jaghmini, the important Persian medical compendium based on Ibn Sina's famous Arabic "Qanun". Al-Jaghmini's handbook of medicine was widely used at Eastern Persian schools as an introductory medical instruction manual for at least three centuries. The present commentary by Shah Arzani was copied by Fadhl al-Din in 1119-1120 H. - Paper browned and brittle, some edge tears (rarely touching the text). Prettily bound to style in a modern full leather binding with oriental cover decorations stamped in relief.
Colour lithograph. 57 x 42.5 cm. Splendid Weißenburg illustrated broadsheet showing the rulers of the dynasty of Muhammad Ali (reigned from 1805 until the deposition of the last Khedive, Abbas Hilmi II, in 1914). As usual, this bears the fictitious publisher's address of Hassan Auvès in Cairo (at left), and also the true imprint of Camille Burckardt's successors, who took over the company in 1889. - Slight repaired tear to left edge; slight browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Stencil-coloured lithograph. 42.5 x 63.7 cm. Framed (77:63 cm). An extremely rare illustrated broadsheet showing the procession of the Egyptian Mahmal en route from Cairo to Mecca, with a colourful reception of a group of pilgrims in an Egyptian desert village. The Arabic caption states that the print was made from a drawing made on the spot by Sheikh Yunus, citing Hassan Uwais in Abidin Road, Cairo, as the publisher. The true publisher, Camille Burckardt in Weißenburg, is not named: it was company policy to obscure the European provenance of these broadsheets so as to to improve their sale potential in the Middle East. All of these prints are very rare; another copy of this print commanded £21,250 at Sotheby's in 2012. Des Mondes de Papier 120.
Colour lithograph. 43 x 33.3 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The actual publisher, Camille Burckardt, was head of the Weißenburg company from 1880 until 1888. - Slight crease, minor edge damage and browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012. Des Mondes de Papier p. 66, no. 2.
Stencil-coloured lithograph. 33.7 x 42.8 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The actual publisher, Camille Burckardt, was head of the Weißenburg company from 1880 until 1888. - Slight crease with minor edge damage; occasional browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Stencil-coloured lithograph. 43 x 33.4 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The actual publisher, Camille Burckardt, was head of the Weißenburg company from 1880 until 1888. - Slight crease, minor browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012. Des Mondes de Papier p. 66, no. 1.
Head-and-shoulders portrait. Stencil-coloured lithograph. 43 x 34 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The present leaf shows the last Khedive of Egypt (ruled 1892-1914); thus it must have been published during under Camille Burckardt's successors, who took over the Weißenburg factory in 1889. - Slight tear to right edge; slight creasing. Edges somewhat browned. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Head-and-shoulders portrait. Chromolithograph. 60 x 44.6 cm. Very rare Weißenburg broadsheet showing the portrait of an oriental ruler: the last-but-one Khedive (Viceroy) of Egypt, Tewfik Pasha (ruled 1879-1892). These oriental broadsheets were usually sold with the fictitious imprint of Hassan Auvès in Cairo; this one also states the actual publisher, Camille Burckardt's successors. - Slight horizontal crease; edges somewhat browned. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Seven-part jumping jack. Stencil-coloured lithograph. 674 x 580 mm. A large, typical Weißenburg jumping jack, the threatening caricature of an oriental character. Western audiences delighted in subjecting enemy warriors to ridicule by pulling the string and making the figure "jump" (cf. "Bilderbogen aus Weißenburg" catalogue, p. 134: a contemporary Turkish soldier by the same publisher). - Some edge and corner flaws. Includes additional illustrated broadsheets with oriental motifs. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Oblong 4to. [70] gray, white and blue album ff., containing 67 sketches with accompanying manuscript captions and descriptions. 66 sketches in pen & ink and pencil, mostly signed by Blackwell, depicting Swiss, Burmese and Indian panoramas and domestic scenes, buildings, events, animals and inhabitants, mounted and bound in, most accompanied by manuscript captions and descriptions by Blackwell and sometimes by a later hand. There is also 1 print (ca. 1795/1800?) showing a "rhahan" (priest) drawn by Singey Bey and engraved by Thomas Medland. Half black morocco, black decorated paper sides, gold-tooled ornaments on spine. Sketchbook by the English lieutenant Thomas Eden Blackwell (1803?-45), showing views of India, Burma, and Switzerland, made in the years 1826-30, when India, which is the subject of about 30 of the sketches, and parts of Burma (now Myanmar) were British colonies. The sketches, mostly signed and dated by Blackwell, are mounted on album leaves and accompanied by manuscript captions and descriptions, also by Blackwell and sometimes by a later hand. Some of these remarks are general or contain interesting facts, while others are very personal or describe an event that happened during Blackwell's time as officer. - Blackwell drew some panoramic views and buildings (for example an Indian mosque or a narrow street in Calcutta), but he pays particular attention to Indian culture in his sketches of India and the accompanying explanations. He sketches the Indian population, animals, and scenes representing the everyday life of Indian people. Several animal sketches are exceptionally beautiful, including that of a horse (with notes about Arabian horses). He also draws a camel, compares camels to dromedaries, and outlines the habitat of both species in India. Also included are many sketches of Indian cattle, such as bullocks, which were used as water-carriers, and Bengal cows (whose milk is said to be "inferior" to that of English cows). - Blackwell also drew the inhabitants of the Indian places he visited, including a priest ("rhahan") and an Indian watchman ("chokedar"), but also a "Musselman" and an Indian woman, with remarks concerning the attitude of Indian men towards women. Of particular interest are the Indian "sceneries", as Blackwell calls them, showing the everyday life of Indian people: native cooking, but also how Indian people bathe in Hooghly river, how they wash their clothes, and men smoking a so-called "hubble bubble" (a hookah or water pipe). Blackwell annotatioins to nearly all these sketches provide the reader with rare insights into Indian culture. - of Burma (now Myanmar) fewer sketches were made, and they focus mostly on the coasts and the city of Rangoon's wharfs. These include the royal wharf at Rangoon, with a whole page of explanatory text on the facing page, and a sketch showing a stockade in Burma, where, according to Blackwell's caption, the British killed the Burman general Maha Bundoola (1782-1825) in the First Anglo-Burmese War. Yet there is also a sketch of the so-called Great Bell in Rangoon, which is representative of Burmese bells, which are often located near celestial buildings. The album also includes two views of Tobago in the West Indies: a large two-page panoramic view and a sketch of the government house in Tobago with a garrison in the background; Blackwell's note states that his daughter Eliza was born there on 25 January 1833. - Another part of the sketchbook comprises sketches of Swiss landscapes and panoramas, especially of the region surrounding Basel (of which Blackwell also includes a two-page panoramic view). - With owner's inscription on the front pastedown: "Lieut. Blackwell 13th Light Infantry. Indian, Burmese and Swiss Sketches". Binding a little worn, one quire loose, some occasional spots and somewhat browned, but not affecting the drawings. In good condition.
8vo. X, 187, (1) pp. With frontispiece, 31 plates, 7 maps (3 in lower cover pocket), and 8 panoramas, mostly folding. Contemporary quarter calf over green cloth covers with giltstamped red spine labels. First edition. - The British-Indian Army's official account of the 1919-20 Waziristan campaign, marked "Confidential" on the title-page. The operations followed unrest that arose in the aftermath of the Third Anglo-Afghan War; they were conducted in the mountainous region of Waziristan (now in Pakistan) by British and Indian forces against the fiercely independent Waziri and Mahsud tribesmen that inhabited it. Since the 1870s, the British government agencies were assiduous in compiling internally published histories of their military frontier operations, with the intention of providing a "valuable guide" to such British commanders and policymakers as "might have future dealings with these turbulent neighbours" (as the Punjab Government phrased it in 1866). - Serial No. 1235 stamped to title-page. Occasional light marginal staining. A few edge flaws consistent with army use, repaired by a contemporary owner. In all a well-preserved, complete copy. OCLC 11497145. Catalogue No. C.W. 4 - Case No. 8987 N.S.
132.5 x 55 cm. Includes the Arabian Peninsula with the Arabian Gulf. Engraved chart, with tidal information, compass roses, soundings, seabed notations, currents and sandbanks. Lighthouses and beacons picked out in red and yellow. Signs of contemporary use, with several pencil markings. Not in the Al Ankary or Al-Qasimi collections
1942Ms. map (black and brown ink on paper). 735 x 412 mm. Hand-drawn map showing the Arabian Peninsula, the Indian subcontinent and the coast of Burma with the vast expanses of sea they border, reaching from the Suez Canal and Kenya in the West to the Maldives and on to Sumatra in the East. Signed and dated "Dr. L C Hofmann 1942" at bottom right (probably not the Dutch professor of Civil Law, Ludwig Christoph Hofmann [b. 1902]).
Drawing in ink and grayish watercolour (ca. 445 x 370 mm) of a Saker or Barbary falcon on paper. With some (later) added verses in Persian and Urdu, written in black ink. In a modern golden frame (ca. 565 x 480 mm). A fine, large Indo-Persian inscribed drawing of a falcon, very likely a Saker falcon or a Barbary falcon, both occurring in the Arabian Peninsula and throughout the Middle East and Pakistan. In the lower right corner, this drawing is signed "Jahangir Yahya" and dated 1301 H (1883 CE). Nothing is known about this (likely Pakistani) artist. The drawing was later juxtaposed with poetry, a practice not uncommon in the Persian and Islamic world. Sometimes there is a relationship between the text and the painting or drawing, sometimes not. For the poem at the right upper corner, the relationship between the drawing and the poem is evident. This verse is signed, reading the name of the poet Allama Iqbal and the date 1351 H (1932 CE), suggesting these verses were written a few years later than the drawing of the falcon. Allama Iqbal refers to the renowned Pakistani poet Sir Muhammad Iqbal (1877-1938), who wrote in both Urdu and Persian and whose Urdu poetry is considered among the greatest of the 20th century. The verses written on the drawing here compare the beloved to a falcon. - The other three verses in the upper left corner and to the left and right side of the falcon are Persian verses by Hafiz (1315-90), one of the most highly regarded classical Persian poets who is best known for his collection of over 400 ghazals. Very likely the ghazals of Hafiz, here added to the drawing, bore a metaphorical meaning relating to the illustration. Although the consistency of the hand suggests the lines were written by the same calligrapher some fifty years after the drawings was made, there is no evidence to suggest whether it was Iqbal himself who signed his name to the verse in the upper right corner or whether it was someone else who added the name of the poet. - Altogether a beautiful drawing of a falcon, beautifully reflecting the Indo-Persian tradition of juxtaposing visual and textual art, here offering verses of some of the greatest Urdu and Persian poets. A few creases and some very minor holes, but overall in good condition.
782 x 640 mm. In full colour. E48°-E54°/N28°-N32°. Folded. Third edition of this wartime map of the Bushehr area on the southwestern coast of Persia, on the Arabian Gulf. The city was occupied by British troops during the Anglo-Soviet invasion of Iran; these were replaced by American soldiers in 1942, who installed a military supply route for the Soviet Union through Iran (the "Persian Corridor"). Interestingly, the present map was copied by the German Luftwaffe as early as 1942 and distributed as "Weltkarte 1:1.000.000 (Iran) / H-39/G-39, Bushire. Hergestellt im Auftrage des Generalstabs des Heeres, Abt. für Kriegskarten und Vermessungswesen (II)". - Somewhat dusty and showing slight edge wear. Very rare. OCLC 1047892528 (a single record).
2 original black-and-white photographs. 146 x 227 and 181 x 229 mm. Material related to the 1951 Iranian oil crisis. The photographs show a group of British oil workers being evacuated from Abadan on their way to the British cruiser "Mauritius", as well as several tankers docked at the Abadan Refinery. - The photo of the tankers with mounted caption in English on verso.
Coloured folding map (81 x 110 cm). Scale 1:2,000,000. Original printed wrappers, with portrait of Reza Shah Pahlavi. (Constant ratio linear horizontal scale). The first-ever official map of modern Iran, printed in Farsi but by a Turkish publisher. Insignificant browning to spine; occasional slight paper damage in folds; altogether very well preserved. OCLC 422500836. Not in Al Ankary; Al-Qasimi.
8vo. 3 vols. 35, (1), 293, (9) folded maps, (7), 212, (1) pp. Original printed wrappers. First edition. - Three-volume set of this military geographic work on Iran, published by the General Staff of the German Army, collecting valuable information concerning physical aspects, resources, and artificial features of the terrain necessary for planning and operations. This set is complete with its 9 large folded maps and its 212 b/w photographic reproductions. - Moderate age-toning or foxing on wrappers. Text in German. Wrappers in overall good, interior in very good condition.
Oblong 4to (333 x 230) mm. Photo album with 12 baryte paper prints (125 x 110 mm) and 1 press photo (225 x 191 mm), the latter captioned, stamped and dated. Blue full percaline with gilt cover ornaments. Cord binding. A fine ensemble of photographs documenting the historic state visit to Iraq by King Saud of Saudi Arabia in May 1957, apparently photographed and assembled by a member of the Iraqi entourage closely involved throughout the visit. King Faisal II of Iraq and his Prime Minister Nuri As-Said met with King Saud to discuss the Pan-Arab movement led by Gamal Abdel Nasser, involving anti-monarchist efforts in Jordan. Eventually, talks in Baghdad were wound up "with a pledge to coordinate resistance to communism and a warning that no Arab state should meddle in the affairs of its neighbors" (caption of the press photograph). - The collection includes previously unseen pictures of the monarchs' arrival by car and carriage respectively, their mutual exchange of greetings, and the state dinner, as well as the subsequent talks held in the palace garden. - Not traced in the Keystone or Hulton/Getty press photo archives. In excellent condition.
655 x 660 mm. Lithograph in colours, dissected into 12 sections and mounted on original cloth. First edition of the first accurate Ottoman general map of Central and Southern Iraq, Kuwait, and Khuzestan (Iran); the authoritative map used by the Ottoman Army for strategic planning during the "Mesopotamia Campaign", during which Ottoman-German forces mounted a unexpectedly strong resistance to Britain's invasion of Iraq in World War I. Examples of the present map were used by Ottoman commanders who oversaw the successful Ottoman-German defence of Baghdad at the Battle of Battle of Ctesiphon (22-25 Nov. 1915), as well as the capture of the main British army at the Siege of Kut-al-Amara (7 Dec. 1915-29 April 1916). - With text entirely in Ottoman Turkish, the map is based on the British War Office's "Lower Mesopotamia Between Baghdad and the Persian Gulf" (1911), which was itself in part based on Ottoman sources. Both maps were dramatically superior in all respects to previous efforts, forming the culmination of over three generations of reconaissance, capped by critical late-breaking discoveries. - Some light staining in margins and in lower-right quadrant, but generally in good condition. Very rare.
Oblong folio (240 x 166 mm). 20 ff. 25 silver gelatin photographs, one of which is laid in at the rear; each is roughly 90 x 140 mm. Contemporary textured brown cloth, saddle-stitched with tassel. A rare collection of photographs of the political actors of 1950s and 1960s Iraq and the Kurdistan Region, each set having been taken only a year before the revolutions of 1958 and 1968, respectively. The photographs have been collected here with handwritten captions in German, possibly by one of the German engineering technicians featured in one snapshot. The earlier photographs feature the royal family, including the crowds of spectators awaiting King Faisal in 1957, the banquet for the guests of King Faisal in Sulaymaniyah, and the visit of the Regent and Crown Prince of Iraq, Abd al-Ilah, to Sulaymaniyah in the wake of the flooding in Autumn of 1957. - The laid in photographic print is dated 1955 and titled "im Garten v. Naji Khedairy", featuring a nighttime snapshot, presumably of Khedairy, staring down the camera with a glass in hand. - The later photographs are from September of 1967, several months after the Six Days' War, and feature the political landscape once again on the brink of change: two photos of Iraqi Prime Minister Tahir Yahya in a pinstripe suit walking with leader of the Kurdistan Democratic Party Mustafa Barzani, another photo of Barzani walking alone; several shots Abdul Razzak, Mustafa Barzani, and Tahir Yahya seated together with refreshments, including one of Barzani and Yahya laughing together, another photograph of Barzani captioned "Der kurdische Führer im Gespräch mit einem irakischen Militär", several casual snapshots of the "Kurdische Delegation" relaxing between meetings, one of which features one woman in Western dress, and a snapshot of the Kurdish military headquarters in Quaradagh. - Altogether, a photographic record of the political leaders of the region during two tumultuous decades, and their meetings amid conflict. Well preserved.
Small oblong folio (260 x 180 mm). 103 silver gelatin photographs mounted in photo corners or laid down. Contemporary black leather, blindstamped with imitations of Egyptian hieroglyphs. An interesting album of snapshots taken in Sudan and Iraq in the 1930s. Although the photographer's name is not present, he was probably an RAF serviceman stationed in North Africa and the Middle East, as there are several images of billets and two official R.A.F. aerial photographs at the rear of the album. - The images of Iraq, including Khartoum, Baghdad and Samarra, are in the majority, and largely focus on leisure activities such as horse racing in the desert and trips to important archaeological sites. One attractive series documents an excursion to the ruins of Babylon with the Lion of Babylon and the Ctesiphon Arch. Among the images of Babylon are two brick reliefs from the Ishtar Gate (constructed ca. 575 CE), a muscular aurochs, and the mythic mushussu dragon. - Light fading, otherwise well preserved.