Muybridge, Eadward.MareMagnum
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Large folio. Half morocco, retaining the original cloth covers and gilt cover label. 11 (instead of 21) plates. Author's Edition. Landmark collection of Muybridge's revolutionary "instantaneous photography", a self-developed technique that allowed for high-precision series of high shutter speed stop-motion photographs. He began his work with photographing horses, but in time it would also include athletes, birds, lions, and even camels. Muybridge first photographed a horse with all 4 hooves off the ground in 1872, after Leland Stanford (later the Governor of California) hired Muybridge to determine whether a horse leaves the ground completely when running, a hotly debated issue at the time. (Stanford believed they did, and Muybridge won Stanford a $25,000 bet.) By 1885, Muybridge had accumulated over 20,000 photographic negatives, or 781 sequential series of photo-plates, shot from multiple cameras at carefully planned locations and angles, each of which showed a human and/or animal engaged in a continuous motion. This required Muybridge to develop cameras for faster shutter closure. In cases where a human or animal moved any great distance, photographing the movement required a team of photographers, rather than a single photographer. Muybridge and H. Allen, a physiology professor at the University of Pennsylvania, published 37 eleven-volume sets which contained a collotype of every one of the 781 photographic series. This "Author's Edition" consists of a selection of the most important collotypes contained in the full work; the present set includes all the plates to show animals: No. 565. Horse trotting. - 616. Horse and rider, trotting more rapidly. - 626. A third horse and rider, running, including several frames with all 4 hooves off the ground. - 647. A horse jumping a hurdle at high speed, with a bareback jockey. - 659. Mule jumping and kicking with his hind limbs. - 710. Race hound at high speed, including frames with all 4 feet off the ground. - 721. Lion circling along the wall of a small enclosure. - 739. Camel walking. - 755. Bird flying, including swoops down. - 3. Runner. - 152. Runner jumping a hurdle. - The combined illustrated area of any given plate varies, but is typically about 21 x 30 cms. Muybridge had focused his early photographic work on San Francisco and Yosemite, but had later been sent by the Federal Government to photograph Alaska for the High Sierra Survey. (The latter project was in 1868, shortly after the territory was purchased. He was later sent on a second trip to Alaska to photograph the Tlingit tribe and the Modoc War.) During his time as a photographer, Muybridge owned a racetrack. Late in life, he invented the zoopraxiscope, a primitive forerunner of the motion picture camera. Analyses made possible by the technique later had a wide range of implications for sports, podiatry, physical therapy, vertebrate paleontology, and other fields. - Pastedowns and spine renewed, otherwise an excellent, clean copy in the original boards. Grolier, Truthful Lens, 123. Parr/Badger, The Photobook I, 52.
1997Abundantes ilustraciones.
Folio (232 x 295 mm). (2), XIV, 196, 112 pp. Contemporary blindstamped cloth with giltstamped title to spine. First edition. - In 1837, Cureton (1808-64), assistant keeper of manuscripts in the British Museum and the only oriental scholar in the department, was commissioned to prepare a catalogue of the Arabic manuscripts, the first part of which appeared in 1846. "But a new study had already engaged Cureton's attention. During his official occupation at the British Museum immense additions had been made to the collection of Syriac manuscripts. When he entered the department these numbered about eighty; but the accession of numerous manuscripts of the highest importance from the Nitrian monasteries, which were purchased and brought over partly by the mediation of Dr. Tattam in 1841 and 1843, raised the total to nearly six hundred. Cureton, who knew nothing of Syriac when he came to the department, set himself zealously to work to conquer the not very serious difficulties of the language, and to set in order and classify the new acquisitions from the Nitrian valley. His labours while drawing up an outline catalogue were amply rewarded by the discovery of many manuscripts of the highest interest" (DNB). The present work was published, after his death following a railway accident, by William Wright (1830-89). - Occasional slight foxing; on the whole an excellent, unusually wide-margined copy. From the library of the Ducs de Luynes at the Château de Dampierre: their bookplate reproducing the arms of Charles Marie d'Albert de Luynes (1783-1839), 7th Duc de Luynes, on pastedown. DNB XII, 326. OCLC 4774167. Cf. Fück 190.
Large 4to. (4), 175, (1) pp. With a folding engraved plate. Contemporary half calf with giltstamped spine title over red marbled boards. First edition of one of the earliest studies of the Rosetta Stone, published some 18 years before Champollion deciphered the text. N. G. Palin (1765-1842) was a leading Swedish diplomat whose postings included Madrid, Vienna, Dresden, and Constantinople. He made several journeys to Asia Minor, Greece, and Egypt, twice reaching the Cataracts of the Nile. On leave from 1824, he devoted all his time to his Egyptological studies. - Binding only very slightly rubbed; spine professionally rebacked preserving gilt title label and old library label. Paper a little browned; bookplate of the Portuguese historian Francisco Soares de Lacerda Machado (1870-1955) to flyleaf. Rare. Gay 1792. Ibrahim-Hilmy II, 194. Brunet VI, 29107. Kayser I, 57. OCLC 40974048.
8vo (105 x 149 mm). Arabic manuscript on polished paper. 306 ff., 2 flyleaves, 15 lines to the page. Written in fine Naskh script in black ink, verses separated by small gold roundels pointed in red, illuminated floral marginal devices throughout surah headings written in white thuluth script within gold-ground floral panels. Double-page illuminated 'unwan frontispiece elaborately decorated with interlacing polychrome flowers against a punched gold ground. Contemporary full gilt leather with fore-edge flap and gilt floral designs to covers. Endpapers covered with cornflower-blue, relief-stamped floral paper. Edges mottled in red. Stored in matching leather slipcase with flap and bellows-style cloth sides. A beautiful Qur'an manuscript from the early years of the era of Sultan Mahmud II, written in modern-day Turkey by Omar Al-Shawqi, student of Ismael Shawqi. - A small hole in the text of the second leaf, sewing a little loosened in places, otherwise a very attractively preserved example of a pocket-sized Qur'an.
Large 4to. (4), III, (3), 29, (1) pp; (2), 32, 42, 6 pp. Modern wrappers. Rare edition of the seventh chapter of the "Anvari Suhaili", a Persian fable, in Farsi, English and Arabic, with Arabic tables, analysis of the Arabic words, and the "Kalila Dumna", the Arabic version of the same chapter by 'Abd Allah ibn al-Mukaffa. Designed by Charles Stewart (1764-1837), professor of oriental languages at the East India College at Hailey, Hertfordshire, to help civil servants and military men in the service of the East India Company learn Persian. - A few page corners creased, occasional light soiling. With extensive pencil annotations from contemporary use; contemporary ink ownership of H. L. Dick to the title-page. As vol. 7 of Alexander's East India Magazine and Colonial and Commercial Journal reports under the Company's civil appointments, in January 1834 "Mr. H. L. Dick, writer [= administrator], has exceeded the period allowed for the Study of the Native Languages, and has been directed to return to England" (p. 103). Chauvin II, p. 27, no. 47. OCLC 891514783.
4to (163 x 220 mm). Arabic manuscript on paper. 56 ff. Script in bold black sini, 5 lines within double red rules, punctuation in red, surah heading in red, opening and closing bifolio with red, blue and black and gold illuminated panels around three lines of text. Early full calf with fore-edge flap, elaborately ruled and stamped in gilt. A finely illuminated Qur'an Juz', written in China in the 16th century by Abd Allah bin Yunus al-Sini, in the city of Xi'an. - Xi'an has a long history of Muslim culture, stretching back to the Tang dynasty. Indeed, Arab presence in China dates back as far as the first Caliphate: the Prophet's companion Sa'd ibn Abi Waqqas is traditionally credited with introducing Islam to China as ambassador in 650. Xi'an itself boasts a well-known Muslim quarter; by the time this Juz' was written in the Ming Dynasty, Da Xuexi Street and the Huajue Great Mosque were well-established parts of the thriving Muslim district. Qur'an sections written by Chinese Muslims show the Chinese influence clearly in both the decoration and the script, which is derived from naskh. - This thirtieth and final Juz' is also the most commonly memorized. It begins with surah 78, al-Naba’ (The Tidings), and concludes with the 114th and final surah of the Qu'ran, al-Nas (Mankind). The themes are generally apocalyptic, contrasting the moment of judgment with the beauty of Allah's creation. The Surah al-Nas, a brief six lines, is one of the most famous and best beloved. - Binding professionally rebacked, some subtle paper repairs; altogether a striking manuscript. Provenance: Private UK collection formed in the 1960s and 1970s.
8vo (180 x 252 mm). Arabic manuscript on paper. 58 ff. Script in bold black sini, 5 lines within double red rules, punctuation in red, black outlined gold rosettes between verses, headers in gold text on red ground, opening bifolium with red, blue and black and gold illuminated panels around three lines of text. 18th century full red leather with fore-edge flap, elaborately ruled and stamped in blind. Handsomely illuminated Qur'an Juz (one of thirty parts of varying lengths into which the Qur'an is divided) written in 18th century China. - Arab presence in China dates back as far as the first Caliphate: the Prophet's companion Sa'd ibn Abi Waqqas is traditionally credited with introducing Islam to China as ambassador in 650. Indeed, many major cities in China, such as Xi'an (or Chang'an, as it was known during the height of the Silk Road) and Beijing, boast a long and rich Muslim history. Qur'an sections written by Chinese Muslims show Chinese influence clearly in both the decoration and the script, which is derived from naskh. Juz' 29, the penultimate Juz' of the Qu'ran shown here, begins with surah 67, al-Mulk (The Sovereignty), and closes with the fifty lines of surah 77, al-Mursalat (The Emissaries). - Binding rebacked and spine and endpapers professionally replaced; subtle paper repairs; some later pagination marks. Altogether a beautiful example of the Chinese Muslim manuscript tradition. Provenance: Private UK collection formed in the 1960s and 1970s.
4to (188 x 254 mm). Arabic manuscript on paper. 51 ff. Script in bold black sini, 5 lines within red rules, vowel markers in black and corrections in red, surah headers in red, illuminated double-page frontispiece 'Unwan decorated with geometrical and floral designs in gold and colours in a typical Yunnan style of mainly gold on a red ground highlighted with green and blue. 16th century full brown leather with fore-edge flap, prettily ruled and stamped in blind with Islamic and Chinese-influenced designs. Very early Qur'an Juz (one of thirty parts of varying lengths into which the Qur'an is divided) written in 16th century China. - Arab presence in China dates back as far as the first Caliphate: the Prophet's companion Sa'd ibn Abi Waqqas is traditionally credited with introducing Islam to China as ambassador in 650. Indeed, many major cities in China, such as Xi'an (or Chang'an, as it was known during the height of the Silk Road) and Beijing, boast a long and rich Muslim history. Qur'an sections written by Chinese Muslims show Chinese influence clearly in both the decoration and the script, which is derived from naskh. Juz' 19 begins with surah 25, al-Furqan (The Criterion), contains in full surah 26, ash-Shu'ara (The Poets), and closes with the beginning of surah 27, an-Naml (The Ant). - The colophon in red script on the recto of the last leaf states that the manuscript was "copied by Shams al-Din ibn Musa al-Sini in the month of Safar of the year 953 AH in the city of Yunnan, one of the Chinese cities which has been honoured and blessed by Islam". - Binding rebacked and spine and endpapers professionally replaced; subtle paper repairs. An excellent example of the Islamic Chinese style of Qur'anic calligraphy and illumination. Provenance: Private UK collection formed in the 1960s and 1970s.
Small folio (230 x 295 mm). Arabic manuscript on cream-coloured paper. 58 ff. (plus 2 flyleaves), 5 lines per extensum, written in crisp Sini script in black ink. Text within red double rules, verses separated by gilt roundels, surah heading in gold outlined in red. Opening bifolio with brightly coloured and gilt quasi-geometric illumination, final bifolio with gold and polychrome Central Asian floral and tendril motifs in the borders. Contemporary blind-tooled brown leather binding with fore-edge flap. Indigo blue cotton endpapers. Prettily illuminated Qur'an Juz' (one of thirty parts of varying lengths into which the Qur'an is divided) written in late 18th or early 19th century China. Arab presence in China dates back as far as the first Caliphate: the Prophet's companion Sa'd ibn Abi Waqqas is traditionally credited with introducing Islam to China as ambassador in 650. Indeed, many major cities in China, such as Xi'an (or Chang'an, as it was known during the height of the Silk Road) and Beijing boast a long and rich Muslim history. Qur'an sections written by Chinese Muslims show Chinese influence clearly in both the decoration and the script, which is derived from naskh. The section of the Qu'ran copied here is the twelfth Juz', which comprises surah 11 (Hud), aya 6, to surah 12 (Yusuf), aya 52, named after the prophets Hud and Joseph. - Fingerstaining to lower corner and margin; a few leaves loose. An attractively illuminated example of the Chinese Muslim manuscript tradition.
8vo (200 x 288 mm). Arabic manuscript on paper. 50 ff. Script in bold black sini, 5 lines within red double rules, punctuation in red, gold rosette verse markers outlined in black, surah headers in gold, gold and polychrome marginal decoration, opening bifolium with red, blue and black and gold illuminated panels around three lines of text. Restored 18th century red leather with fore-edge flap, elaborately ruled and stamped in blind. Beautifully illuminated Qur'an Juz' (one of thirty parts of varying lengths into which the Qur'an is divided) written in 18th century China. Arab presence in China dates back as far as the first Caliphate: the Prophet's companion Sa'd ibn Abi Waqqas is traditionally credited with introducing Islam to China as ambassador in 650. Indeed, many major cities in China, such as Xi'an (or Chang'an, as it was known during the height of the Silk Road) and Beijing boast a long and rich Muslim history. Qur'an sections written by Chinese Muslims show Chinese influence clearly in both the decoration and the script, which is derived from naskh. The section of the Qu'ran copied here is the tenth Juz', which comprises surah 8, al-Anfal ("The Spoils") and surah 9, al-Tawbah ("The Repentance"). These two surahs form a set, and are best read as a pair. Both give an account of battles: al-Anfal describes the Battle of Badr, while al-Tawbah describes the Battle of Tabuk. - Covers fully rebacked, with some mild warping; some paper repair and reinforcement. Altogether a fine example of the Chinese Muslim manuscript tradition. Provenance: Private UK collection formed in the 1960s and 1970s.
1925ref. 49705Pittsburgh PA & Port Arthur TX: Gulf Refining Co. ca. 1925. Folio. 11.5 x 14.25 in. 5 large oversize folding leaves of typed descriptions measurements specifications; mounted 7 linen-backed photo leaves 2 folding -- w/ 39 images printed on 34 silver gelatin photos. Original split-pin post-binder blue silk red cloth corners brass split pins minor edgewear rubbing minor fraying to corners first typed leaf w/ creasing minor closed tears still a VG exemplar from the library of John W. Jackson former Marketing & Sales executive with Gulf Oil Corporation Tulsa OK. This spectacular packaging catalogue for Gulf Oil Company petroleum products in the 1920s provides an incomparable photographic reference for all of the available products their dimensions sizes specific directions about tin lithograph colours as well as the cardboard and wooden shipping crates. Gulf Oil Corporation was initially organized in May 1901 by J.M. Guffy Andrew W. Mellon and others. By 1907 they had built a 400-mile pipeline from Port Arthur to the Glenn Pool Field in Oklahoma and started refining Oklahoma crude by 1907. By the 1920s this integrated Oil Company had built service stations across the country sold Good Gulf Gasoline and actively promoted automobile travel with Gulf Maps marketing promotions and more. This catalogue begins with photos of 1 5 10 and 25 lb. tins of Gulf Supreme Grease Transmission Grease Red Top Axle Grease Gulf Petrol-atum Gulf High Pressure Grease and Gulf Lubricant with all of the product tins carefully sized by stack showing their side graphics sizes lids and lid configurations. The oil cans include Tractor Oil Auto Oil Harvester Oil Gulf Motorcycle Oil small illustration of 1920s era motorcycle with Gulf Logo and even the blank tin soldered cans of assorted sizes. Of particular interest are the images of all the specialty products Gulf Oil was marketing during the Flapper Era including Venom pesticide & bug killer in glass bottles with screw-top tin lids & corks; Gulf Gas-o-Clenz cans in 1/2 pint 1 pint 1 quart and 1 gallon sizes; Gulf Gleam Cans Gulf Jelly Clens tubes Gulf Grease tubes and more. The last group of photos show all of the varieties of Gulf Venom Jelly-Clenz Gulf Pressure Grease Gulf Gleam cardboard and wooden packaging complete with printed labels lithograph labels Venom hand-sprayers and packaging and crates in assorted sizes and amounts. These types of photographic sales catalogues for the Petroleum industry are quite scarce and often unique items. Gulf Refining Co., hardcover
1990Signature of Robert Bateman, dated 1990, upon half-title page. Over 175 pages. Focuses upon Bateman the painter and the conservationist. 120 all-new paintings are showcased in stunning full-colour plates. Book clean, bright and unmarked with negligible wear to attractive maroon cloth-covered boards. Dust jacket, which bears closed four inch opening to top edge of back panel at spine, bears light wear and is now preserved in a glossy new archival-grade Brodart cover. Nice copy. Book
1974Watercolour heightened with white. 681 x 520 mm. Signed and dated by the artist. Matted.
1984ref. 260307001Worthington Golf Inc. No date circa 1984 1984-01-01. hardcover. Like New. 0x0x0. Please Read No marks on text - My shelf location NOR-TOP Worthington Golf Inc. No date (circa 1984?) hardcover
1984ref. 129171Elyria OH: Worthington Golf Inc. 1984. Limited Edition. Hardcover. Near Fine/No Jacket as issued. 12 x 8 x 3. Hardcover. Book Condition: Near Fine. Jacket Condition: No Jacket as issued. Worthington Golf Inc. Elyria OH 1984. Limited Edition. 4 pages. Nice Firm Clean copy ! 4 pages of explanation. With 12 collectible balls. Size: 12 x 8 x 3. A short while ago during a renovation at the plant of the world's largest manufacturers of golf balls the Director of Production noticed in a mound of equipment being discarded a number of golf ball molds dating back to 1899. Believing them to have museum value as historic memorabilia he rescued them for the purpose of having them sent to the Goll Hall of Fame. However when the news got around a number of golf buffs inquired if it was possible to buy balls made from these molds for mementos. 'An Anthology of the Golf Ball' is lhe result of those requests. It contains 12 'antique' balls made from the original molds current between 1899 and 1949 - but with modem construction.They are for Collectors' cabinets - or play. Golf balls: 1899 Bramble 1914 Ace 1915 Whoopee 1916 WBC 1920 Wonder 1921 Allied 1923 Blue Bird 1923 P. G. A. 1928 Black Diamond 1928 Worthington 1938 Dice 1949 Sweetshot. Sports::Golf 6238L 6238L Worthington Golf Inc. hardcover
2016ref. BN6995852016. 2016. An Amazing Nation The illustrated story of the UAEs 45 years. An Amazing Nation The illustrated story of the UAEs 45 years. Dubai: Gulf News unknown
4to (168 x 212 mm). 8 watercolour drawings, some heightened with white or gold, captioned in German in a late 16th-c. hand, on 8 leaves and a further 24 blank leaves (for the watermark cf. Briquet 917: Nuremberg 1554 or 1565-82). Contemporary limp vellum without ties. An album of eight splendid costume paintings, by a talented, unidentified artist who may have been a member of the entourage of a German ambassador to the Porte. The subjects in this collection are captioned: "Der Kriechen Patriarch" (the Greek Patriarch); "Der Türckisch Keiser" (the Turkish Sultan); "Der Türckisch Babst" (the Grand Mufti); "Türckische weiber wie sie pflegen auf der gaßen zu gehen" (Turkish women, as it is their wont to dress in the street); "Also sizen die Türckischen weiber" (Thus sit the Turkish women); "Ein Epirotische frau wie sie in Iren Heusern zu Galata pflegen zu gehen" (a woman of Epirus, as they walk about in their houses in Galata); "Ein Kriegische fraw" (a Greek woman); and "Ein Armenerin" (an Armenian woman). - Great attention to both accuracy and details is shown: indeed, the suite may be related to another set of similar drawings in the Gennadius Library (A896 B), dated to about 1573 (cf. Blackmer Cat.). There is also some resemblance in style and presentation to certain of the costume illustrations in Nicolas de Nicolay's Navigations (1568, and later editions). Although Nicolay travelled in the Levant in the 1550s and was long thought to have drawn his costume subjects from life, doubt has been cast on this view, and it is now generally considered that he drew his subjects from the work of other artists and illustrators. - A little light dust-soiling, binding with minor wear, soiling and wormholes. Provenance: from the collection of Ferdinand Sigismund Kress von Kressenstein (1641-1704), councilman of Nuremberg whose father signed the Peace of Westphalia treaty (his armorial bookplate on the front pastedown). Later in the library of Franz Joseph II, Prince of Liechtenstein (1906-89), with his armorial bookplate on the flyleaf. Latterly in the collection of Henry Myron Blackmer II (1923-88), with his bookplate to the pastedown, sold at Sotheby's in 1989 (Blackmer sale, lot 80) and purchased by Herry W. Schaefer (1934-2016). Blackmer 1887 (with two illustrations: p. 42 and frontispiece facing p. 1). Cf. Haydn Williams, "Additional printed sources for Ligozzi's series of figures of the Ottoman Empire", in: Master Drawings, vol. 51, no. 2 [Summer 2013], pp. 195-220; Metin And, Istanbul in the 16th century: the city, the palace, daily life (Istanbul, 1994).
8vo. 2 vols. VIII, 472, XXXIV. (4), V, (6)-238 pp. With 2 lithogr. frontispieces, 9 lithogr. plates on Chine appliqué and 1 folding lithogr. map of Central Arabia and Egypt. Contemporary tan calf bindings, spines renewed in period style. First edition. The second volume - and the map - are devoted entirely to the so-called "Nedjed Country". - "The first political and commercial treaty between Great Britain and Persia was concluded in 1801, when the East India Company sent John Malcolm to the Court of Fath Ali Shah. Persia undertook to attack the Afghans if they were to move against India, while the British undertook to come to the defence of Persia if they were attacked by either the Afghans or the French. When the Russians intensified their attacks on the Caucasian Provinces in 1803 annexing large territories, Fath Ali Shah appealed to the British for help, but was refused on the grounds that Russia was not included in the Treaty. The Persians thus turned to the French and concluded the Treaty of Finkenstein in 1807. It was against this background that Harford Jones, who was the chief resident at Basra for the East India Company, was sent to Persia by the Foreign Office in 1809 [...] The French who had now entered into a treaty with Russia (the Treaty of Tilsit in 1807) had lost interest in Persia and removed their political and military missions. Thus the British were able to conclude another treaty with Persia (the Treaty of Friendship and Alliance, also called the Treaty of Tehran) which bound Britain to assist Persia in case any European nation invaded her (even if Britain had a treaty with that nation). This treaty was not honoured by the British after the first Persian-Russian War" (Ghani). Volume 2 is devoted exclusively to the Wahhabis, tracing their history from the mid-eighteenth century to their defeat by Egyptian Ottoman forces at the site of the Wahhabi capital, Dariyah (Dereyah), in 1818. - Rare: the only other copy in a contemporary binding on the market within the last 30 years was the Burrell copy (wanting half titles and rebacked; Sotheby's, Oct 14, 1999, lot 127, £8,000). Only slightly browned and foxed (occasionally affecting plates), but altogether fresh, in an appealing full calf binding. Macro, Bibliography of the Arabian Peninsula, 606. BM IV:457 (941). Wilson 33. Cf. Ghani 53f. (reprint). Diba 79.
8vo. 2 parts in one volume. XXIII, 512 pp. XII, 495 pp. With 14 (13 hand-coloured) aquatint plates and an engr. map. Contemp. red half morocco with marbled boards, endpapers and edges. Second edition of this detailed account of Kabulistan. The pretty engravings mainly depict costumes. "According to A. Janta, Elphinstone's encompassing scope and psychological insight have never been surpassed: for the historically leaning ethnologist, Elphinstone's work remains a source of the very highest caliber" (cf. Henze). - Occasional insignificant brownstaining. The pretty binding was probably prepared for Lt. Joseph Davey Cunningham (1812-51), who in 1849 published the standard "History of the Sikhs" (his autogr. ownership, "J. D. Cunningham, Caubul", on the flyleaf). Latterly in the collection of the Swiss industrialist Herry W. Schaefer. Abbey 504 (note). Hiler 269. Cf. Lipperheide Ld 16. Colas 960. Henze II, 164. Wilson 66. Howgego II, E10 (first and later eds.). Brunet II, 966.
4to (268 x 205 mm). 675 pp. With 2 maps, one folding, 14 aquatint plates, all but one coloured by hand. Contemporary straight-grained brown morocco gilt by Lubbock of Newcastle (rebacked). Marbled endpapers. Rare first edition of this detailed account of Kabulistan. The pretty engravings mainly depict costumes. "According to A. Janta, Elphinstone's encompassing scope and psychological insight have never been surpassed: for the historically leaning ethnologist, Elphinstone's work remains a source of the very highest caliber" (cf. Henze). - Armorial bookplate of John Waldie. Small tears to folding map professionally repaired. Howgego II, E10. Abbey, Travel 504. Tooley (1954) 209. Wilson 66. Henze II, 165. Lipperheide Ld 16. Colas 960. Hiler 269. Brunet II, 966. Graesse II, 469.
Large 4to. XVI, 287, (1) pp. With 11 (5 folding) aquatints and 2 folding engraved maps. Modern marbled half calf, bound to style. First edition. "For sixteen years, Jackson lived in various parts of Morocco, where he tirelessly collected information on this country as well as on the interior of North Africa, including intelligence regarding commerce and trade routes to Timbuktu, and about that city" (cf. Henze). The plates show views as well as the local flora and fauna. The final addendum contains a brief list of phrases in the local dialects, including "Have you a horse?" and "camel", "dates", etc. - Slight brownstaining, but a good copy. Formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Abbey 296. Gay 1248. Henze II, 696. Graesse III, 441. Cf. Brunet III, 477 (3rd ed.).
8vo. 31 pp., final blank page. Disbound. Very scarce pamphlet in which the Cambridge orientalist Ockley (1678-1720) endeavoured to clear himself of the charge of sympathising with William Whiston's Arian tendencies. Ockley translated the Second Book of Esdras from an Arabic manuscript in the Bodleian Library for Whiston's controversial work "Primitive Christianity Reviv'd" (1711), but issued his translation separately in 1716, so as to emphasise his disagreement with Whiston. In the present account Ockley states that he was hesitant to prepare the translation, stressing that he "was loath that any thing with [his] Name to it should be extant only in his [Whiston's] Heretical Volumes" (p. 31). - Margins slightly worn; lower right corner of last page clipped, no loss to text. Rarely seen in the trade. OCLC 563593889. DNB XLI, 364.
Large 8vo. 2 vols. (6), II, 356 pp. 14 genealogical tables (9 folding) & 3 hand-coloured folding maps. Original green cloth gilt. First and only edition of this excessively rare manual on the tribal structures in the very area where the region's biggest ongoing armed conflict started in 2011. Compiled initially in 1886, the text was brought up to date in 1907 by Captain A. E. Mosse. The authors provide a chronological breakdown of the events, relationships and hostilities of each of the 16 tribes in the Aden area. In addition, the work discusses the nature of each tribe (i.e. "a proud, warlike and independent race"), their income and their organisation, with notes on sub-tribes and their reigning families. The appendix includes copies of the treaties and agreements signed between local tribes and the British, many of which led to the establishment of the British Protectorate. - Aden was ruled as a part of British India from 1839 until 1937, when it became a Crown Colony. Its proximity to Zanzibar, the Suez canal and Mumbai made it an important strategic possession in the British Empire. Hunter wrote the first account of some of the tribes surrounding Aden in his work "An Account of the British Settlement of Aden in Arabia" (1877). - Slightly rubbed and spotted. Old library shelfmarks to upper covers; some contemporary underlinings in coloured pencil. The tables are at the end of the text volume, while the maps are stored loosely in a pocket in a separate volume. - Rare. Only two copies traced at auction within the last 50 years, one of which was lacking the maps showing the tribes of Yemen and the boundaries of the Aden protectorate. Not in Macro.
Folio (266 x 365 mm). VI, III-XX, 38 pp. With two frontispieces and 21 plates (the frontispiece and 10 out of 11 plates present in two states, both coloured and as sepia mezzotints). - (Bound with:) Annals of Horsemanship. Containing Accounts of Accidental Experiments, and Experimental Accidents Both Successful and Unsuccessful [...]. London, for W. Dickinson, S. Hooper, J. Archer, and R. White, 1791. XVII, (1), 81, (1) pp. With 15 stipple-engraved plates. 19th-century red three-quarters morocco with gilt spine. Marbled endpapers. First editions of Gambano's droll classics on horsemanship featuring H. W. Bunbury's humorous caricatures: a luxury copy with the rare hand-coloured plates included with the first work. "Geoffrey Gambado" has sometimes been identified with the illustrator, but is also said to have been Francis Grose, compiler of "A Classical Dictionary of the Vulgar Tongue" (cf. Riely, "Horace Walpole and 'the Second Hogarth'", in: ECS 9/1 [1975]). In addition to his works on antiquities, satiric essays, and volumes on non-standard words and meanings, Grose (1731-91) wrote "Rules for Drawing Caricaturas: with an Essay on Comic Painting" (1788), and the frontispiece portrait of "Gambado" in the "Academy" bears an uncanny resemblance to Grose, a "stocky, corpulent figure which Grose himself caricatured" (DNB). - The stipple-engraved plates were designed by H. W. Bunbury (1750-1811), whom "Walpole enthusiastically compared [...] to Hogarth. He was the friend of Goldsmith, Garrick, and Reynolds, and the favourite of the Duke and Duchess of York, to whom in 1787 he was appointed equerry. All this, coupled with the facts that he was seldom, if ever, personal, and wholly abstained from political subjects, greatly aided his popularity with the printsellers and the public of his day, and secured his admission, as an honorary exhibitor, to the walls of the Academy, where between 1780 and 1808 his works frequently appeared [... They] are not without a good deal of grotesque drollery of the rough-and-ready kind in vogue towards the end of the last century - that is to say, drollery depending in a great measure for its laughable qualities upon absurd contrasts, ludicrous distortions, horseplay, and personal misadventure" (DNB). - "The Annals of Horsemanship" were later "published with and generally bound with" the "Academy", though always "with a separate title page" (Huth). The "Academy" seemingly wants fol. B1 of the preliminary matter, but was apparently issued that way: as the ESTC notes, "Possibly deliberately mis-signed in order to support the 'missing' portion of the author's preface - see editor's note". - Some browning and brownstaining; occasional edge tears repaired (including a largish fault to fol. M2, the edges of which are more severely frayed). From the library of the late Robert Lionel Foster, Esq. (British Justice of the Peace, d. 1952; his bookplate on front pastedown). Huth p. 52. Lowndes p. 860. Brunet II, 1474 ("singulier ouvrage"). Graesse III, 22.
