6 436 résultats
réf. 5685P., Masson, sans date. In 4 cartonnage illustré de l'éditeur, 48 pp. illustrées en couleurs.
1940réf. 229521940. Photographic album of an American family's travels in 1940 and 1941 documents cross regional movement through Mexico Nova Scotia and the United States with a sustained visual record of Mexican landscapes labor and public life at the beginning of the 1940s. The album titled in manuscript "MEXICO 1941" includes detailed captions identifying locations agricultural practices and infrastructure situating the images within a period of expanding road networks and tourism in North America. The photographs support research into travel history visual documentation of rural and urban environments and cross cultural observation during the early twentieth century. Oblong photograph album containing approximately 180 original black and white silver gelatin photographs each measuring about 3 x 4 inches mounted on grey cardstock pages within a black pebbled faux leather album measuring approximately 9 x 7 inches. Over 80 photographs document travel in Mexico in 1941 with images of central Mexican landscapes including agave fields identified as sources of pulque and mezcal rural roads near Montemorelos the Tampoan River near Valles village scenes and market activity with vendors and goods displayed in open air settings. Urban views show streets with carts wagons and commercial signage. A recurring identified figure "Mary Kay" appears throughout including a photograph with a Spanish interpreter and references to a guide named Miquel "Mike" Soto. Additional photographs depict local residents including agricultural workers and market vendors. The remaining images include approximately 90 photographs from a 1940 trip to Nova Scotia and other North American locations including waterfront and forest scenes Washington D.C. civic architecture and monuments Texas small town environments and Gettysburg battlefield landscapes. The album was produced during a period when automobile travel and tourism expanded access to regional and international destinations allowing American travelers to document landscapes and communities through personal photography. The juxtaposition of Mexican rural and urban scenes with locations in Canada and the United States reflects differing regional environments while also demonstrating the continuity of travel practices and visual documentation. The inclusion of detailed captions indicates an effort to record geographic and cultural information alongside personal experience. Photographs remain clean and well preserved with secure corner mounts and a tight binding; overall very good condition. This album provides an extensive visual record of early 1940s travel across North America with particular emphasis on Mexico and Canada. unknown
1940réf. 229521940. Photographic album of an American family's travels in 1940 and 1941 documents cross regional movement through Mexico Nova Scotia and the United States with a sustained visual record of Mexican landscapes labor and public life at the beginning of the 1940s. The album titled in manuscript "MEXICO 1941" includes detailed captions identifying locations agricultural practices and infrastructure situating the images within a period of expanding road networks and tourism in North America. The photographs support research into travel history visual documentation of rural and urban environments and cross cultural observation during the early twentieth century. Oblong photograph album containing approximately 180 original black and white silver gelatin photographs each measuring about 3 x 4 inches mounted on grey cardstock pages within a black pebbled faux leather album measuring approximately 9 x 7 inches. Over 80 photographs document travel in Mexico in 1941 with images of central Mexican landscapes including agave fields identified as sources of pulque and mezcal rural roads near Montemorelos the Tampoan River near Valles village scenes and market activity with vendors and goods displayed in open air settings. Urban views show streets with carts wagons and commercial signage. A recurring identified figure "Mary Kay" appears throughout including a photograph with a Spanish interpreter and references to a guide named Miquel "Mike" Soto. Additional photographs depict local residents including agricultural workers and market vendors. The remaining images include approximately 90 photographs from a 1940 trip to Nova Scotia and other North American locations including waterfront and forest scenes Washington D.C. civic architecture and monuments Texas small town environments and Gettysburg battlefield landscapes. The album was produced during a period when automobile travel and tourism expanded access to regional and international destinations allowing American travelers to document landscapes and communities through personal photography. The juxtaposition of Mexican rural and urban scenes with locations in Canada and the United States reflects differing regional environments while also demonstrating the continuity of travel practices and visual documentation. The inclusion of detailed captions indicates an effort to record geographic and cultural information alongside personal experience. Photographs remain clean and well preserved with secure corner mounts and a tight binding; overall very good condition. This album provides an extensive visual record of early 1940s travel across North America with particular emphasis on Mexico and Canada. unknown books
1884réf. 994Couverture rigide 1ère Édition Ed. Rouveyre et G. Blond 1884 Paris 32x22,5 cm
1930réf. 205481930. Early twentieth century travel photo album compiled by "Jake"documents the working life and global mobility of a merchant ship crewman during the 1930s and 1940s with sustained visual attention to port cities across Africa the Americas and the United States. The album supports research into maritime labor informal American commercial presence abroad and everyday interactions between traveling workers and local populations under late colonial conditions. Photographs taken in Beira and Dondo in Mozambique and Angola Durban and Cape Town in South Africa and Accra in the Gold Coast record encounters shaped by European colonial infrastructures and tourist economies including images captioned "Typical Ricksha Boy" depicting South African rickshaw pullers in elaborate headdress and dress and scenes of women in Accra balancing baskets and trays of food. Additional captions such as "Sam and his 'girls'" showing uniformed workers marked "Sea View Hotel" and "me and my gals" portraying informal social contact provide direct evidence of how American maritime workers framed and recorded relationships with local communities. The album further situates this mobility within a broader circuit including the Panama Canal Mexico City and Vera Cruz and U.S. port cities such as Galveston New York and Boston. Travel photo album compiled circa 1930s to 1940s likely by an American merchant marine crewman identified as Jake. String-bound black cloth album containing 44 leaves with 218 silver gelatin photographs and postcards mounted or cornered in along with one original sketch of an African man. Images span multiple global locations including Beira Dondo Durban Cape Town Accra Vera Cruz Mexico City the Panama Canal Powell River Vancouver Galveston New York and Boston. Several photographs depict shipboard life and crew activity aboard the S.S. Nemiskam Park with additional images of small craft landings including African men canoeing crew members ashore. A sequence of photographs taken in Boston shows the compiler in maritime work gear wearing thigh-high boot wraps rubber gloves and an oxygen mask captioned "At last -- working for a change." Nineteen photographs document Mexico including rancheros and rancheras in embroidered dress scenes of bullfighting and crew members wearing sombreros and sarapes. This album provides a concentrated record of interwar and wartime-era maritime circulation linking North American labor to colonial and postcolonial port environments offering primary visual evidence of how working-class American travelers documented race labor and leisure across imperial geographies. The inclusion of commercial signage hotel uniforms and transport labor such as rickshaw pulling situates the photographs within local economies shaped by tourism and global trade while the Panama Canal images anchor the album within a critical artery of twentieth-century shipping and U.S. strategic infrastructure. The juxtaposition of African Mexican and U.S. scenes underscores the continuity of maritime networks that connected these regions and the album's captions provide insight into informal language humor and perception among traveling crewmen. Minor edge wear to album corners with some mounts loosening; leaves and photographs remain clean and stable. Overall very good condition. unknown
1930réf. 205481930. Early twentieth century travel photo album compiled by "Jake"documents the working life and global mobility of a merchant ship crewman during the 1930s and 1940s with sustained visual attention to port cities across Africa the Americas and the United States. The album supports research into maritime labor informal American commercial presence abroad and everyday interactions between traveling workers and local populations under late colonial conditions. Photographs taken in Beira and Dondo in Mozambique and Angola Durban and Cape Town in South Africa and Accra in the Gold Coast record encounters shaped by European colonial infrastructures and tourist economies including images captioned "Typical Ricksha Boy" depicting South African rickshaw pullers in elaborate headdress and dress and scenes of women in Accra balancing baskets and trays of food. Additional captions such as "Sam and his 'girls'" showing uniformed workers marked "Sea View Hotel" and "me and my gals" portraying informal social contact provide direct evidence of how American maritime workers framed and recorded relationships with local communities. The album further situates this mobility within a broader circuit including the Panama Canal Mexico City and Vera Cruz and U.S. port cities such as Galveston New York and Boston. Travel photo album compiled circa 1930s to 1940s likely by an American merchant marine crewman identified as Jake. String-bound black cloth album containing 44 leaves with 218 silver gelatin photographs and postcards mounted or cornered in along with one original sketch of an African man. Images span multiple global locations including Beira Dondo Durban Cape Town Accra Vera Cruz Mexico City the Panama Canal Powell River Vancouver Galveston New York and Boston. Several photographs depict shipboard life and crew activity aboard the S.S. Nemiskam Park with additional images of small craft landings including African men canoeing crew members ashore. A sequence of photographs taken in Boston shows the compiler in maritime work gear wearing thigh-high boot wraps rubber gloves and an oxygen mask captioned "At last -- working for a change." Nineteen photographs document Mexico including rancheros and rancheras in embroidered dress scenes of bullfighting and crew members wearing sombreros and sarapes. This album provides a concentrated record of interwar and wartime-era maritime circulation linking North American labor to colonial and postcolonial port environments offering primary visual evidence of how working-class American travelers documented race labor and leisure across imperial geographies. The inclusion of commercial signage hotel uniforms and transport labor such as rickshaw pulling situates the photographs within local economies shaped by tourism and global trade while the Panama Canal images anchor the album within a critical artery of twentieth-century shipping and U.S. strategic infrastructure. The juxtaposition of African Mexican and U.S. scenes underscores the continuity of maritime networks that connected these regions and the album's captions provide insight into informal language humor and perception among traveling crewmen. Minor edge wear to album corners with some mounts loosening; leaves and photographs remain clean and stable. Overall very good condition. unknown books
1960réf. 232261960. South Asia photo album recording Darjeeling Nepal Calcutta and Agra in the 1960s in a post Independence view of how religious life urban crowding tourism and Himalayan community identity were being documented by a foreign traveler across India and Nepal. The album showcases the various landscapes of cultural and religious identity throughout South Asia with Muslim architecture in Agra Buddhist and Hindu temple spaces in the Himalayan region crowded Calcutta streets captioned in French as an overpopulated refugee city and repeated portraits of Nepali villagers Sherpas women and children. In the decades after 1947 Indian cities such as Calcutta were absorbing refugee movement housing pressure and widening informal street economies while Himalayan communities in Darjeeling and Nepal were increasingly pulled into road building porterage mountaineering border trade and tourism conditions that form the broader social world around the album's portraits and landscapes. Photo archive of 150 silver gelatin photographs and a small group of color snapshots most measuring 2.5" x 3.75" album measuring 10.5" x 14" Darjeeling Nepal Calcutta and Agra circa early 1960s. Black paper leaves with corner mounts and French captions opening with a map of India labeled in French and moving through place based sequences. Agra pages include captioned views of the "Le Mausolée d'Itimad ud Daula" façades pierced marble screens and views of the Taj Mahal. Buddhist material includes a page captioned "Temple Bouddhique" with rooflines bells carved doors and ornamental details. Nepal and Darjeeling sections show prayer flags strung across roads mountain slopes a ridge top cabin bundled men in traditional clothing and a captioned portrait of "Le sherpa Tensing Norgay." Other leaves caption "Nepalais" and "Mère Népalaise" pairing a woman carrying a child in a basket with village children hillside portraits and small groups gathered outdoors. Calcutta appears through elevated city views dense commercial streets market scenes bridge approaches pavement sleeping and sitting areas and close portraits captioned "mendiantes" and "fumeuse de pipe." A color image captioned "Danseuse du Kashmir" and several small color snapshots extend the album's attention to costume and regional customs. By the 1960s Independence had ended British rule but it had not eased the pressures of displacement poverty overcrowding and uneven development that shaped eastern Indian urban life and the Calcutta pages make those conditions visible through street congestion market trading informal rest spaces and the compiler's own language about refugees and overpopulation. In the Himalayan sections the album does not directly picture hunger land scarcity or labor migration in explicit terms yet those pressures formed the lived context of many Nepali and Sherpa communities during this period when cash income often depended on carrying service work seasonal movement and the new international economy of trekking and mountaineering that made figures such as Tenzing Norgay globally recognizable. Minor edge and corner wear from cornering; images clean and clear; binding and boards intact. A 1960s record of post Independence South Asia combining sacred architecture urban hardship and Himalayan portraiture. unknown
1960réf. 232261960. South Asia photo album recording Darjeeling Nepal Calcutta and Agra in the 1960s in a post Independence view of how religious life urban crowding tourism and Himalayan community identity were being documented by a foreign traveler across India and Nepal. The album showcases the various landscapes of cultural and religious identity throughout South Asia with Muslim architecture in Agra Buddhist and Hindu temple spaces in the Himalayan region crowded Calcutta streets captioned in French as an overpopulated refugee city and repeated portraits of Nepali villagers Sherpas women and children. In the decades after 1947 Indian cities such as Calcutta were absorbing refugee movement housing pressure and widening informal street economies while Himalayan communities in Darjeeling and Nepal were increasingly pulled into road building porterage mountaineering border trade and tourism conditions that form the broader social world around the album's portraits and landscapes. Photo archive of 150 silver gelatin photographs and a small group of color snapshots most measuring 2.5" x 3.75" album measuring 10.5" x 14" Darjeeling Nepal Calcutta and Agra circa early 1960s. Black paper leaves with corner mounts and French captions opening with a map of India labeled in French and moving through place based sequences. Agra pages include captioned views of the "Le Mausolée d'Itimad ud Daula" façades pierced marble screens and views of the Taj Mahal. Buddhist material includes a page captioned "Temple Bouddhique" with rooflines bells carved doors and ornamental details. Nepal and Darjeeling sections show prayer flags strung across roads mountain slopes a ridge top cabin bundled men in traditional clothing and a captioned portrait of "Le sherpa Tensing Norgay." Other leaves caption "Nepalais" and "Mère Népalaise" pairing a woman carrying a child in a basket with village children hillside portraits and small groups gathered outdoors. Calcutta appears through elevated city views dense commercial streets market scenes bridge approaches pavement sleeping and sitting areas and close portraits captioned "mendiantes" and "fumeuse de pipe." A color image captioned "Danseuse du Kashmir" and several small color snapshots extend the album's attention to costume and regional customs. By the 1960s Independence had ended British rule but it had not eased the pressures of displacement poverty overcrowding and uneven development that shaped eastern Indian urban life and the Calcutta pages make those conditions visible through street congestion market trading informal rest spaces and the compiler's own language about refugees and overpopulation. In the Himalayan sections the album does not directly picture hunger land scarcity or labor migration in explicit terms yet those pressures formed the lived context of many Nepali and Sherpa communities during this period when cash income often depended on carrying service work seasonal movement and the new international economy of trekking and mountaineering that made figures such as Tenzing Norgay globally recognizable. Minor edge and corner wear from cornering; images clean and clear; binding and boards intact. A 1960s record of post Independence South Asia combining sacred architecture urban hardship and Himalayan portraiture. unknown books
réf. 20159Paris, pour les bibliophiles du palais, 1940. In-folio, 128 pp. 40 pl., en feuilles, couverture originale imprimée, chemise et étui cartonnés (quelques minuscules rousseurs éparses à la couverture, insolation et frottements à la chemise et à l'étui).
1910réf. 2865Paris, Saussine, sans date (circa 1910). Dimensions : 40,5 x 32 cm. Rarissime et charmant jeu de société ancien édité par la maison Saussine. Le plateau est orné d'une belle lithographie en couleurs représentant deux groupes d'enfants sur une bascule, dans un décor champêtre animé, le tout dans sa boîte en carton bleu d'origine. La balançoire est posée horizontalement entre les deux adversaires. Tour à tour, chaque joueur lance le dé et abaisse son côté d'autant de crans que le dé l'indique. La bascule monte et descend au rythme des lancers... jusqu'à ce que l'un des joueurs atteigne ou dépasse le numéro 10 et s'empare de la victoire ! Les deux échelles de score latérales, numérotées de 1 à 10, sont équipées de leurs curseurs métalliques (également d'origine). Encollées à l'intérieur du couvercle, les règles bilingues français-anglais — avec mention espagnole (Juego de la Báscula) — témoignent des ambitions commerciales internationales du fabricant parisien, qui occupe déjà une place centrale sur le marché français de l'époque.
1950réf. 231941950. Mid-century Mexico photo archive of markets colonial architecture rural households and regional custom recording Mexico everyday labor Indigenous craft traditional dress and iconic national scenery. The photos primarily show on the ground local customs basket vendors seated behind stacks of woven wares pottery sellers in street market display women posed before hanging textiles and earthen vessels and a rural family gathered outside an adobe or jacal dwelling. These photos document monumental Mexico City life smaller scenes of household economy and village life cathedral plazas bullfighting spectacle Indigenous and mestizo craft traditions and rural environments. Photo archive of 20 real photo and photographic postcards varying postcard format sizes Mexico mid twentieth century. Visible captions identify scenes including "Vendedores de canastos. Mex." "Lacandon y textiles mayas C.D. de Las Casas Chis. Mex." "A Mexican Family / Mexican Casa / Adobe Huts" "El Zocalo Mexico D.F." "La Quebrada Acapulco Gro." "Patio de la fonda en San Blas Nay." and "En Xochimilco Mexico." The archive includes broad scenic and civic views of cathedral architecture plazas volcanic landscape lake and garden settings cliffside resort construction at Acapulco and waterfront or canal-side leisure scenes. Other cards focus closely on cultural and economic life: men in broad-brimmed hats selling baskets in market space pottery laid out for sale in the street women cooking outdoors in a scene labeled for the Mexican army a bullfighter in the arena a fruit or pottery market display a palm-thatched dwelling marked "A Mexican Home" and portraits tied to Chiapas and the Lacandon region. The archive belongs to a period when postcards were a primary vehicle for circulating Mexico as both modern nation and regional mosaic with tourism ethnographic curiosity and nationalist image-making all folded into the same marketable format. Light surface and edge wear; overall very good condition. The combination of major landmark views with market household and Indigenous-associated scenes gives the archive a grounded record of how mid century Mexico was pictured through work craft and regional custom. unknown
1950réf. 231941950. Mid-century Mexico photo archive of markets colonial architecture rural households and regional custom recording Mexico everyday labor Indigenous craft traditional dress and iconic national scenery. The photos primarily show on the ground local customs basket vendors seated behind stacks of woven wares pottery sellers in street market display women posed before hanging textiles and earthen vessels and a rural family gathered outside an adobe or jacal dwelling. These photos document monumental Mexico City life smaller scenes of household economy and village life cathedral plazas bullfighting spectacle Indigenous and mestizo craft traditions and rural environments. Photo archive of 20 real photo and photographic postcards varying postcard format sizes Mexico mid twentieth century. Visible captions identify scenes including "Vendedores de canastos. Mex." "Lacandon y textiles mayas C.D. de Las Casas Chis. Mex." "A Mexican Family / Mexican Casa / Adobe Huts" "El Zocalo Mexico D.F." "La Quebrada Acapulco Gro." "Patio de la fonda en San Blas Nay." and "En Xochimilco Mexico." The archive includes broad scenic and civic views of cathedral architecture plazas volcanic landscape lake and garden settings cliffside resort construction at Acapulco and waterfront or canal-side leisure scenes. Other cards focus closely on cultural and economic life: men in broad-brimmed hats selling baskets in market space pottery laid out for sale in the street women cooking outdoors in a scene labeled for the Mexican army a bullfighter in the arena a fruit or pottery market display a palm-thatched dwelling marked "A Mexican Home" and portraits tied to Chiapas and the Lacandon region. The archive belongs to a period when postcards were a primary vehicle for circulating Mexico as both modern nation and regional mosaic with tourism ethnographic curiosity and nationalist image-making all folded into the same marketable format. Light surface and edge wear; overall very good condition. The combination of major landmark views with market household and Indigenous-associated scenes gives the archive a grounded record of how mid century Mexico was pictured through work craft and regional custom. unknown books
2004réf. 2542191007062Notions - In Network 2004-04-01. Paperback. Very Good. Nice looking book has minor edge wear. Notions - In Network paperback
1987réf. 4400Couverture souple 1ère Édition Editions de Montfort 1987 Paris 37,5x29 cm
réf. 7426Bordeaux et Lille, 1911. Grand in 8 broché, manque au dos, LXVII-128pp. avec XXXVII planches, certaines dépliantes, certaines en couleurs.
réf. 7880Bordeaux et Lille, 1911. Grand in 8 broché, manque au dos, LXVII-128pp. avec XXXVII planches, certaines dépliantes, certaines en couleurs.
réf. 6696"P., Rotschild, 1891. In 8 demi-chagrin, dos à nerfs orné, XIX-errata-132 pp; et 25 planches montée sur onglet."
2013réf. 1-1464715785Leisure Arts 2013. Paperback. New. 48 pages. 11.00x8.50x0.25 inches. Leisure Arts paperback
1936réf. 232721936. Camp Mabry and Texas personal photo album documenting prewar military camps domestic and civic life in Austin and San Antonio Arkansas political rally activity and Mexico in 1936 and 1937 with direct evidence of how an American soldier moved between troop grounds private homes city streets and cross border travel before the Second World War. Handwritten captions place the sequence at Bull Creek Road Breckenridge Park Dr. Davis's home in San Antonio the University of Texas Camp Mabry Pulaski political sites Mexico City and the pyramids and ruins visited on the Mexico trip. The Camp Mabry section shows troop buildings motor transport horses trench mortar practice parade formations and guard changes within the daily structure of a Texas military post in the late Depression period. Photo archive of 308 silver gelatin photographs and 1 photographic negative most measuring approximately 4 x 3 inches with several larger snapshot prints laid into the album Texas Arkansas and Mexico 1936 to 1937. Contemporary white ink captions identify places dates and subjects throughout including "Bull Creek Road / December 1936" "Bordeaux Home Thanksgiving November 1936" "Breckenridge Park S.A. 1937" "Dr. Davis's Home in San Antonio May 1937" "Ark. Stage During Political Rally" "Pulaski Office 1936 Aug" "State Capitol" "Congress Ave." "Law Bldg. Univ. Tex" "Motor Transport Units" "Troop Bldg." "Saddle Room" "Trench Mortar" "Troop Horses" "Parade" "Changing the Guards" "Mexico City" "El Gran Catedral" "Indian Ruins" "Big Pyramid" and "Early Ruins." The Texas photographs include women posed beside late 1930s automobiles garden and yard portraits at the Bordeaux home rocky riverbank scenes at Bull Creek and Marble Falls couples' snapshots and views around Austin and San Antonio. The Arkansas pages show storefronts hotel facades backstage and basement interiors campaign imagery around the Arkansas Theater and Pulaski office and men identified in caption as Ray Coley and Frank MacMahon. Camp Mabry appears in sustained sequence through barracks views transport lines artillery vehicles horse trough scenes calisthenics fields band and baseball activity parade grounds and numerous named soldiers and officers including Bill Brooks Capt. Sutton Capt. Müller Col. Boyd Maj. Newgarden Bill Connors Brown Luther Stone Jimmy Sadler and Jeff Kersey. The Mexico section extends from mountain roads and city streets to cathedral architecture and archaeological tourism including stepped pyramids broad stairways summit views and crowd scenes at the ruins. The album documents Texas in 1936 and 1937 Texas prewar military organization and the Mexico photographs placing the compiler within a broader 1930s culture of automobile tourism and hemispheric travel. Light edge wear to the album corner and mount wear scattered fading and silvering to some prints and handling wear to several laid in photographs; overall good condition. Photos from Camp Mabry act as dated records of daily troop routine at one of Texas's principal military posts that soon assumed a wartime home-front role as headquarters of the Texas Defense Guard. The dated photographs show Camp Mabry in the years immediately preceding World War II and the Arkansas and Mexico sections reveal how this interwar period allowed for movement leisure and social life in a way which would soon be restricted by the second world war. unknown
1936réf. 232721936. Camp Mabry and Texas personal photo album documenting prewar military camps domestic and civic life in Austin and San Antonio Arkansas political rally activity and Mexico in 1936 and 1937 with direct evidence of how an American soldier moved between troop grounds private homes city streets and cross border travel before the Second World War. Handwritten captions place the sequence at Bull Creek Road Breckenridge Park Dr. Davis's home in San Antonio the University of Texas Camp Mabry Pulaski political sites Mexico City and the pyramids and ruins visited on the Mexico trip. The Camp Mabry section shows troop buildings motor transport horses trench mortar practice parade formations and guard changes within the daily structure of a Texas military post in the late Depression period. Photo archive of 308 silver gelatin photographs and 1 photographic negative most measuring approximately 4 x 3 inches with several larger snapshot prints laid into the album Texas Arkansas and Mexico 1936 to 1937. Contemporary white ink captions identify places dates and subjects throughout including "Bull Creek Road / December 1936" "Bordeaux Home Thanksgiving November 1936" "Breckenridge Park S.A. 1937" "Dr. Davis's Home in San Antonio May 1937" "Ark. Stage During Political Rally" "Pulaski Office 1936 Aug" "State Capitol" "Congress Ave." "Law Bldg. Univ. Tex" "Motor Transport Units" "Troop Bldg." "Saddle Room" "Trench Mortar" "Troop Horses" "Parade" "Changing the Guards" "Mexico City" "El Gran Catedral" "Indian Ruins" "Big Pyramid" and "Early Ruins." The Texas photographs include women posed beside late 1930s automobiles garden and yard portraits at the Bordeaux home rocky riverbank scenes at Bull Creek and Marble Falls couples' snapshots and views around Austin and San Antonio. The Arkansas pages show storefronts hotel facades backstage and basement interiors campaign imagery around the Arkansas Theater and Pulaski office and men identified in caption as Ray Coley and Frank MacMahon. Camp Mabry appears in sustained sequence through barracks views transport lines artillery vehicles horse trough scenes calisthenics fields band and baseball activity parade grounds and numerous named soldiers and officers including Bill Brooks Capt. Sutton Capt. Müller Col. Boyd Maj. Newgarden Bill Connors Brown Luther Stone Jimmy Sadler and Jeff Kersey. The Mexico section extends from mountain roads and city streets to cathedral architecture and archaeological tourism including stepped pyramids broad stairways summit views and crowd scenes at the ruins. The album documents Texas in 1936 and 1937 Texas prewar military organization and the Mexico photographs placing the compiler within a broader 1930s culture of automobile tourism and hemispheric travel. Light edge wear to the album corner and mount wear scattered fading and silvering to some prints and handling wear to several laid in photographs; overall good condition. Photos from Camp Mabry act as dated records of daily troop routine at one of Texas's principal military posts that soon assumed a wartime home-front role as headquarters of the Texas Defense Guard. The dated photographs show Camp Mabry in the years immediately preceding World War II and the Arkansas and Mexico sections reveal how this interwar period allowed for movement leisure and social life in a way which would soon be restricted by the second world war. unknown books
1996réf. 236891996. Very large 1990s Los Angeles street culture photo negative archive with over 1000 images circa 1996 to 1999 recording the social scene of Hollywood Boulevard through street fashion performance tourism nightlife events and informal local portraits. The negatives show people on Hollywood Boulevard and nearby venues: break dancers performing on the Walk of Fame teenagers in streetwear musicians fashion shows costumed entertainers police officers tourists posing with Hollywood signs families nightclub patrons merchants and local personalities known to the photographer by name or occupation. A vibrant contemporary collection of Los Angeles street culture in the late 1990s. Archive of approximately 1038 color and black and white photographic negatives Los Angeles circa 1996 to 1999. Photographer unknown. Individual negatives measure approximately 1 x 1.5 inches and are retained in strips of three to six exposures in archival sleeves bound in a red faux leather binder embossed "The Melaleuca Portfolio". The Los Angeles material centers on Hollywood Boulevard and the Walk of Fame including dancers performing for sidewalk crowds portraits outside the Chinese Theatre Halloween costumes nightclub and fashion events police motorcycles and patrol cars street vendors visitors displaying Hollywood souvenirs and people posing beside limousines convertibles advertising vehicles storefronts and entertainment landmarks. Handwritten captions include "Basketball Players" "Girls on Marilyn" "Tanya - Star Trek Writer" "99/Boulevard" "Dr. Jones" "Carlos Cassio - Drug Bust @ Hotel" "Roesha" "Policewoman on Bicycle" "Fashion Show" "Blvd. Oct. Nov - 96 Halloween" and "Cable Guy Premiere" while several sheets document repeated portrait sittings public performances group gatherings and street encounters over multiple frames. About 30 images from Las Vegas show performers in masks and costumes interiors that appear to be hotels or casinos and portraits from the same period. Hollywood Boulevard in the late 1990s attracted residents street performers tourists promoters aspiring entertainers and nightlife patrons from all walks of life to the famous aisle of movie theatres and the Walk of Fame. These negatives record that environment at the street level with special attention to street wear and performers musicians and local characters. Negatives remain housed in sleeves and retain generally strong image density; occasional blank frames handling marks and isolated surface wear. Overall very good condition. A dense record of LA fashion performance tourism nightlife and informal portraits on Hollywood Boulevard at the close of the twentieth century. unknown
1996réf. 236891996. Very large 1990s Los Angeles street culture photo negative archive with over 1000 images circa 1996 to 1999 recording the social scene of Hollywood Boulevard through street fashion performance tourism nightlife events and informal local portraits. The negatives show people on Hollywood Boulevard and nearby venues: break dancers performing on the Walk of Fame teenagers in streetwear musicians fashion shows costumed entertainers police officers tourists posing with Hollywood signs families nightclub patrons merchants and local personalities known to the photographer by name or occupation. A vibrant contemporary collection of Los Angeles street culture in the late 1990s. Archive of approximately 1038 color and black and white photographic negatives Los Angeles circa 1996 to 1999. Photographer unknown. Individual negatives measure approximately 1 x 1.5 inches and are retained in strips of three to six exposures in archival sleeves bound in a red faux leather binder embossed "The Melaleuca Portfolio". The Los Angeles material centers on Hollywood Boulevard and the Walk of Fame including dancers performing for sidewalk crowds portraits outside the Chinese Theatre Halloween costumes nightclub and fashion events police motorcycles and patrol cars street vendors visitors displaying Hollywood souvenirs and people posing beside limousines convertibles advertising vehicles storefronts and entertainment landmarks. Handwritten captions include "Basketball Players" "Girls on Marilyn" "Tanya - Star Trek Writer" "99/Boulevard" "Dr. Jones" "Carlos Cassio - Drug Bust @ Hotel" "Roesha" "Policewoman on Bicycle" "Fashion Show" "Blvd. Oct. Nov - 96 Halloween" and "Cable Guy Premiere" while several sheets document repeated portrait sittings public performances group gatherings and street encounters over multiple frames. About 30 images from Las Vegas show performers in masks and costumes interiors that appear to be hotels or casinos and portraits from the same period. Hollywood Boulevard in the late 1990s attracted residents street performers tourists promoters aspiring entertainers and nightlife patrons from all walks of life to the famous aisle of movie theatres and the Walk of Fame. These negatives record that environment at the street level with special attention to street wear and performers musicians and local characters. Negatives remain housed in sleeves and retain generally strong image density; occasional blank frames handling marks and isolated surface wear. Overall very good condition. A dense record of LA fashion performance tourism nightlife and informal portraits on Hollywood Boulevard at the close of the twentieth century. unknown books
1914réf. 231551914. Caribbean photograph album likely compiled by a person connected to the Panama Canal Zone and the Caribbean documenting how steamship mobility port circulation and U.S. imperial presence linked Jamaica Venezuela Trinidad Barbados Cuba Puerto Rico the Bahamas Florida and Panama in the years after the canal opened. The felt cover lettered "PANAMA" and bearing the Seal of the Canal Zone places the album within the new travel geography created by U.S. control of the Canal Zone and the canal's 1914 opening when Panama became a central hinge between Atlantic and Pacific movement and a major point of contact between North American travelers and Caribbean port cities. Photos show passengers on steamers and docks markets and streets forts and government buildings and repeated encounters between white visitors and Afro Caribbean and mixed-heritage residents across multiple colonial and semi-colonial settings. Panama Canal Zone travel photograph album. Caribbean and circum-Caribbean locations including Kingston Jamaica; La Guaira and Caracas Venezuela; Trinidad; Key West and Palm Beach Florida; Havana Cuba; Barbados; Panama City Balboa and Colón Panama; Nassau Bahamas; and San Juan Puerto Rico. Likely circa mid 1910s to early 1920s. Oblong felt-covered album measuring 6.5" x 11" with "PANAMA" stitched in large letters on the front cover and photographs pasted to grey leaves. Contains more than 160 black-and-white photographs most approximately 2.5 x 4.5 inches many with handwritten captions identifying locations activities and occasional names. The sequence opens in Kingston with captions including "Kingston JA" and "on the steamer" then moves through island and mainland stops; "Port of Spain Trinidad" "Market at Barbados" "Rapid Transit Barbados" "Havana Cuba" "San Juan Porto Rico" "Morro Castle" "Balboa" and "Colon R.P." Repeated figures especially a young college-aged woman and an older woman appear throughout. Notable images include a group of locals in shallow water at Barbados sifting for tossed coins from rowboats; a large crowd scene in San Juan gathered for what appears to be a public speech or civic event; battlements cannon and stone defenses in Havana; vernacular dwellings and children in impoverished conditions in Balboa; posed visitor photographs in what is labeled a "bull ring"; and numerous street dockside market and architectural views that juxtapose local populations with hotels public buildings ruins and newer urban construction. The album's historical force comes from the way it captures the social landscape of Caribbean travel under early twentieth-century U.S. power. After 1914 the Canal Zone intensified Panama's role within a wider American maritime sphere while Caribbean travel increasingly moved through port infrastructures shaped by empire commerce military strategy and tourism; this album records that world at eye level with photographs of docks steamers fortifications government sites public squares and local street life rather than limiting themselves to family snapshots alone. At the same time the images preserve the unequal human encounters built into that system especially where visitors photograph Black children boatmen market crowds and working neighborhoods as part of the travel experience. Felt cover worn and soiled with losses at edges and stitching strain; leaves brittle with chipping and tears; photographs generally present and legible with silvering fading corner wear and occasional losses or lifting. Overall fair to good condition. A substantial early twentieth-century visual record of Canal Zone connected Caribbean travel with dense captioning and wide geographic reach from Jamaica and Barbados to Havana San Juan and Panama. unknown
1914réf. 231551914. Caribbean photograph album likely compiled by a person connected to the Panama Canal Zone and the Caribbean documenting how steamship mobility port circulation and U.S. imperial presence linked Jamaica Venezuela Trinidad Barbados Cuba Puerto Rico the Bahamas Florida and Panama in the years after the canal opened. The felt cover lettered "PANAMA" and bearing the Seal of the Canal Zone places the album within the new travel geography created by U.S. control of the Canal Zone and the canal's 1914 opening when Panama became a central hinge between Atlantic and Pacific movement and a major point of contact between North American travelers and Caribbean port cities. Photos show passengers on steamers and docks markets and streets forts and government buildings and repeated encounters between white visitors and Afro Caribbean and mixed-heritage residents across multiple colonial and semi-colonial settings. Panama Canal Zone travel photograph album. Caribbean and circum-Caribbean locations including Kingston Jamaica; La Guaira and Caracas Venezuela; Trinidad; Key West and Palm Beach Florida; Havana Cuba; Barbados; Panama City Balboa and Colón Panama; Nassau Bahamas; and San Juan Puerto Rico. Likely circa mid 1910s to early 1920s. Oblong felt-covered album measuring 6.5" x 11" with "PANAMA" stitched in large letters on the front cover and photographs pasted to grey leaves. Contains more than 160 black-and-white photographs most approximately 2.5 x 4.5 inches many with handwritten captions identifying locations activities and occasional names. The sequence opens in Kingston with captions including "Kingston JA" and "on the steamer" then moves through island and mainland stops; "Port of Spain Trinidad" "Market at Barbados" "Rapid Transit Barbados" "Havana Cuba" "San Juan Porto Rico" "Morro Castle" "Balboa" and "Colon R.P." Repeated figures especially a young college-aged woman and an older woman appear throughout. Notable images include a group of locals in shallow water at Barbados sifting for tossed coins from rowboats; a large crowd scene in San Juan gathered for what appears to be a public speech or civic event; battlements cannon and stone defenses in Havana; vernacular dwellings and children in impoverished conditions in Balboa; posed visitor photographs in what is labeled a "bull ring"; and numerous street dockside market and architectural views that juxtapose local populations with hotels public buildings ruins and newer urban construction. The album's historical force comes from the way it captures the social landscape of Caribbean travel under early twentieth-century U.S. power. After 1914 the Canal Zone intensified Panama's role within a wider American maritime sphere while Caribbean travel increasingly moved through port infrastructures shaped by empire commerce military strategy and tourism; this album records that world at eye level with photographs of docks steamers fortifications government sites public squares and local street life rather than limiting themselves to family snapshots alone. At the same time the images preserve the unequal human encounters built into that system especially where visitors photograph Black children boatmen market crowds and working neighborhoods as part of the travel experience. Felt cover worn and soiled with losses at edges and stitching strain; leaves brittle with chipping and tears; photographs generally present and legible with silvering fading corner wear and occasional losses or lifting. Overall fair to good condition. A substantial early twentieth-century visual record of Canal Zone connected Caribbean travel with dense captioning and wide geographic reach from Jamaica and Barbados to Havana San Juan and Panama. unknown books
1978réf. 211511978. Gay travel guides published between 1978 and 2002 document the development of LGBTQ social spaces and travel networks during the late twentieth century. Printed guides of this kind served as practical tools for gay and lesbian travelers seeking safe environments and community venues in cities and tourist destinations. At a time when many establishments serving LGBTQ patrons were not openly advertised in mainstream publications specialized travel guides compiled addresses telephone numbers and descriptions of bars restaurants hotels gyms clubs and other gathering places. Today these publications provide valuable documentation of LGBTQ cultural geography preserving records of venues and community spaces that often operated informally and have since disappeared. Archive contains six travel guides and magazines published between 1978 and 2002 documenting LGBTQ travel destinations and social venues in North America and Europe. The publications include directories of establishments travel advice and descriptions of cities known for active LGBTQ communities. Many listings include addresses telephone numbers and brief descriptions of businesses catering to gay and lesbian travelers. 1 Ciao! The World of Gay Travel. New York: QQ Publications 1978. 54 pages. Early international gay travel magazine featuring destinations including Canada Malaysia El Salvador and Morocco with numerous listings for cafes bars restaurants and other venues. 2 The Rose. Vol. 1 No. 15. 1980. 43 pages. Travel and lifestyle guide focused on Southern California with listings for gay and gay friendly bars restaurants clubs gyms and entertainment venues. 3 The Guide to Gay New England. Boston: The Haymarket 1987. 70 pages. Travel guide covering New England destinations including cities such as Providence and Manchester as well as established resort communities including Provincetown. 4 Gay London: A Guide. London: Ellipsis 1999. Guide to LGBTQ nightlife and community spaces in London including bars clubs bookstores and cafes. 5 Ferrari Guides: Gay Travel A to Z. Phoenix: Ferrari International Publications 2001. 160 pages. Directory style guide listing United States destinations with entries for bars tour operators bathhouses and related venues. 6 Chesnut Mark. The Gay Vacation Guide: The Best Trips and How to Plan Them Revised and Updated. New York: Kensington Books 2002. 212 pages. Travel planning guide featuring information on resorts cruises tours and seasonal destinations popular among LGBTQ travelers. Together these publications illustrate the growth of LGBTQ tourism and the increasing visibility of queer social networks during the late twentieth century. Travel directories such as these helped connect travelers with welcoming venues and contributed to the development of identifiable LGBTQ neighborhoods and resort destinations. The guides also preserve historical records of establishments that have since closed making them useful sources for studying the geography of LGBTQ culture and nightlife. Volumes remain clean and well preserved with light handling wear. Very good condition overall and a representative group of late twentieth century LGBTQ travel publications. unknown