Biss, EulaAntiquariat.de
Knowles, ChristoperAntiquariat.de
Cotswolds and the Vale of Berkeley (english Edition)
1996rif. 89963AA Publishing, Basingstoke/Hampshire (AA Leisureguide), 1996. 22 cm ; kart.
Antiquariat Weber · Germania6,50 €
6024 risultati
rif. 39549ABLondon, Faber, 2021. 8°, 324 S., Text: englisch, original Pappband mit illustr. original Schutzumschlag, (Hardcover), Erstausgabe / First Edition schönes, sauberes Exemplar
1996rif. 89963AA Publishing, Basingstoke/Hampshire (AA Leisureguide), 1996. 22 cm ; kart.
1995rif. 13651ABMünchen, Callwey, 1995. 29,5 cm. 129 pp. with num.ill., maps and plans. Illustrierter Originalkarton (Softcover). Tadelloses gepflegtes Exemplar. Topos - European Landscape Magazine ; 13 - Dezember 1995.
1997rif. 924866London: Batsford, 1997. 128 S. Broschiert.
rif. WELLER9781464788482New. New book. unknown books
rif. WELLER9781464788468New. New book. unknown books
2016rif. ULEIAMO00MELSimon & Schuster 2016. Fine. Leisure Constance. Amour Provence. New York: Simon & Schuster 2016. 259pp. 8vo. Paperback with flaps. Book condition: Near fine. Simon & Schuster paperback books
1910rif. 235641910. Cuba photograph album depicting encounters between Western visitors and Cuban communities during the early republican period circa 1910s to 1920s when the island occupied an unusual position between formal independence and continuing American political and economic influence. The photographs move between Havana's monumental architecture hotels and waterfront districts and the rural landscapes villages rivers and agricultural communities that remained largely outside the tourist image promoted to foreign visitors. Repeated appearances of the same Western man often accompanied by a woman who appears to be his wife suggest an extended journey through both urban and remote regions of the island during a period when American travelers businessmen and government personnel moved through Cuba in growing numbers following the Spanish American War and the establishment of the Cuban Republic. Photo album of 26 silver gelatin photographs mounted on unbound album boards with blue covers boards measuring approximately 9 x 15 inches Cuba circa 1910s to 1920s. The photographs range from 6 x 6.5 to 8 x 9.5 inches. Images show waterfront houses built directly along riverbanks; tropical waterfalls and dense forest landscapes; interior courtyards and hotel spaces with colonnades and tiled floors; Morro Castle and lighthouse overlooking Havana Harbor; panoramic views of Cuban towns set among surrounding mountains; market scenes crowded with vendors women and children; cattle standing in shallow waterways; village gatherings outside rural buildings; and groups of local residents posed alongside visiting Westerners. Several photographs depict women standing in rivers holding broad metal pans possibly associated with washing river labor or mineral collection activities. Other images show children families agricultural workers and river communities while a series of portraits records the principal traveler and his companion at various points throughout the journey. One image depicts a group of local residents and Western visitors posed together in a forested region; another shows villagers gathered near a rural homestead while several photographs focus on transportation livestock and daily work in the countryside. The album belongs to the decades following Cuba's transition from Spanish colony to nominally independent republic a period shaped by the Platt Amendment American investment expanding tourism and intensive foreign interest in the island's economic resources and landscapes. Rather than concentrating exclusively on Havana's civic monuments and colonial architecture the photographer devoted substantial attention to rural communities Afro Cuban and mixed-race populations river labor village life and frontier environments seldom emphasized in commercial tourist imagery of the period. The contrast between hotels government-era landmarks village settlements cattle crossings market scenes and encounters with local residents documents the unequal worlds that coexisted within early twentieth century Cuba as foreign visitors moved between urban centers and agricultural regions. Light surface wear occasional toning minor album mounting wear and scattered edge wear to several boards; overall very good condition. A concentrated visual record of how Westerners experienced and represented Cuba's rural communities laboring populations landscapes and colonial-era urban centers during the first decades of the Cuban Republic. unknown books
1918rif. 236571918. International travel and native documentation photograph album circa 1918 to 1930 documenting how an English speaking group encountered MÄori New Zealand Atlantic Africa Chile California and the Panama Canal during the golden age of long distance steamship travel and an era of Western imperial expansion across the globe. Photographs record the MÄori built environment at Rotorua the geothermal landscape surrounding PÅhutu geyser and Cape Verdean men working from small boats beside a passenger vessel at São Vicente. These images preserve the travelers' view of early twentieth century infrastructure cities Indigenous people labor and daily life. The album documents Indigenous communities rural life and economy and the foreign visitors who photographed and captioned them. Photograph album of approximately 220 silver gelatin photographs in various small formats New Zealand Britain Atlantic Africa South America California and Panama circa 1918 to 1930. The Rotorua sequence includes two travelers standing before a carved MÄori whare women beside a thermal pool and visitors at PÅhutu geyser recording architecture and geothermal land as parts of the tourist economy. The photographs preserve MÄori visual culture through the carved meeting house and its ornament but the captions remain those of visitors and do not identify the house carvers guides or community represented. A photograph captioned "Divers at St Vincent's off the coast of Africa" shows several small boats clustered around the travelers' ship with local men rowing diving and working close to the hull. The scene records maritime labor at São Vicente in Cape Verde a major Atlantic coaling and provisioning port where local workers serviced foreign steamships and performed hazardous labor within an economy controlled by international shipping. Chilean pages show ox drawn traffic in Santiago streets in Valparaíso and Coquimbo and residents posed in urban settings while California photographs include San Juan Capistrano and San Diego's mission revival architecture. Other photographs show women and men on farms horse teams plowing fields harvesting machinery a steam powered chaff cutter railway assisted canal operations cargo handling passenger steamships and small boat traffic. The album belongs to the golden age of passenger travel when steamship companies expanded international routes and promoted distant ports Indigenous cultural sites engineering works and territories shaped by Western imperial power as components of an increasingly accessible international tourism. At Rotorua MÄori guides hosts performers and communities made tourism possible while government agencies regulated access presentation and revenue; the resulting photographs preserve MÄori presence and engagement while also recording the selective framework through which visitors encountered MÄori culture. At São Vicente the divers and boatmen appear as laboring figures their work framed as spectacle from the deck of a foreign vessel. Moderate wear to the album covers and binding with occasional fading silvering and surface abrasion to the photographs; several captions faint but legible. Overall in good condition. A visual record of how Indigenous architecture labor land and historical memory were encountered during the expansion of Western imperial commercial and transportation power. unknown books
1939rif. 236791939. Mexico travel album documenting archaeology bullfighting urban leisure regional performance religious architecture and roadside travel from 1931 to 1939 during the first major expansion of tourism under the postrevolutionary government. The photographs follow visitors through Mexico City and its surrounding attractions presenting Teotihuacan Xochimilco public markets tropical landscapes and the bullring as components of a modern national itinerary. Mexican authorities during the 1930s institutionalized tourism within government policy and used historic centers architecture cultural traditions and natural scenery to shape an internationally recognizable image of the country. Photo album containing 96 items including 71 silver gelatin photographs 21 postcards and 4 pieces of printed Mexican ephemera including tickets and menus most photographs approximately 2.5" x 3.5" mounted in an album measuring approximately 8.5" x 11" Mexico 1931 to 1939. The photographs show bullfights before crowded stands at El Toreo; visitors standing among the monumental architecture of Teotihuacan; canal boats and waterside excursions at Xochimilco; church entrances plazas street markets gardens rural roads thatched buildings tropical vegetation animal displays and a roadside sign reading "Tropic of Cancer." Other scenes record costumed performers vendors working beside public buildings groups traveling by automobile social outings and companions posed at archaeological and scenic destinations. Printed material includes tickets for the 1939 season at "Plaza de Toros El Toreo" a color "Aguas de Lourdes" restaurant menu advertising "Un 'Seltzer' alcalino natural" newspaper clippings and postcards extending the private snapshots through commercially produced views of Mexican landscapes and monuments. An inscription on the front pastedown dated "Xmas 1931" establishes the beginning of the chronology while the El Toreo tickets extend the record through 1939. Tourism became an instrument of economic policy and national image making after the Mexican Revolution translating archaeological sites colonial architecture regional customs food and public spectacle into destinations for domestic and foreign visitors. Government tourism promotion of the period used bullfighting as a recognizable emblem of Mexico including official travel posters issued between 1930 and 1950 while preservation programs increasingly linked historic buildings and urban centers to the visitor economy. Pages and photos exhibit rippling but no apparent staining some minor wear consistent with age; several photographs remain securely mounted while others show lifting or losses. Overall in good condition. A sustained record of how postrevolutionary Mexico presented archaeology spectacle landscape and regional culture as the foundations of a modern tourist nation. unknown books
1996rif. 236891996. Very large 1990s Los Angeles street culture photo negative archive with over 1000 images circa 1996 to 1999 recording the social scene of Hollywood Boulevard through street fashion performance tourism nightlife events and informal local portraits. The negatives show people on Hollywood Boulevard and nearby venues: break dancers performing on the Walk of Fame teenagers in streetwear musicians fashion shows costumed entertainers police officers tourists posing with Hollywood signs families nightclub patrons merchants and local personalities known to the photographer by name or occupation. A vibrant contemporary collection of Los Angeles street culture in the late 1990s. Archive of approximately 1038 color and black and white photographic negatives Los Angeles circa 1996 to 1999. Photographer unknown. Individual negatives measure approximately 1 x 1.5 inches and are retained in strips of three to six exposures in archival sleeves bound in a red faux leather binder embossed "The Melaleuca Portfolio". The Los Angeles material centers on Hollywood Boulevard and the Walk of Fame including dancers performing for sidewalk crowds portraits outside the Chinese Theatre Halloween costumes nightclub and fashion events police motorcycles and patrol cars street vendors visitors displaying Hollywood souvenirs and people posing beside limousines convertibles advertising vehicles storefronts and entertainment landmarks. Handwritten captions include "Basketball Players" "Girls on Marilyn" "Tanya - Star Trek Writer" "99/Boulevard" "Dr. Jones" "Carlos Cassio - Drug Bust @ Hotel" "Roesha" "Policewoman on Bicycle" "Fashion Show" "Blvd. Oct. Nov - 96 Halloween" and "Cable Guy Premiere" while several sheets document repeated portrait sittings public performances group gatherings and street encounters over multiple frames. About 30 images from Las Vegas show performers in masks and costumes interiors that appear to be hotels or casinos and portraits from the same period. Hollywood Boulevard in the late 1990s attracted residents street performers tourists promoters aspiring entertainers and nightlife patrons from all walks of life to the famous aisle of movie theatres and the Walk of Fame. These negatives record that environment at the street level with special attention to street wear and performers musicians and local characters. Negatives remain housed in sleeves and retain generally strong image density; occasional blank frames handling marks and isolated surface wear. Overall very good condition. A dense record of LA fashion performance tourism nightlife and informal portraits on Hollywood Boulevard at the close of the twentieth century. unknown books
1958rif. 237661958. Mexico travel photo album containing more than 150 photographs 1958 to 1961 documenting an American journey through cities coastal settlements fishing communities archaeological and historic sites markets and rural landscapes during the rapid expansion of postwar tourism to Mexico. The photographer traveled well beyond a single resort itinerary recording Guadalajara Guaymas San Blas Tequila Acapulco Cozumel and other locations while repeatedly turning the camera toward local residents vernacular buildings working waterfronts boats vegetation and roadside landscapes. Printed processing dates of "Dec. 58" and "Jan. 61" establish at least two photographic episodes while handwritten captions trace portions of the route and identify places and people encountered along it. Travel photo album of more than 150 color and black and white snapshots most approximately 3.5 x 3.5 inches Mexico and one page at an unidentified Southeast Asian location 1958 to 1961. The Mexico photographs range from city streets and groups of travelers to fishing boats harbors lagoons markets mountains tropical vegetation stone buildings construction archaeological or historic architecture and portraits of local residents. Handwritten captions identify "San Blas" "Guadalajara" "Guaymas" "Travel thru Mexico" "Tequila" "Cuernavaca" "Lerma Cozumel" and "Acapulco Cozumel '61" while another photograph of three women wearing traditional dress is captioned "Mayan women." A photograph identified "Tequila" records an open landscape and roadside setting while the Guaymas sequence includes fishing vessels and a man standing among their masts and rigging. Other images follow waterways by small boat showing passengers settlements along the banks dense tropical growth and working boats. The photographer also recorded companions and acquaintances including a man identified in a caption apparently reading "Ralph Glad hill" as well as paired portraits captioned "Lerma Cozumel" and "Bathing 30 '61." A group of black and white photographs records stone structures in varying states of construction or repair including one view captioned "My house as purchased." The final approximately ten photographs depart abruptly from the Mexican itinerary and depict an unidentified Southeast Asian village or settlement. The album belongs to a period when Mexico had become one of the principal foreign destinations for American travelers following decades of government investment in highways hotels archaeological tourism resort development and international promotion. By the late 1950s and early 1960s improved road and air connections allowed foreign visitors to construct itineraries extending from major cities into Pacific ports smaller towns archaeological sites and newly developing coastal destinations. The photographs register that mobility directly: named tourist centers sit beside fishing communities working harbors rural roads vernacular houses market activity and portraits of residents encountered during travel. Moderate handling wear to the album and mounts; photographs with occasional fading color shift surface wear and minor edge wear with several color prints showing pronounced red or magenta shift. Overall in good condition. A substantial photographic record of postwar American travel through Mexico preserving the movement between established tourist destinations and local communities before mass international tourism transformed many of the coastal places represented here. unknown books
1951rif. 238661951. Large photo archive documenting recreational and civic life in Pinellas County Florida during the 1950s when rapid postwar migration was transforming communities along Florida's Gulf Coast. The photographs record the substantial postwar expansion of organized competitive sport in the United States particularly at the youth school amateur and spectator levels alongside the growth of commercial leisure and civic recreation. Through photographs of the Pinellas County Fair Clearwater Marina fishing and golf tournaments Clearwater High School athletics clubs theatrical productions dances and youth competitions the archive shows how Sunbelt population growth coincided with the proliferation of organized recreation spectator events and community institutions in Clearwater and the surrounding county. Fulmer's photographs document the social infrastructure of a rapidly expanding postwar population from school gymnasiums and golf courses to fairgrounds marinas clubs and tournament venues. Photo archive of approximately 193 items comprising 103 gelatin silver photographs and 91 corresponding large format negatives contained in 27 captioned envelopes Pinellas County Florida primarily 1951 to 1952. Photographs and negatives range from approximately 2½ x 4½ to 4 x 5 inches. Pinellas County Fair photographs show harness racing and horse competition crowded grandstands officials addressing spectators a woman riding before the crowd and aerial performers suspended above the fairgrounds. Golf appears repeatedly in a February 29 1952 Berg Golf Clinic at Pelican Golf Course; a "P.G.A. Boys & Girls Golf Tourn." with young competitors receiving trophies and certificates; junior champions; and adult tournament winners. Clearwater Marina provides another recurring center of organized leisure with charter fishermen displaying large catches beneath the "Clearwater Florida Marina" sign and Clearwater Fishing Tournament winners posing with certificates prizes and a results board sponsored by the Exchange Club of Clearwater. School athletics include basketball action inside a crowded Clearwater gymnasium Clearwater High School baseball a girls volleyball team and football players and coaches discussing plays on a chalkboard. Other assignments show boys competing with numbered model sailboats young archers practicing in formation boys and girls receiving tennis awards Scouts at ceremonies golfers at clinics and presentations a theatrical cast outside Phillips Park and civic groups at dinners and dances. Pinellas County's recreational culture expanded during the same postwar decades in which Florida became a principal destination of Sunbelt migration and Fulmer's assignments register that convergence. Between rapid population growth along the Gulf Coast and a national transformation in popular culture toward organized sport spectator entertainment commercial leisure and legalized wagering this photo archive documents the institutions which provided new residents and Pinellas County tourists with access to a modern sense of culture and American identity principally based on this kind of community organization. In Clearwater these developments coincided with the arrival of new residents drawn by Florida's climate automobile mobility expanding housing stock and promise of leisure producing a concentrated local version of the midcentury American "dream" in which prosperity was increasingly measured not only through homeownership and consumption but through access to recreation tourism sport and entertainment a population of with disposable income spiking an increase in wagering based activities. Fulmer's surviving job envelopes retain client or subject identifications job numbers and occasional dates preserving the working organization of a commercial photographer repeatedly hired to record the county's institutions and public occasions. Light surface wear and occasional handling marks to envelopes; photographs show minor curling few negatives in poor condition showing degradation. Archive in overall good condition. unknown books
1950rif. 231941950. Mid-century Mexico photo archive of markets colonial architecture rural households and regional custom recording Mexico everyday labor Indigenous craft traditional dress and iconic national scenery. The photos primarily show on the ground local customs basket vendors seated behind stacks of woven wares pottery sellers in street market display women posed before hanging textiles and earthen vessels and a rural family gathered outside an adobe or jacal dwelling. These photos document monumental Mexico City life smaller scenes of household economy and village life cathedral plazas bullfighting spectacle Indigenous and mestizo craft traditions and rural environments. Photo archive of 20 real photo and photographic postcards varying postcard format sizes Mexico mid twentieth century. Visible captions identify scenes including "Vendedores de canastos. Mex." "Lacandon y textiles mayas C.D. de Las Casas Chis. Mex." "A Mexican Family / Mexican Casa / Adobe Huts" "El Zocalo Mexico D.F." "La Quebrada Acapulco Gro." "Patio de la fonda en San Blas Nay." and "En Xochimilco Mexico." The archive includes broad scenic and civic views of cathedral architecture plazas volcanic landscape lake and garden settings cliffside resort construction at Acapulco and waterfront or canal-side leisure scenes. Other cards focus closely on cultural and economic life: men in broad-brimmed hats selling baskets in market space pottery laid out for sale in the street women cooking outdoors in a scene labeled for the Mexican army a bullfighter in the arena a fruit or pottery market display a palm-thatched dwelling marked "A Mexican Home" and portraits tied to Chiapas and the Lacandon region. The archive belongs to a period when postcards were a primary vehicle for circulating Mexico as both modern nation and regional mosaic with tourism ethnographic curiosity and nationalist image-making all folded into the same marketable format. Light surface and edge wear; overall very good condition. The combination of major landmark views with market household and Indigenous-associated scenes gives the archive a grounded record of how mid century Mexico was pictured through work craft and regional custom. unknown books
1905rif. 231541905. Texas HistoryBorderlands U.S.-Mexico borderlands photograph album 1905-1906 centered on El Paso and Juárez with additional views in New Mexico Arizona California Oregon and Alaska. The album documents an early twentieth-century traveler's movement through the southern border of the U.S. when El Paso and Ciudad Juárez were being promoted through rail travel tourism and cross-border entertainment and when American visitors regularly treated Mexican religious sites plazas bullrings and street life as part of a border excursion circuit. Its strongest historical value lies in the concentration of images tied to the Texas-Mexico border including Juárez bullfight and cockfight scenes street and church views and domestic group portraits in El Paso alongside a labeled photograph of a Santo Domingo Pueblo corn dance likely Kewa Pueblo north of Albuquerque showing non-Native travelers recording Indigenous life in the Southwest. Photograph album containing 81 original photographs most measuring approximately 2 x 3 to 4 x 5 inches mounted on thick black paper leaves in a cloth-bound album. Contemporary manuscript captions identify numerous locations and subjects including "El Paso Tex" "Juarez Mex" "Bull Fight" "Cock Fight" "Near Albuquerque 1906" "1906 New Mexico" "New Mexico 1905" "Juarez Mex Church over 350 years old" and "Corn Dance. Santo Domingo." Visible subjects include family and social group portraits posed on porches and in front of residences; women in white dresses and men in coats hats and ties; a tree-lined park path in El Paso; religious architecture and church interiors in Juárez; a fountain identified as Robinson Park in Albuquerque; river and landscape views labeled Rio Grande; a saguaro cactus study; a donkey; a seated elderly woman in a doorway; and multiple arena photographs showing matadors horses attendants spectators and ring action in Juárez. Several photographs bear later ink inscriptions including one later image of five men captioned "Alaska" en recto and with names on verso including "Mayor Goldstein" a prominent Jewish businessman and six time Juneau Mayor Isadore Goldstein. The album records border travel encompassing scenes of domestic life in El Paso tourism in Juárez and excursions into New Mexico and the wider West. The Juárez images are especially strong preserving direct vernacular views of public spectacle in the bullring and cockfight pit as well as church architecture and urban settings seen from the perspective of a visiting American observer. Photographs mounted throughout; some images faded or silvered with scattered surface wear corner wear occasional discoloration and a few later annotations or tape remnants visible. Overall very good condition. unknown books
1936rif. 232721936. Camp Mabry and Texas personal photo album documenting prewar military camps domestic and civic life in Austin and San Antonio Arkansas political rally activity and Mexico in 1936 and 1937 with direct evidence of how an American soldier moved between troop grounds private homes city streets and cross border travel before the Second World War. Handwritten captions place the sequence at Bull Creek Road Breckenridge Park Dr. Davis's home in San Antonio the University of Texas Camp Mabry Pulaski political sites Mexico City and the pyramids and ruins visited on the Mexico trip. The Camp Mabry section shows troop buildings motor transport horses trench mortar practice parade formations and guard changes within the daily structure of a Texas military post in the late Depression period. Photo archive of 308 silver gelatin photographs and 1 photographic negative most measuring approximately 4 x 3 inches with several larger snapshot prints laid into the album Texas Arkansas and Mexico 1936 to 1937. Contemporary white ink captions identify places dates and subjects throughout including "Bull Creek Road / December 1936" "Bordeaux Home Thanksgiving November 1936" "Breckenridge Park S.A. 1937" "Dr. Davis's Home in San Antonio May 1937" "Ark. Stage During Political Rally" "Pulaski Office 1936 Aug" "State Capitol" "Congress Ave." "Law Bldg. Univ. Tex" "Motor Transport Units" "Troop Bldg." "Saddle Room" "Trench Mortar" "Troop Horses" "Parade" "Changing the Guards" "Mexico City" "El Gran Catedral" "Indian Ruins" "Big Pyramid" and "Early Ruins." The Texas photographs include women posed beside late 1930s automobiles garden and yard portraits at the Bordeaux home rocky riverbank scenes at Bull Creek and Marble Falls couples' snapshots and views around Austin and San Antonio. The Arkansas pages show storefronts hotel facades backstage and basement interiors campaign imagery around the Arkansas Theater and Pulaski office and men identified in caption as Ray Coley and Frank MacMahon. Camp Mabry appears in sustained sequence through barracks views transport lines artillery vehicles horse trough scenes calisthenics fields band and baseball activity parade grounds and numerous named soldiers and officers including Bill Brooks Capt. Sutton Capt. Müller Col. Boyd Maj. Newgarden Bill Connors Brown Luther Stone Jimmy Sadler and Jeff Kersey. The Mexico section extends from mountain roads and city streets to cathedral architecture and archaeological tourism including stepped pyramids broad stairways summit views and crowd scenes at the ruins. The album documents Texas in 1936 and 1937 Texas prewar military organization and the Mexico photographs placing the compiler within a broader 1930s culture of automobile tourism and hemispheric travel. Light edge wear to the album corner and mount wear scattered fading and silvering to some prints and handling wear to several laid in photographs; overall good condition. Photos from Camp Mabry act as dated records of daily troop routine at one of Texas's principal military posts that soon assumed a wartime home-front role as headquarters of the Texas Defense Guard. The dated photographs show Camp Mabry in the years immediately preceding World War II and the Arkansas and Mexico sections reveal how this interwar period allowed for movement leisure and social life in a way which would soon be restricted by the second world war. unknown books
1914rif. 231551914. Caribbean photograph album likely compiled by a person connected to the Panama Canal Zone and the Caribbean documenting how steamship mobility port circulation and U.S. imperial presence linked Jamaica Venezuela Trinidad Barbados Cuba Puerto Rico the Bahamas Florida and Panama in the years after the canal opened. The felt cover lettered "PANAMA" and bearing the Seal of the Canal Zone places the album within the new travel geography created by U.S. control of the Canal Zone and the canal's 1914 opening when Panama became a central hinge between Atlantic and Pacific movement and a major point of contact between North American travelers and Caribbean port cities. Photos show passengers on steamers and docks markets and streets forts and government buildings and repeated encounters between white visitors and Afro Caribbean and mixed-heritage residents across multiple colonial and semi-colonial settings. Panama Canal Zone travel photograph album. Caribbean and circum-Caribbean locations including Kingston Jamaica; La Guaira and Caracas Venezuela; Trinidad; Key West and Palm Beach Florida; Havana Cuba; Barbados; Panama City Balboa and Colón Panama; Nassau Bahamas; and San Juan Puerto Rico. Likely circa mid 1910s to early 1920s. Oblong felt-covered album measuring 6.5" x 11" with "PANAMA" stitched in large letters on the front cover and photographs pasted to grey leaves. Contains more than 160 black-and-white photographs most approximately 2.5 x 4.5 inches many with handwritten captions identifying locations activities and occasional names. The sequence opens in Kingston with captions including "Kingston JA" and "on the steamer" then moves through island and mainland stops; "Port of Spain Trinidad" "Market at Barbados" "Rapid Transit Barbados" "Havana Cuba" "San Juan Porto Rico" "Morro Castle" "Balboa" and "Colon R.P." Repeated figures especially a young college-aged woman and an older woman appear throughout. Notable images include a group of locals in shallow water at Barbados sifting for tossed coins from rowboats; a large crowd scene in San Juan gathered for what appears to be a public speech or civic event; battlements cannon and stone defenses in Havana; vernacular dwellings and children in impoverished conditions in Balboa; posed visitor photographs in what is labeled a "bull ring"; and numerous street dockside market and architectural views that juxtapose local populations with hotels public buildings ruins and newer urban construction. The album's historical force comes from the way it captures the social landscape of Caribbean travel under early twentieth-century U.S. power. After 1914 the Canal Zone intensified Panama's role within a wider American maritime sphere while Caribbean travel increasingly moved through port infrastructures shaped by empire commerce military strategy and tourism; this album records that world at eye level with photographs of docks steamers fortifications government sites public squares and local street life rather than limiting themselves to family snapshots alone. At the same time the images preserve the unequal human encounters built into that system especially where visitors photograph Black children boatmen market crowds and working neighborhoods as part of the travel experience. Felt cover worn and soiled with losses at edges and stitching strain; leaves brittle with chipping and tears; photographs generally present and legible with silvering fading corner wear and occasional losses or lifting. Overall fair to good condition. A substantial early twentieth-century visual record of Canal Zone connected Caribbean travel with dense captioning and wide geographic reach from Jamaica and Barbados to Havana San Juan and Panama. unknown books
1960rif. 233811960. African American cruise travel photo archive documenting Black middle class leisure tourism and social life aboard the S.S. Bremen and S.S. Pasteur during Caribbean voyages in the late 1950s or early 1960s capturing a period when increasing numbers of African American professionals church groups fraternal organizations and retirees began participating in commercial cruise tourism despite the persistence of segregation across much of the United States. After World War II rising Black incomes expanding Black travel networks and the gradual erosion of formal segregation opened new opportunities for international leisure travel particularly to Caribbean destinations where cruise companies marketed tropical tourism to American passengers. Cruise ships became important social environments in their own right combining formal dining dancing deck recreation shore excursions and staged entertainment within enclosed floating resorts. The archive records African American passengers participating fully in this postwar leisure culture at a moment when many hotels beaches and tourist facilities in the United States still excluded or restricted Black travelers. Photo archive of 16 silver gelatin souvenir photographs each 4" x 6" West Indies cruise voyage aboard the T.S. Bremen and S.S. Pasteur circa late 1950s to early 1960s. Multiple photographs bear contemporary printed captions reading "WEST INDIES / T.S. BREMEN" while verso inscriptions identify scenes including "Lunch on Promenade Deck" "Carnival at the Pier" and "Captain Gothie welcomes aboard selected party." Passengers appear gathered at long dining tables beneath shipboard windows and ceiling fixtures standing in receiving lines with uniformed officers dancing in formalwear during onboard parties and posing beside railings and staircases on exterior decks. Several scenes capture Black women wearing floral dresses leis broad-brimmed hats sunglasses and evening attire associated with midcentury resort and cruise fashion. Three large-format photographs show small boats clustered beside the Bremen during harbor activity in the Caribbean with Black dockworkers and boatmen maneuvering passengers and cargo alongside the hull. Additional scenes depict crowded promenade decks staged entertainment and informal social gatherings aboard ship. During the 1950s and 1960s cruise tourism expanded rapidly alongside broader transformations in African American mobility following wartime migration rising educational attainment and the gradual dismantling of racial barriers in transportation and public accommodations. Long before mass air tourism fully displaced ocean liners Caribbean cruises offered Black travelers access to international leisure spaces beyond many of the racial restrictions that governed hotels beaches and entertainment venues in the Jim Crow United States. Light edge wear; manuscript notations on versos; images remain clear and strong overall. Overall in good condition. Material documenting African American participation in postwar cruise culture remains substantially less common than comparable white tourist photography particularly archives preserving identifiable shipboard social interaction rather than generic travel views. unknown books
1960rif. 232261960. South Asia photo album recording Darjeeling Nepal Calcutta and Agra in the 1960s in a post Independence view of how religious life urban crowding tourism and Himalayan community identity were being documented by a foreign traveler across India and Nepal. The album showcases the various landscapes of cultural and religious identity throughout South Asia with Muslim architecture in Agra Buddhist and Hindu temple spaces in the Himalayan region crowded Calcutta streets captioned in French as an overpopulated refugee city and repeated portraits of Nepali villagers Sherpas women and children. In the decades after 1947 Indian cities such as Calcutta were absorbing refugee movement housing pressure and widening informal street economies while Himalayan communities in Darjeeling and Nepal were increasingly pulled into road building porterage mountaineering border trade and tourism conditions that form the broader social world around the album's portraits and landscapes. Photo archive of 150 silver gelatin photographs and a small group of color snapshots most measuring 2.5" x 3.75" album measuring 10.5" x 14" Darjeeling Nepal Calcutta and Agra circa early 1960s. Black paper leaves with corner mounts and French captions opening with a map of India labeled in French and moving through place based sequences. Agra pages include captioned views of the "Le Mausolée d'Itimad ud Daula" façades pierced marble screens and views of the Taj Mahal. Buddhist material includes a page captioned "Temple Bouddhique" with rooflines bells carved doors and ornamental details. Nepal and Darjeeling sections show prayer flags strung across roads mountain slopes a ridge top cabin bundled men in traditional clothing and a captioned portrait of "Le sherpa Tensing Norgay." Other leaves caption "Nepalais" and "Mère Népalaise" pairing a woman carrying a child in a basket with village children hillside portraits and small groups gathered outdoors. Calcutta appears through elevated city views dense commercial streets market scenes bridge approaches pavement sleeping and sitting areas and close portraits captioned "mendiantes" and "fumeuse de pipe." A color image captioned "Danseuse du Kashmir" and several small color snapshots extend the album's attention to costume and regional customs. By the 1960s Independence had ended British rule but it had not eased the pressures of displacement poverty overcrowding and uneven development that shaped eastern Indian urban life and the Calcutta pages make those conditions visible through street congestion market trading informal rest spaces and the compiler's own language about refugees and overpopulation. In the Himalayan sections the album does not directly picture hunger land scarcity or labor migration in explicit terms yet those pressures formed the lived context of many Nepali and Sherpa communities during this period when cash income often depended on carrying service work seasonal movement and the new international economy of trekking and mountaineering that made figures such as Tenzing Norgay globally recognizable. Minor edge and corner wear from cornering; images clean and clear; binding and boards intact. A 1960s record of post Independence South Asia combining sacred architecture urban hardship and Himalayan portraiture. unknown books
1960rif. 232021960. Pakistan travel album recordingstreet life mountain excursions landscapes military ceremony and local custom in the 1960s with particular strength in its photographs depicting everyday culture and public life of Pakistany rural people. Photographer identified in an inscription as "Pech." The album focuses on a Life in Pakistan showing men in regional dress military regiments animal handling agricultural labor roadside and market activity mountain travel and formal as well as informal gathering. References to Rawalakot Many scenes of upland terrain and military units place part of the album in northern Pakistan. Photo album of over 120 corner mounted and loose silver gelatin photographs arranged across black paper leaves with many loose prints inscribed in French. Photos measure primarily between 2.5" x 3.5" to 3.5" x 5". Album measures 7.5" x 11". Visible scenes include men in celebratory flower garlands gathered in mountain settings groups posed in rugged terrain and photographs of men standing beside lakes rivers and highland roads suggesting travel or climbing excursions that were socially marked as memorable events rather than casual tourism. One photo of a man's portrait is inscribed to "Pech" en verso and mentions Rawalakot and their participation in climbing "6000 feet" he signs off as "M. MacDonald / Rockhampton Queensland." Other photographs turn to daily life and custom showing men in turbans and traditional dress rural figures with cattle agricultural work village architecture street scenes and portraits of children and families. Several images show snake charmers one seated with cobras raised before him others posed with baskets and spectators nearby preserving a form of public performance long circulated in South Asian spectacle. Urban views include crowded market lanes mixed traffic and building fronts while architectural photographs show mosques domed structures gardens and formal compounds placing devotional civic and residential space within the traveler's route. A handful of photos show military images of uniformed men in camp and review settings one caption identifying a brigade parade ground and another a general showing the compiler's access to official environments alongside civilian ones. Multiple photos depict dinner settings with the compiler seated with friends family and his "amour" also seen throughout the album. Most images from Pakistan with a small handful in Egypt and Lebanon circa 1960s. One dinner scene shows him and three other individuals with the en verso inscribed "Beruit - 1962." In the 1960s Pakistan was a young post-Partition state shaped by military visibility frontier administration and conflict especially in Kashmir where UN observers operated. Foreign travelers and officials moved through the country alongside local communities recording mountain travel public ceremony village life and everyday custom with Rawalakot being part of a borderland where military oversight diplomacy and travel intersected. Chipping to album covers photos exhibit some corner and edge wear overall very good condition. A mid-century photo album of a traveler's view of Pakistan through a distinctly outsider lens shaped by transnational movement official access and cultural encounter. unknown books
1951rif. 233771951. 1950s Clearwater Florida photographed by George L. Fulmer documenting real estate expansion and early housing and rental marketing showing how ranch houses apartment courts furnished efficiencies and street addressed properties were presented during the postwar Sunbelt expansion of Pinellas County. After World War II Florida's housing market was pushed by returning veterans retirees northern migrants automobile commuting and seasonal tourism while federal mortgage programs and private development made small houses garden apartments and furnished rentals central to the state's growth. Fulmer's commercial assignments connect that boom to named local properties: each job envelope ties the house or rental unit to a studio number client or property name address and in several cases a 1951 date. The archive reveals how Clearwater real estate moved through a practical commercial process with repeated exterior records interior room studies duplicate proofs and labeled job packets created for owners brokers and rental promotion. Photo archive of 47 items including 25 silver gelatin photographs and 22 large scale negatives. Many photographs have correlating negatives while some negatives contain unique images. Contained in 6 original photo studio envelopes. Photographs measure approximately 3 x 5 inches and negatives 4 x 5 inches Clearwater Florida circa 1951. Exteriors include one story ranch houses with low hip and gable roofs picture windows shutters carports mowed lawns curbside plantings palm trees shell or gravel yards television antennas and street frontage arranged for automobile approach. Apartment material includes a roadside sign reading "Bright Water Apts" with "Vacancy" a two story rental building set behind trees and a long low apartment row with a fenced yard and children's play equipment. Interiors include living rooms staged with patterned sofas lounge chairs framed floral and figural prints table lamps venetian blinds wall rugs and coffee tables; bedrooms with paired beds dressers and striped coverlets; small dining alcoves set with tables and chairs; and compact kitchens built around metal cabinets white sinks refrigerators cooktops wall ovens and built in storage. Fulmer photographs the houses apartments furnishings appliances and rental readiness as the product. Studio envelopes preserve job numbers and partly legible entries including Bright Water Apts Nokomis 1021 235 Bayshore Dr. 315 Venetian St. 420 Brightwater Mary Ann Apts Beach and dated jobs from July August September and October 1951. These photographs were taken in the decade when Clearwater shifted from a compact Gulf Coast resort city toward a year round Sunbelt housing market shaped by suburban lots furnished rentals small apartment complexes and real estate photography meant to make properties legible to buyers and tenants before arrival. The interior shots record what was being sold inside the walls from tropical curtains tile floors small dining rooms compact kitchenettes wall ovens living rooms sized for seasonal use and domestic decoration calibrated for a middle class Florida market. The address level job records support comparison with city directories tax records property files architectural surveys and later redevelopment histories making the archive usable for reconstructing specific Clearwater buildings rather than only identifying broad mid century style. Negatives show handling wear and envelopes show toning and some small tears. Overall in very good condition. unknown books
1920rif. 227281920. Havana Cuba travel photo album circa 1920s documents an American visitor's encounter with Havana during the interwar years when U.S. tourism commercial presence and Spanish-American War memory shaped how many American travelers interpreted the city. The vernacular photographs record arrival by steamship harbor landmarks civic buildings commercial streets factories boulevards monuments cemeteries and guarded public spaces giving insight into both Havana's urban landscape and the traveler's assumptions about access history and spectacle. The album's references to the USS Maine and Spanish-American War memorials place ordinary sightseeing within a longer history of U.S. intervention in Cuba; the Maine exploded in Havana Harbor on February 15 1898 killing more than 260 sailors and intensifying the crisis that led to war with Spain. Approximately 25 sepia-toned silver gelatin photographs each about 3 x 5 inches mounted to black album leaves with detailed handwritten captions in white pencil. The sequence begins aboard the S.S. Kroonland with one caption reading "My first view of Havana from the deck. three miles out at sea in a dark storm" followed by a landing view captioned "where we landed in Havana Cuba." The S.S. Kroonland returned to Panama Pacific Line service in 1923 on a New York to San Francisco route via Havana the Panama Canal and Los Angeles supporting the album's interwar travel context. The photographs then trace Havana's maritime and civic topography: harbor views Morro Castle captioned "Famous during the Spanish-American War" the waterfront in front of the fortress the Court House the President's Palace a "600-year-old church" the Henry Clay Cigar Store Havana's factory district and public boulevards "where all streets have parks in the center." Other images include a cemetery visit captioned "All people in Cuba are laid to rest above the ground" and a restricted-view street or carriage scene captioned "Officer would not let me take picture but when he turned I took it anyway" a revealing note on tourist privilege and unauthorized looking. Several images directly record the ways American travelers consumed Havana through imperial memory and Cuban nationalist commemoration. One monument is captioned "This was given by the Cuban people to the American soldiers that fell in the Spanish-American War" while another marks "the spot where the Maine sank at the entrance of the harbor." The album was made after Cuba's formal independence in 1902 and during the long aftermath of the Platt Amendment framework under which the United States retained extensive influence over Cuban affairs and intervened repeatedly in the early twentieth century. Album leaves chipped at edges several with corner losses not affecting images; prints generally sharp with strong contrast and clear annotations very good overall. Socially revealing Havana travel album documenting how a U.S. visitor pictured Cuba through steamship tourism colonial architecture cigar commerce Spanish-American War remembrance and the everyday authority structures of an interwar Caribbean capital. unknown books
1884rif. 227491884. Travel Mexico Ober Frederick A. Travels in Mexico and Life Among the Mexicans. Boston: Estes and Lauriat 1884. First Edition. 8vo. Bound in contemporary full calf with gilt-ruled spine two black morocco spine labels lettered in gilt and marbled edges and endpapers. Illustrated with 190 engravings "chiefly from the author's photographs and sketches." xviii 612 pp. First edition of Frederick Albion Ober's richly illustrated account of exploration and observation throughout late 19th-century Mexico a major work of American travel writing that combines ethnography archaeology and early scientific fieldwork. Ober an ornithologist explorer and prolific travel author journeyed extensively through Yucatán southern Mexico and the border states recording his encounters with indigenous peoples ancient ruins and rural landscapes during the Porfirian modernization period. The book is divided into three major sections Yucatan Central and Southern Mexico and The Border States each offering detailed commentary on the nation's political and cultural transformation. The author describes in characteristically vivid prose "the ancient temples in the forest primeval" the daily life of Maya villagers and his passage through cities such as Puebla Cuernavaca and Oaxaca as well as the Valley of Mexico. Ober's text remains an important primary document of post-Reform Mexico as viewed through the lens of 19th-century American expansionist curiosity. His narrative blends admiration for indigenous antiquities with enthusiasm for the country's modernization under Díaz situating his travels at the intersection of archaeology commerce and adventure. The engravings based largely on Ober's own sketches visually document regional dress architectural ruins flora and local labor practices contributing to the period's growing Anglo-American fascination with Mesoamerica. The work also marks a transitional moment in U.S.-Mexico relations reflecting the simultaneous rise of American tourism scientific exploration and hemispheric cultural interest in Latin America. Binding shows light wear and rubbing to joints and spine ends some surface scuffing and small stains to boards interior clean and bright with only minimal toning to margins. A well-preserved example of a foundational illustrated travel narrative of Mexico by one of America's leading late 19th-century explorers. Overall very good condition. unknown books
1925rif. 227841925. SS Resolute photo archive approximately 86 photographs dating to 1925 documenting a passenger voyage through the Hawaiian Islands and broader Pacific region during a period of expanding U.S. tourism and colonial presence. The material captures volcanic landscapes urban development agricultural activity and Native Hawaiian individuals providing visual evidence of both environmental features and social life. These images record the intersection of natural geography and emerging tourist infrastructure in Hawaii during the interwar period when the islands were increasingly integrated into trans-Pacific travel networks. Approximately 86 black-and-white and color photographs each measuring about 3.5 x 5 inches mounted on black album leaves with white ink captions identifying locations such as Honolulu Hilo Waimea Bay Kilauea Crater and the Royal Hawaiian Hotel. The archive includes multiple views of volcanic activity including lava flows associated with eruptions from 1868 1901 and 1924 as well as craters at Halemaumau and Kilauea steam vents and descending lava formations. Coastal landscapes and inland terrain of Oahu and the Big Island are represented alongside urban scenes in Honolulu including hotels streetscapes and institutional buildings such as the Moana Hotel and the Mormon Temple at Laie. Agricultural images show sugarcane cultivation and rural labor environments while market scenes and portraits depict local residents in daily settings. A group of photographs includes Duke Kahanamoku posed with a surfboard marked "DUKE" alongside additional images referencing Pacific locations such as Tutuila and Upolu indicating the voyage extended beyond Hawaii. Produced during the 1920s expansion of Pacific tourism these photographs document how Hawaii and surrounding islands were visually framed for travelers within a colonial and commercial context. The combination of landscape infrastructure and human subjects reflects both the promotion of the islands as a destination and the presence of established local communities and industries. The archive supports research into tourism history Pacific colonial networks environmental documentation and Native Hawaiian cultural representation. Mild toning and occasional rippling to prints with minimal edge wear; captions remain clear; overall very good condition. A comprehensive visual record of a trans-Pacific यातà¥à¤°à¤¾ and its documentation of Hawaii and neighboring islands in the early twentieth century. unknown books
1908rif. 228161908. Ober Frederick A. A Guide to the West Indies and Bermudas. New York: Dodd Mead & Company 1908. First edition. First printing. 525 pages with five fold-out color maps and numerous black-and-white photographic illustrations. Original red cloth stamped in gilt as issued with no dust jacket. 8vo. An early 20th-century travel guide reflecting U.S. and European imperial tourism in the Caribbean at the height of American expansion following the Spanish-American War. Ober a prolific writer on the Caribbean and Latin America interweaves geography natural history and colonial ethnography offering a period perspective into the ways tourists imperial authorities and travel publishers framed the predominantly Black Afro-Caribbean and Creole cultures of the region during the Jim Crow era. This guide includes detailed chapters on Cuba Puerto Rico Jamaica Trinidad Barbados Guadeloupe Martinique and dozens of other island territories along with sections on "The Bermudas" "The Lesser Antilles" "The South Coast of Cuba" and "A Glimpse of South America." The contents pages visible here show Ober's systematic movement through the archipelago giving each island a discrete treatment with notes on climate agriculture transportation and colonial governance. As Ober writes in his introduction the West Indies form "a region of infinite variety" a phrase that reflects both genuine admiration and the period's exoticizing tone common to pre-WWI travel literature. The fold-out maps chart shipping routes railways ports and political boundaries at a moment when the United States had recently taken possession of Puerto Rico 1898 and solidified its influence in Cuba and the broader Caribbean basin. Light rubbing to cloth with slight sunning to spine; corners mildly worn. Five fold-out maps complete crisp and clean one with a minor tear near margins. Interior exceptionally bright with no writing or markings; binding tight. Overall very good condition. A well-preserved first printing of an important Caribbean travel guide valuable for scholars of U.S. imperial history Caribbean studies tourism studies and the racial-cultural representation of the West Indies during the early American century. unknown books
