Michel DelaveauLivre Rare Book
7.122 resultados
ref. 100098955Éditions du Centaure 15 pages in8. Sans date. Agrafé. 15 pages. iconographie en noir et blanc
ref. 3529,Washington, 1923, 298 pp., 1 vol. in 8 br. illustrations in texte
ref. 13814,Toulouse, Privat 1912, XXXII-410 pp., 1 vol. in 8 br. adhésif au dos, 1004 numéros décrits.
ref. 16867,Dresdae et Lipsiae, Libraria Arnoldia 1827, xvi-488 pp., 1 vol. in 8 relié avec 3 tableaux dépliants 'in fine', demi-veau havane, dos à nerfs orné de filets dorés et à froid, pièce de titre maroquin vert, mors fendus au niveau de la coiffe qui est frottée, tranches marbrées (reliure de l'époque), rousseurs. Guide alphabétique des principaux artistes antiques de Karl Julius Sillig (1801-1855).
ref. 13846,Reims, Imprimerie du Nord-Est 1938, 32 pp., 1 vol. in 12 br. Oblong
ref. R160128179Non Renseigné. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 pages. Nombreuses photos en noir et blanc dans le texte.. . . . Classification Dewey : 790-Loisirs et arts du spectacle
1929ref. 337501929, Yvert et Cie, in-12 pleine percaline verte de 1309 pages, 33ème édition. | Etat : coins et tranches légèrement émoussés (Ref.: ref82664)
Affiche Normandie, 1935, retirage de l'affiche du voyage inaugural du paquebot du 29 mai 1935, illustrée par CASSANDRE, imprimerie Mouron, édition Distil 1998, entoilée. 160 x 100 cm. TRES BON ETAT !!! in fine condition !!!
1999ref. RO30117158CENTRE NATIONAL D'ENSEIGNEMENT A DISTANCE. JUIN 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 CASSETTE VIDEO VHS. . Sous Emboitage. . Classification Dewey : 790-Loisirs et arts du spectacle
1999ref. RO30117159CENTRE NATIONAL D'ENSEIGNEMENT A DISTANCE. 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 CASSETTE VIDEO VHS. . Sous Emboitage. . Classification Dewey : 790-Loisirs et arts du spectacle
1999ref. RO30117160CENTRE NATIONAL D'ENSEIGNEMENT A DISTANCE. JUIN 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 CASSETTE VIDEO VHS. . Sous Emboitage. . Classification Dewey : 790-Loisirs et arts du spectacle
1999ref. RO30117161CENTRE NATIONAL D'ENSEIGNEMENT A DISTANCE. JUIN 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 CASSETTE VIDEO VHS. . Sous Emboitage. . Classification Dewey : 790-Loisirs et arts du spectacle
2009ref. 500075770Bravo Editions 2009 16 2x1x10 8cm. 2009. Broché.
ref. 8259Paris, Pierre Horay, 1967. In-8 carré, 244 pp., cartonnage, titre en liège découpé et coloré sur le premier plat, illustrations, 2 feuillets de plastique pré-découpé (intacts), un jeu "L'anneau prisonnier" inséré, emboîtage carton (défauts minimes à la couverture). Maquette de Robert Hanès, couverture et page de titre par Jacques Carelman. / Square 8vo, 244 p., hardcover, title in die-cut, colored cork pieces on the first plate, illustrations, 2 pre-cut plastic sheets (untouched), one inlaid 'trapped ring' game, cardboard box. Layout by Robert Hanès, cover and title pages by Carelman.
2002ref. 345402002, White Wolf, in-4 broché de 96 pages, couverture noire illustrée en couleur, titrage jaune, texte anglais, nombreuses illustrations noir et blanc, règles et tableaux, Caste Book, Night, supplément du jeu de rôles Exalted, comprenant des informations sur les assassins des exaltés solaires, et les plus grands espions que la création ait jamais connu | Etat : Très bon état, coin supérieur droit légèrement corné, quelques pages tachées (Ref.: KH5848)
2005ref. 20643Bibliothèque de l’Image 2005 In-8, cartonnage noir, sous jaquette illustrée, illustrations pleines pages en couleurs, 102 pp. Très bon état.
1989Ex-library book with the usual stamps, stickers, etc. However, the book is in excellent condition and has been re-bound by the library into very heavy, storng buckram covers with sharp corners that show no wear : no edge wear, straight, solid spine, text block is flawless with no marking of any kind to text/interior and appears as new. 182 pages. 8 1/2"w x 11"h. A history of the state of Washington from the perspective of the political cartoonists.
2001El deporte del siglo XXI. Grandes Espacios. 141 PAGINAS
1914ref. 231551914. Caribbean photograph album likely compiled by a person connected to the Panama Canal Zone and the Caribbean documenting how steamship mobility port circulation and U.S. imperial presence linked Jamaica Venezuela Trinidad Barbados Cuba Puerto Rico the Bahamas Florida and Panama in the years after the canal opened. The felt cover lettered "PANAMA" and bearing the Seal of the Canal Zone places the album within the new travel geography created by U.S. control of the Canal Zone and the canal's 1914 opening when Panama became a central hinge between Atlantic and Pacific movement and a major point of contact between North American travelers and Caribbean port cities. Photos show passengers on steamers and docks markets and streets forts and government buildings and repeated encounters between white visitors and Afro Caribbean and mixed-heritage residents across multiple colonial and semi-colonial settings. Panama Canal Zone travel photograph album. Caribbean and circum-Caribbean locations including Kingston Jamaica; La Guaira and Caracas Venezuela; Trinidad; Key West and Palm Beach Florida; Havana Cuba; Barbados; Panama City Balboa and Colón Panama; Nassau Bahamas; and San Juan Puerto Rico. Likely circa mid 1910s to early 1920s. Oblong felt-covered album measuring 6.5" x 11" with "PANAMA" stitched in large letters on the front cover and photographs pasted to grey leaves. Contains more than 160 black-and-white photographs most approximately 2.5 x 4.5 inches many with handwritten captions identifying locations activities and occasional names. The sequence opens in Kingston with captions including "Kingston JA" and "on the steamer" then moves through island and mainland stops; "Port of Spain Trinidad" "Market at Barbados" "Rapid Transit Barbados" "Havana Cuba" "San Juan Porto Rico" "Morro Castle" "Balboa" and "Colon R.P." Repeated figures especially a young college-aged woman and an older woman appear throughout. Notable images include a group of locals in shallow water at Barbados sifting for tossed coins from rowboats; a large crowd scene in San Juan gathered for what appears to be a public speech or civic event; battlements cannon and stone defenses in Havana; vernacular dwellings and children in impoverished conditions in Balboa; posed visitor photographs in what is labeled a "bull ring"; and numerous street dockside market and architectural views that juxtapose local populations with hotels public buildings ruins and newer urban construction. The album's historical force comes from the way it captures the social landscape of Caribbean travel under early twentieth-century U.S. power. After 1914 the Canal Zone intensified Panama's role within a wider American maritime sphere while Caribbean travel increasingly moved through port infrastructures shaped by empire commerce military strategy and tourism; this album records that world at eye level with photographs of docks steamers fortifications government sites public squares and local street life rather than limiting themselves to family snapshots alone. At the same time the images preserve the unequal human encounters built into that system especially where visitors photograph Black children boatmen market crowds and working neighborhoods as part of the travel experience. Felt cover worn and soiled with losses at edges and stitching strain; leaves brittle with chipping and tears; photographs generally present and legible with silvering fading corner wear and occasional losses or lifting. Overall fair to good condition. A substantial early twentieth-century visual record of Canal Zone connected Caribbean travel with dense captioning and wide geographic reach from Jamaica and Barbados to Havana San Juan and Panama. unknown books
1930ref. 224461930. Caribbean and Panama travel photograph album. circa early 1930s. This album documents interwar travel through the Panama Canal Zone and Jamaica recording maritime transit canal infrastructure and rural Caribbean life as observed by Western travelers. The photographs provide primary visual evidence of the Panama Canal as a site of industrial activity and international movement alongside scenes of Jamaican village life and landscape establishing a contrast between engineered environments and colonial rural settings. The material is particularly strong in its depiction of canal operations and the presence of local populations within these spaces. Album containing 29 silver gelatin photographs mounted on black leaves with individual prints measuring approximately 3.5 x 4.5 to 5 x 7 inches housed in a string-bound album measuring approximately 7 x 9.5 inches. The opening sequence shows passengers aboard a steamship with men and women posed along deck rails and views of ships navigating canal locks and docking areas. Additional images depict cranes drawbridges canal cuts and small boats in the water along with dock workers and uniformed personnel visible among travelers. Architectural and infrastructural views include colonial-style buildings and mechanical equipment associated with canal operation concluding with a monument identified as that of Vasco Núñez de Balboa in Panama City. The Jamaica sequence includes landscape views of hillsides and gardens along with images of Black Jamaican residents posed in village settings. One photograph bears the caption "Kingston Jamaica 10 -- S.S. 'Reliance' West Indies Cruise" showing children and adults gathered along a dirt road lined with wooden and metal-roofed structures. Other images show groups assembled beneath trees and within rural surroundings. Produced during a period when the Panama Canal served as a major conduit for global shipping under U.S. administration and Caribbean travel formed part of organized cruise itineraries the album reflects established routes of interwar tourism. The juxtaposition of canal engineering and Jamaican village scenes situates the photographs within broader patterns of travel that linked industrial infrastructure with colonial landscapes. Minor water rippling to pages and photographs; images remain clear; overall very good. A coherent travel album documenting canal operations and Caribbean life in the early twentieth century. unknown books
1914ref. 231551914. Caribbean photograph album likely compiled by a person connected to the Panama Canal Zone and the Caribbean documenting how steamship mobility port circulation and U.S. imperial presence linked Jamaica Venezuela Trinidad Barbados Cuba Puerto Rico the Bahamas Florida and Panama in the years after the canal opened. The felt cover lettered "PANAMA" and bearing the Seal of the Canal Zone places the album within the new travel geography created by U.S. control of the Canal Zone and the canal's 1914 opening when Panama became a central hinge between Atlantic and Pacific movement and a major point of contact between North American travelers and Caribbean port cities. Photos show passengers on steamers and docks markets and streets forts and government buildings and repeated encounters between white visitors and Afro Caribbean and mixed-heritage residents across multiple colonial and semi-colonial settings. Panama Canal Zone travel photograph album. Caribbean and circum-Caribbean locations including Kingston Jamaica; La Guaira and Caracas Venezuela; Trinidad; Key West and Palm Beach Florida; Havana Cuba; Barbados; Panama City Balboa and Colón Panama; Nassau Bahamas; and San Juan Puerto Rico. Likely circa mid 1910s to early 1920s. Oblong felt-covered album measuring 6.5" x 11" with "PANAMA" stitched in large letters on the front cover and photographs pasted to grey leaves. Contains more than 160 black-and-white photographs most approximately 2.5 x 4.5 inches many with handwritten captions identifying locations activities and occasional names. The sequence opens in Kingston with captions including "Kingston JA" and "on the steamer" then moves through island and mainland stops; "Port of Spain Trinidad" "Market at Barbados" "Rapid Transit Barbados" "Havana Cuba" "San Juan Porto Rico" "Morro Castle" "Balboa" and "Colon R.P." Repeated figures especially a young college-aged woman and an older woman appear throughout. Notable images include a group of locals in shallow water at Barbados sifting for tossed coins from rowboats; a large crowd scene in San Juan gathered for what appears to be a public speech or civic event; battlements cannon and stone defenses in Havana; vernacular dwellings and children in impoverished conditions in Balboa; posed visitor photographs in what is labeled a "bull ring"; and numerous street dockside market and architectural views that juxtapose local populations with hotels public buildings ruins and newer urban construction. The album's historical force comes from the way it captures the social landscape of Caribbean travel under early twentieth-century U.S. power. After 1914 the Canal Zone intensified Panama's role within a wider American maritime sphere while Caribbean travel increasingly moved through port infrastructures shaped by empire commerce military strategy and tourism; this album records that world at eye level with photographs of docks steamers fortifications government sites public squares and local street life rather than limiting themselves to family snapshots alone. At the same time the images preserve the unequal human encounters built into that system especially where visitors photograph Black children boatmen market crowds and working neighborhoods as part of the travel experience. Felt cover worn and soiled with losses at edges and stitching strain; leaves brittle with chipping and tears; photographs generally present and legible with silvering fading corner wear and occasional losses or lifting. Overall fair to good condition. A substantial early twentieth-century visual record of Canal Zone connected Caribbean travel with dense captioning and wide geographic reach from Jamaica and Barbados to Havana San Juan and Panama. unknown
1930ref. 224461930. Caribbean and Panama travel photograph album. circa early 1930s. This album documents interwar travel through the Panama Canal Zone and Jamaica recording maritime transit canal infrastructure and rural Caribbean life as observed by Western travelers. The photographs provide primary visual evidence of the Panama Canal as a site of industrial activity and international movement alongside scenes of Jamaican village life and landscape establishing a contrast between engineered environments and colonial rural settings. The material is particularly strong in its depiction of canal operations and the presence of local populations within these spaces. Album containing 29 silver gelatin photographs mounted on black leaves with individual prints measuring approximately 3.5 x 4.5 to 5 x 7 inches housed in a string-bound album measuring approximately 7 x 9.5 inches. The opening sequence shows passengers aboard a steamship with men and women posed along deck rails and views of ships navigating canal locks and docking areas. Additional images depict cranes drawbridges canal cuts and small boats in the water along with dock workers and uniformed personnel visible among travelers. Architectural and infrastructural views include colonial-style buildings and mechanical equipment associated with canal operation concluding with a monument identified as that of Vasco Núñez de Balboa in Panama City. The Jamaica sequence includes landscape views of hillsides and gardens along with images of Black Jamaican residents posed in village settings. One photograph bears the caption "Kingston Jamaica 10 -- S.S. 'Reliance' West Indies Cruise" showing children and adults gathered along a dirt road lined with wooden and metal-roofed structures. Other images show groups assembled beneath trees and within rural surroundings. Produced during a period when the Panama Canal served as a major conduit for global shipping under U.S. administration and Caribbean travel formed part of organized cruise itineraries the album reflects established routes of interwar tourism. The juxtaposition of canal engineering and Jamaican village scenes situates the photographs within broader patterns of travel that linked industrial infrastructure with colonial landscapes. Minor water rippling to pages and photographs; images remain clear; overall very good. A coherent travel album documenting canal operations and Caribbean life in the early twentieth century. unknown
1993Comment fabriquer de très belles et originales cartes à partir de matériaux divers . Illustré de photographies en couleurs . - 96 p. , 600 gr.
1956Francisco Hernández-Pacheco catedrático de geografía física y geología aplicada de la universidad de Madrid.Zona de Regadíos.160 PAGINAS
2006ref. 500155576Marabout 2006 19x1x24 2cm. 2006. Broché.
