ARIOSTELivre Rare Book
1.573 Ergebnisse
1839Best.-Nr. CCC001b2SJ. Les 3 volumes, edition Paris, F. Knab, 1839 In-8 (13.5 X 22 cm). Reliure demi chagrin vert dos romantique doré, quelques frottements en haut et en bas des trois dos, coins légèrement émoussés et pliés, quelques rousseurs, T1 368, T2 456 & T3 504 pages. Bien complet du portrait-frontispice de l'auteur et des 85 planches hors-texte gravées, numérotées et tirées sur Chine d'après Français, Meissonnier, Girardet, Demoraine, etc. Quelques rousseurs en marge des gravures. nouvelle traduction, avec la vie de l'Arioste, et des notes sur les romans chevaleresques, les traditions orientales, les chroniques, les chants des trouvères et des troubadours comparés au poème de l'Arioste par A. Mazuy.
Best.-Nr. FLIT0009Parigi Lefèvre 1836. XXVI 474 S.; 488 S.; 475 S.; 496 S.; HLdrbde. d. Zt. m. marmor. Bezugspapier Rückengoldpräg. u. RüSchildch. marmor. Schnitt Leder etw. beschabt Lederrücken von Bd. 2 am ob. Kapitale leicht eingeriss. m. kl. Fehlstelle Ecken bestoß. u. abgewetzt marmor. Vorsatzpapiere vereinzelt nur schwach stockfleck. In Italienisch. Parigi, Lefèvre 1836. unknown
1613Best.-Nr. 013158Venice: part of title page torn away 1613 Book. Fair. Hardcover. In Venetia 1613 remainder of title page torn away. 83 numbered leaves. Title page damaged where the foot of the page has been torn away with the loss of the publisher's details. Replaced with blank paper. Old vellum binding which is browned and soiled. Titled in faint ink to the spine. Old paper label to the foot of the spine which is starting to peel off. Light browning and some staining to pages. Paper repair to one of the rear free end papers. Worming to the rear board and holes to the final rear free end paper. Ink owner's name to the front free end paper a small ink flower drawn on the front pastedown and an ink inscription to the title page more or less illegible and partly scribbled through. [ part of title page torn away ] hardcover
1844Best.-Nr. 36422Paris: J. Mallet & Cie 1844. Fine. J. Mallet & Cie Paris 1844 17 x 25.50 cm relié New edition of the French prose translation established by V. Philipon de La Madelaine and first printing of the illustrations. Half red shagreen binding spine with four raised bands decorated with triple gilt compartments adorned with gilt floral motifs red paper boards a light scratch to front board marbled endpapers and pastedowns top edge gilt. Work illustrated with 300 vignettes as well as 25 plates printed separately on China paper by T. Johannot Baron Français and C. Nanteuil. Occasional light foxing without serious consequence. J. Mallet & Cie hardcover
1823Best.-Nr. 28252Firenze: Molini 1823. Due volumi di cm. 14 pp. 8 xxxviii 699 1; 4 727 1. Ciascun volume preceduto da antiporta e primo frontespizio finemente illustrati da incisioni in rame. Solida legatura coeva in piena pergamena dorsi lisci con fregi e titoli in oro su doppi tasselli. Esemplare genuino marginoso e ben conservato. Cfr. Agnelli-Ravegnani I 222-223: "Bella e pregiata ediz. Essa segue la lezione del Morali.". Molini unknown
1823Due volumi di cm. 14, pp. (8) xxxviii, 699 (1); (4) 727 (1). Ciascun volume preceduto da antiporta e primo frontespizio finemente illustrati da incisioni in rame. Solida legatura coeva in piena pergamena, dorsi lisci con fregi e titoli in oro su doppi tasselli. Esemplare genuino, marginoso e ben conservato. Cfr. Agnelli-Ravegnani (I, 222-223): "Bella e pregiata ediz... Essa segue la lezione del Morali..."..
1962Best.-Nr. 024858Carbondale: Southern Illinois University Press 1962. Reprint . Hardcover. Very Good-/No Jacket. 4to - over 9¾" - 12" tall. Edited and introduced by Graham Hough. Corner's lightly bumped 4 small dots on side exterior pages. Some light spots on cover. Text fine. 579 pages. Expedited or International shipping may cost more. Southern Illinois University Press hardcover
Best.-Nr. alb66cbe171337412a4Literary Monuments. In two volumes. Translated with a free verse by M.L. Gasparov. Edited by M.L. Andreev R.M. Gorokhova and N.P. Podzemskaya. M. Nauka. 1993. 576s. Please contact us for details on condition of available copies of the book.�SKUalb66cbe171337412a4. unknown
1786Best.-Nr. 30730Londra / Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. Very Good. Londra or Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. First Edition. 12mo. 4 xxiii 3 96 2 122 23-42 2 3-99 1 collated and complete; Bentivoglio signatures misbound A3 A5 A4 A7 A6 A8 9 10 though also complete. Frontis; engraved title page. Text in Italian. Full contemporary calf; five raised bands gilt decoration and red title label to spine; marbled endpapers; edges stained light blue; green ribbon; sky blue endpapers. Boards lightly worn with brief exposure to extremities; minor chipping to base of spine. Binding sound and interior unmarked. Scarce collection of Italian satires; ESTC speculates the book was probably printed in Livorno. ESTC N476240. Si vende in Livorno presso Tommaso Masi e compagni unknown
1786Best.-Nr. 30730Londra / Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. Very Good. Londra or Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. First Edition. 12mo. 4 xxiii 3 96 2 122 23-42 2 3-99 1 collated and complete; Bentivoglio signatures misbound A3 A5 A4 A7 A6 A8 9 10 though also complete. Frontis; engraved title page. Text in Italian. Full contemporary calf; five raised bands gilt decoration and red title label to spine; marbled endpapers; edges stained light blue; green ribbon; sky blue endpapers. Boards lightly worn with brief exposure to extremities; minor chipping to base of spine. Binding sound and interior unmarked. Scarce collection of Italian satires; ESTC speculates the book was probably printed in Livorno. ESTC N476240. Si vende in Livorno presso Tommaso Masi e compagni unknown books
Best.-Nr. 52647Bathurst. Collectible - Good. Condition: Good; 1783 8vo 5 volume set. All volumes full-bound in contemporary tree calf with gilt decoration to spine and with marbled endpapers. Text is clean throughout all volumes. Front cover detached on vol 1 and rear hinge on vol 4 has been mended with rice paper. All other hinges are fragile but holding. Leather and gilt on spines is starting to chip but all are still legible. Bookplate from Pull Court Worcestershire on pastedown in all volumes; also a label from Pull Court Library; and a signature from a T. Dowdeswell probably Thomas Dowdeswell a Colonel of the Guards who died in 1811. Without the list of subscribers and with state B of the Blake plate in vol. 3. Photos upon request. Leather Bathurst hardcover
Best.-Nr. 106334Zurigo Orell Füssli und Comp 1842. Gr.-8° 56 S. Geheft. Etwas stockfl. sonst gutes Ex. Text ital.Johann Caspar von Orelli 13. Februar 1787 in Wädenswil; † 6. Januar 1849 in Zürich war ein Schweizer Klassischer Philologe. 010 Zurigo, Orell, Füssli und Comp, 1842 unknown
2010Best.-Nr. BN434178Atheneaeum - Polak & van Gennep Amsterdam 2010. 2010. Hardcover. Orlando furioso: de razende Roeland Orlando furioso: de razende Roeland Ludovico Ariosto Atheneaeum - Polak & van Gennep, Amsterdam hardcover
2007Best.-Nr. BN646686Einaudi 2007. 2007. Softcover. Orlando furioso Vol. 12 Introduzione note e bibliografia di Lanfranco Caretti Presentazione di Italo Calvino Orlando furioso Vol. 12 Introduzione note e bibliografia di Lanfranco Caretti Presentazione di Italo Calvino Ludovico Ariosto Einaudi paperback
Best.-Nr. BN419442Hofenberg. Der rasende Roland: Band 1 1. bis 25. Gesang Der rasende Roland: Band 1 1. bis 25. Gesang Ludovico Ariosto Hofenberg unknown
1983Best.-Nr. BN506854Manchester University Press 1983. 1983. Orlando Furioso: A Selection Italian Texts Orlando Furioso: A Selection Italian Texts Ludovico Ariosto Manchester University Press unknown
Best.-Nr. BN130813Countumax GmbH. Der rasende Roland Band 1 und 2 Der rasende Roland Band 1 und 2 Ludovico Ariosto Countumax GmbH unknown
Best.-Nr. BN419443Hofenberg. Der rasende Roland: Band 2 26. bis 46. Gesang Der rasende Roland: Band 2 26. bis 46. Gesang Ludovico Ariosto Hofenberg unknown
Best.-Nr. 588601Londres, A. Dulau & Co. L. Nardini, 1801. 4 vol. in-12, demi-basane fauve à coins, plats de papier brun, dos lisse titré à filets dorés, tanches mouchetées (rel. anglaise de l’époque), [1]f.-285 pp., [1]f.-406 pp., [1]f.-285 pp., [1]f.-323 pp. et [1]f.-312 pp.-[1]f. (errata). Texte en italien.
1839Best.-Nr. 154911839 demi-veau prune, (rousseurs au support des pl.). 3 vol. in-8, 1 portrait, 85 gravures montées sur Chine, P. Knab 1839
1573Legatura in tutta pergamena rigida coeva, dorso con nervi e titolo calligrafato, due piccolissimi forellini di tarlo, un po' corto il margine interno, ma nel complesso buona copia genuina. Sc. D.
18762 volumi, belle legature in mezza pelle rossa con 4 nervi ai dorsi, tit. e fregi in oro, tagli dorati, pag. (4) 511; (4) 546 (2). In antiporta riprodotto il frontespizio della rarissima edizione del 1521 con il motto Pro Bono Malum. Lievi usure alle legature e leggerissimo foxing ad alcune pagine; nel complesso ottimi esemplari in bella e solida legatura.
186124 cm, bella rilegatura in mezza pergamena con angoli, piatti marmorizzati, titolo in oro su tassello al dorso. Conserva le copertine originali. Un ritratto di Ariosto in antiporta, p. ix con dedica al conte Carlo Pepoli; p. 223 con le edizioni dal 1516 al 1858. Cenni sulle opere in versi connesse al poema; traduzioni in latino, in varie lingue e in dialetti italiani.
1720Best.-Nr. mon0001004508Avec Approbation 1720. Hardcover. Very Good. in x in x in. French edition. Pages clean no markings wear to edges. Avec Approbation hardcover
1825Best.-Nr. 14096Milano: Bettoni 1825. Cinque volumi di cm. 215 pp. 1.800 ca. complessive. Buona legatura coeva in cartonato rigido marmorizzato con titoli in oro su tasselli ai dorsi. Qualche sezione di carte un po' brunita peraltro ben conservato e marginoso. Precede la vita dell'autore. Esemplare impreziosito da un certosino lavoro eseguito dall'antico proprietario dei volumi il quale con nitida e bella grafia ottocentesca ha aggiunto a ciascun canto un foglio con il riassunto dell'argomento forse copiato da altra edizione. Cfr. Agnelli Ravegnani p. 224 che cita un ritratto qui non presente come in molte delle copie censite. Bettoni unknown
