1.573 Ergebnisse
2006Best.-Nr. 20148Florence Leo S. Olschki 2006. First edition thus. 2006. Edizione critica a cura di Marco Doriogatti con la collaborazione di Gerarda Stimato. Premessa di Gianni Venturi. 8vo. clxxx 1071 pp. Illustrated with one color plate printed on coated paper. Original red cloth binding stamped and decorated in gilt. All edges bright gilt; ribbon marker. Unprinted cream-colored DJ. In the publisher's brown cardboard box with printed paper spinal label. Text in Italian. A truly beautiful sumptuous production of the first critical edition of Ariosto's epic poem Orlando Furioso. This is a splendid like new book and box. Uncommon. 1st Edition. Hardcover. As New/Dust Jacket Included. [Florence] Leo S. Olschki, 2006. First edition thus. hardcover
1823Best.-Nr. 154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover
1823Best.-Nr. 154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover books
1980Best.-Nr. BN100263München : Winkler Verlag 1980. 1980. Der rasende Roland.- 2 Bände: Band 1 : Gesänge 1-25. Band 2 : Gesänge 26-46. Aus dem Italienischen von Johann Diederich Gries. Textredaktion Susanne Eversmann. Zeittafel sowie Erläuterungen und einem Nachwort von Horst Rüdiger. Ariost. In d. Übertr. von Johann Diederich Gries Der rasende Roland.- 2 Bände: Band 1 : Gesänge 1-25. Band 2 : Gesänge 26-46. Aus dem Italienischen von Johann Diederich Gries. Textredaktion Susanne Eversmann. Zeittafel sowie Erläuterungen und einem Nachwort von Horst Rüdiger. Ariost. In d. Übertr. von Johann Diederich Gries München : Winkler Verlag unknown
1721Best.-Nr. 177186Duprat-Duverger Paris, Chez L Duprat-Duverger, 1810. 7 volumes In-16 reliés pleine basane blonde de l'époque. Dos lisse à petits fers dorés, pièces de titre rouge et pièces de tomaison vertes. 215 + 234 +238 + 204 +224 + 240 pages, un frontispice à chaque volume pour Roland Furieux. Tome 8 : Roland l'amoureux. Extrait de Matheo Maria Boyardo, comte de Sandiano, par M. Le comte de Tressan. Paris Chez L Duprat-Duverger, 1811. Même reliure 184 pages, frontispice. Bel ensemble.
1810Best.-Nr. FB5630(1&2) /17Tomes 1-2 & Tomes 3 - 4. bound as two books. Red calf spine with marbled boards. Gilt title and banding. Dimensions are for one book. Four books encapsulated into two volumes. The interior of all four books is good and clean. The 19th century bindings have seen better days. F.B.A. debated whether to have these two volumes rebound into four books that said the economy of time suggested these volumes are first offered in their acquired condition. Orlando furioso The Frenzy of Orlando is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato Orlando in Love published posthumously in 1495. In its historical setting and characters it shares some features with the Old French Chanson de Roland of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy.The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the Orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the House of Este of Ferrara; and the war between Christian and Infidel. The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in ottava rima a rhyme scheme of abababcc. Ottava rima had been used in previous Italian romantic epics including Luigi Pulci's Morgante and Boiardo's Orlando Innamorato. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature. Ludovico Ariosto 8 September 1474 – 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" in Italian umanesimo for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism. Gioacchino Avesani. hardcover
2016Best.-Nr. 2-8806185977Nuova Raccolta Di Classici It. Annotati 2016. Paperback. New. Italian language. 9.29x5.83x3.39 inches. Nuova Raccolta Di Classici It. Annotati paperback
Best.-Nr. 38918PARIS LEFEVRE 1825. EIGHT VOLUMES. A CABINET EDITION 48mo. 10 by 7 cm. ATTRACTIVELY BOUND IN HALF LEATHER MARBLED BOARDS FRONTIS. ARMORIAL BOOKPLATE. ITALIAN TEXT. SLIGHT FOXING BUT CLEAN AND TIGHTLY BOUND. SCARCE. PARIS, LEFEVRE, 1825 hardcover
1839Best.-Nr. GF291201839 Paris - F. Knab - 1839 - 3 volumes in8 - 86 figures gravées - Reliures du temps cartonnées à la bradel recouverte de papier marbré - Pièces de titre de chagrin noir - Rousseurs - Quelques coins émoussés - Petit manque de papier en haut du dos du tome 3 - Quelques endroits un peu frottés - Agréable exemplaire cependant - Chaque volume est aux armes du Comte de Mandre -
1865Best.-Nr. 62176Bulogna: Stampari Real 1865. Cm. 29 pp. 10 414 2. Legatura novecentesca in piena canapa con titoli impressi al dorso. Brossura originale decorata preservata all'interno. Entro custodia in cart. rigido marmorizzato. Esemplare marginoso ed in ottimo stato di conservazione. La nostra copia presenta al verso del frontespizio una dicitura manoscritta: n. 252 Sig. Montalti Franco come se si trattasse di un esemplare ad personam. Testo su due colonne. Stampari Real unknown
1865Cm. 29, pp. (10) 414 (2). Legatura novecentesca in piena canapa con titoli impressi al dorso. Brossura originale decorata preservata all'interno. Entro custodia in cart. rigido marmorizzato. Esemplare marginoso ed in ottimo stato di conservazione. La nostra copia presenta, al verso del frontespizio, una dicitura manoscritta: n. 252 Sig. Montalti Franco, come se si trattasse di un esemplare ad personam. Testo su due colonne.
1732Best.-Nr. 11208Hamburg: Abram Vandenhoek 1732. Frontispiece portrait. Contemporary half-calf over marbled boards worn hinges cracked; interior good. Ownership inscription on fly-leaf booklabel of James Vivian Tippet. Later edition edited by Rolli tutor to the Prince of Wales who also wrote libretti for Handel and other composers translated Milton and Shakespeare and generally did much to introduce Italian literature to an English audience. Abram Vandenhoek unknown
1814Best.-Nr. 435523Londra: Presso Romualdo Zotti No.16 Broad-Street Golden-Square 1814. Hardcover. Good. Four volumes. 12mos. Volume one illustrated with an engraved frontispiece plate. Text in Italian. Bound in contemporary full parchment gold tooling on both covers and spine plain endpapers edges sprinkled. Owner's name in ink on front free endpaper of volume one only. The parchment covers are dust soiled and splaying else very good the text pages are clean and tight. A varorium edition edited by Romualdo Zotti: "con note e dilucidazioni grammaticali da Romualdo Zotti ad uso degli studiosi della lingua italiana.". Presso Romualdo Zotti, No.16, Broad-Street, Golden-Square hardcover
1732Best.-Nr. 11208Hamburg: Abram Vandenhoek 1732. Frontispiece portrait. Contemporary half-calf over marbled boards worn hinges cracked; interior good. Ownership inscription on fly-leaf booklabel of James Vivian Tippet. Later edition edited by Rolli tutor to the Prince of Wales who also wrote libretti for Handel and other composers translated Milton and Shakespeare and generally did much to introduce Italian literature to an English audience. Abram Vandenhoek unknown books
1814Best.-Nr. 435523Londra: Presso Romualdo Zotti No.16 Broad-Street Golden-Square 1814. Hardcover. Good. Four volumes. 12mos. Volume one illustrated with an engraved frontispiece plate. Text in Italian. Bound in contemporary full parchment gold tooling on both covers and spine plain endpapers edges sprinkled. Owner's name in ink on front free endpaper of volume one only. The parchment covers are dust soiled and splaying else very good the text pages are clean and tight. A varorium edition edited by Romualdo Zotti: "con note e dilucidazioni grammaticali da Romualdo Zotti ad uso degli studiosi della lingua italiana.". Presso Romualdo Zotti, No.16, Broad-Street, Golden-Square hardcover books
1811Best.-Nr. RO80061081VITARELLI, Venezia. 1811. In-18. Relié demi-cuir. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 299 + 317 + 364 + 348 + 306 pages. Frontispice en noir et blanc. Titre, filets et tomaison dorés sur le dos cuir vert foncé. Coins frottés. Traces de mouillures sur le 1er tome, dans le texte et sur les plats de couverture.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1821Best.-Nr. RO40242416Presso Lefevre, Parigi. 1821. In-32. Relié cuir dos-coins. Bon état, Couv. légèrement passée, Dos satisfaisant, Non coupé. 8 tomes d'env. 250 pages chacun. Gravure en noir et blanc en frontispice du tome I (portrait). Titres, tomaisons, fleurons et filets dorés sur les dos. Etiquettes de code sur les couvertures. Quelques tampons de bibliothèque. Quelques rousseurs. Reliure du tome VII tachée.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1853Best.-Nr. R260154994CHEZ J. BRY AINE / ROMANS DU JOUR ILLUSTRES / ROMANS ILLUSTRES. 1853. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Quelques rousseurs. 3 ouvrages reliés ensembles : 400 + 176 + 48 pages. Dos de cuir marron à 4 nerfs, pièce de titres grise, titres, filets et roulettes dorées, papier tons marrons sur les plats. Texte sur 2 colonnes. Nombreuses illustrations en noir et blanc dans le texte.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1836Quattro volumi in 8°, pagg. XXVI, 474; 488; 475; 496. con ritratto dell'Ariosto inciso in rame all'antiporta del primo volume. Elegante legatura coeva in mezza pelle blu con angoli, titoli oro e fregi al dorso. Sguardie marmorizzate e tagli dorati. Con la vita dell'Ariosto scritta dal Barotti. Qualche arrossatura sparsa ed una pallida gora all'inizio del 2° volume. Esemplare ottimo. peraltro bell'esemplare ad ampi margini ed in ottimo stato di conservazione. . Graesse I, 200..
1739Best.-Nr. 344851739 Venise - Giuseppe Bortoli - 1739 - 3 volumes fort in12 de XXIV - 700 - 713 et 708 pages - Reliure plein vélin ivoire d'époque - Dos 4 nerfs - titres manuscrits - Quelques piqures - Bon exemplaire -
1844Best.-Nr. 20171844 P., J. Mallet et Cie Editeurs, 1844. Grand in-8°, demi veau rouge, dos lisse orné de rocaille dorée, titres dorés, plats de papier "chagriné" rouge, signet (Reliure de l'époque).
Best.-Nr. 27193Paris Chez la Veuve Barrois & fils 1775 in 16 (14,5x8,5) 4 volumes reliures plein veau fauve de l'époque, dos lisses ornés, pièces de titre de maroquin rouge, filet doré sur les coupes, tranches marbrées, XXXIV [1] 375 pages, 460 pages, 436 pages, 396 pages. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Best.-Nr. ORD-20367Paris. Nepveu. Aimé-André. 1822. 3 volumes in-8 (135 x 210 mm) dos carrés à fx-nerfs, veau rouge cerise, finement et richement ornés, plats, gardes et tranches marbrés Tome I: fx-titre, frontispice, titre, XLIII pp. copie d'un autographe de l'Arioste, 463 pages. 3 planches h.t. Tome II: 2ff.n.ch., 480 pp. 3 planches h.t., Tome III: 486 pp. et 3 planches h.t. Dos des reliures un peu passés, rares rousseurs éparses. Bons exemplaires.
1846Best.-Nr. 122997Paris Paulin 1846 4 vol. reliés 4 vol. in-16, demi-maroquin rouge à coins, dos à nerfs richement ornés de filets et fleurons dorés, têtes dorées, reliure de l'époque signée Belz-Niedrée. Quelques petites rousseurs, mais bel exemplaire dans une fine reliure signée.
1846Best.-Nr. 122997Paris Paulin 1846 4 vol. reliés 4 vol. in-16, demi-maroquin rouge à coins, dos à nerfs richement ornés de filets et fleurons dorés, têtes dorées, reliure de l'époque signée Belz-Niedrée. Quelques petites rousseurs, mais bel exemplaire dans une fine reliure signée.
