1573 risultati
rif. 30061A Paris, Chez Laporte, [1795] ; 4 volumes in-8, demi-veau marbré havane, dos lisse, estampé de frises et filets dorés, pages de gardes et tranches jaspées, pièces de titre, titre et tomaison en lettres dorées, non rognés. (Reliure de l'époque). 2 ff., 374 pp - 2 ff., 390 pp - 2 ff.,384 pp et 2 ff., 389 pp.
rif. ORD-423In Parigi. Appresso Fantin. 1803 - 1804. 4 tomes en 4 volumes in-8 (148 x 222mm) plein veau raciné, dos lisse richement orné, pièces de titre et de tomaison citron, guirlande encadrant les plats, gardes marbrées. Tome I: LXXIX, 360 pages, portrait de l'auteur et 12 gravures hors texte. Tome II: 452 pages, 11 gravures. Tome III: 448 pages, 12 gravures. Tome IV; 452 pages (la dernière chiffrée 442), 11 gravures. Complet des illustrations. Rousseurs fortes par endroits, reliures de l'époque un peu passées mais encore très séduisantes.
1785rif. 87275Imprimerie de Ph.-D. Pierres, Imprimeur Ordinaire du Roi 1785 In-12. Reliure de l’époque plein veau glacé fauve, dos lisse orné de petits fers dorés, triple cadre doré sur les plats, contreplats encadrés de roulette dorée, tranches dorées, 139 pp. reliure légèrement frottée, brunissures marginales sur la page de faux-titre et sur la dernière page.
1562[Teatro] (cm.13,7) bella mz. pergamena antica ben restaurata. sguardie antiche. -- cc. 36, marca tipografica al frontis e fregi e capilettera figurati, elegante corsivo. Edizione originale molto rara. E' parte separata della prima edizione collettiva delle commedie. Vedi le ampie note in Bongi e Agnelli-Ravegnani. Esemplare bello e ben marginato. * Allacci 552; * Bongi II 142; * Agnelli-Ravegnani II 79; * Graesse I 204; * Adams A 1647; * Bm. Stc. 38. Il Census Iccu registra solo 12 copie nelle biblioteche italiane.[f64] Libro
1888rif. 70907Traduit par A.-J. du Pays et illustré par Gustave Doré, nouvelle édition, 1 vol. fort in-folio reliure d'époque demi-chagrin maroquiné bleu, dos à 5 nerfs orné (fleurons), Librairie Hachette et Cie, Paris, 1888, VIII-658 pp.
1775Quattro volumi di cm. 21,5, pp. (8) 321 (1); 391 (1); 407 (3); 410. Ritratto dell'Ariosto all'antiporta del primo volume e 92 tavole fuori testo incise in rame per opera di Cochin e altri (ciascuna protetta da velina). Legatura coeva in piena pelle, dorsi lisci con titoli su doppio tassello e ricchi fregi in oro. Piatti inquadrati da greca in oro, tagli e sguardie marmorizzati. Doppio ex libris. Qualche traccia d'uso esterna prevalentemente alle cuffie. Peraltro esemplare marginoso ed in ottimo stato di conservazione. Impresso su carta vergata. Agnelli-Ravegnani (II, 289): "E' questa una delle più pregiate e ricercate stampe francesi del Furioso... Più che per la traduzione in prosa del D'Ussieux, questa edizione è cara ai bibliofili per il ritratto dell'Ariosto e per le 46 bellissime incisioni su rame e fuori testo, disegnate dal Cochin.". Cohen (97-98): "Les estampes, faites exprès pour cette édition, sont fort belles...".
rif. 88234Nizza Società tipografica 1785. Ganzleder gebunden; marmorierte Einbände reich verzierte goldgeprägte Rücken je 1 grünes und 1 rotes goldgeprägtes Rückenschild Rotschnitt / 5 Bände / Anz. Seiten: XXXVIII 411 381 391 387 404 / 10 x 162 cm / Zustand: sehr gut geringe Alters-/ Gebrauchsspuren; Ecken teils etwas beschabt/bestossen äussere Lagen teils leicht stockfleckig Bibliotheksstempel auf Titelseiten handschriftliche Nummerierung auf Innendeckeln handbeschriftete Papieretiketten an Rücken Nizza, Società tipografica, 1785 unknown
1775rif. 434078Paris : Chez Brunet Libraire 1775. 1st edition. Hardcover. Good copies in paper-covered boards backed in gilt-blocked cloth. Covers and spine stained nicked bumped roughly rubbed as with age and cracked with some loss. Physical description; 1-3 vols 24 cm. Subjects; Ariosto Ludovico 1474-1533. Franzosisch. Ubersetzung. Paris : Chez Brunet, Libraire hardcover
1823rif. 343Florence Italy Firenze: Presso Giuseppe Molini 1823. Contemporary fine vellum. Very Good. The most celebrated epic poem of the Italian Renaissance in beautiful contemporary fine vellum binding. Condition: VG or better. Complete. BOOK INFO Published in 1823 by Giuseppe Molini in Florence Italy. Complete in two volumes. In the original Italian. Bound in contemporary to near contemporary fine full vellum. Boards with single fillet gilt paneling. Spine with compartments ornately ruled and tooled in gilt gilt-lettered black morocco label in compartment two. Sextodecimo 16mo 5.25" x 3". Collated and complete: vi xxxvii 1 699 1 errata; iv 727 1 printer monogram. Engraved second title page and frontispiece in each volume. ABOUT THE AUTHOR & WORK Ludovico Ariosto 1474 - 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516-1532. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term 'humanism' for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism. The story is a chivalric romance which stemmed from a tradition beginning in the Late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French and English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. CONDITION REPORT: Very Good or better. Exterior and binding; firm hinges and joints tight pages slight bowing of boards sharp corners. Minimal rubbing. Soiling and aging of vellum. Slightly sunned spines. Top edge darkened per usual. Presents beautifully. Interior: Pages are bright and white. Mostly light and scattered foxing heaviest near engravings and at text block extremities. Evidence of handling: bent corners creasing an occasional smudge. A few leaves with marginal insect nibbling or some slight paper loss not affecting text. Abrasion mark to front pastedown in Vol. I. No writing ex libris marks or former owner bookplates. All in all a lovely set of Orlando Furioso volumes in exquisite fine full vellum. . Presso Giuseppe Molini unknown
1756rif. 16169Arezzo: Michele Bellotti Stampatore. Good with no dust jacket. 1756. Hardcover. Edgewear chipping to front board of volume two front paste-down of volume two detaching at bottom edge from board some text stains not affecting legibility some minor worming not affecting text in volume two otherwise light wear. Spine labels reverse volume numbers. Solid oversize hardcovers. ; Bilingual Italian and Latin languages in parallel columns. Two of two volumes complete set. Engraved portraits of Ariosto and Barbolani by Andrea Bolzoni. Signatures: v. 1: a4 A-3G4 3H6 -- v. 2: A-3G4. Title-page of t. 1 in red and black; title vignettes; decorative initials head and tail pieces. Period half leather binding with marbled boards and endpapers red spine labels with gilt lettering gilt spine rolls and decoration and black and red edge decor. Custom bookplate of Vera Kossovski on both paste-downs. Attractive 18th-century printing of the classic Italian epic poem of Lodovico Ariosto with the First Edition of the Latin translation of Torquato Barbolani. ; vii 435; 421 3 in 2v pages . Michele Bellotti Stampatore hardcover
rif. ALDR0353In Venezia Presso Antonio Zatta 1772. 4°. Gest. Titelbl. 1 gest. Taf. 214 nn. Bll. mit 12 gest. Taf. je 13 gest. Kopfstücken Argomenti u. Initialen sowie 10 gest. Schlussvignetten. Marmorierter Lederband d. Zeit mit Rückenschildchen u. Rückenverzierung in Goldprägung Einbanddeckel mit Streicheisenlinien gerahmt Vorsatz aus einfärbig bedrucktem Buntpapier auf den Innendeckeln Buchschnitt rotgefärbt Ecken u. Kanten bestoßen Lederüberzug etwas schadhaft. Seiten weiß und fleckenlos lediglich Anfangsseiten an der Oberkante schwach wasserrandig. Brunet 1437. Graesse 1199. Lanckoronska. Venezianische Buchgraphik 14 - zweiter Band dieser aus vier Bänden bestehenden venezianischen Prachtausgabe des 'Rasenden Roland'. Der Humanist und Dichter L. Ariost 1474-1533 schuf mit diesem Versepos eines der bedeutendsten Werke der italienischen Literatur. Die Tafeln stammen von angesehenen venezianischen Kupferstechern wie Giuliano Zuliani 1730-1814 u. Pietro Antonio Novelli 1729-1804 In Venezia, Presso Antonio Zatta 1772. unknown
1901rif. 4813-31021Fierenze 1901 Edition Unstated Presumed 1st of This book. 549 Pages of this small 4 1/8" x 2 5/8" x 1" bound in Heavy full gilt-blocked buckram over boards text block edged in full gold gilt perceivable tilt else content appears as unread and unblemished with Near Fine wraps displaying minimal surface/edge wear as shown. Appearance is one that the books has been kept wrapped in cloth for years and is Immaculate & highly desireablel Synopsis: This book is in Italian. Orlando furioso Italian: orˈlando fuˈrjoËzo; -oËso; The Frenzy of Orlando more literally Raging Roland is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. Orlando Furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando Innamorato Orlando in Love published posthumously in 1495. In its historical setting and characters it shares some features with the Old French Chanson de Roland of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy. The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the d'Este family of Ferrara; and the war between Christian and Infidel. The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in ottava rima a rhyme scheme of abababcc. Ottava rima had been used in previous Italian romantic epics including Luigi Pulci's Morgante and Boiardo's Orlando Innamorato. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature. Insurance & handling is included free. Extra Charges/Fees apply on Shipments Outside The U.S. and Expedited Shipments. Oversize and/or heavy books may require additional fees. Will advise. . Biblio #4813-31021 Img. 5985 & 5986 Updated 10.16.25 Firenze,
1638rif. 27683Venetia Apresso Lorenzo Griffo 1638 In-12 carré 373 ppavec la table finale, petit manque de cuir en coiffe, la reliure est postérieure d'au moins un siècle à l'impression et l'impression est plus dans l'esprit des livres du XVI ème siècle avec un bois gravé in-texte pour chaque Chant. Cours de Marge en tête. Belle étiquette d'un Libraire d'Arras du XVIIIIème siècle - menus défauts sans gravité
1785rif. 3533In Orleans: da' Torchj di L.P. Couret de Villeneuve 1785. Tre volumi di cm. 20 pp. 2 414; 2 421 1; 2 428. Bella ed elegante legatura coeva in piena pelle dorsi lisci con ricche decorazioni e titoli in oro su doppio tassello in marocchino rosso. Piatti inquadrati da filetti tipografici dentelles. Bell'esemplare fresco ed in perfetto stato di conservazione. Pregiata edizione arricchita da una legatura assai decorativa. da' Torchj di L.P. Couret de Villeneuve unknown
1785Tre volumi di cm. 20, pp. (2) 414; (2) 421 (1); (2) 428. Bella ed elegante legatura coeva in piena pelle, dorsi lisci con ricche decorazioni e titoli in oro su doppio tassello in marocchino rosso. Piatti inquadrati da filetti tipografici, dentelles. Bell'esemplare, fresco ed in perfetto stato di conservazione. Pregiata edizione arricchita da una legatura assai decorativa.
rif. 25087London: C Bathurst T. Payne et al. 1783. 5 volumes. cxxxii336 iv408 iv428 iv438 and iv322pp. half-title present in each volume. Original quarter calf over marbled boards marbled edges vellum corners. 8 engraved plates as called for including the Blake illustration in volume 3. An impressive set. . First edition thus. A very pure eighteenth century binding with some chips and wear the most serious being a weakness to the upper hinge of volume 1. Please ask for condition notes. London: C, Bathurst, T. Payne et al. 1783. hardcover
rif. 201404128Paris, Paul Masgana, libraire editeur 12 gallerie de l'Odéon, 1842-1842 ; in-12, 415-442 pp., cartonnage de l'éditeur. Les 2 volumes. En superbe état - demi-basane verte dos a 5 nerfs tranches dorées - traduction de PANCKOUCKE ET FRAMERY nouvellement revue et corrigée AVEC UNE NOTICE SUR LA VIE DE L'ARIOSTE par ANTOINE DE LATOUR.
1570rif. 022322Lyone Lyon: Appresso Guvliel. Roillio. 1570. Orignal book from 1570. Small book with nibbled edges and loss of the margins on the first 200 pages. 1148 pages plus index. A binding/reading copy only. Ludovico Ariosto 8 September 1474 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Disbound. Poor. 24mo - over 5" - 5¾" tall. Appresso Guvliel. Roillio. Paperback
1888rif. 38124Paris: Libraire Hachette Et Cie 1888. Hardcover. Very Good. Hardcover. Nouvelle Edition. Elephant Folio. A French translation of the Italian epic poem Orlando Furioso 1516 which is a chivalric romance known for its intricate plot humor and the eventual madness of Orlando Roland due to unrequited love. It is a fantastical story featuring soldiers war sorcerers mythical creatures a trip to the moon and romances between several characters. One of the longest poems in European literature it took the author over twenty years to complete Wikipedia. Gustave Doré's exquisite illustrations compliment Roland's expeditions and encounters perfectly. His detailed portrayals of sea monsters griffins fairyfolk demons and epic battles are stunning. A beautiful publisher's binding in the original red cloth with black and gilt illustration of a griffin to front board and spine. Repaired two inch split to bottom of front joint. Rear hinge interior is starting; although binding remains secure. Minor rubbing and light soiling to boards and spine. Foxing throughout; although text and illustrations remain bright. Includes 82 full page illustrations along with hundreds of in text illustrations by Gustave Doré. All plates are present. 165 pages plus plates. This is a large heavy book that may require an extra shipping fee. FRE/070925. Libraire Hachette Et Cie hardcover
1888rif. 38124Paris: Libraire Hachette Et Cie 1888. Hardcover. Very Good. Hardcover. Nouvelle Edition. Elephant Folio. A French translation of the Italian epic poem Orlando Furioso 1516 which is a chivalric romance known for its intricate plot humor and the eventual madness of Orlando Roland due to unrequited love. It is a fantastical story featuring soldiers war sorcerers mythical creatures a trip to the moon and romances between several characters. One of the longest poems in European literature it took the author over twenty years to complete Wikipedia. Gustave Doré's exquisite illustrations compliment Roland's expeditions and encounters perfectly. His detailed portrayals of sea monsters griffins fairyfolk demons and epic battles are stunning. A beautiful publisher's binding in the original red cloth with black and gilt illustration of a griffin to front board and spine. Repaired two inch split to bottom of front joint. Rear hinge interior is starting; although binding remains secure. Minor rubbing and light soiling to boards and spine. Foxing throughout; although text and illustrations remain bright. Includes 82 full page illustrations along with hundreds of in text illustrations by Gustave Doré. All plates are present. 165 pages plus plates. This is a large heavy book that may require an extra shipping fee. FRE/070925. Libraire Hachette Et Cie hardcover books
1899rif. 1396568Milano Milan: Fratelli Treves Editori Fratelli Treves Publishing 1899. Hardcover. Large quarto xvi 64 74-80 74-294 293 296-740 2 inconsistent pagination. In Good condition. Half bound in brown leather with brown cloth. Faded gilt lettering and ornamentation to spine and boards. Cracking along the joints and small tears along the spine. Boards have light stains chipping and rubbing wear along the edges and light bumping to corners. Rear board is slightly detached. Textblock has marbled end papers and a closed tear on the title page impacting some text. Light plus age toning and very minor foxing scattered on some pages throughout. Text in Italian. Shelved in Room A Oversized. 1396568. Special Collections. Fratelli Treves Editori [Fratelli Treves Publishing] hardcover
1899rif. 1396568Milano Milan: Fratelli Treves Editori Fratelli Treves Publishing 1899. Hardcover. Large quarto xvi 64 74-80 74-294 293 296-740 2 inconsistent pagination. In Good condition. Half bound in brown leather with brown cloth. Faded gilt lettering and ornamentation to spine and boards. Cracking along the joints and small tears along the spine. Boards have light stains chipping and rubbing wear along the edges and light bumping to corners. Rear board is slightly detached. Textblock has marbled end papers and a closed tear on the title page impacting some text. Light plus age toning and very minor foxing scattered on some pages throughout. Text in Italian. Shelved in Room A Oversized. 1396568. Special Collections. Fratelli Treves Editori [Fratelli Treves Publishing] hardcover books
1795rif. 59240BB4 Bände. In Parigi, nella Stamperia di P. Plassan, 1795. 23,2x14,5 cm. LXXIX, 360 (recte 368) S. mit einem Frontispiz und 24 gestochenen Tafeln; 452 S. mit 22 gestochenen Tafeln; 448 S. mit 24 gestochenen Tafeln; 452 S. mit 22 gestochenen Tafeln. Kalbshalblederbände der Zeit mit roten und braunen goldgeprägten Rückenschildern und etwas Rückenvergoldung, Deckelfiletierung, Steh- und Innenkantennvergoldung, Ganzgoldschnitt.
1967rif. 71853Milano: Electa 1967. Due volumi in folio di cui il primo di testo ed il secondo con 158 tavole in molte tonalità di colore di Fabrizio Clerici. I due volumi in legatura in mezzo marocchino rosso con ampie punte dorso a nervi con titoli in oro. Entro custodie. Legatura di De Stefanis. Solo qualche piccola spellatura esterna peraltro ben conservato. Edizione in tiratura di 350 esemplari su carta speciale della Cartiera Ventura. Il presente possiede la dicitura seguente: "Esemplare espressamente stampato per il Gr. Uff. Comm. Giovan Battista Meneghini" che come è noto fu il primo marito di Maria Callas. Electa unknown
1967Due volumi in folio, di cui il primo di testo ed il secondo con 158 tavole in molte tonalità di colore di Fabrizio Clerici. I due volumi in legatura in mezzo marocchino rosso con ampie punte, dorso a nervi con titoli in oro. Entro custodie. Legatura di De Stefanis. Solo qualche piccola spellatura esterna, peraltro ben conservato. Edizione in tiratura di 350 esemplari, su carta speciale della Cartiera Ventura. Il presente possiede la dicitura seguente: "Esemplare espressamente stampato per il Gr. Uff. Comm. Giovan Battista Meneghini" che come è noto fu il primo marito di Maria Callas.