Ariosto, et alBiblio.com
1575 risultati
1540rif. 15172Venetia:: Alberto Gratia c1540. Very rare. 85 x 132mm. Single leaf. Single leaf. Title page. Very minor wear at top edge no affect. Mounted on verso at edge onto white paper backing. Portrait of Ariosto. Suitable for framing or mating with another copy. Alberto Gratia, unknown
rif. 114234729X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1120693764.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1166984648.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1822rif. 23224Firenze: Giuseppe Molini 1822. First Edition. Hardcover. 511pp errata. Brown half calf over marbled boards spine lettered in gold. According to the publisher some of the poems in the Rime are here published for the first time. Includes annotations by Antonio Rienzi. Some foxing to title page and first few leaves. The corners of the last few leaves are worn. A very good copy. ; Octavo. Giuseppe Molini hardcover
rif. 0259088919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0428819206.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0364524952.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0666006857.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1613rif. 013158Venice: part of title page torn away 1613 Book. Fair. Hardcover. In Venetia 1613 remainder of title page torn away. 83 numbered leaves. Title page damaged where the foot of the page has been torn away with the loss of the publisher's details. Replaced with blank paper. Old vellum binding which is browned and soiled. Titled in faint ink to the spine. Old paper label to the foot of the spine which is starting to peel off. Light browning and some staining to pages. Paper repair to one of the rear free end papers. Worming to the rear board and holes to the final rear free end paper. Ink owner's name to the front free end paper a small ink flower drawn on the front pastedown and an ink inscription to the title page more or less illegible and partly scribbled through. [ part of title page torn away ] hardcover
1573Legatura in tutta pergamena rigida coeva, dorso con nervi e titolo calligrafato, due piccolissimi forellini di tarlo, un po' corto il margine interno, ma nel complesso buona copia genuina. Sc. D.
rif. 3566011592.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 3566001228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 3368062018.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 3368008935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0259598798.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 033254365X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. ria9783566011598_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Riproduzione dell'originale del 1846. La casa editrice Antigonos è specializzata nella pubblicazione di ristampe di libri storici. Ci assicuriamo che queste opere siano messe a disposizione del pubblico in buone condizioni al fine di p hardcover
rif. ria9783368008932_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Riproduzione dell'originale del 1846. hardcover
1846in-8, pp. XXIV, 117, (3), cartonato editoriale verde a stampa conservato entro custodia. Con un facsimile d'autografo del'Ariosto f.t. Precede un'ampia prefazione dell'editore. Opera pseudo-ariostea: sono in totale 242 ottave distribuite in cinque canti, seguite dalla Canzone ''Per la partenza di Ginevra'', preceduta da un proemio di Luigi Maria Rezzi. "Nel secolo scorso diverse polemiche furono fatte pro e contro l'atttribuzione di questo lavoro all'Ariosto, e significatamente in merito all'annunzio del manoscritto originale, che doveva essere stato scritto di pugno di messer Lodovico...Nel sec. XX, e precisamente qualche anno fa, forse perché quasi più nessuno crede a tale attribuzione ed autenticità, sempre il manoscritto del Rinaldo Ardito è stato, da un libraio, munificamente donato alla R. Bibl. Brera di Milano. Malgrado questo succinto preambolo, stimiamo che in una raccolta di scritti ariostei possa ancora trovar posto il Rinaldo..." (Racc. Ariostea Municipale di Reggio Emilia). Ottimo esemplare. Esemplare marginoso e impresso su carta ocra.. Racc. Ariostea Bibl. Municipale di Reggio Emilia, n. 172.
1963Mm 165x225 Collana "La Civiltà Europea" fondata da Giovanni Gentile - Opera pubblicata tra il 1961 ed il 1965. Quattrro volumi di XLII - 1750 pagine complessive nella loro brossura editoiale muta con uniforme sovraccoperta a stampa in due colori. Opera mai frequentata con pagine ancora intonse. Leggere, sporadiche fioriture ai tagli che non compromettono in alcun modo il testo. Spedizione in 24 ore dalla conferma dell'ordine.
rif. R200096586L. DUPRAT-DUVERGER. NON DATE. In-12. Broché. Etat passable, Plats abîmés, Dos abîmé, Papier jauni. 204 pages. Quelques pliures. Frontispice en noir et blanc.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
rif. 46635Paris.Brunet.1775.4 vols.in-8 reliés.Traduction de M.d'Ussieux.Portrait. 93 gravures.2ème édition parue la mème année que l'originale. Belles reliures en veau marbré.Encadrement des plats avec filets,dents de rat,motifs dorés.Dos richement décorés avec pièce de titre et de tomaison.Tranches marbrées.Quelques rousseurs et brunissures.
rif. 3741120642.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1775rif. ST17632bParis: Brunet 1775-83. 225 x 142 mm. 8 7/8 x 5 5/8". With blank leaf M6 in volume III half title in volume IV. Four volumes. A new translation by M. d'Ussieux. Appealing contemporary marbled calf gilt covers with triple gilt fillet border flat spines gilt in compartments with central patera sunburst lancet tools at corners and sides one black and one red morocco label red paste paper endpapers all edges gilt. With engraved portrait in volume I and 92 ENGRAVED PLATES with original tissue guards 46 from the Baskerville suite see below and 46 by Cochin. Cohen-De Ricci 98; Ray "French" p. 113. Bindings with half a dozen small patches of lost patina due to insect activity leather on spines a little dried and crackled occasional mild browning other trivial imperfections but an extremely pleasing copy especially internally with a clean remarkably fresh text wide margins and excellent impressions of the engravings. Our French edition of Ariosto's great sprawling romantic epic combines illustrations from two famed editions with engravings by top artists of the period. Each of the 46 cantos of "Mad Orlando" has two plates depicting the events described one from the Baskerville edition of 1773 printed in Italian for Molini and one from the quarto edition of the present French translation published just before our octavo printing. These 46 pairs of images are not only aesthetically pleasing as engravings but they allow for fascinating studies in interpretation because the pairs are consistently--and sometimes very distinctly--different one from the other. Jean-Michel Moreau known as Moreau le Jeune 1741-1814 provided illustrations for Diderot's encyclopedia and engraved works for François Boucher in addition to illustrating the works of Rousseau and Voltaire. According to the Getty Museum "publishers sought him out for his powers of observation and ability to capture nuances of gesture pose and light." Ray says that the best work by Moreau "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his heyday "he carried all before him." Ray was enchanted by the Moreau engravings seen here noting "Moreau was at the top of his form as might have been expected when the most elegant of illustrators encountered the most elegant of poets." Charles Nicholas Cochin 1715-90 was one of the foremost French illustrators and one of the most influential persons in the French art world of the 18th century. He began producing engravings in his teens was elected to the Academy at 26 and was a member of the court for 40 years doing portraits of almost every celebrity of the period. As the person who provided the finished plates from the 276 original compositions by Oudry for the famous large folio edition of La Fontaine's "Fables" 1755-59 Cochin played an instrumental role in producing what Ray says is "one of the most ambitious and successful of all illustrated books." At 50000 lines long and 26 years in the making and refining "Orlando Furioso" by Ariosto 1474-1533 is one of the most singular and extravagant of narratives ever conceived. The story takes place against the background of the war between Charlemagne and the Saracens when Orlando Roland one of Charlemagne's finest knights neglects his duty out of love for the pagan princess Angelica. After she falls in love with a Saracen and elopes Orlando goes mad and is only restored to sanity when another knight flies to the moon in Ezekiel's chariot and obtains a magic potion to break the spell. There are many more complications. First published in 1516 "Orlando" was translated into English French as here Spanish and German becoming one of the most influential works of literature writers indebted to Ariosto include Tasso Cervantes Spenser Shakespeare Milton Byron and Shelley. Brunet unknown
